2017 "polka dots and moonbeams" Joan Chamorro, Rita Payés ,Perico Sambeat y Abril Saurí
ฝัง
- เผยแพร่เมื่อ 27 ส.ค. 2024
- 2017 polka dots and moonbeams
Rita Payés voz
Perico Sambeat saxo alto
Joan Chamorro contrabajo y dirección
Abril Saurí bateria
tema perteneciente al Jazzing 8 vol3, ,
RECORDING AUDIO David Casamitjana
MEZCLAS Josep Roig y Joan Chamorro
MASTERIZACIÓN, Josep Roig
VIDEO, Ramón Tort
Sant Andreu jazz Band
Dirección Joan Chamorro
2006-2019 ( 13 años de jazz)
toda nuestra musica en jazztojazz.com
Rita Payés is not a star, she really is a universe.
Rita, you are becoming my favorite singer..........you have been my favorite trombone player. thank you
Rita's unique style. Bravo Rita, bravo all - from a Bulgarian fan
Wow first time hearing this. One of the best performances I've heard from her.
Subtile beauty tones from both. Rita never disapoins me !!!!!!!!!!
"Less is More" ... the saying goes - and here's the proof ! Rita puts everything into her vocal in her unique style, Perico, Joan and Abril contribute in equal measure to ensure a balanced and satisfying performance. Excellent !
Rita sounds wonderful. She has a very beautiful voice.
The simplicity of the melting the voice with the Alto undoes me; so delicate and infinitely nuanced!
I love Rita - she does such a wonderful job with difficult songs.
Imagine a rainy monday listening to this,,
oh my, beautiful day! don trumpo is going away, and a Rita Payes vocal i hadnt seen before....Bravo!
Fantástica Rita Payés, cantando con una preciosa voz y un estilo y un gusto descomunales par su edad, 17/18 años por entonces. Nacida para el Jazz, espero que vuelva pronto a él, aunque sea con su madre (creo que Elisabeth Roma también puede ser una extraordinaria guitarrista de Jazz).
Del gran Perico Sambeat poco hay que decir ya a estas alturas, uno de los mejores saxos de España. Perfecto acompañamiento de Joan Chamorro con su eterno contrabajo y de la muy talentosa Abril Saurí a la batería
Intimate, classy and completely together. Lovely!
Juan chamorro est un fabricant de talents....on en redemande bravo!!👍👍👍👍👍
Que preciosidad de canción, la interpretación de Rita es perfecta, me encanta su voz. Gracias por estos regalos musicales.🎵🎶🎼😙
Perico Sambeat supports Rita beautifully in the ending.
Mais cette voix !!!! Particulièrement mise en valeur sur ce morceau ... brrrr ça donne des frissons :-)
Along with everyone else associated with Joan Chamorro Rita is incredibly talented and has so much passion and feeling when she performs.
Stunning! What an outstanding vocalist is Rita! Unique is the word and she captures my heart every time.
Mr Chamorro, I am running out of surperlatives to describe your performances, but oh my Rita; that was beautiful, thank you.
I did not realize how great this track was until I accidentally just now heard it without watching the video. What a spooky, smoky ambience Rita creates! It gave me tingles.
Much of the time I enjoy watching as well as listening, but certain songs are better just heard.
Beautiful, balanced and brings me warmth on a cold January day. Thank you. 👏👏👏👍
One of the most intimate and best performances of this lovely song. Ode to you all! Enjoy & Cheers!
A country dance was being held in a garden
I felt a bump and heard an "Oh, beg your pardon"
Suddenly I saw polka dots and moonbeams
All around a pug-nosed dream
The music started and was I the perplexed one
I held my breath and said "May I have the next one?"
In my frightened arms, polka dots and moonbeams
Sparkled on a pug-nosed dream
There were questions in the eyes of other dancers
As we floated over the floor
There were questions but my heart knew all the answers
And perhaps a few things more
Now in a cottage built of lilacs and laughter
I know the meaning of the words "Ever after"
And I'll always see polka dots and moonbeams
When I kiss the pug-nosed dream
she is pretty much my favorite jazz singer since Billie. so much feeling and gorgeous use of the voice/phrasing.
Nice song here. This band has more versatility than any I've ever seen. From big band sound, with vocals or without - to numerous solo vocals - to multiple ensembles of different members - fantastic guests - traditional to impressionist style - etc..........all done with attention to the originals and often better.
The discipline of the musicians in timing and tone - respect for each other, often turning to the soloist - respectful dress and behavior, not sassy or obnoxious.
A class act start to finish. Thanks Joan C and the core guys Ignasi, Josef, Esteve for this terrific musical experience.
Song Suggestion: "Take the A Train" done in big band style. Safe and prosperous year for all. D
you said it, brother, 100%
Rita... rapidly becoming one of the world's most creative jazz vocal stylists. And the group is in complete simpatico with Rita's performance. Sweet harmonies and subtle counterpoint from Persico. Gentle echos of John Heard from Joan. Wonderful piece. Thanks
?..
@@geoffreyliss6817 ??
Rita is always Rita, and I wouldn't want it any other way!
just another famous ballad i knew from instrumentalists like Miles or Trane, had no idea there were actually lyrics! Mr. Sambeat is so fine here...and the rhytm section
Bello, excelente los quiero me dan alegría y emoción!!!😘💞✌️💝🇦🇷
A afinação de Rita é de uma perfeição absoluta! E é, para mim, a melhor interprete do grupo excelente de Chamorro!
Oh my goodness 🌺
😍😍😍
Afinação perfeita, timbre rouco maravilhosa. Parabéns Rita.
Bravo Bravo Bravo ❤️❤️❤️
I am speechless! Thank you so very much !!! 💖💖💖
Bella voz, excelente saxofonista!!
Hi” All “. - Yes ‘ Adorable. & a top favourite of mine - cheers with *** regards for this session .
i played Rita for my friend today who is a trombonista....i asked, what is it thats so wonderful i am hearing.....he said, she plays the trombone like a sax, like a trumpet, with a lot of cheek and lip. as well as her phrasing and ideas.... now i watched this slowed down @1:57 to figure out what's that odd thing she is doing with her mouth at the end of the phrase , is it just emotional expression? no, she is actually vibrating her voice while changing the oral aperture....marvellous. p.s. this song is great slowed down by half, we used to study Lester Young that way, to hear all the inflections...here all the instruments are lovely slowed down, from the student perspective...you can really hear and focus on the bass and drum,too.
@
marvelous
#Eyton Shalom, agree! Thanks for pointing this out: That odd thing she's doing with her mouth at the end of the phrase isn't it just emotional, she is actually vibrating her voice while changing the oral aperture. Marvelous!"
Indeed, your friend is right. Rita plays and sings in a very natural way. That's because he hasn't studied singing, so he sings almost as if you're playing trombone, which really excites the listener. And I'm not saying that," Doug Lawrence says.
As for the trombone (in his statements in a master class) he does not have a model to follow. Naturally, he knows all the historical jazz trombone, but he has not studied them, prefers to be inspired by the musician who likes it whatever the instrument. In this case she does not care much about speed, since as she says, "the trombone does not have holes or fingers used" so it uses a lot of the lip and an almost continuous legato. Needless to say, to play like this you need spectacular technique and brutal talent.
Trombonist Nils Landgren said of Rita: 'When I heard her play the trombone almost falling from her chair. So he invited her personally to the Jazz Baltica 2021 festival. His concert triumphed both in audience and criticism and is in just three months the most watched.
My own theory about that closed mouth/open lips expression is rather different, based on observing it in numerous other performances.
Rita has learned how to use the microphone to her expressive advantage. She often smooches up to the microphone (particularly unprotected SM58s and the like) to enhance the low-end frequencies she particularly has available to her and when doing intimate versions of songs. My belief now is that the "smiling sneer" subtly enhances the nasal contribution of the sound, flaring the nostrils, enriching those lower tones. I twigged this when watching her do particularly microphone-intimate versions of her "Imagina" repertoire at Vincennes in France. There are even times when you see her rest her nose directly on the top of the microphone! The effect is like she is singing a secret into your ear alone.
Rita, espetacular!!!
Hermosa canción, gran arreglo y hermosa interpretación. Rita encantadora.
really fantastic Rita !!
Vraiment un beau morceau, et avec cet arrangement épuré, on apprécie l'accompagnement á la basse par Joan. Bravo :)
I can actually picture that country dance in my mind....,
acusticamente ecxelente
Just awesome!
Encantador.
Me pasa algo raro con esta interpretación. Me encanta por sobre la de Sinatra y grandes damas del jazz. La escucho obsesionado por no perder ningún sonido que realizan los músicos y cada palabra cantada, es como que te hipnotizan y siempre me paralizo segundos antes del "May I have the next one?". Que loco....
A mi me tiene completamente cautivada. La escucho casi todos los días...
Hermoso. Desde que los descubrí en TH-cam have varios años, soy fan de Joan Chamorro y sus alumnos/ex-alumnos de Sant Andreu. No sé cómo haces, Joan, para que tus alumnos toquen tan bien a tan temprana edad, pero lo importante es que lo logras. Un abrazo desde Puerto Rico.
I was so lucky to see you and Andrea in Jamboree about a week ago. It made my trip to Spain fantastic. Just wondering if Esteve Pi is going to post the videos from the GoPro next to him. As a drummer myself, it would be wonderful to watch that show from that point of view.
you guys are awesome!
Maravilloso!
Gran standard de Van Heusen. Precioso.
Rita doesn't sing. She is an actor becoming (committing to) her song's character. To our everlasting benefit she is also a consummate musician possessing one of the great natural instruments in her voice. The result is a uniquely engaging experience as often as not.
Beautiful song ❤️
Great vocal stylings for someone so young. Reminds me a lot of the (late great Lady Day) that's Billy Holiday. Keep up the good work!
Such a nice arrangement so very well done. Thanks
What a voice!
Рита как всегда неподражаема! Респект!!
Hermoso !!
Beautiful
😍👏👏👏
All the Van Husen Standards are harmonically sophisticated and a bit more challenging for the improvisor than normal.
👏👏👏👏👏
So so southing
wow!!!
👍👍👍👍👍👍👍👍👍
Little too much Billie for my tastes. Rita doesn’t need to copy anyone. Great jazz voice. Just stand up and sing.
I was going to request this. How about Anita O'Day and Peggy Lee and Cow Cow Boogie?
Lyrics by Johnny Burke, music by Jimmy Van Heusen (1940).
Can someone tell me the pitch of this particular arrangement?
Que delícia! ❤
style of Judy London...
Sorry, as much as I love Joan's music Chet Baker's version is unapproachably superb.
He i am imad from Morocco I play with trumpet and I want to contact you about it
Darlin' work a bit on pronunciation. But wow nice
No m'acaba de convèncer, malgrat que la Rita té molt bona veu. Diria que li falta una mica més de ritme, acompanyament instrumental, especialment de piano. De manera que, al meu parer, és correcte, no més.
Musically excellent however the girls are not talented singers. Sorry! Listen to Meira 😊sing this song and imagine the likes of Meira joining the band. Love you guys but the majority of vocal efforts are just so so.
A very lovely rendering by Meira of this, thank you. But, I fear you have muddled what it takes to be a Lounge Singer with what it takes to be a Jazz Artist who sings. Emotional honesty and commitment are needed by the latter and liberties are licensed by Jazz to get there. A much younger Rita may have a few bad habits (the smiling sneer, already rapidly fading) but the emotional commitment writhes through her and we hear the result. Meira is a polite delight here, but it is Rita who has a personal story to tell about finding love.
To see where Rita takes this, try her, Blame it on My Youth.
After Blame it on My Youth with Davis Whitfield, try Rita with Marti Serra. Whilst attempting "Strange Fruit" might ring alarm bells of cultural appropriation with some, I think this piece has never been so artistically powerful, indeed it is shattering in its effect. This is a class apart completely justifying itself.
Joan Chamorro licensed the start of this extraordinary development from his students rather than shutting it out. He calls out approval with every risky step taken beyond conventional. Magali Datzira with Nature Boy 2014 is wholly original and equally committed to the emotional necessity of the narrative before neat and tidy delivery. Jazz is roots-raw and personal before it is civilised and polite.
que se suene la nariz, por dios!