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- เผยแพร่เมื่อ 14 ต.ค. 2024
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Here's a full sheet music transcription and recreation from another classic Mario theme from Super Mario Galaxy - the waltz of the Comet Observatory by the renowned Koji Kondo.
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➤ Analysis:
The 3rd and final version of the Comet Observatory music, this track appears after defeating Bowser for the 2nd time. It is the largest arrangement of the 3 versions.
Compared to the previous versions of this track, we now have a timpani and a full cohort of both strings and brass. Structurally and harmonically, each version is identical, with only the forces and additional melodic material being altered.
We open with a slowly expanding A dominant chord (A-C#-E-G) acting as a dominant pedal to lead us smoothly to the tonic key of D major (D-E-F#-G-A-B-C#) via a perfect cadence (chord V to I).
At 0:11, we have our perfect cadence into D major with the first of many statements of the Comet Observatory motif alongside a flute countermelody. Harmonically this motif travels fleetingly from D to F# major (0:12; F#-A#-C#) - a tertiary modulation - but still acting functionally as a progression into the subdominant; G major (G-B-D), albeit a highly decorated one with some elements of the Lydian mode (noted by the C# in the strings; 0:14).
From here, we progress up to A major - the dominant - decorated with a suspended 4-3 chord from the strings (D to C#), which then progresses via a perfect cadence back to D major (0:18), although with some suspended chromatic inflections (note the B, G# and E# resolving to A and F#).
At 0:20, the motif begins again with a new countermelody in the cellos. After the progression to G major, we instead get a shift to G minor (G-Bb-D) instead of A major. This then progresses via a plagal cadence (chord IV to I) to a second inversion chord (the 3rd note of the triad in the bass; here, 0:24, the A in a D major chord). This pivots smoothly to a dominant chord (A) which can resolve smoothly back to the tonic in root position (the 1st note of the triad in the bass).
At 0:28, this entire phrase is repeated, now with a countermelody in the horns fleshing out additional harmonies, such as major 7th chords (0:36).
By 0:45, we transition into a brief development phrase in the subdominant (G). The flute takes center stage, doubled by the harp and in conversation with a clarinet, all the while the strings shimmer underneath with a large tremolo pad. This material is briefly taken over by an oboe at 0:54 as we move into more dominant pedal material at 0:58 reminiscent of the opening material of 0:03.
To close the track, we have one final statement of the Comet Observatory motif without any countermelodies (1:01).
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The score was created in Sibelius 7.5, and the audio was created in Cubase using sample libraries from Vienna Symphonic and EastWest.
★Game: Super Mario Galaxy
★Developer: Nintendo EAD Tokyo
★Publisher: Nintendo
★Composer(s): Koji Kondo
★Software: Sibelius 7.5, Cubase Elements 7, Cubase 10, Adobe Premiere Elements 15, Vienna Symphonic Library, EastWest Sample Libraries
★Tags: Super Mario Galaxy, Orchestra, Orchestral, Orchestration, Arrangement, Remix, Cover, Sheet Music, Transcription, Rosalina in the Obserevatory 3
#SuperMarioGalaxy
#Orchestra
#CometObservatory
What a feeling to be alive with music this wonderful!
This truly is an underrated masterpiece!!! Well done!
Amazing, this brings me back good memories of Mario Galaxy :)
One day I swear im going to waltz in a stylish galaxy themed suit/dress to this song.
Thank you for this! I might try to find some players so we can perform this at my college possibly.
I'm just now realizing how classical this is. If I were hearing it for the first time and you told me it was written by a contemporary of Mozart, I would believe you.
I'm sad this doesn't have more views. It's amazing!
I'm very curious to see which side of the screen you usually watch - poll over here!
➤ th-cam.com/users/TandA-Musiccommunity
This sounds so good! Well done.
Such elegance
this is great 👍
0:02 is when it starts
nvm 0:03
Wonderful Done!! What VST do U use ??
Vienna Symphonic
@@TandA-Music U are Awsome!!
I actually forgot I was listening to a cover.
That is the goal ;)
What are the two black lines that divides the scores on each pages? What are those called?
kristian
so good