Smooth Backingtrack in A Lydian
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- เผยแพร่เมื่อ 6 ก.ย. 2024
- Hello everyone,
This is the 15th backingtrack of this season!
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Hope you enjoy!
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A lydian smooth rock!!! Enjoy our track.
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Thanks,
Team CJT
- All the rights of the composition and arrangements go to their respectful owners, we base our backingtracks on them and are grateful for their inspiration -
If you want to make a playthrough just post a video of yourself playing on our backing track. Share it and put our link in the description and in the video.
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Muziek
98% of the viewers are not even subscribed. Help this channel grow by sharing, liking and subscribing to our channel.
And what I love to see are your playthroughs on this song. Just put a link to this song. All rights of this song go to CoolJamTracks
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This is the type of scale that gets you flying among the stars and nebulas, as the stars shine on you brightly
Absolutely stellar track and you have some great creative writing of modal progressions, and excellent tempo for 24th note triplets and 32nd note furious flying.. I don't know if you ever get visual impressionistic thoughts while writing and performing but when jamming over this, I can't help but get a impresion of space and peaceful twilight, then" Bam" a fire blazing comet rips through the night fabric of space in a triumphant motion.. lydian 4 = creative, 4=suspension of 3or 5 in harmony classically & historically, 4 th creation o space, planets suspension in space day of play a sus 4 chord Chord floating type of sound . Aeolian minor type of tonality, 6 classically thought and tought 6 day creation of man, also relative to 1 Ionian major parent key and resolve and mirror of 1 in sense of structure importance and colorful motion to harmony, parallelism of major and minor importance of harmonic function and even though #7 to 1 is most definitive resolution harmony would be colorless without 4 sub dominant and,6 relative minor those are the strongest colors of motion in the entire palate of diatonic harmony in my humble opinion anyways.. Life of tone would truly suck without those 2 .. # ,4, and flat or minor 6 flavors, colors, senses, motions, church keys and a ton of other theoretical interpretation... 7 days in a week, and historically classically creation, If you Solo over it use a whole tone augmented and whatever theoretical interpretation is given lol, ,6 whole steps.. and it sounds like a Robot or comet bouncing around in space against ,,, Lydian vamp.
Love playing B mixolydian over this phenomenal backing track.
Thank you very much
Me too, I'm not inspired by A Lydian on this track, I always fall playing in B mixolydian...
@@GregoireMTHZ B mixolydian = A lyidian
Lucas Guida absolutely but landing on the b toot sounds better than a
@@joebermuda6452 right, 9th sounds good
This is one soulful track.. there truly is the god factor when lydian and aeolian build some amazing call and response or shades of a picture.!.. you ceated an amazing soulful arrangement here, fall into it and melodic tapestry Big time 👍👍
What can I say? Thank you for saying all this. I also see that you’ve posted something more about it today. I will read it later and reply on you. Thanks for listening, sharing and hopefully also subscribing to my channel.
just perfect for working scale. can play all day long!
One of my favorite jam tracks! So fun to jump from E to pushing that A lydian sound at almost any moment! Perfectly ambiguous, but, still a carries strong harmonic movement. The harmonic rhythm is just right. It's a real great base for a number of different melodies.
Can anyone tell me the tempo?
beautiful track, so inspirational. Possibly my fav mode of all! thank you for helping me learn this scale!
Tempero you’re welcome. Please share and subscribe. This week we will post a new one with a lot of drive 😊
such joy...thank you for your generous song
Had a lot of fun jamming to this track, thanks for sharing!
Fantastic….you always come up with some beautiful compositions
some of the best tracks out there , i could be playing along for hours , Thank you !
MetalCrusader32 thanks so much. I appreciate it. Will be making more. Tomorrow you will see our newest track 😊 please keep on playing and sharing our tracks.
Great track! Please leave the chord sequence in the description, it will be much more useful. Improvising is all about thinking ahead, thank you!
Has a Dream Theater and Devin Townsend type vibe. Cool stuff
Although A lydian fits well the root key is B so its in fact a B mixolidian, not being the same because the B as the root note not A! ;)
So I just happened to buy a JP16 the other day and today I decided to work on some Lydian stuff and I come across your video with that guitar as the picture.
It’s such a fast guitar 😊
Do you also have a double colored fretboard?
Hi! Just want to let you know I found this backing track really useful and I loved it, great job, thanks for the contribution!!! :) cheers!
I hope you will share it more. Our channel will be more active in a little while.
even great on its own. well done willow!!!!
Awesome, and it’s free! Thanks
Yes you can listen to it and play on it. Please share and subscribe. Thank you
Love this
Thank you very much. New tracks I will add soon. Don’t forget to subscribe on our channel for this. And if you’d be so kind I hope you want to share our channels with others so they would also subscribe and like our tracks.
Very nice. I feel like I was pulled more towards the B mix scale instead, as that A didn't feel like it was resolving quite the way that I thought it should. But no worries, great track!
A Lydian and B Mixolydian actually are comprised of the same 7 notes. You could also play an E major scale over this or a C# minor scale. All the same 7 notes.
What makes it sound resolved depends on the active chord at the time. If you land on a chord tone (notes that comprise the chord) it sounds resolved. You can also land on a tension 9, 11 or 13 to change the active chord quality as long as its complementary. But if you land on a non-chord tone or sour tension, then it sounds unresolved or dissonant instead of consonant. The safe landing notes for each lick change every time the chord changes. You can either go left or right brain to nail a consonant note for each active chord.
@@PeachtreeGuitar that's the point ;) But as the B is the key note indeed, should be understood as a B mixolydian instead A Lydian. The problem here is the 'guitaristic' way of thinking about patterns but not the music!
Hmm I kept playing in C#m pentatonic, C# of course being the raised 4th that gives Lydian mode it's "feel".
@@johng2880 C# is not the raised 4th in this scale. The D# or Eflat is the raised 4th/flat5. But the C# minor scale fits because it has all the same notes as A lydian.
I agree. This feels more like B mixo. Even though A Lydian shares the same notes as B mixo, B mixi's chord tones feel more organic over this progression. Still a great backing track and fun to play over.
This is perfect.
Thank you for this awesome song.
Excellent nice backtrack for a Lydian scale
Grand!!!
Doug P Thanks man
so good man, thank you
Must say one of my favorites. Oh last check there were approximately 7 billion back tracks on you tube... hehe J/K
This is a big compliment. We will be making more. I want our channel to grow.
Very nice!!!
beautiful backing track
awesome track!
InfiniteNote thank you
Beautiful and thank you ❤
Great name
Amazing..
Loving that Ernie Ball JP model
Ebonized fretboard. That's why I bought it.
Great!!
Love it!
ryuuta sasaki Thanks very much man. I Just posted it. Help me spread This track
OK!
Nice!
nice track 😀
hi there, would I be able to use this backing track in my student film for school?
to remember quickly lydian scale :
start from F lydian = F G A B C D E F
or you can start from Bb lydian = Bb C D E F G A Bb
Than you can transpose into A lydian faster from Bb lydian.
Thanks for sharing your theory 😊
the actual Key signature is E, with C# minor as the relative minor.
True thing but it is written in A with a Lydian feel. So enjoy it and play all modes over it 😊
I usually start in C#minor when playing over this track. Also B mixolydian is very nice to play on this.
Thanks for the comment.
😍😍😍😍
The police style jaja
Hello there can I use this track for my youtube channel? I could put credit on to your channel.
If it’s with a playthrough you can but no copyright infringement and no moneytizing because Cooljamtracks wrote it. All credits need to go to us in the video and in the description. Thanks very much 😊
@@cooljamtracks Alright thank you for explaining 😊👍🏼
0:13
Yes?
@@cooljamtracks omg thanks for replying I just marked the part where I wanted to start playing, the track is so beautiful, thanks for uploading!
Have fun on this track. More is coming
@@cooljamtracks yasss
Can someone please tell me why F# Dorian works with this track?
Because that is the second mode in the E major scale.
The video : 'use A lydian mode'
Me : *starting E major scale*
Or C#m has a nice feel too 😊
Have fun playing over it.
@@cooljamtracks yeah, tried it too :)
Thanks, it's a great track !
well yea e major is the parent scale... but idea is that you start on A Lydian as jump off point to modulate even deeper and add more flavor on top of it with A being the tonic... if you just fiddle E major .. i mean yea you can do that you're cheating only yourself as far exploration goes
The notes of E major are the same but it's not good to think like that because you're not playing Lydian. A Lydian is A major with the raised 4th, in this case a D #. Playing and thinking in A lydian will make it sound way better because you're playing along with the backingtrack. Focus on the A major arpeggios and especially on the D#, the Lydian note.
@@KevinToine i kept landing on d#, does this mean im using lydian?
B mixolydian
If it gives you a Mixo feel 👍
But enjoy it
@@cooljamtracks I understand, theory can be difficult. Lemme help. The tonal center is B. Do you hear that? It isn't up to how you "feel". Starting the track on a different chord doesn't change the tonal center, which is B. Otherwise, one could equally wrongly consider this track simply E major, or any of the modes in the key of E. ( F# dorian, G# phrygian, A lydian, C# aolian, D# locrian. Hope this helped.
I have a question. I'm not well learned in theory etc but I'd be interested in knowing why when I try to use A lydian over this track I can't get anything going and it sounds wrong to my ear.. but when I use any of the relative keys to A lydian... e maj..... b mixo.... f# dorian etc... I can rip all day on it ............. *scratching my head*.................
those scales are thes same sound as lydian when played over a chord progression that so strongly implies the sound of lydian. if you wanna hear the sound of the wrong mode try A ionian, A phrygian, A mixolydian etc.
@@benjaminsimon9498 The Title of the track is for A LYDIAN. I"m asking why when I use A LYDIAN it doesn't work to my ear...but all the relatives to it DO.... and I get that they are the exact same notes... I'm trying to figure out why my ear can't grab it using A LYDIAN. Thanks though
Can you tell me the chord progression please? Beautiful track👍🏻😎
For me this was 2 years go. A major bar chord with open b and e string and the same with B major bar chord 7th position with open B and E string. The rest is easy. :)
Tell us what the chord progression is, then I'll give you a thumbs up.
👏🤣
what are the chords?
A > B
Or I >II
But Also
A > A#11
I found a solo and then realized I am rooting at C#m. This track feels like C#m more than A lydian. Or I am just tone deaf.
Some find it B mixo and I wrote it in Lydian mode. But it’s what you feel that you need to play. That’s the beauty of music 😊
The main part sounds great with the A lydian scale but when it does that chorus/ break thing, C# pentatonic works perfectly
may be because we are too accustomed to come back to "root".
What major scale is this based on
you can jam with the E major
Can i use this to my youtube?
Bang Riko Bkt yes you can put in on your TH-cam in a playthrough with our link in the video and description. The rights of the song belong to cooljamtracks.
Oke admin cool jam track. I practice then i upload i tag u.. Thanks very very usefull 😁😁😁
Anyone know what chords are in this track
Section 1: A - B
Section 2: Fm - A
Section 3: B - Cm - A
fantastic track! whats the BPM?
Paul Theriault thanks for subscribing and liking our vid. I will have to get into the original recording. You will hear from me. 3 am now 😎
138
Can anyone tell me the tempo?
What?…. Tap your finger scro
Whats the tempo
Somebody have the chords please ? =)
I gave them today to Todd.Scroll up please. Thanks
Thanks a lot!
Just lost an hour and a half. Thanks!
We have more tracks. Try our Satriani tracks. They are nice. Hope everyone will post their video playthrough with our track and description online.
ahh
it's in C# minor not A beware of this
AJstyles54540 No it’s not!! This was written in A lydian And it has a lydian feel. C# minor Can be played over This. We know This Because we wrote This piece. Next to that you could also say it is E major. After 23 years of playing I know my theory.
Oki ... the first Chords are good. but the final chord are C#sus2 not A ! Nevermind the backing track is perfect !
@@beyond_Thesun Yes it's definitely A lydian. Lydian mode is very unstable because of the tritone between the tonic and the #4 intervals so it can be confusing because there is no such a strong feeling of resolution. But here is all the strange and beautiful feeling of the Lydian ;) !
By the way, C#sus2 is totally a modal chord that fit the third degree of the Lydian mode !
Great backing track !