@@AllYouWantAndMore You can build a desktop gaming PC. I edit on mine. I use to edit for Inked Magazine. Set a budget for what you build. I would get your hands on a 3070 Nvidia card. You can also get 2080 since the prices for the GPUs are going down.
Thanks for this. One thing I noticed is that the LUTs look quite different when you use this workflow....especially if you try the built in LUTs that Premiere offers. They look totally off.
This was a great tutorial! I'm so glad you brought out Colorista if just for a second. 🤓 Love the humor too! Would you use Colorista on any other adjustment layer?
hi! great video. Just one question, do I have to change the settings on ALL the project clips one by one or there is a way to do them all at once? Saludos desde Mexico!
Hi Hugh Hou! Very good content. I have a question. Which lens did you use in this example shot. That is, to which you did the Color Grade? Thanks a lot!
Hi.. Is there a possibility that the clips runs in normal speed?. At minute 6:00 you told "Now all your footage is slow motion". I'm having the same issue how can I make my footage runs normal speed. Is there a setting to do that? Thanks!.
Does premiere nowadays allow real 16 bpc or is it limited to 8 bpc as soon as using most of the effects (crop, scale, etc.?) In Resolve at least you know you are working with 16 bpc input and 32bpc floating point color all the time.
16 bpc - but let me research more on this and get back to you. I believe Premiere is the same as Resolve nowadays with 2021 release - but I can be wrong.
I'm also confused about this. Stacking lumetri effects should not result in clipped values, but it always seems to happen! Can anyone chime in on this?
Loved this video, very helpful but I have 1 thing that I still cant seem to wrap my head around, if anyone can answer this that would be great! I am confused on when to create a proxy. I know I should do my corrections in the master file then create a proxy from that. But then should I hold off on ALL OTHER Color-grading / Luts until my project is edited then toggle off the proxy and add the rest of the color grading & Luts?
@@jasonlanham7730 I noticed that when I applied a LUT and had the proxies tab enabled there was a lot of chromatic aberration. Once I toggled back to Raw it disappeared. That being said, I imagine the best way to grade is with the Raw files. The downside is playback won't be smooth unless your computer can handle it.
@@jasonlanham7730 you definitely want to grade your raw files with proxies off. One thing to note is that the proxy workflow outlined in this video can cause a lot of problems when you "interpret footage" to a different frame rate. It's better to keep that the same, and use the speed/duration on the clip in the timeline instead.
Lol no problem. I use Resolve too and it is free under 4K - so it cost a lot less than Premiere. But 90% of my viewers are in Premiere camp and in VR - which I am using TWO komodo for VR180 production - Premiere is the ONLY application natively support VR180. Resolve I have a tutorial on that but still a lot more complicated. Resolve great in color but not so good at everything else unless some one learn Fusion. Which I do highly recommend anyone to learn Fusion 16.
If you’re trying to be funny, and it’s not working, or you’ve got to be high. You talked about transferring your footage from Premier to Resolve … But I don’t even understand why you would need to do that. You can cut in resolve every bit as good as you can in premier, and probably better.
Yes we are trying to be funny and prob a little bit high lol. Anyway, yes, you can absolutely cut in Resolve and finish it in Resolve - actually what you suggested is a better workflow. This tutorial is more for Premiere editor not want to use Resolve for editing. There are lots of us know want to cut in Premiere and only color in Resolve :) Thank you for stopping by and feedback. We do really appreciated.
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Wow, After watching 100 of tutorials reading website this barely english speaking guy teaches me the right way. Good job
Haha thank you!
144 TB damn you ain't playing no games. Good video.
Thank you!!
Learnt a great deal, definitely sticking to this channel. Thank you Hugh!
Glad you like it!
Thanks Hugh that was very helpful! I wanted to try premiere instead of Resolve
Glad I could help!
Can you make a tutorial on how to afford a R3D camera and editing rig without going broke?
Lol - it is called rent it DON'T own it. I rent all my cinema camera :)
@@hughhou helpful answer to a half serious question.
@@AllYouWantAndMore You can build a desktop gaming PC. I edit on mine. I use to edit for Inked Magazine. Set a budget for what you build. I would get your hands on a 3070 Nvidia card. You can also get 2080 since the prices for the GPUs are going down.
@@fawwazallie7736 thanks 😅
@@AllYouWantAndMore 🤣
Man, that was equally informative and entertaining. Thank you!
Glad you enjoyed it!
This was exactly what I needed. thanks for the great and entertaining tutorial :)
Thanks for this. One thing I noticed is that the LUTs look quite different when you use this workflow....especially if you try the built in LUTs that Premiere offers. They look totally off.
Awesome Video. Very informative and entertaining 🙂
Glad you enjoyed it!
B&w. To color? Yeah!!!
13:37 ok, now I'm offended lol
Great Video, thanks a lot!
Glad you like it
This was a great tutorial! I'm so glad you brought out Colorista if just for a second. 🤓 Love the humor too!
Would you use Colorista on any other adjustment layer?
I personally will with the newest version - pretty powerful for even HDR grade.
清楚！明白！很好！拍摄技巧好！
hi! great video. Just one question, do I have to change the settings on ALL the project clips one by one or there is a way to do them all at once? Saludos desde Mexico!
Yes you can!
I liked because the neon sign quotes Biggie Smalls.
Thank you!!
Hi Hugh Hou! Very good content. I have a question. Which lens did you use in this example shot. That is, to which you did the Color Grade? Thanks a lot!
I believe I use the Canon Fisheye (my primary lens), Zeiss 50mm and Canon 35mm
Link for the neon sign in the bg? All your videos are top-notch, btw. :)
Thank you!
Hi.. Is there a possibility that the clips runs in normal speed?. At minute 6:00 you told "Now all your footage is slow motion". I'm having the same issue how can I make my footage runs normal speed. Is there a setting to do that? Thanks!.
That's only if your footage was shot at high frame rate. If your footage was shot at 23.976, there's no need to interpret it as anything else
很好！拍摄很精彩！
Does premiere nowadays allow real 16 bpc or is it limited to 8 bpc as soon as using most of the effects (crop, scale, etc.?)
In Resolve at least you know you are working with 16 bpc input and 32bpc floating point color all the time.
16 bpc - but let me research more on this and get back to you. I believe Premiere is the same as Resolve nowadays with 2021 release - but I can be wrong.
I'm also confused about this. Stacking lumetri effects should not result in clipped values, but it always seems to happen! Can anyone chime in on this?
thanks
Loved this video, very helpful but I have 1 thing that I still cant seem to wrap my head around, if anyone can answer this that would be great! I am confused on when to create a proxy. I know I should do my corrections in the master file then create a proxy from that. But then should I hold off on ALL OTHER Color-grading / Luts until my project is edited then toggle off the proxy and add the rest of the color grading & Luts?
I usually create Proxy as early as possible. You can always turn off proxy mode to see actual RAW result.
@@hughhou Thank you! So you color grade with your proxy's? or do you just toggle them off to do your grade?
@@jasonlanham7730 I noticed that when I applied a LUT and had the proxies tab enabled there was a lot of chromatic aberration. Once I toggled back to Raw it disappeared. That being said, I imagine the best way to grade is with the Raw files. The downside is playback won't be smooth unless your computer can handle it.
@@jasonlanham7730 you definitely want to grade your raw files with proxies off. One thing to note is that the proxy workflow outlined in this video can cause a lot of problems when you "interpret footage" to a different frame rate. It's better to keep that the same, and use the speed/duration on the clip in the timeline instead.
Are nvidia cards good for komodo?
YES!!
I am just gonna rant. If you have 6k to 8k to spend on a Komodo. Just get resolve. Resolve 3 nodes render. Done.
Lol no problem. I use Resolve too and it is free under 4K - so it cost a lot less than Premiere. But 90% of my viewers are in Premiere camp and in VR - which I am using TWO komodo for VR180 production - Premiere is the ONLY application natively support VR180. Resolve I have a tutorial on that but still a lot more complicated. Resolve great in color but not so good at everything else unless some one learn Fusion. Which I do highly recommend anyone to learn Fusion 16.
If you’re trying to be funny, and it’s not working, or you’ve got to be high.
You talked about transferring your footage from Premier to Resolve … But I don’t even understand why you would need to do that. You can cut in resolve every bit as good as you can in premier, and probably better.
Yes we are trying to be funny and prob a little bit high lol. Anyway, yes, you can absolutely cut in Resolve and finish it in Resolve - actually what you suggested is a better workflow. This tutorial is more for Premiere editor not want to use Resolve for editing. There are lots of us know want to cut in Premiere and only color in Resolve :) Thank you for stopping by and feedback. We do really appreciated.
9:47
Wastes times
bro speak English first..
His English is fine dude. Why you so negative? Watch something else.
OKAY... U THINK I WAS WATCHING AFTER 5 SECODS? LAME
@@angelsvsdevils4444 man, you are a real valuable person. Thanks for being such a dork.
@@angelsvsdevils4444 ...also, it is spelled seconds, not secods. Good one, Mr. English. Hahahah