That also happens to be RAGA shivranjani in Hindustani Classical Music. You can hear the song: "Tere mere beech mein kaisa hai ye bandhan". It is based exactly on this raga/pentatonic scale. Thank you for sharing this lesson. Love your channel!!
To fellow commenters --- The interesting thing is not a pentatonic scale, per se, but rather, that Coltrane used it in some clever and crafty ways in relation to certain chord progressions. I think it's more about finding chord CHANGES that take advantage of (pentatonic) scales, than about finding (pentatonic) scales that work over a SINGLE chord. That "eternal" chord progression had the pentatonic shifting in thirds upwards (C-, E-, Ab-). Coltrane dug chords/keys shifting in thirds, like in Giant Steps. Even with My Favorite Things, you can find interesting ways to use various pentatonic scales shifting in thirds, or other intervals, to fit the chord changes. So, the name "Coltrane Pentatonic" sounds sexy to jazz players, but it's really about how Coltrane matched a particular pentatonic structure with particular chord changes. I have not seen the product being offered in the video, but I would guess that it's interesting and fun for jazz players who dig Coltrane.
@@MrFree-vj8qj i think well, if you wanna be purist about it, yes, only the dorian scale sounds dorian, even dorian #4 is too far. But following the "rule" of just keeping the most characteristic notes of a mode... That be the tritone b3 maj6 But definitely you have a point as dorian is simetrical(palindromic) and pretty much sinonymous with quartal harmony sounds so is the m7 structure. But i mean, what else comes to your mind when b3 and maj6 are there? Other than diminished
A pentatonic scale built from the dorian mode would still be the minor pentatonic scale - 1,3,4,5,7. But since it uses the natural/sharp 6th, the 6th could be used instead of the 7th. Not both though, because the 6th and the 7th clash. In the case of the “Coltrane pentatonic,” the 2nd and 3rd clash, so it doesn’t fulfill the same function as a typical pentatonic scale. Cool set of notes though.
JazzDuets is a rare find and I am very glad to have discovered it; the meticulously crafted presentations together with superlative musical knowledge imparted with refreshing clarity completely swept aside any hesitation in signing up for an account and certainly snapping up this phenomenally good value for money package. A hauntingly beautiful minor presentation... I'm going back for a second listen. Thanks man.
Transcribing monster !!!! Hey man could you do a video on teaching the methods of transcribing !!!! The Man Is Awesome beyond comprehension thank you sir Without further ado let’s hit the practice room boys !!!! And girls !!!!
Also called the "Japanese pentatonic scale" (in opposition with the "Chinese" pentatonic) in Mick Goodrick's book "the advancing guitarist". Beautiful color minor 6 also used in gypsy jazz... Great video, thank you for this beautiful work.
Shut up, and take my money. Though I could have recreated all of this from the information in the video, USD$3.99 is just too affordable. It's a damn Starbucks coffee folks, and this is MUCH tastier, lower carbs, and more energizing than a double espresso.
Powerfull stuff another 5 years of practice...I think we should all come up with an individual system of this kind of harmony and make it so unique and personal that no one will dare to go there...have fun
Wow. Above all, thank you. I haven't had my mind blown this much in over 25 years since a private lesson on altered dominant chords that unlocked some mysteries and elevated my soul and my playing. That was wonderful.
For the guitar players: you can play this scale in Cm6 as Am pentatonic with a b5, so you can keep the 2 note per string figure, and take it to all 5 positions :)
FOR THE GUITAR PLAYERS: I would think of it as EbMaj7#11 arpeggio (Eb G A D) - try to play all 4 positions. Sounds cool over A-7b5, C-7 etc. The sound will probably be a bit different because of the applications of the guitar. Let me know how does it sound !
I don't see how that would form the Coltrane Pentatonic. The Coltrane Pentatonic has two notes a half step apart in a row (2nd & 3rd degrees). An A minor Pentatonic with a flat 5 added gives you 3 notes in a row (a half step apart), which the Coltrane Pentatonic does not have, and is actually just an A Blues Scale (which the Coltrane Pentatonic definitely is not).
The Coltrane Pentatonic follows the Dorian Mode and the Melodic Minor Scale note for note, minus the 4th and the 7th in both cases. Not even close to a Blues Scale.
Great, Gerry Bergonzi in his book Pentatonics, written ages ago, presents different formulas of Pentatonics to be used with minor six Pentatonics. Another great resource.
To the replyers here --- The interesting thing is not a pentatonic scale, per se, but rather, that Coltrane used it in some clever and crafty ways in relation to certain chord progressions. I think it's more about finding chord CHANGES that take advantage of (pentatonic) scales, than about finding (pentatonic) scales that work over a SINGLE chord. That "eternal" chord progression had the pentatonic shifting upward in thirds (C-, E-, Ab-). Coltrane dug chords/keys moving in thirds, like in Giant Steps. Even with My Favorite Things, you can find interesting ways to use various pentatonic scales shifting in thirds, or other intervals, to fit the chord changes. So, the name "Coltrane Pentatonic" sounds sexy to jazz players, but it's really about how Coltrane matched a particular pentatonic structure with particular chord changes. I have not seen the product being offered in the video, but I would guess that it's interesting and fun for jazz players who dig Coltrane.
I'm buying this RIGHT NOW! I've been a guitarist of over 20 years and considered myself a jazz musician for most of that time. Most of the music was more R&B influenced so more recently having to come to grips with how to properly improvise over blues and over 2-5-1 has been so frustrating. This has given me some serious insight and I can't thank you enough.
Ah I love your soprano saxophone timbre blending with the string pad. The colours come out so much more than if I would play the same patterns on a piano for instance, in my estimation.
This is so great. Thank you so much. It came just as I had been doing some marathon Coltrane listening the past few weeks. The PDF and mp3s are SO helpful. It's amazing how much valuable information you put to it. This will keep me busy for quite a while. :-)
I learned about playing the 3 melodic minor scales over a minor ii7-b5 - Vb9 - i6 from reading "The Jazz Theory Book" by Mark Levine when I was just starting to play jazz. As I was still learning my way around the guitar fretboard, I found it all but a lost cause to try to change scales twice over a 2-bar cadence, but I guess that's just a matter of drilling. Lately, the scale and fretboard mechanics have gotten easier over the few years I've been playing, but the hard part is actually making music that way when you have to change scales twice in a turnaround. M. Levine wrote that a trick is to play a figure in the ii7b5 chord (for example, G- trane over E-7b5), then move it up a minor third and play it again, then move it up a major third and play it one more time to resolve it. That's still a handful to get down. My teacher would just have me play a harmonic minor in the tonic key over the whole turn-around. Ir's just easier to make a line out of that when you're playing with the band and have to get it right the first time. But what the heck, I'm alreays ready to try it again, so I bought the package (but don't drink the Kool-Aid ;).
one need listen with humility and look no further than Nick's comments to understand his genius. I have exhausted my superlatives, but would be remiss not to give him praise for each one that he shares with us. I have graduated from University that has some of the most "renown" classical instrumentalists. Nick has more knowledge and soul in the tip of his little finger........... Thank you again Nick.
Thank you for this! I was never quite able to capture and understand what gave that spiritual texture to his solo on Wise One Aside from the fact that it was John Coltrane's interpretation of the notes he was playing, of course
1 2 b3 5 6 : Thats a Kumoi pentatonic (Japanese) I came across that in a bass book written in the seventies, I think, by Rick Laird. There’s some other ones too wich are interesting.
I bought the pdf, awesome, totally less than it should cost. But I haven't used it in awhile, and now it won't open in my drive and won't download again. Probably just have to buy it again. A person shouldn't try to live without this great piece of work.
Excellent video and TH-cam channel! These particular intervals of 1 2 b3 5 6 8ve are also the notes in Raag Shivranjani found in Indian Classical music but now aka the coltrane pentatonic, brilliant!
Thanks!! Extraordinary video!! I would like to mention, F minor pentatonic over a E7 altered chord, there are a "wrong" note (eb), but... Its like a "passing" note!!! Hugs, great máster lesson and great video!!! Hugs!!! 🎸 🎼 🤓
@@suriakumarsupra7091 You can try the shape for E string: 5 - 7 - 8 and for the A string: 7 - 9 and then double the other octaves and get a somehow similar sound, my dude
I have been calling this the Sweet Georgia Brown Pentatonic to my students for all these years! It is the second phrase (measures 5-8) as played over a dominant chord. Basically, you just flat the 3rd of the major pentatonic scale(measures 1-4). Check out Sweet Georgia Brown! However, it is used quite a lot in Gypsy Jazz because Django favored the minor 6/9 chord flavor so much. Whatever you want to call it, great video! Cheers
Your phrasing (both in your playing and speaking) is so relaxed and clear! I’m buying this pack right now, of course, but I wonder: where can we listen to your music?
Clarity, Simplicity, feels like doors being thrown wide open. its such an exciting feeling, gaining transparency and resolution on how simple patterns are underneath the genius. Love your videos! A tasty algorithm that you can apply to many situations is here. Heres what I saw. It was hard not to notice your minor 251 example at 7:10 used key centers that magically spell out a minor triad. In Dm 251 you used G Coltrane Pentatonic Bb Coltrane Pentatonic and finally resolved to D with the same pattern. Noticing that means that anytime you are in a minor key, you can mentally trace a minor triad from your root note, and prepare to play those Coltrane Pentatonic scales over the 251. See it? For Example, Cm 251 ( Dmb5, G7alt, Cm) means you can start from C and imagine a minor triad that ends on the tonic, which is Fm of course. So play F Coltrane Pentatonic over the 2, Ab over the Galt and C over the C. Magic.
Saludos desde Buenos Aires Nick! Amazing video as always, just wanted to put my two chips in and add that this is also the Japanese Kumoi pentatonic.There's also the Hirahoshi with the flat 6, and the Pelog with the flat 6 and 2. Abrazo enorme!
The fourths in the left hand extend up to the bottom note of the right. The chord, as you know, has four stacked fourths (from bottom to top) with a third stacked on top of that.
That also happens to be RAGA shivranjani in Hindustani Classical Music. You can hear the song: "Tere mere beech mein kaisa hai ye bandhan". It is based exactly on this raga/pentatonic scale. Thank you for sharing this lesson. Love your channel!!
l
Indeed! Just like Major Pentatonic scale is Bhupali Raga. 🙏🏻💜
thanks for this reference.
To fellow commenters --- The interesting thing is not a pentatonic scale, per se, but rather, that Coltrane used it in some clever and crafty ways in relation to certain chord progressions. I think it's more about finding chord CHANGES that take advantage of (pentatonic) scales, than about finding (pentatonic) scales that work over a SINGLE chord. That "eternal" chord progression had the pentatonic shifting in thirds upwards (C-, E-, Ab-). Coltrane dug chords/keys shifting in thirds, like in Giant Steps. Even with My Favorite Things, you can find interesting ways to use various pentatonic scales shifting in thirds, or other intervals, to fit the chord changes. So, the name "Coltrane Pentatonic" sounds sexy to jazz players, but it's really about how Coltrane matched a particular pentatonic structure with particular chord changes. I have not seen the product being offered in the video, but I would guess that it's interesting and fun for jazz players who dig Coltrane.
Cette vidéo est incroyable.. elle m'ouvre d'autres horizons pour mon jeu.
Merci beaucoup pour ce travail d'éclaircissement 👏👏🎶✍️📖
That scale is also known like "kumoi(Japan)" is like a minor pentatonic from the Dorian mode. Thanks for the video!
It would need the min7 to really sound dorian
@@MrFree-vj8qj i think well, if you wanna be purist about it, yes, only the dorian scale sounds dorian, even dorian #4 is too far. But following the "rule" of just keeping the most characteristic notes of a mode... That be the tritone b3 maj6
But definitely you have a point as dorian is simetrical(palindromic) and pretty much sinonymous with quartal harmony sounds so is the m7 structure. But i mean, what else comes to your mind when b3 and maj6 are there? Other than diminished
A pentatonic scale built from the dorian mode would still be the minor pentatonic scale - 1,3,4,5,7. But since it uses the natural/sharp 6th, the 6th could be used instead of the 7th. Not both though, because the 6th and the 7th clash. In the case of the “Coltrane pentatonic,” the 2nd and 3rd clash, so it doesn’t fulfill the same function as a typical pentatonic scale. Cool set of notes though.
@@MrFree-vj8qj the root, minor third and major 6 are sufficient to distinguish dorian from the other modes.
@@clustercrash2995 also the melodic minor scale has b3 and maj6, while having a maj7
JazzDuets is a rare find and I am very glad to have discovered it; the meticulously crafted presentations together with superlative musical knowledge imparted with refreshing clarity completely swept aside any hesitation in signing up for an account and certainly snapping up this phenomenally good value for money package. A hauntingly beautiful minor presentation... I'm going back for a second listen.
Thanks man.
All of Nick's videos and products are worth checking out. He's an inspired and inspiring musician and music teacher.
Yeah, he’s particularly good even amongst some other good channels.
Have to agree.
Transcribing monster !!!! Hey man could you do a video on teaching the methods of transcribing !!!! The Man Is Awesome beyond comprehension thank you sir
Without further ado let’s hit the practice room boys !!!! And girls !!!!
Also called the "Japanese pentatonic scale" (in opposition with the "Chinese" pentatonic) in Mick Goodrick's book "the advancing guitarist". Beautiful color minor 6 also used in gypsy jazz... Great video, thank you for this beautiful work.
Shut up, and take my money. Though I could have recreated all of this from the information in the video, USD$3.99 is just too affordable. It's a damn Starbucks coffee folks, and this is MUCH tastier, lower carbs, and more energizing than a double espresso.
low carbs!
Ya but fear can't make it expensive
Nicely said Greg. Knowledge last and benefit forever..
Starbucks has gone up in price. It's cheaper than Starbucks
it's a shame, I would have loved to order but creating a paypal account is just unacceptable for me.
I like your sound. You are a great artist.
Powerfull stuff another 5 years of practice...I think we should all come up with an individual system of this kind of harmony and make it so unique and personal that no one will dare to go there...have fun
Wow. Above all, thank you. I haven't had my mind blown this much in over 25 years since a private lesson on altered dominant chords that unlocked some mysteries and elevated my soul and my playing. That was wonderful.
My friend you have an excellent rhythmical feel and superb tone on your soprano...great lesson!
cheers from northern CA, USA
these exercises are even great for a violin warmup, much love
I've found "style-changing" information in just the first page of the downloaded material..
This is good stuff.
For the guitar players: you can play this scale in Cm6 as Am pentatonic with a b5, so you can keep the 2 note per string figure, and take it to all 5 positions :)
Thanks for the info bro. Appreciate it so much..
FOR THE GUITAR PLAYERS:
I would think of it as EbMaj7#11 arpeggio (Eb G A D) - try to play all 4 positions. Sounds cool over A-7b5, C-7 etc.
The sound will probably be a bit different because of the applications of the guitar.
Let me know how does it sound !
Tq Sir, will try n workout this technical stuff..cheers..
I don't see how that would form the Coltrane Pentatonic. The Coltrane Pentatonic has two notes a half step apart in a row (2nd & 3rd degrees). An A minor Pentatonic with a flat 5 added gives you 3 notes in a row (a half step apart), which the Coltrane Pentatonic does not have, and is actually just an A Blues Scale (which the Coltrane Pentatonic definitely is not).
The Coltrane Pentatonic follows the Dorian Mode and the Melodic Minor Scale note for note, minus the 4th and the 7th in both cases. Not even close to a Blues Scale.
I've been teaching harmony for decades yet learned something new today. Thank you!
I saw a Facebook ad for this series, and I am incredibly thankful for this, it’s going to expand my harmonic and soloing ideas so immensely.
Been a while since my mind has been so properly blown - many thanks!
Thank you, one of the most insightful presentations.
Great, Gerry Bergonzi in his book Pentatonics, written ages ago, presents different formulas of Pentatonics to be used with minor six Pentatonics. Another great resource.
You just made my day. I can now use the Coltrane Pentatonic for my guitar playing. Thank you very much.
its just a fucking Major pentatonic
@@Kapiwolf123 yeah I kinda wondered about that. You have to use some discernment in viewing these fancy videos.
@@Kapiwolf123 with a minor third
@@chrisnewman9693 yes i realized again later because the key signature was gone in the licks
To the replyers here --- The interesting thing is not a pentatonic scale, per se, but rather, that Coltrane used it in some clever and crafty ways in relation to certain chord progressions. I think it's more about finding chord CHANGES that take advantage of (pentatonic) scales, than about finding (pentatonic) scales that work over a SINGLE chord. That "eternal" chord progression had the pentatonic shifting upward in thirds (C-, E-, Ab-). Coltrane dug chords/keys moving in thirds, like in Giant Steps. Even with My Favorite Things, you can find interesting ways to use various pentatonic scales shifting in thirds, or other intervals, to fit the chord changes. So, the name "Coltrane Pentatonic" sounds sexy to jazz players, but it's really about how Coltrane matched a particular pentatonic structure with particular chord changes. I have not seen the product being offered in the video, but I would guess that it's interesting and fun for jazz players who dig Coltrane.
I really enjoyed this, I’m not shredding like Coltrane just yet, but I can feel I’m almost there.
I am moved.What a beautiful rendition of John Coltrane
I'm buying this RIGHT NOW! I've been a guitarist of over 20 years and considered myself a jazz musician for most of that time. Most of the music was more R&B influenced so more recently having to come to grips with how to properly improvise over blues and over 2-5-1 has been so frustrating. This has given me some serious insight and I can't thank you enough.
My reply to Enrique Ernesto above might put some helpful arrows in your quiver. Hint: Especially if you like Charlie Christian /Django stylings.
Ah I love your soprano saxophone timbre blending with the string pad. The colours come out so much more than if I would play the same patterns on a piano for instance,
in my estimation.
I learn from you and I've been following Coltrane's music for almost 50 years.
Your soprano tone is incredibly good.
Professor Hamamoto dude’s a beast at the soprano!
na, platinum
Great video! Must get the package, will keep me busy for a loooong time.
This is an excellent tutorial and accompanying pdf and mp3 presentation. Thanks for your clear and informative perspective!
Pure gold. Great work, free for everyone. Thank you for what r u doing
This is so great. Thank you so much. It came just as I had been doing some marathon Coltrane listening the past few weeks. The PDF and mp3s are SO helpful. It's amazing how much valuable information you put to it. This will keep me busy for quite a while. :-)
I learned about playing the 3 melodic minor scales over a minor ii7-b5 - Vb9 - i6 from reading "The Jazz Theory Book" by Mark Levine when I was just starting to play jazz. As I was still learning my way around the guitar fretboard, I found it all but a lost cause to try to change scales twice over a 2-bar cadence, but I guess that's just a matter of drilling. Lately, the scale and fretboard mechanics have gotten easier over the few years I've been playing, but the hard part is actually making music that way when you have to change scales twice in a turnaround. M. Levine wrote that a trick is to play a figure in the ii7b5 chord (for example, G- trane over E-7b5), then move it up a minor third and play it again, then move it up a major third and play it one more time to resolve it. That's still a handful to get down. My teacher would just have me play a harmonic minor in the tonic key over the whole turn-around. Ir's just easier to make a line out of that when you're playing with the band and have to get it right the first time. But what the heck, I'm alreays ready to try it again, so I bought the package (but don't drink the Kool-Aid ;).
I read and now practice using a b6 penta but played off the 5th of your ACE formula. So....D E F# A Bb etc.
@@stackofiasco5591 That will sound like major with a b6.
Great turn-on here! Thanks for all your great work. Soon to be your customer as well. Keep it goin’!
one need listen with humility and look no further than Nick's comments to understand his genius. I have exhausted my superlatives, but would be remiss not to give him praise for each one that he shares with us. I have graduated from University that has some of the most "renown" classical instrumentalists. Nick has more knowledge and soul in the tip of his little finger........... Thank you again Nick.
Thank you for this! I was never quite able to capture and understand what gave that spiritual texture to his solo on Wise One
Aside from the fact that it was John Coltrane's interpretation of the notes he was playing, of course
Found these examples on your Instagram profile! Thank you for this. Aiming to get the book for my birthday! Cheers!
Wow you are amazing!!! A stone cold genius !! Best musical channel!!!!
You have won me over. Subscribed, purchased, and wishing you nothing but success in your ventures.
Very nice!
"As it is my video" haha. Love it. Such great material, thanks!
1 2 b3 5 6 : Thats a Kumoi pentatonic (Japanese) I came across that in a bass book written in the seventies, I think, by Rick Laird. There’s some other ones too wich are interesting.
I have that same book
Love Crescent. Thank you for sharing your work. The superimposed pentatonics remind me of Pat Martino’s “convert to minor” approach.
Such a beautiful sound, like a child singing, thank you so much!
Fantastic job. Instant purchase! Bravo sir.
will try to work this at the flute :D thanks for this nice exploration of Coltrane's musical universe.
OMG, I love this!!! It is truly brilliant. What beautiful patterns! Thanks for sharing this.
I just hit the like button before I start now. I know it's gonna be great content. Thanks. Love this stuff.
You have such a beautiful sound.
Just grabbed the PDF, it is amazing!
This, is amazing! Thank you for the water!! I will grow from it...👏👏👏👏
Beautiful sound
So many possibilities here and it all sounds so beautiful. Thank you!
Your package is so helpful and incredibly cheap
woo🦑oow this is so advanced N so simple @ the same time 🏅👽🏅
we R reaching the quantum level of the Jazz Genius' Stellar Harmony Concepts 💎
I bought the pdf, awesome, totally less than it should cost. But I haven't used it in awhile, and now it won't open in my drive and won't download again. Probably just have to buy it again. A person shouldn't try to live without this great piece of work.
you have a beautiful tone on the soprano
Cool...Charlie Christian used this same note collection a lot for his solos also.
the best TH-cam chanel right here, love every video you create
Love the way this is presented.
Those beautiful chords you play underneath loke a synclavier. Have you got a version of this of your own. It's brilliant
Excellent video and TH-cam channel! These particular intervals of 1 2 b3 5 6 8ve are also the notes in Raag Shivranjani found in Indian Classical music but now aka the coltrane pentatonic, brilliant!
Ji Rehmi
Hey a formula thank you! Wish he included this in his video.
@@halasimov1362 he did
th-cam.com/users/BrazucaTranscription
Ah! Applications of rag shivaranjini! Beautiful!
Thanks!! Extraordinary video!! I would like to mention, F minor pentatonic over a E7 altered chord, there are a "wrong" note (eb), but... Its like a "passing" note!!! Hugs, great máster lesson and great video!!! Hugs!!! 🎸 🎼 🤓
F-G-Ab-D-E is this version of a pentatonic.... flat 9, sharp9 3rd, 7, 1.... where are the wrong notes? lol
@@patshep68 Eb
Brilliant, brilliant, brilliant!!! Did I mention brilliant?
I wish there were guitar tabs for all your lessons as a guitarist i will buy and use them creatively in my solo.
Face It as a great opportunity to learn how to read music. It's easier than you might think.
I am 64 year old an old dog,what do you expect.
@@suriakumarsupra7091 You can try the shape for E string: 5 - 7 - 8 and for the A string: 7 - 9 and then double the other octaves and get a somehow similar sound, my dude
Thanks Bro.
You killed it! Wonderful!!
I have been calling this the Sweet Georgia Brown Pentatonic to my students for all these years! It is the second phrase (measures 5-8) as played over a dominant chord. Basically, you just flat the 3rd of the major pentatonic scale(measures 1-4). Check out Sweet Georgia Brown!
However, it is used quite a lot in Gypsy Jazz because Django favored the minor 6/9 chord flavor so much. Whatever you want to call it, great video! Cheers
Thank you , Thank you Coltrane n somebody will thank me!!
Great again. Thank you so much👏👏👏👏👏👏👏👏
Great tone with your Sax
This is fantastic, thank you so much for doing this. So many familiar colors and such a cool and expansive idea. Thanks for sharing
Your phrasing (both in your playing and speaking) is so relaxed and clear! I’m buying this pack right now, of course, but I wonder: where can we listen to your music?
thanks for the beautiful work you do
Clarity, Simplicity, feels like doors being thrown wide open. its such an exciting feeling, gaining transparency and resolution on how simple patterns are underneath the genius. Love your videos!
A tasty algorithm that you can apply to many situations is here. Heres what I saw.
It was hard not to notice your minor 251 example at 7:10 used key centers that magically spell out a minor triad. In Dm 251 you used G Coltrane Pentatonic Bb Coltrane Pentatonic and finally resolved to D with the same pattern. Noticing that means that anytime you are in a minor key, you can mentally trace a minor triad from your root note, and prepare to play those Coltrane Pentatonic scales over the 251.
See it? For Example, Cm 251 ( Dmb5, G7alt, Cm) means you can start from C and imagine a minor triad that ends on the tonic, which is Fm of course. So play F Coltrane Pentatonic over the 2, Ab over the Galt and C over the C. Magic.
Thank you for sharing 🎶🎶🎷✌🏽😎
Fantastic lesson! God bless you!
Wonderful, thanks!
great job. all the best and keep sharing knowledge. thanks !
Fantastic presentation, thank you!
Better check out" Expansions" by Gary Campbell, published 1988. Been teaching this (in a more comprehensive form) for 30 years.
Just checked, it's really good, thanks
I bought expansions 30 years ago. It is the best pentatonic treatise and the foundation of the Bergonzi method.
A great book everyone should have! Bought mine years ago. Also, beautiful video!
Great book Gary! Loved identifying this over other chords too with Joe Henderson,Woody Shaw and Michael Brecker.
Still using your book now.
Fantastic lesson!
That's an amazing information man, God bless you
Man..... That was cool.. Coltrane.... Whoa!
uno de los mejores solos de Trane..
Friggin amazing. Well that just books my next 6 months of practice time. 😉
Thanks for sharing, looking forward to the bass parts, you're sounding really good!
thanks, I am practicing hard!
wow, I was just shown how ignorant I am...great video!
What a tasty tone you've got my friend
This video is so beautiful!!
Saludos desde Buenos Aires Nick! Amazing video as always, just wanted to put my two chips in and add that this is also the Japanese Kumoi pentatonic.There's also the Hirahoshi with the flat 6, and the Pelog with the flat 6 and 2. Abrazo enorme!
Thanks! Gracias por simplicarlo con nombres.
Thanks
Buenos tardes hasta Buenos Aires. Is anybody still jammin on the Tango down there??
LOVE the collaged portrait right at the start, who is the artist I'd like to see more of their work
Excelente. Muchísimas gracias
Man! Great work here. This sounds so cool.
Buenísimo todo el material!!! Saludos desde Argentina
Aula sensacional!
Um saxofonista que tem muito domínio fraseológico dessa escala é o britânico Chris Hunter.
Saudações do Brasil. 🇧🇷
The fourths in the left hand extend up to the bottom note of the right. The chord, as you know, has four stacked fourths (from bottom to top) with a third stacked on top of that.
Brilliant and very informative content, thank you very much!
Thank you for all of this, really great stuff!
Brilliant, thanks for sharing all this
Sublime as always, Nick.
Many thanks!