I have recorded Apple prores in iphone which is super super fast for editing. Using black magic camera app we can record directly to phone in Prores 422 HQ/Prores 422/ Prores LT etc. But the storage is issue. Files will be heavier. How can we record in DNX HD in camera? Is all camera supports it ?
I think ProRes is better quality than DNx (at least to my eyes) but it is significantly bigger in storage space. Some of Apple's new M1/M2 chips have hardware accelerators for ProRes so if someone were on an Apple machine I would say go ProRes over DNx. If you have storage space and the ProRes workflow works for you, stick with that.
Thank you. Trying to figure out how to get Davinci Resolve to play nice. How exactly do you change the codecs? Do you have to convert the video files before loading them into Davinci Resolve? Or do they get converted inside Davinci?
DaVinci Resolve has a built in proxy flow for generation of proxy files in the codec you want and give you smooth editing and will automatically use the original files for export render. Proxy settings are set in Project settings but you have to trigger the generation of the proxy files.
You can use the built in proxies or optimized workflow that the other replier mentioned or you can use something like ffmpeg or shutter encoder to do it beforehand.
And what do you think of H265? I'm watching tests on TH-cam where they compared an image rendered to H264 vs H265 and it seems wonderful to me how at such a low weight, it maintains an almost identical quality to the original video file, while the H264 destroys the image to a lower number of bits. Is it easy to edit if you put videos in H265 on the timeline or does it get stuck a lot?
3 bytes is 24 bits which is what most modern graphics hardware runs on SDR. 8 bit is only 256 colors where 3 bytes gets you your standard 6 digit hex codes for colors.
@@raulgalets That's probably related to the band range of colors in recording. I was just referencing modern frames are stored on the PC. It gets kind of confusing when you start talking about 8 and 10-bit for a camera, but then 24 bit for a monitor, etc. Fujifilm has a cool article on bit settings in cameras. fujifilm-x.com/en-us/series/the-filmmakers-handbook/8-bit-or-10-bit-video-color-explained/
This is the best answer I have found on this issue and it wasted no time!
Been using h.264 since the start of my video journey, maybe it's time i change it up 👀
You won’t ever go back
Thanks for this.
It's super nice to watch your videos!! great topic, thanks
Hey can u make a tutorial on how to multicam editing for gaming videos
This would be a pretty niche case. Are you trying to have several cameras and angles to shift through while doing gaming content?
@@editornox like 4 player with webcams ill send u a video
I have recorded Apple prores in iphone which is super super fast for editing. Using black magic camera app we can record directly to phone in Prores 422 HQ/Prores 422/ Prores LT etc. But the storage is issue. Files will be heavier. How can we record in DNX HD in camera? Is all camera supports it ?
Awesome video, Nox. I have been using ProRes to edit on my PC, what about that one? Is DNx better?
I think ProRes is better quality than DNx (at least to my eyes) but it is significantly bigger in storage space. Some of Apple's new M1/M2 chips have hardware accelerators for ProRes so if someone were on an Apple machine I would say go ProRes over DNx. If you have storage space and the ProRes workflow works for you, stick with that.
Thank you. Trying to figure out how to get Davinci Resolve to play nice.
How exactly do you change the codecs? Do you have to convert the video files before loading them into Davinci Resolve? Or do they get converted inside Davinci?
DaVinci Resolve has a built in proxy flow for generation of proxy files in the codec you want and give you smooth editing and will automatically use the original files for export render. Proxy settings are set in Project settings but you have to trigger the generation of the proxy files.
You can use the built in proxies or optimized workflow that the other replier mentioned or you can use something like ffmpeg or shutter encoder to do it beforehand.
And what do you think of H265? I'm watching tests on TH-cam where they compared an image rendered to H264 vs H265 and it seems wonderful to me how at such a low weight, it maintains an almost identical quality to the original video file, while the H264 destroys the image to a lower number of bits. Is it easy to edit if you put videos in H265 on the timeline or does it get stuck a lot?
My brain hurts 😂 I must have tiny brain
No it’s that my brain is tinier and I have trouble bringing it to higher level 😂
3 bytes per pixel is for 8bit footage right?
3 bytes is 24 bits which is what most modern graphics hardware runs on SDR. 8 bit is only 256 colors where 3 bytes gets you your standard 6 digit hex codes for colors.
@@editornox I always get confused. But on a 10bit video wouldnt it be 30bit then? 10 for each pixel
A byte is 8 bits, so 3 bytes is 24 bits.
@@editornox what does 10 bit color means then?
@@raulgalets That's probably related to the band range of colors in recording. I was just referencing modern frames are stored on the PC. It gets kind of confusing when you start talking about 8 and 10-bit for a camera, but then 24 bit for a monitor, etc. Fujifilm has a cool article on bit settings in cameras.
fujifilm-x.com/en-us/series/the-filmmakers-handbook/8-bit-or-10-bit-video-color-explained/
And here i am offloading 1.5tb per hour footage of my camera 😆
Is the camera wild good or are you just recording like 8 hours of footage? 😂
@@editornox nope just 12bit uncompressed raw 😆
@@editornox at least editing is smooth. I Edit streigh from ssd most of the time 50min 970gb