I appreciate you demonstrating a technique for playing the reggae skank that seems to give you the most precise skank, but I'm wondering if the air strokes are really necessary. I am not used to moving my hands in any way when I'm on a rest, so doing air strokes would throw me off, and I would probably start striking when I should be air-stroking and vice versa. By the way, I am looking into reggae stuff and searched your video because I am going to be doing a Rock & Roll Fantasy Camp and playing the song "Amber" with Nick Hexium of 311, doing the skank part on keyboard.
Sorry for the late reply Jeopardy. You do not HAVE to play the air stroke but for me it's essential to get fully into the groove. If you can groove without doing it, GREAT!
@@ArtofReggae thank you for your feedback on that. I ended up having a wonderful jam with Nick Hexum. I am hoping that they get Ace of Base in the future so I can have another cool reggae jam. th-cam.com/video/TKgwLV-OVp8/w-d-xo.htmlsi=sYu4vk8cT63raQba
Why do so many Reggae players use the 6 note double hand skank? because they copy what they see others doing? ...... partly, it is mostly because they don't know what to do with their right hand so they just double up , not because it sounds better, but because that solves their internal mental issue of not knowing what to do with the right hand
Hi DVDFRMN. It's because doubling the chord gives the harmonic/rhythmic power needed to deliver the intensity that the chop needs. In its most roots form, reggae requires a DEEP RIDDIM and this doubling is needed. It's similar to the doubled octave that you find in Afro-Cuban montuno playing. If the octave in RH doubled with yet another octave in the LH is not there, you won't get the power needed. If you're loosening things up and not playing the hard roots style you can take your RH off the chop and play a solo, a counter melody, a horn line. With modern keyboards where you can set up layers, many roots reggae players actually will set up a piano layer, an octave apart, for what ever hand is playing the chop so that they can have that rhythmic/harmonic strength while allowing the other hand to play solos, counter melodies, horn lines, etc. There's no internal mental issue going on I assure you!
@@ArtofReggae your videos are good, and i word things for comedy as well as to make an unpopular point.... i can see you know what you are doing, in #EuroReggae there are many who choose Reggae because it is a set form with little room for deviation before it stops being Reggae.... so once you know the minimum, you don't have to think, like 12 bar blues players choose blues for that reason..... so i am speaking of those players .... i always used the right hand for melodies, horn lines , etc like you say.... thing is i don't agree that the 6 key double chord is needed, i think it makes the music sound bloated and stodgy , like a suet pudding.... listening to the old Studio One and Channel one, i don't hear the 6 note chord.... sounds like they are skanking left hand and using right for other stuff (!) ...... that "power" is not needed, the 3 note chord has more power , the 6 note is brute force, not power...... plus the 'air chord' is not "essential", it's how you feel it better and play more accurate, but not everyone does this ....... great channel BTW .....
@@DVDFRMN Aha! I'll guarantee all those old Studio One recordings the piano players are chopping with 2 hands! And it's AWESOME to 'know the minimum' and then not to have to think...why? Because then you can just play the music with passion and feel, which to me, is the most important thing to bring to a performance. Don't get me wrong, I'm a jazz player and love to 'think,' to find new ways of playing, to experiment with different scales and chords to achieve different kinds of expression, but that non thinking thing is pure SOUL. I'm glad you're digging the Art of Reggae channel. More stuff coming soon. Ites!
Thank you for everything you do
Drumming is real nice
That's our drummie GLEN GRANT who passed away in 2019. We honor him always!
@@ArtofReggae Sorry for you loss, I understand only to well how painful loss is. Blessings to all.
@@bananna7465 Thank you B Ananna
Banana7465: That's the key.
Cool out sooooooonnnnn !
I appreciate you demonstrating a technique for playing the reggae skank that seems to give you the most precise skank, but I'm wondering if the air strokes are really necessary. I am not used to moving my hands in any way when I'm on a rest, so doing air strokes would throw me off, and I would probably start striking when I should be air-stroking and vice versa. By the way, I am looking into reggae stuff and searched your video because I am going to be doing a Rock & Roll Fantasy Camp and playing the song "Amber" with Nick Hexium of 311, doing the skank part on keyboard.
Sorry for the late reply Jeopardy. You do not HAVE to play the air stroke but for me it's essential to get fully into the groove. If you can groove without doing it, GREAT!
@@ArtofReggae thank you for your feedback on that. I ended up having a wonderful jam with Nick Hexum. I am hoping that they get Ace of Base in the future so I can have another cool reggae jam. th-cam.com/video/TKgwLV-OVp8/w-d-xo.htmlsi=sYu4vk8cT63raQba
@@ArtofReggae I had my jam with Nick Hexum. th-cam.com/video/TKgwLV-OVp8/w-d-xo.html
What is the tone (voice) used in the Keyboard?
I’m using a Nord Stage 3 keyboard with the ‘Grand Lady D’ piano sound.
Why do so many Reggae players use the 6 note double hand skank? because they copy what they see others doing? ...... partly, it is mostly because they don't know what to do with their right hand so they just double up , not because it sounds better, but because that solves their internal mental issue of not knowing what to do with the right hand
Hi DVDFRMN. It's because doubling the chord gives the harmonic/rhythmic power needed to deliver the intensity that the chop needs. In its most roots form, reggae requires a DEEP RIDDIM and this doubling is needed. It's similar to the doubled octave that you find in Afro-Cuban montuno playing. If the octave in RH doubled with yet another octave in the LH is not there, you won't get the power needed. If you're loosening things up and not playing the hard roots style you can take your RH off the chop and play a solo, a counter melody, a horn line. With modern keyboards where you can set up layers, many roots reggae players actually will set up a piano layer, an octave apart, for what ever hand is playing the chop so that they can have that rhythmic/harmonic strength while allowing the other hand to play solos, counter melodies, horn lines, etc. There's no internal mental issue going on I assure you!
@@ArtofReggae your videos are good, and i word things for comedy as well as to make an unpopular point.... i can see you know what you are doing, in #EuroReggae there are many who choose Reggae because it is a set form with little room for deviation before it stops being Reggae.... so once you know the minimum, you don't have to think, like 12 bar blues players choose blues for that reason..... so i am speaking of those players .... i always used the right hand for melodies, horn lines , etc like you say.... thing is i don't agree that the 6 key double chord is needed, i think it makes the music sound bloated and stodgy , like a suet pudding.... listening to the old Studio One and Channel one, i don't hear the 6 note chord.... sounds like they are skanking left hand and using right for other stuff (!) ...... that "power" is not needed, the 3 note chord has more power , the 6 note is brute force, not power...... plus the 'air chord' is not "essential", it's how you feel it better and play more accurate, but not everyone does this ....... great channel BTW .....
@@DVDFRMN Aha! I'll guarantee all those old Studio One recordings the piano players are chopping with 2 hands! And it's AWESOME to 'know the minimum' and then not to have to think...why? Because then you can just play the music with passion and feel, which to me, is the most important thing to bring to a performance. Don't get me wrong, I'm a jazz player and love to 'think,' to find new ways of playing, to experiment with different scales and chords to achieve different kinds of expression, but that non thinking thing is pure SOUL. I'm glad you're digging the Art of Reggae channel. More stuff coming soon. Ites!
4:57 I tried logging into your website and am getting a weird message or being blocked
Can you send me a screen shot of what's happening...if it's still happening: vibes@artofreggae.com
𝑤𝑜𝑤 𝑡ℎ𝑥