Another amazing set! Love how the texture builds throughout no.1, water splash like arpeggios in the 2nd were so calming, and 'Largo' has some rly powerful harmony Hard to pick a favourite :)
Ciao, Enthusiast✌ hast du eig jemals im Roslawez gediggt (so die Textur vom ersten natürlich und auch der ‚Klang’, nicht die Akkorde unbedingt aber der Vibe ist da)? Ich hab manchmal so den Eindruck… den hast du dir doch sicher mal vorgenommen? Bin mal wieder geflasht… das dritte hat mich überrascht, was es da wieder für Sachen hat: zwischendurch dieser Terz-Sekundgegenschritt so ganz artig und dann artet es noch so aus. Aus meiner Sicht deine überzeugendsten Sachen bisher… Jedes auch so ganz eigen… megagut, chapeau und keep it up.
mensch mensch, danke für dieses große lob! roslawez habe ich nur ein oder zwei stücke mal gehört, aber keinesfalls mal analysiert oder so. aber nach dem tipp werd ich das auf jeden fall nachholen! da ist also denk ich die Ähnlichkeit ein Zufall. freut mich wie immer, dass es dir gefällt! die kleine quintfallsequenz im dritten konnte ich mir an der stelle nicht verkneifen ;)
@@naphtanaptha ja dann check den mal ab. Ich würde so sagen im silbernen Zeitalter ist er bestimmt einer der Ambitioniertesten gewesen. Die zweite aus den "Trois Etudes", die "Deux Poèmes", 1. Sonate und "5 Preludes" das sind so meine Favoriten... Der Kerl ist unergründlich, er ist auch sehr interessent wenn man mal unter die kompositorische Oberfläche schaut, da realisiert er in manchen Stücken so einen Protoserialismus (2. Etude z.B.) ...wenn die Sovjets das nicht alles untergebuttert hätten, wäre er im öffentlichen Bewusstsein heute wahrscheinlich so wichtig wie Schönberg oder Skrjabin. Für mich ist er das eigentlich auch so! :DDD Einfach richtig geile Musik, 10/10
Wow.. absolutely delightful! I'm glad I came across this. The first piece struck me as incredibly beautiful from the start, and it didn't stop being good. They're all good, and I like the first and last most. It's like you gave each piece its own identity and didn't just toss it out after a couple of bars, but instead took it on an adventure. It's really satisfying to listen to. Also the lofi sound quality makes it sound kinda eerie which is a nice aesthetic, but I'd love to hear these on a grand in a concert hall with good quality mics.
The scores for anyone wishing to read or play through it :) 1: musescore.com/user/34360945/scores/19731640 2: musescore.com/user/34360945/scores/19731643 3: musescore.com/user/34360945/scores/19731646 4: musescore.com/user/34360945/scores/19731649
nice catch! I did have that piece in mind actually. I had been thinking about lupus recording for a long time and this was kind of my way to process it :)
@@naphtanaptha tbf w the few pitches on the keyboard and the few combinations of pitches that 'sound good', the recurrence of such figures from time to time, even in similar contexts, is nigh unavoidable
that's true, although the rhythm and shape of the melody is in parts very, very similar to the b section in 8/12. not to say that's a problem, its just kind of interesting how we are shaped by the art we consume and value :)
Honestly I think the first movement is rather 4+3 rather than 4+3+3, because of the dotted quarter note. But overall I love the romantic/impressionistic vibe of the pieces, keep up the good work! (compose more atonal stuff lol, i loved the atonal fugues)
thank you! I don't quite understand, what do you mean with because of the dotted quarter note? (and 4+3/8 or 4+3/16? because neither adds up to the correct number of 16ths) as for the atonal stuff, I feel like im inching my way to my own style of atonality so there definitely will be some in the future! the atonal fugues were a bit of an outlier
![[Re:all TREASURE] EP.6 in 방콕ㅣ🚩 쩡캠의 방콕 투어 빵 마이 와이 👍](http://i.ytimg.com/vi/uyFw-nItA_s/mqdefault.jpg)
![🎤 จับฉลากร้องเพลง x P’ #XXSIVK [EP.1] (2/2) เพื่อนจับได้คำไหน..ต้องร้องคำนั้น เริ่ม! 💓🎶 #MXFRUIT](http://i.ytimg.com/vi/1bJvMJXmeS4/mqdefault.jpg)
I feel good just listening to it
No. 4 is absolutely stunning. Well done! 👏👏
Another amazing set! Love how the texture builds throughout no.1, water splash like arpeggios in the 2nd were so calming, and 'Largo' has some rly powerful harmony
Hard to pick a favourite :)
thanks :) very glad you enjoy them!
Ciao, Enthusiast✌ hast du eig jemals im Roslawez gediggt (so die Textur vom ersten natürlich und auch der ‚Klang’, nicht die Akkorde unbedingt aber der Vibe ist da)? Ich hab manchmal so den Eindruck… den hast du dir doch sicher mal vorgenommen?
Bin mal wieder geflasht… das dritte hat mich überrascht, was es da wieder für Sachen hat: zwischendurch dieser Terz-Sekundgegenschritt so ganz artig und dann artet es noch so aus. Aus meiner Sicht deine überzeugendsten Sachen bisher… Jedes auch so ganz eigen… megagut, chapeau und keep it up.
mensch mensch, danke für dieses große lob! roslawez habe ich nur ein oder zwei stücke mal gehört, aber keinesfalls mal analysiert oder so. aber nach dem tipp werd ich das auf jeden fall nachholen! da ist also denk ich die Ähnlichkeit ein Zufall.
freut mich wie immer, dass es dir gefällt! die kleine quintfallsequenz im dritten konnte ich mir an der stelle nicht verkneifen ;)
@@naphtanaptha ja dann check den mal ab. Ich würde so sagen im silbernen Zeitalter ist er bestimmt einer der Ambitioniertesten gewesen. Die zweite aus den "Trois Etudes", die "Deux Poèmes", 1. Sonate und "5 Preludes" das sind so meine Favoriten... Der Kerl ist unergründlich, er ist auch sehr interessent wenn man mal unter die kompositorische Oberfläche schaut, da realisiert er in manchen Stücken so einen Protoserialismus (2. Etude z.B.) ...wenn die Sovjets das nicht alles untergebuttert hätten, wäre er im öffentlichen Bewusstsein heute wahrscheinlich so wichtig wie Schönberg oder Skrjabin. Für mich ist er das eigentlich auch so! :DDD Einfach richtig geile Musik, 10/10
super, danke für die tips! bin schon gespannt :)
You have a real gift !
TH-cam just recommend this to me and I got surprised positively. I'm in love by No. 2, but the whole set is great. Greetings from São Paulo, Brazil.
dawg this is so good
Wow.. absolutely delightful! I'm glad I came across this. The first piece struck me as incredibly beautiful from the start, and it didn't stop being good.
They're all good, and I like the first and last most.
It's like you gave each piece its own identity and didn't just toss it out after a couple of bars, but instead took it on an adventure. It's really satisfying to listen to.
Also the lofi sound quality makes it sound kinda eerie which is a nice aesthetic, but I'd love to hear these on a grand in a concert hall with good quality mics.
thank you so much :) maybe ill (or someone else) get the chance to record them properly someday!
The scores for anyone wishing to read or play through it :)
1: musescore.com/user/34360945/scores/19731640
2: musescore.com/user/34360945/scores/19731643
3: musescore.com/user/34360945/scores/19731646
4: musescore.com/user/34360945/scores/19731649
Amazing...
I sense a perfect blend of Ravel and Scriabin harmonies, as well as your own unique harmonic understanding
thank you, what a great compliment :)
Beautiful
The third has a real "Brahmsian" beginning (Op. 119/1) ;) Otherwise, wonderful compositions!
nice catch! I did have that piece in mind actually. I had been thinking about lupus recording for a long time and this was kind of my way to process it :)
It also has the same key and starts on the same (enharmonic) note as Brahms op. 10 no. 4 (same texture)
8:21 Scriabin Op. 8 no. 12 reference?????
Oooh fun :)
haha yeah, didn't even notice. but ive played that piece and love it so much so that was definitely what influenced me subconsciously!
@@naphtanaptha tbf w the few pitches on the keyboard and the few combinations of pitches that 'sound good', the recurrence of such figures from time to time, even in similar contexts, is nigh unavoidable
that's true, although the rhythm and shape of the melody is in parts very, very similar to the b section in 8/12. not to say that's a problem, its just kind of interesting how we are shaped by the art we consume and value :)
Honestly I think the first movement is rather 4+3 rather than 4+3+3, because of the dotted quarter note.
But overall I love the romantic/impressionistic vibe of the pieces, keep up the good work!
(compose more atonal stuff lol, i loved the atonal fugues)
thank you! I don't quite understand, what do you mean with because of the dotted quarter note? (and 4+3/8 or 4+3/16? because neither adds up to the correct number of 16ths)
as for the atonal stuff, I feel like im inching my way to my own style of atonality so there definitely will be some in the future! the atonal fugues were a bit of an outlier
@@naphtanaptha oops i meant to say 4+6/16 not 4+3
wow, great job! how long have you been playing the piano and composing?
thank you :) piano for about 4.5 years, composing about 2.
@@naphtanapthaWow!! I would have guessed at least 10 years composing/15 years playing piano
@@naphtanaptha out of curiosity, and if you don't mind sharing, how old are you?
thanks! I had lots of time to study and two great teachers.
I am 21