È aperto, il suono dello studente è aperto, a volte è messo in voce ma poi va in gola. Lo studente è come tale uno studente, con grandi qualità e doti vocali. In mano a Corelli avrà senz'altro imparato a cantare, come avrà fatto sicuramente la sua carriera.
Yeah it gives me the feeling that the diminuendo can be practiced from the covered note back to diminuendo. It’s harder from diminuendo forward to covered, but of course, possible
He obsessed so much about his technique I find that when he coaches the poor student is overwhelmed with a barrage of instructions he cannot possibly absorb. There is something C. wants in virtually every note.
@@claudiomaggiani7519 potrebbe essere, però lui mi ha detto che ammirato molto Alfredo Kraus. (questo breve scambio di parole è successo durante una recita di Rigoletto) Il fatto che è spagnolo e a me la voce è molto più vicino a Kraus nel colore invece di Corelli, mi fa pensare che il studente non è Albelo.
@@claudiomaggiani7519 Scusi, non mi sono spiegato bene. Ho fatto una recita con Abele e dietro le quinte lui mi ha detto della sua ammirazione per Kraus. Infatti già in precedenza avevo notato che la sua voce somiglia quella dell defunto cantante spagnolo.
Three times the singer takes no notice of the first correction Corelli tries to make to his swelling the second note on "spinto" so he gives up; you can't teach a student who cannot listen.
it’s not that he doesn’t listen, but that the vowels have been sung for years and it’s not always possible to immediately correct them right away, sometimes it takes years to fix
@@AMi-pv4jt Fair enough, but the singer isn't receptive which makes me think he won't prosper. The student is an insensitive belter of the kind Corelli was accused of being but actually was not.
@@steccomax8103 Thank you very much for your help. Looking forward. These materials are very important, because it makes a huge contribution to the development of the right taste in belcanto.
@@steccomax8103 Please! These old masters are of tremendous importance. The only way of saving today's opera is to and study closely what Corelli did back then. Only constricted voices nowadays :'(
È verissimo. Provate a cantare Angelo casto e bEl coprendo troppo la E...esce un suono orripilante! Coprire non significa cacofonizzare, va, come sempre, DOSATO, calato nella singola aria che ci si accinga a cantare. Non è un dogma assoluto
Ciao Pasquale la registrazione completa esiste ma ancora in supporto magnetico e da restaurare. Appena trovò un po’ di tempo ci lavoro. Il tenore si chiama Gianni Agliati ma mi risulta non fare il fa cantante di professione.
He is not quite ridiculous but had certainly no business whatever in coaching a bel canto aria when he was a verismo singer ,particularly an aria built around the passagio
Are there many bel canto specialist? Are you a bel canto specialist? You seem to think your coaching would be better. People cannot even sing verismo these days.
Unfortunatly, the most of the singing students cannot reach the high pitch as glorious as Corelli and Pavorotti did in their prime, when these singers do not have the natural qualities needed to develop a great voice. Corelli was enemy of the falsettos that some tenors like Gigli or Tagliavini used to sing very often. Greetings,
Hmm. He didn't sing the aria in concerts , never sang the role,generally got out of the way of any Donizetti and any bel canto composer ,why this aria in a masterclass? He wasn't a bel canto "master"
@@jameskim4490 Tio and barone sheep? I can smell the likes of you from half a mile away . The whole tribe are unable to write a comment without bashing on other singers . Must be a form of pathology . You should have read my comment more carefully . " *He generally got out of the way of any Donizetti and any bel canto composer* " Callas at least knew Rossini from Bellini ,Bellini from Donizetti ,Donizetti from Verdi ,and Verdi from Puccini . FC didn't know Verdi from Puccini and the verismo composers , as for the rest ,the least said the better .
@@Nangis123 Bashing? Who? You need to check yourself in the mirror. You are the one who's bashing Corelli. Who are you to judge him for giving a lesson on this aria? If Corelli is not qualified to teach this aria what background or credential you acquired to judge Corelli? Corelli's voice does not fit well with Donizetti it's not because he couldn't sing them. He has covered verismo composers Pagliacci, Cavalleria Rusticana and covered heroic roles of Puccini's and Verdi's as well and Bellini's Norma with Callas as a counterpart. I much rather waste my time with Florez fans than trying to convince or explain to hopeless psychotic troll like you. Just go make more "T" and "No Picture" videos of yours. That says a lot about your mental state. Good bye troll.
@@jameskim4490 You FC fans really need a reality check .Saying he wasn't a bel canto "master" isn't bashing ,it's the truth , if you like it or not . My dear FC fan , YOU are the one who bashes , calling other people "psychotic troll" and what not . I'm not bashing anyone . Secondly ,I have a right to express my opinion , if you like it or not .Apparently you consider only those who agree with you have a right to comment . LOL .Thirdly ,you have no idea whatever about singing if you believe the technique you need for Pagliacci is the same you need for bel canto roles .FC avoided bel canto roles as much as he could because his technique didn't allow him to sing such roles ,period . A singer knows best what he can and what he can't , not his fans who confuse Leoncavallo and Mascagni with Donizetti .Bel canto roles are much more demanding that verismo . In verismo a la 20th century ,if you couldn't better , you came away with roaring and sobbing , that was good enough ,at least for a part of the audience .Anyone who knows the Norma score also knows what shortcuts he had to take in order to be able to "sing" Pollione . And now please stay true to your parting word and get lost
@@jameskim4490 By the way ,I am honored you took your time to check my channel ,but I'm afraid you didn't invest more than 5 sec ,if all you could remember was a "T" ROTFOL Those who take their time will realize I know what I'm talking about
Marvelous! Perfect! A teacher has to be obsessed with the "técnica"!
È aperto, il suono dello studente è aperto, a volte è messo in voce ma poi va in gola. Lo studente è come tale uno studente, con grandi qualità e doti vocali. In mano a Corelli avrà senz'altro imparato a cantare, come avrà fatto sicuramente la sua carriera.
Thank you so much for sharing this treasure!
he was giving away the diminuendo secret! 4:17
Yeah it gives me the feeling that the diminuendo can be practiced from the covered note back to diminuendo. It’s harder from diminuendo forward to covered, but of course, possible
Grazie
Thanks
He obsessed so much about his technique I find that when he coaches the poor student is overwhelmed with a barrage of instructions he cannot possibly absorb. There is something C. wants in virtually every note.
Grazie tante. Il studente in questo video è anche bravo. Mi sto chiedendo chi può essere...?
Celso Albelo?
@@claudiomaggiani7519 potrebbe essere, però lui mi ha detto che ammirato molto Alfredo Kraus. (questo breve scambio di parole è successo durante una recita di Rigoletto) Il fatto che è spagnolo e a me la voce è molto più vicino a Kraus nel colore invece di Corelli, mi fa pensare che il studente non è Albelo.
Buongiorno, Alfredo Kraus era spagnolo e inoltre era pressoché coetaneo di Corelli. Percui non credo fosse Kraus
@@TimothyJonSarris lei ha dunque parlato con Franco?
@@claudiomaggiani7519 Scusi, non mi sono spiegato bene. Ho fatto una recita con Abele e dietro le quinte lui mi ha detto della sua ammirazione per Kraus. Infatti già in precedenza avevo notato che la sua voce somiglia quella dell defunto cantante spagnolo.
Three times the singer takes no notice of the first correction Corelli tries to make to his swelling the second note on "spinto" so he gives up; you can't teach a student who cannot listen.
it’s not that he doesn’t listen, but that the vowels have been sung for years and it’s not always possible to immediately correct them right away, sometimes it takes years to fix
@@AMi-pv4jt Fair enough, but the singer isn't receptive which makes me think he won't prosper. The student is an insensitive belter of the kind Corelli was accused of being but actually was not.
@Stecco Max Do you have a complete audio of this lesson?
Yes The complete lesson exists but I have to transfer it in digital format. I'll do it as soon as possible. thank you
@@steccomax8103 Thank you very much for your help. Looking forward. These materials are very important, because it makes a huge contribution to the development of the right taste in belcanto.
@@steccomax8103 Please! These old masters are of tremendous importance. The only way of saving today's opera is to and study closely what Corelli did back then.
Only constricted voices nowadays :'(
@@steccomax8103 please do upload it! We are all dying to hear grande Corelli teach :)
È verissimo. Provate a cantare Angelo casto e bEl coprendo troppo la E...esce un suono orripilante! Coprire non significa cacofonizzare, va, come sempre, DOSATO, calato nella singola aria che ci si accinga a cantare. Non è un dogma assoluto
Ciao Stecco Max. è possibile avere tutta la registrazione e sopratutto sapere chi è il cantante? Grazie
Ciao Pasquale la registrazione completa esiste ma ancora in supporto magnetico e da restaurare. Appena trovò un po’ di tempo ci lavoro. Il tenore si chiama Gianni Agliati ma mi risulta non fare il fa cantante di professione.
Mi risulta non fare il cantante di professione
I can see the see sub..
Am I the only one that can't find the English Subtitles?
Ian Toohill No. Too bad they aren't there.
You must click the CC button in the lower menu bar to turn on captions/titles
ICON BOTTOM RIGHT RESEMBLES FLOWER - CLICK IT
Qualcuno sa chi è l'allievo?
Mi sembra Celso Albelo
sembra Bocelli,ha anche l'accento Toscano.Albelo era ancora troppo giovane nel 1992.
@@sergiobuccianti4224 Questo e un scerzo?
Much better than Florez's nonsense teaching.
He is not quite ridiculous but had certainly no business whatever in coaching a bel canto aria when he was a verismo singer ,particularly an aria built around the passagio
Are there many bel canto specialist? Are you a bel canto specialist? You seem to think your coaching would be better. People cannot even sing verismo these days.
Unfortunatly, the most of the singing students cannot reach the high pitch as glorious as Corelli and Pavorotti did in their prime, when these singers do not have the natural qualities needed to develop a great voice. Corelli was enemy of the falsettos that some tenors like Gigli or Tagliavini used to sing very often. Greetings,
Hmm. He didn't sing the aria in concerts , never sang the role,generally got out of the way of any Donizetti and any bel canto composer ,why this aria in a masterclass? He wasn't a bel canto "master"
So Maria Callas should have sung Baritone and Tenor roles to give masterclass in Juilliard? Florez fan?
@@jameskim4490 Tio and barone sheep? I can smell the likes of you from half a mile away . The whole tribe are unable to write a comment without bashing on other singers . Must be a form of pathology .
You should have read my comment more carefully . " *He generally got out of the way of any Donizetti and any bel canto composer* " Callas at least knew Rossini from Bellini ,Bellini from Donizetti ,Donizetti from Verdi ,and Verdi from Puccini . FC didn't know Verdi from Puccini and the verismo composers , as for the rest ,the least said the better .
@@Nangis123 Bashing? Who? You need to check yourself in the mirror. You are the one who's bashing Corelli. Who are you to judge him for giving a lesson on this aria? If Corelli is not qualified to teach this aria what background or credential you acquired to judge Corelli? Corelli's voice does not fit well with Donizetti it's not because he couldn't sing them. He has covered verismo composers Pagliacci, Cavalleria Rusticana and covered heroic roles of Puccini's and Verdi's as well and Bellini's Norma with Callas as a counterpart. I much rather waste my time with Florez fans than trying to convince or explain to hopeless psychotic troll like you. Just go make more "T" and "No Picture" videos of yours. That says a lot about your mental state. Good bye troll.
@@jameskim4490 You FC fans really need a reality check .Saying he wasn't a bel canto "master" isn't bashing ,it's the truth , if you like it or not . My dear FC fan , YOU are the one who bashes , calling other people "psychotic troll" and what not . I'm not bashing anyone . Secondly ,I have a right to express my opinion , if you like it or not .Apparently you consider only those who agree with you have a right to comment . LOL .Thirdly ,you have no idea whatever about singing if you believe the technique you need for Pagliacci is the same you need for bel canto roles .FC avoided bel canto roles as much as he could because his technique didn't allow him to sing such roles ,period . A singer knows best what he can and what he can't , not his fans who confuse Leoncavallo and Mascagni with Donizetti .Bel canto roles are much more demanding that verismo . In verismo a la 20th century ,if you couldn't better , you came away with roaring and sobbing , that was good enough ,at least for a part of the audience .Anyone who knows the Norma score also knows what shortcuts he had to take in order to be able to "sing" Pollione . And now please stay true to your parting word and get lost
@@jameskim4490 By the way ,I am honored you took your time to check my channel ,but I'm afraid you didn't invest more than 5 sec ,if all you could remember was a "T" ROTFOL Those who take their time will realize I know what I'm talking about