Dear great Teacher Mr. Samsi, I think I've recognized an imprecision in this lesson - please let me explain my point of difficulty in the following: This advanced exercise gets a little more clear when it is broken down to 16 micro beats (because there are some syncopations in the practicing phrase): 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 Phrase: Dha - te - - dha - re dha - dhin - DHA - - - 1. Variation : - - Dha - te - - dha - re dha - dhin - DHA - (starting on 3rd matra of 16 microbeats, which equals 2nd in 8 microbeats) 2. Variation: - - - - Dha - te - - dha - re dha - dhin - (starting on 5th matra of 16 microbeats, which equals 3rd in 8 microbeats) As you can see in the 2. Variation, (if it is truly starting on the 3rd matra in the measure of 8 microbeats) there would be no room for the last bol "DHA" - which I've tried to highlight here in capital letters. Please correct me if I'm wrong. I think people still get an wonderfull idea of the magic of microbeat-delaying :)! I love how you play your theka with the microbeat-delay on this recording, starting at 18minutes: th-cam.com/video/vrJY6yDstvo/w-d-xo.html - still couldn't get my head around it, until you've shared these microbeat lessons with us (I guessthis one is in the measure of 6 microbeats right?) - so please share a lesson on theka-delaying one day. - let me express my deep gratitude for your teachings 🙏and tremendous engagement for the artform PS. Is there a possibility to donate foryour work?
guruji do you mean: shift the first syllable - dha - closer towards tit. This implies that the 'rest' of the sentence (--- tit dha d dha tin na d) remains unchanged, the first dha (which usually starts on microbeat 1) is shifted to microbeat 2, then microbeat 3, and so on. But since the rest of the sentence remains unchanged the gap between dha and tit reduces, and the whole phrase ends at the same count.
Bahut bahut dhanyawad guru ji 😊🙏❤pranam
જય હો ગુરુજી
Prnam guru ji 🙏
Bahut bahut aabhar guru ji 🙏
transform is typed wrong....please correct it...
wahh!!!guruji!! 😍
thank you guruji
Guru ji could you plz teach me tabla online plzzzzz. Greetings from Mauritius.
Guruji ❤🙏
প্রনাম নেবেন গুরুজী। 🙏🙏🙏। সমরেন্দ্র চক্রবর্তী। শ্রীরামপুর। হুগলি।
Dear great Teacher Mr. Samsi,
I think I've recognized an imprecision in this lesson - please let me explain my point of difficulty in the following:
This advanced exercise gets a little more clear when it is broken down to 16 micro beats (because there are some syncopations in the practicing phrase):
1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
Phrase: Dha - te - - dha - re dha - dhin - DHA - - -
1. Variation : - - Dha - te - - dha - re dha - dhin - DHA - (starting on 3rd matra of 16 microbeats, which equals 2nd in 8 microbeats)
2. Variation: - - - - Dha - te - - dha - re dha - dhin - (starting on 5th matra of 16 microbeats, which equals 3rd in 8 microbeats)
As you can see in the 2. Variation, (if it is truly starting on the 3rd matra in the measure of 8 microbeats) there would be no room for the last bol "DHA" - which I've tried to highlight here in capital letters.
Please correct me if I'm wrong. I think people still get an wonderfull idea of the magic of microbeat-delaying :)!
I love how you play your theka with the microbeat-delay on this recording, starting at 18minutes: th-cam.com/video/vrJY6yDstvo/w-d-xo.html - still couldn't get my head around it, until you've shared these microbeat lessons with us (I guessthis one is in the measure of 6 microbeats right?) - so please share a lesson on theka-delaying one day.
- let me express my deep gratitude for your teachings 🙏and tremendous engagement for the artform
PS. Is there a possibility to donate foryour work?
Wah wah wah Ustad ji ❤
Guru ji plz upload some tips for padhant 🙏🏻
Guruji, next video, could you play some composition with these bols please?
Namaskar Guruji , would like to learn dhir dhir exercises.
Pranam guruji 🙏🏻 my question is how I can clear my pronounciation of padhant while I read/say any bandish in high tempo
guruji do you mean:
shift the first syllable - dha - closer towards tit. This implies that the 'rest' of the sentence (--- tit dha d dha tin na d) remains unchanged, the first dha (which usually starts on microbeat 1) is shifted to microbeat 2, then microbeat 3, and so on. But since the rest of the sentence remains unchanged the gap between dha and tit reduces, and the whole phrase ends at the same count.
It's way too abstract, perhaps a visual presentation with notes of the concept might be more helpful.