Why filmmakers use these Incredible In-Camera Transitions
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- เผยแพร่เมื่อ 25 มิ.ย. 2024
- In-camera transitions are transitions that are planned and recorded while filming, without the need for any additional editing or visual effects.
While post-production provides various options for creating a wide variety of transitions, the art of in-camera transitions remains an invaluable and useful filmmaking technique in some situations.
In this video, we'll be discussing some of the best in-camera transitions out there and showing you how to use them to your advantage. After watching this video, you'll have a whole new understanding of what in-camera transitions can do for your footage!
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Greatest underrated sound match cut: in the movie the ‘The Right Stuff” where the candidates are racing to the toilet to expel an enema bag and the flush matches PERFECTLY to the applause at the press conference in the next scene.
Transitions in Spielberg's TinTin are a prime example of how effective and magical Match cuts / Shape cuts can be. In the desert sequence for example, they are just amazing. Great video!
Great primer on in camera transitions. It's a good reminder to always be thinking as a filmmaker about how adjacent scenes relate to each other, and how that can help determine when a scene begins or ends.
Your videos are great! Thank you!
long time didnt see you... glad you came back
Using your cameras grid and a measuring tape are helpful tools in achieving a good match cut, and if you wanna take it a step further you can adjust and crop in\out in post to perfectly align your subjects
Thanks!
Very Good Lesson.
Welcome back!
Feeling inspired right now! Time to plan something this week to film next week! Lets gooooo!
Back here first
Thank you for the information 😊
The Shots from LaLaLand that you featured in the Whip Pan segment aren't transistions. That whole sequence of back and forth was one shot with whip pans from Ryan Gosling and Emma Stone. There is awesome BTS footage!
Kool
Sareesh, welcome back. What film are the choreographed transitions from @ very start of video and @ 4.48 Thanks in advance.
Thank you! Glad to be back. It's from Everything Everywhere All at Once.
@@wolfcrow Thank you. I'll watch it tonight.
2001 match cut is about tools, not weapons per se.
It’s not clear in the movie, but the spaceship shown is actually a weapon. The sequences that explained it didn’t make the final cut.
That doesn't actually change anything. Every weapon is a tool. Even if that wasn't the filmmakers explicit intention, I'm still correct...But I'm pretty sure Kubrick was smart enough to get this...@@bearcb
@@vagabondcaleb8915 of course it changes. It associates technological progress with our intrinsic aggressiveness. I'm not saying that I agree with the statement, but the association is there, in the cut.
...Huh? I'm not sure if you understand what I'm getting at, cause I don't know what you mean...The point I'm trying to make is that weapon and tool are an inseparable, single category. Every tool can be used as a weapon. That is the point of the sequence. Our technology is inevitably used for evil and for good...regardless of it's form. This theme is further explored with Hal...The tools and weapons we create create secondary effects we did not expect or intend because of the dual nature. @@bearcb
@@vagabondcaleb8915 not every tool is a weapon. You made the distinction yourself, in your first comment.
Whip pan = rope + pulley + dumbbell ... same camera and rig, same rotation rate
You are alive?