Why Milo Goes to College is the Most Important Pop Punk Album of All Time

Rob explains why The Descendents Milo Goes to College is the most important pop punk album ever.
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Milo Goes to College is the first full-length album by the American punk rock band Descendents, released in 1982 through New Alliance Records. Its title referred to singer Milo Aukerman's decision to leave the band to attend college, and its cover illustration introduced a caricature of him that would go on to become the band's mascot. Milo Goes To College was Descendents' last record (up until 2021's 9th & Walnut) with founding guitarist Frank Navetta, who quit the band during the hiatus that followed its release.
The album's mix of fast and aggressive hardcore punk with melody and semi-ironic love songs led to it being considered one of the most significant albums of the early 1980s southern California hardcore movement. In the decades since its release it has received positive reviews and been counted among the most noteworthy punk albums by several publications. Milo Goes to College has been cited as influential and a favorite by several notable artists and musicians. It is considered by many to have kickstarted the pop-punk genre.[6]
The Descendents' 1981 Fat EP had established the band's presence in the southern California hardcore punk movement with its short, fast, aggressive songs.[3] While still short and fast, the songs the band wrote for their first full-length album were also melodic, described by singer Milo Aukerman as melodic hardcore.[3] "I think with those songs we were expanding beyond the kind of fast-fast-fast-fast thing", he later recalled. "There are some of the similar coffee-driven songs, but I know that melodically there was actually an attempt at singing and making more pop-flavored music. Obviously we all really loved that, growing up with The Beatles and stuff."[9] Drummer Bill Stevenson reflected that "By the time we recorded Milo Goes to College the pendulum swung somewhere maybe in the middle. There's a lot of melodic and pop elements to it, but it also has that [sense of] bitter resentment."[10]
All four band members made songwriting contributions to the album.[11][12] Stevenson had written the lead track, "Myage", several years earlier using a bass guitar he had found discarded in a trash bin.[13] His song "Bikeage" is about "a group of girls who were sort of turning into sluts", while "Jean Is Dead" deals with "a girl who was not stable, but I had really not known."[14] Fishing was a favorite hobby of Stevenson's; "Catalina" describes a fishing trip to Santa Catalina Island, California.[10] Guitarist Frank Navetta's song "I'm Not a Loser" expressed resentment and envy toward those he viewed as more attractive and successful, while "Parents" stemmed from his own familial discord, with lyrics such as "They don't even know I'm a boy / They treat me like a toy / But little do they know / That one day I'll explode".[15][16]
Bassist Tony Lombardo, some 20 years his bandmates' senior, wrote songs expressing his desire for stability and individuality.[17] "I'm Not a Punk" reflected his disinterest in being part of the anarchic, destructive aspect of the punk scene: "That whole thing turned me off. I just wanted to play the music and do it as best I could and I had a lot of fun doing that [...] It's like 'I'm Not a Punk'. I want to be my own person."[17] "Suburban Home" was quite literal, expressing his desire for "a house just like mom and dad's": "I definitely wanted a home. I couldn't live in a place where all the people are cool. I don't like dysfunctionality. I have an abhorrence of dysfunctionality because my mother was an alcoholic, my parents are divorced, I just don't need that assault on my emotions and psyche."[8][12]