@@georgesclermont1911 True, but the music and most especially, the VOICES must take precedence in opera. This is one of the reasons opera has floundered and lost its way in the last few decades...people caring about what the singer looks like/weight, etc.
If opera is to survived as an art form, it has to be credible. Callas realized this and succeeded beyond her expectations. Deborah Voigt was persona non grata in Europe until she went through a reality check! @@golden-63
What a glorious voice! No tension in her at all!
Oh yes !!! ❤❤
Wonderful!!! How this should be sung!!! Brava, bravissimia Tamara!!!
Yes, this is the way this should be sung!
Stunning and with every ounce of her being, in front of empty seats, sad and powerful. Brava Ms. Wilson
Play this in my funeral.
One of the Greats! I loved her in "The Flying Dutchman" at the Lyric Opera.
How fantastic was that? Ms Wilson rules!
Totally ! I'm discovering her : what a gift ! ❤
BRAVA! Sad to miss her in this role at Santa Fe Opera. Perhaps someday soon elsewhere.
Magnifica come sempre❤
Finally ,a modern Isolde
Breathtaking. I have goosebumps.
Love you Tamara
We need to love you Tamara
Maravillosa señora. ¡Qué voz imponente, qué aparente facilidad en todo el registro! Deliciosa.
Absolutely beautiful 👏👏
Ich freue mich Ihre Isolde, Juli 2024 in der Deutschen Oper Berlin! Brava!!!
Extraordinary! ❤
❤
What a singer ❗Tremendous.
She and Christine Goerke have similar facial features, almost like like sisters
This is a whole lot better than her Turandot. I guess the lower tessitura of Wagner sits in her voice better.
A grreat voice, no question. But can she pretend to be Isolde, the young bride on stage? Asking is answering
Does she need to ?
@@juliereisner2052 Opera is the sum of music, voice, theatre. Credibility!
@@georgesclermont1911 Your mind, you can use it alone ;)
@@georgesclermont1911 True, but the music and most especially, the VOICES must take precedence in opera. This is one of the reasons opera has floundered and lost its way in the last few decades...people caring about what the singer looks like/weight, etc.
If opera is to survived as an art form, it has to be credible. Callas realized this and succeeded beyond her expectations. Deborah Voigt was persona non grata in Europe until she went through a reality check! @@golden-63