How to sing opera with Joyce DiDonato - Royal Opera Masterclass
ฝัง
- เผยแพร่เมื่อ 26 ก.ย. 2019
- Joyce DiDonato - one of the world’s leading mezzo-sopranos - coaches members of The Royal Opera's Jette Parker Young Artists Programme in this masterclass.
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Supported by Rolex
and the Paul Hamlyn Education Fund
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American mezzo-soprano Joyce DiDonato made her Royal Opera debut in 2003 as Fox (The Cunning Little Vixen), and has since returned to sing Rosina (Il barbiere di Siviglia), Donna Elvira (Don Giovanni, including on tour with The Royal Opera to Japan), Cendrillon, Elena (La donna del lago), Maria Stuarda, Charlotte (Werther), Semiramide and in Plácido Domingo’s 2012 Operalia concert and a recital with Antonio Pappano. In the 2019/20 Season she sings the title role of Agrippina.
DiDonato grew up in Kansas and studied music education at Wichita State University and singing at the Academy of Vocal Arts, Philadelphia, on the Santa Fe Opera’s Apprentice Singer Program (1995) and on San Francisco Opera’s Merola Young Artists Program (1997). She won second prize in Operalia in 1998 and has gone on to win international acclaim in bel canto and other repertories. Engagements include Composer (Ariadne auf Naxos), Sycorax (The Enchanted Island), Angelina (La Cenerentola), Isolier (Le Comte Ory), Maria Stuarda, Cendrillon, Adalgisa (Norma) and Sesto (La clemenza di Tito) for the Metropolitan Opera, New York, Cendrillon for the Liceu, Barcelona, Didon (Les Troyens) for Vienna State Opera, Octavian (Der Rosenkavalier) for La Scala, Milan, Idamante (Idomeneo) for Paris Opéra and Edinburgh Festival, Elena for Paris Opéra and Santa Fe Festival, Sister Helen Prejean (Heggie’s Dead Man Walking) for Teatro Real, Madrid, Romeo (I Capuleti e i Montecchi) in concert for Deutsche Oper Berlin and Agrippina in concert in Spain and France.
DiDonato appears regularly at the world’s leading concert halls and sang at the 2013 BBC Last Night of the Proms. Her wide discography includes seven solo albums. She was the 2010 Gramophone Artist of the Year, won a Grammy Award for Best Classical Vocal Solo in 2012, in 2015 and 2017 won Female Singer of the Year at the ECHO Klassik Awards, in 2017 won a Gramophone Award and in 2018 won the Handel Music Prize and an Olivier Award for outstanding achievement in opera. - บันเทิง
![[Vowel]물고기는 물에서 살아야 해🐟🤣Fish have to live in the water #funny](http://i.ytimg.com/vi/3G9MH063Cx4/mqdefault.jpg)
I'm getting addicted to Joyce DiDonato's masterclasses.
Same. I listen voraciously to her critiques on the Mozart pieces in particular. Absolute PEARLS of wisdom.
Heel goed gedaan
Same here!!!
I know, I could watch her masterclasses all day! She is so engaging!
Been hooked on them for a while now XD
the pianist is amazing, he kept stealing my attention with his wonderful playing
ternitamas Yes, me too 😀
Agree
I love watching how invested he is in taking in what Joyce is saying about the piece and in a way channeling it into his own playing
1. Masabane Cecilia Rangwanasha, soprano, South-Africa (1st year)Mozart: Le Nozze di Figaro: Dove sono (the Countess)2. Stephanie Wake-Edwards, mezzo-soprano, Great Britain (1st year)Händel: Hercules: Where shall I fly3. Yaritza Veliz, soprano, Chili (2nd year)Bellini: Capuleti e i Montecchi: Eccomi in lieto vesta
Thank you!
Thank you so much!!!
All pretty spectacular. The third singer seemed most involved emotionally. And the pianist should receive a medal. That’s extraordinary playing, a true collaboration. His phrasing was an object lesson.
I could watch her explain text and subtext all day. What a great teacher.
I am not a singer, and yet I am here for another of Joyce's masterclasses. She doesn't just teach how to sing better. She teaches how to live better.
What the brilliant voice master class! DiDonato is a great voice teacher who can inspire students to be an incredible stage artists! And the pianist is so much talented! Thanks for posting this video!
It would be great to also have the names of the performers in the description, and the names of the pieces they’re performing...
Right! Instead of it being all about Joyce.
Absolutely!!!
Cecilia Rangwanasha, Stephanie Wake-Edwards and Yaritza Veliz.
@11:55 When Joyce asks Cecilia if she sings Sull'aria, Joyce is complimenting Cecilia to the point of suggesting that Cecilia might be invited to sing the Sull'aria duet with Joyce.
@@caninbar 🙄
That pianist is first rate. Such a talent!!!
Ms. DiDonato is sooo kind and engaging, and such a brilliant artist and coach. Fantastic human being!
OMG the first young lady blew my mind she has such a beautiful coloratura in her voice!! Congrats girl👍👍👍👍I look up to you all opera singers!
And the pianist is the must!
JDD is genius, and this is the most consistently fine and promising singing I have heard anywhere. These three young young ladies have great careers ahead and Bravo to ROH for bringing historical and fach-appropriate singing back. I hope the Met doesn’t get a hold of any of them anytime soon. Can’t state enough superlatives here.
Omg the third singer slayed that aria! She was great.
Excellent accompanists. It's like having an orchestra.
this is incredible. oh do i dream of being a participant of one of joyce’s masterclasses one day. but for now this is close enough :)
I wish she worked with older singers.
Wonderful, I'm in awe! Thank you for sharing two incredible hours of this magic with us. I'm pretty ignorant to a lot of the arts as I was quite a philistine until I hit my 30s but I'm really enjoying watching and learning on your channel. Many thanks again!
👏👏👏 *standing ovation* 👏👏👏
such a great trio of student singers. lovely. especially the mezzo in the middle caught me.
Watch More of Joyce didonato on my Channel !! (Don't forget to Subscribe
Patrick the pianist did an amazing job!
What a difference a year makes! I always appreciate a singer who remembers to emote. I think it's super bizarre when you're watching an opera and the performer is so focused on singing they forget to act.
Joyce, I love you!!!
Nobody had given master classes like this!
This is a real master class!!! 👏🏽👏🏽👏🏽
Joyce is excellen and marvelous coach,❤ she is so patient, friendly and explain so so clear. 👍👍👍✌👏
I love Joyce DiDonato’s masterclasses. Bravo!
Watch More of Joyce didonato on my Channel !! (Don't forget to Subscribe
The third singer seems to have the best capacity for genuine emotional expressions. She could take it to the next level by using glissandos in appropriate places. She could also work on her breathiness as well as using some chest voice.
Our very own......beautiful performance madam
The pianist is super expressive!
Me encanta me encanta me encanta!!! Gracias !!!!! 🥰😍🙌🏻🎉🤩
I just read John Crace's article and wanted to see who Joyce was. Turns out she and this master class is amazing!
Netherlands91 May you share the article link?
That first Dove Sono brought tears to my eyes.... Magnificently transmitting the essence of the aria
All were great!
Boths are amazing here! Delicious to hear ( st. an teacher)👏🏻👏🏻👏🏻❤️❤️💯💯
Excellent! Thank you.
South Africa 🇿🇦 beautiful indeed
The accompanists are wonderful.
It is amazing how far Ms. Cecilia has come over just the past year. I love watching her and Ms. Wake-Edwards careers!
Me tooooo ,love Joyce , she’s wonderful xx
Always amazing, Joyce the teacher!
I can't believe that superman could play the piano.
The young lady from Chile made me cry. Holy crap. Amazing.
Watch More of Joyce didonato on my Channel !! (Don't forget to Subscribe
oh me too. thank you for sharing.
THANK YOU!!!!!
Je l'adoooore ! Elle chante du lyrique comme du tango, elle donne toute la place au texte ...
pensei que fosse amor, mas era silada... achei que fosse eu mas era outra pessoa, alguém que viveu no passado ou que vive além das estrelas. thak you JOYce, you are supreme :)
Loving Cecilia 💕❤️
An incredible instrument!
I'm a pianist but I read and got mucg from Fleming's book and I keep coming back to these !
I need this on TV weekly. Sunday nights
Beautiful singing Masabane! So proud! 🇿🇦🇿🇦🇿🇦🖤💛💚❤️
Cecelia is fantastic....could listen to her all day
Yaritza Veliz, soprano, Chili...tears tears tears, unbelievable beautiful breathtaking, how am I crying during her practice session?
The last girl is terrific
Speechless 💜💜💜💜
The second singer was amazing, she shaded all the others! I'm in awe!
Agreed! Lots of emotion and range.
And I'd have thought her aria was by far the most difficult, technically.
Joyce eres increíble cantante y maestra!!!!
Just love Masabane Cecilia Rangwanasha - she's definitely one to watch!
Joyce i love youuuuuu!!!!!!👏👏👏👏
I like how Joyce pronounces a clear 'd' sound. Often singers change Ds to Ts.
Zelmira sometimes it’s easier/preferred to punctuate certain sounds with the plosive consonant.
Joyce is divine.
Wow, what a treat. Wish I could sing, at all. Hehe
Lmao
They are all wonderful but THE WAY MY HEAD WHIPPED AROUND when Yaritza started to sing. PHEW 🤌🏾
Cecilia 👏👏♥️🇿🇦🇿🇦
Brava Yaritza!!! 😃😃
She was gorgeous!
Harry Potter was simply amazing on the piano.
She always amazing
I went to Juan Diego Florez's master class on 6th. I wish I'd known about this one as I'm sure it was also fantastic. Having watched this, I can say it was wonderful. Interestingly, Stephanie was one of the 3 singers in Florez's master class too - lucky girl, & 2 very different arias.
Do you remember what did she sing where?)
@@mayi6350 For the Florez masterclass, she sang an aria from Tancredi (Rossini). Here it's Handel & I'm not sure what it's from. She certainly has scope.
Ifmusicbethefoodoflove Egc
The aria that she is singing here is “Where shall i fly?” . It’s from Handel’s Hercules.
Ifmusicbethefoodoflove Egc thanks a lot!
@@mayi6350 My pleasure.
She was Amaaazing 👏👏👏
what's the name of the pianist 😁
Patrick Milne
👏🎉👏🎉👏🎉
besides from the singers Beautiful performance; pianist name please!
I absolutely love Joyce❤️
Cecilia❤❤❤❤❤❤❤❤❤❤
That pianist is so wonderfully.......thin, wow, what is he doing. I must have his personal trainer. lol.
who is the wonderful ;pianist?
Patrick Milne
Thanks a lot for all these details about music and human Voice* utube smile by john bavas
The pianist is excellent!!- What's his name?
Patrick Milne
Love Yaritza Veliz
achei que era paixão, mas era APENAS Brahms com toques de Schubert e face of Clara Schumann
Por favor, podrían poner subtítulos en español, please? Gracias!
Oh ! the pianist! 😇😇😩😩
Sombody, please, what's the name of the pianist? Patrick????? thanks
Patrick Milne
It would be a dream to get the chance to work with her someday!
Can’t wait to see Mister Opera’s videos using this masterclass... 🤭
It’s a masterclass. As in students. Of course they aren’t perfect little professionals. Go be a troll somewhere else.
... Joyce DiDonato’s pearls of wisdom... 🤦♂️
@@LaDivinaLover you completely misunderstand the comment: the problem is not the students - it's Joyce's damaging vocal technique.
And, why are you people so fast to be offended on the behalf of others?
Who cares for the bitchy crap Mister Opera utters...
@@Bumblebeebeebee 😂😂😂😂😂😂😂
What is that move at 1:06:09 ? 😅
Oggi "tutte" fanno le masterclasses....anche la mia portiera.
Cecilia ..
First singer is extremely talented, but sings so small..... IT"S OPERA!!!!!
It's because she is singing in a collapsed head voice -- almost all modern opera singers do. Their chest voices aren't developed; therefore, they lack the squillo to carry the sound. They can be fully exerting themselves, but without that aspect their voices are consumed by the acoustics of the stage. It is a shame that talent is swallowed so easily.
I would say three things about it:
01. I totally agree as an opera consumer. Customers will need more release. We need more.
02. As a talent developer, however, I recognize that she is still developing the delivery system of her product.
03a. If she would release all of that enormous talent to the Opera Industry right now, she would become a one-hit wonder or a casualty of the Industry.
03b. An effective delivery system needs to be in place if you want to survive and stay in any business. Delivery is key.
In the words of a legendary supertalent: "Give it time baby, give it time.!" [Pearl Baily]
A note about the release of more chestvoice: Like a safe belting technique, this kind of technique needs a special approach and if not done appropriately can have adverse effects on the voice. As a singer I know that her style of singing for now is the safest way to deliver her talent. Let's hope she finds a Singing Master to help her safely release that glorious squillo.!
@@augustjoseph629 did you get this "collapsed head voice" idea from that This is Opera page? That term hasn't been used til he came around, however, on lots of videos of modern singers I see commented use this terminology. I've seen a number of his videos and he does have some valid points. Problems with volume output and being able to sing over an orchestra or any form of accompaniment comes from not fully releasing the breath. If you want to micromanage, I suppose you can throw all these terms out there, but I think it's best to simplify things by talking strictly from an anatomical standpoint and really dig into what the body is doing during the processes of inhalation and exhalation.
@@pasqualeperrone1560 it's a term that denotes a head voice with little or no coordination from the chest, a semi-opened throat that resonates partly in the nasal cavity, and/or a slightly dampened or neutral larynx. Any or all of these will give one a smaller sound. While it is resonant, and by extension supported, it is a small sound, especially when accompanied by a full orchestra. And because the larynx is not fully dampened (lowered) it causes the voice to age more rapidly.
Additionally, it is what causes the congested tone most modern opera singers have in their upper register (although, it can be present in their lower range as well). Ultimately, it detracts from proper diction, and gives one a smaller voice. While it is easier to develop a technique such as this, it doesn't aid in the development of the core fundamental of opera -- the chest.
Originally, the entire purpose of opera was to be fully audible. In the past, there were no microphones. Instead, they relied on the shape of one's mouth, and the squillo of one's voice for projection. The beauty and depth of the voice came from the scurro; together, their goal was to balance the two. Size and beauty. With this also came clarity that eliminated the need to modify vowels.
However, with today's use of microphones and voice altering software, the "need" to sing loudly in opera is nothing more than homage to its origin. Sadly, the result of this is a completely changed art form. Whilst it can still arguably be considered opera, it can also be considered something completely different and new. That's not to say it isn't beautiful because it is; rather, it is just not traditional. Tradition, like most things, dies with the innovations of tomorrow. Opera is no stranger to that.
@@augustjoseph629 I was more concerned with the origin of the term. I have done a few searches on this term and all traces seem to point back to This is Opera's page here on TH-cam. Like I said before, some of the excerpts he uses for his videos are valid, but most of the jargon he uses is nonsense. What I've noticed as of late is that his videos are starting to gain a cult-like following. This 'collapsed head voice' that is being referred to the result of extrinsic throat muscles getting involved while singing. The small amount of volume is just a fraction of what a fully free voice can produce. There's no need to add more chest voice because you'll be trying to artificially manufacture a sound. The voice will be whatever it will be only when it's completely free of tension.
1:11:11
Dido and Nato
First girl holding back way too much. She needs chest voice participation. My voice teacher calls chest voice cake. Head voice is only the icing. You can't have icing without cake!
I agree. I'm not a singer, just a fan. But I thought there was a fantastic voice in there somewhere, but it was being kinda diluted in... breathiness.. So it came out strangely unfocused.
Does someone know what the second aria is called?
You mean the one at 40:40 ? It is “Where shall i fly?” from Handel’s Hercules
I didnt know Ellen Degeneres was going to teach singing. Nice! Jokes aside, Joyce is a lovely supportive teacher of music.
Shams
I’d laugh but I think it’s a steep down grade. 😩
It would be nice to have introduced the pianist..basic manners
I love how Di Donato gets half of the words wrong! :-)
Applicable to an ordinary life
Wonderful voices....but Veliz is amazing.
Joyce is a wonderful person and a excellent coach für interpretation. But she cant give precise advices for the technique.
Can any vocal coach? The voice is invisible....often more physiological than technical.
Её. серьги. похожи. на
космические. звездочки
Who is the cute Harry Potter pianist?
Patrick Milne
@@PS-vm3we 😍
the girl who sung Juliet's Aria , Beautiful voice but i didn't like how aggressive she was with the aria and how fast she sung it.I would prefer it slower and sadder.And more emotion rather than aggressive
Trop de ports de voix 😮 Mozart n’est pas Puccini ❤❤❤
DiDonato is a hot HOTTTTTT mess I tell you!
Why are they all nasal
That's what I thought. It's a shame because they are all talented, but I guess bad teachers are good at inhibiting their students' true potential.
@@AemiliaJacobus forever thankful I go to a school that doesn't teach that 🙏
Dylan Klann also I have noticed that when it comes to the lower register chest is not supporting at all. And they make artificial sound
It's all about that mask thing...
These mezzos are afraid of their chest voice. They keep on singing in this central head voice (someone calls it collapsed head voice) but they just kill expression, sound, words.