I managed to go to school and learn about camera settings from an Emmy winning cinematographer. As far as aperture what I learned is that it’s typically better to shoot with a mid range aperture because it gives you the best variability between shallow and deep focus. This is especially the case with longer shoots because it can save you the time it takes to change all the other settings.
Wouldn't ND filters be considered the 4th element of the exposure "triangle" more than the iso as they are a major tool for controlling the light that enters the camera? (A french DP who worked on movies said that and it makes sense to me).
40 seconds in and I already spotted the first mistake. ISO has never and will never change the sensitivity of your sensor. In the past, CMOS sensors used analog gain which amplified the signal before it was digitized by the ADCs. So ISO is simply gain, like a volume knob. If you're ever tried to boost volume on a bad tape or bad radio signal, you know the hiss that comes with it. That's noise Today's sensors only have one or two real analog ISO settings. That's why they're called Dual native iso. Any ISO level below or above these two are like a digital negative and plus from the set gain level. You're basically dividing/subtracting or multiplying or adding to the digital signal aka numbers that make up the image. You're not doing anything to the sensor itself.
![Ultimate Guide to Film Composition & Framing - Key Elements Explained [Shot List Ep. 11]](http://i.ytimg.com/vi/hUmZldt0DTg/mqdefault.jpg)
![Ultimate Guide to Film Composition & Framing — Key Elements Explained [Shot List Ep. 11]](/img/tr.png)
![[#2024MAMA] G-DRAGON - 무제(Untitled, 2014)+POWER+HOME SWEET HOME+뱅뱅뱅+FANTASTIC BABY | Mnet 241123 방송](http://i.ytimg.com/vi/Ox29z5Nf1Uk/mqdefault.jpg)
Download My Free Ebook! How to Make Stunning Films on a Budget. My Proven Secrets: wolfcrow.com/free-ebook/
You should put the movie name in the corner for each clip you use.
This is not studios binder channel
I am not a photographer but, because of your videos, I appreciate good movies a lot more.
Great to hear!
Good movies are nice but even bad movies can have good cinematography 😅 they don't have anything to do with quality of script
I managed to go to school and learn about camera settings from an Emmy winning cinematographer. As far as aperture what I learned is that it’s typically better to shoot with a mid range aperture because it gives you the best variability between shallow and deep focus. This is especially the case with longer shoots because it can save you the time it takes to change all the other settings.
one of the best channels about cinematography, thaks mr wolfcrow
You’re welcome!
Never thought someone could destroy the pronunciation of their own name
Thank you! Always learn alot from your videos
❤
Your videos are so high quality, thank you!
You need to go in-depth with a light meter … this will help ❤
Best lecture I have had on the elements of cinematography. Thanks for this. You are a great teacher.
You're very welcome!
Another great and understandable explanation!
Recently just came across your channel today, Been learning a lot! Keep it up!
So much great info condensed in less than 10 min
A movie is a composition in time.
Wonderful explained,
Thank you!
Clear and concise, excellent thank you.
Glad it was helpful!
What about sounds and musics? About textures, props, gesture and mimics?
Loved this!
Too good man! Can you please provide the name of the movies you used all over the video?
I was hoping for the same thing! I know its probably very tedious tho 😂
Are you back broo ??
❤❤❤
Make a 2nd part of it
Great video, but I think you should show the name of each film simultaneously
What is the name of the movie in 0:36
El Conde (2023)
Hey man just curious. What is your opinion on 24fps. Why do we still use it? Why is it so inseparable from the “cinematic” experience?
Thank You
Always like your content ... valuable indeed
So well done sir.
Thank you!
Wouldn't ND filters be considered the 4th element of the exposure "triangle" more than the iso as they are a major tool for controlling the light that enters the camera? (A french DP who worked on movies said that and it makes sense to me).
There are so many ways to control exposure, the fundamental element is still exposure.
Hey can you kindly list some of the movies you used as references in the video. Thank you!
Thank you sir. For Helping
Always welcome
Bro Just summarized the book 5C's Of cinematography
How to shoot a sequence and make a scene
What’s the film @ 9:15?
I think it would be stolen kisses by Truffaut it's part of a series that starts with 400 blows highly recommend
What movie is at 4:58
My Own Private Idaho
Reported for not giving credit
1:40 what movie is this?
Poor Things
@@garethandhismanyfriends Thank You!
Sudhakarettta
40 seconds in and I already spotted the first mistake. ISO has never and will never change the sensitivity of your sensor. In the past, CMOS sensors used analog gain which amplified the signal before it was digitized by the ADCs. So ISO is simply gain, like a volume knob. If you're ever tried to boost volume on a bad tape or bad radio signal, you know the hiss that comes with it. That's noise
Today's sensors only have one or two real analog ISO settings. That's why they're called Dual native iso. Any ISO level below or above these two are like a digital negative and plus from the set gain level. You're basically dividing/subtracting or multiplying or adding to the digital signal aka numbers that make up the image. You're not doing anything to the sensor itself.
Bro you keralite?