A good tip is before starting a focus bracket take a photo of your hand, then at the end of the shot take a photo of your hand. It just means when you get back to base and focus stack you can see what shots belong to each stack.
On the Nikon d850 and z9 you can set the camera to start a new folder each time you do a stacked series. Which means that you do not have to put your hand in front of each series.
I change the filename prefix every time I do a stack making it AAA instead of the default DSC. You have to remember to change it back of course which I am currently doing 25% of time.
Watch that get stuck in my mind the next time I need to talk about it. Or else I'll try to hard to avoid it, and wind up saying "focus bracking" instead.
I recently adopted a new technique for landscape images. I dial in 1 sec of exposure delay, switch on the interval timer with 5 second intervals, then add 3 image exposure bracketing and 6 image focus stacking, depending on the light I might also bracket the ISO and white balance. I call my new technique 'Timeterval Deposed Isobalanced Bocus Stackering'. The images are crap, but at least I get to use all the in camera functions I paid for! Love the technique videos BTW.
I love this and need to see if I can add some function to my D850 for this process. I recently rode my bike 2 hours with gear just to take one shot and it would have been nice to over shoot it rather than ride back again because I'm less than thrilled about the foreground:)
One of the most watchable "how to" videos I have seen. Excellent and very human narration, explanations, and the reality of bloomin' rain, cold, kicking leaves and all the rest of fungi photography. Thank you. From the early days of digital photography - the first (or maybe second?) camera we used was a Canon S10 back in 1999. 2.11 megapixels.Came with an 8 MB CF card! Storage capacity and battery life were severe limits in absolute number of photos we could take. And bracketing was unthinkable. Strictly for fun. A lot of it was a way of more deeply enjoying the woodland in the area. And many of the photos were just as a personal record and to try to identify the fungi. Got several thousand viewable photos - and many more thousand so bad they were immediately deleted.
Your videos are just great I can't believe I finally found this channel I wish I found it long ago I'm a professional photographer in the architecture interior design real estate and construction world but for my personal work that does go into some galleries I would like to start including macro work I love doing it. I thought it was great in the middle of your video when you were talking about Focus bracketing versus focus stacking and then eventually you slipped a word and called focus stacketing - you should run with that copyright and trademark it and eventually it'll end up in the Webster's world dictionary. Love your work love your approach you teach very methodically and so easy to understand thank you thank you thank you
I really need to do this more often. I appreciate how "in the moment" you seem to be, slowing down and enjoying the process of getting the photos you want.
It was nice to say hello to you at the Photography Show on the Vanguard stand, I find your videos very calming and professional as you sell the art of photography beautifully.
Nice balance of technical and non-technical. I use a focus rail at home with the same macro lens you use, but in the field I use in-camera bracketing on a zoom lens with a close up filter attached. As you say, there are so many variables in the field that I want to expose the shots quickly. Btw, the rail I use is a Nisi, great quality and sensibly priced.
Thank you so much for the explanation. You have a lovely, simple, and effective way of putting things that make it easy to understand. So yes, please, to other talks on lessons you want to share. I'm a definite starter for watching them. Regards, Gerard
Nice ! If you buy a "smallrig" cage, you can leave your camera facing the right way (upright); when you put it upside down, everything gets complicated :)
Hello Courtney, first I'd like to say it's always a joy to see you films. Me personally started with macro 1,5 years ago, by buying an macro lens. When I saw how small the depth of field is, i decided to buy focusing rack (Novoflex Castel-Q, not cheap but very well built) and I must say I have never regret it. It makes the stacking so much easier for static objects like yours. Here my work flow: 1) i decide which aperture I wonna use, depends how blurry i want to get the background. 2) according to the aperture and the distance I check, with a app, the depth of field so I know the length of steps i use at the rail. I use steps between 1/3 and 1/2 of the depth of field. 3) I set the settings in manual mode 4) with the focus peaking mode I can check the start and end point I'd like to have in focus. I take the fotographs and the rest are the work for the software. 😉
Awesome short vid about this but it would be even better with a follow up of how/which images get blended to a final image. My favorite tool in my bag for outdoor photography with my D850? My iPad! I take advantage of Nikon's Snap Bridge to get a nice big view of what I just shot before moving on or to even take the shot. I'm 66 and the less time I spend on my knees in the forest, the better:) Also, with a lot of landscape shots that I take there is considerable glare on my live window and I can't see much so it really helps having a second, large window to look at. Its also handy for making any notes about the location/shot. I have also used my Android phone to do the same thing but now we're back to a small viewing window so I prefer the iPad.
Courtney, here's a tip for when you are using the centre column upside down. Put the ball head and clamp in the right angle position and this will allow you to use your camera the right way up by using the left side of the L bracket, it really does make things easier.
I've only just seen your video although I see it was from 5 months ago. Having read other folk's comments, there is little I can add but I really enjoy your presentation and find your approach to be inspiring. Most of my photography, these days, is in the garden but it's surprising how many opportunities can be found for macro work, even here, so I shall certainly be putting your ideas Into practice, shortly. Thank you.
I just recently subscribed to your channel. I truly enjoy watching the processes that you demonstrate and the fact that you also inject your personality into every video. I have been reading up on the method and now that I see it in practice, I feel more confident about doing it. Great job and keep on creating content!
Really inspiring work. I shoot a lot in the forest and never with the patience and determination that you demonstrate. I love your images. You make me want to get out, especially with spring just awakening here on the west coast of North America.
I haven't done macro since August. Today was the first time in months that I took my macro lens with me and went to a nearby forest. Most of my shots used focus bracketing. And then you release a video on what I did all morning. Impeccable timing!
dam fine shots. like your style and the methods used, I shall give it a whirl, I sometimes depending on the depth take the lens further back to give a slight deeper depth, and I am also known for clicking into the tripod legs.
I love the outtakes🤣 Thanks for sharing your technique. Love your photos and videos, always very helpful. I just got my first dedicated macro lens, and boy HOWDY (yes, i'm American😁) that plane is really razor thin. It's going to take some getting used to but I am looking forward to the learning process. You are truly an inspiration, thanks (or is it "Cheers?)
this was excellent, the amount of technical detail was spot on, definitely continue to share more. FYI, I use a mini clapper to divide the beginning and ending of the series that way I know which group belongs together. Also I carry the small reflectors and cards in my camera bag to help punch light if needed. Love the work.
Excellent video Courtney. Over the winter months I've acquired a Nikon Z6ii + Sigma 105 macro lens + FTZ adapter, I'm now looking forward to getting out and using the focus shift shooting mode. Keep up the good work 👍
This was very helpful. Thank you! It is also helpful when you show us the equiptment you are using and explain why you chose them. I am grateful that you are continuing to use your DSLR's, as am using the Nikon D500, which I love.
Returning to this video after running a series of experiments to learn the relationship between the Nikon D850 focus shift step size setting and resulting shift in focus with each step, and given that, the number of steps required to cover the desired in-focus range. My test target was a translucent plastic scale ruled to 0.5mm increments, taped to the surface of an LED flat panel mounted vertically and rotated to 10-15 degrees off the lens optical axis. The tests were run with Nikon 105mm macro on D850. An example of results: at f/8 the DoF measured about 0.5mm. With step size set to 7, and runs of 10, 20 and 40 steps, measuring the in-focus range in each case, and dividing by the number of steps, the average of the three runs was, guess what, 0.7 mm. Perhaps coincidence, may well vary with working distance, certain to vary with lens used. I find such experiments contribute to developing "horse sense" to apply in the field. BTW the processed stacks appeared to have sufficient DoF relative to focus step size, but step 7 at f/8 was maybe pressing my luck. In the nature of experiments, the results from one suggest several more.
Well presented. There is nothing to add. I call it a focus stacking set, that I will focus stack (similarly, my exposure bracketed fir HDR I call HDR sets). All of my camera bags have remote shutter releases, so that I am never without. Mushrooms are so fascinating. I love the amazing, tiny structures. And, mushrooms don’t fly away like birds.
Thank you so much for a great explanation and demonstration of focus stacking / bracketing, and for keeping it amusing as well as informative. Another advantage of focus bracketing/stacking is that you can keep the aperture wide and have the background blurred, compared with a single shot at f16 or more. Please treat yourself to a shutter release, Courtney: all those 10 seconds with the timer soon mount up!
Your videos are really motivating. I enjoyed watching your technique on focus bracketing. I'd enjoy seeing more of your videos cover the processes that you use to create your beautiful images.
Courtney, another great video, I love it. Makes me want to go for a walk in the woods... take my time.. and look... look for composition in the little things.
Thank you for this tutorial and forgetting to the point! Once you have a series of photos, how do you combine them? It would be so helpful if you could do a post processing video.
Loved this video. You have a sense of calm about you that makes it easy to learn. Would love more instructional videos along with your awesome image content 💛
You probably know this by now as I've seen you using a focus rail, I think one advantage of a focus rail is maintaining a consistent magnification, as some lenses change magnification as the focus changes and may mess up the stack!? With a rail, you can be at 1:1, 2:1 etc, and maintain that magnification throughout the stack.
Watching your videos is making me want to try macro photography. I loved the bloopers at the endow this video. I usually kick my tripod instead of the composition.
In my personal experience, flash and fungi do not go well together. The white parts that so many fungi have over-expose (white out) so incredibly easily. Where they are white, they can be extremely reflective. Even if you manage to avoid that, you are so often wanting at least some surroundings included which will likely end up very under-exposed. And shadows can be ever so harsh. If you use multiple flashes, or if you are wanting only a very tight area, you can achieve OK results. Not saying it is impossible to get good flash photos. But with my limited equipment, it was difficult.
THANKS! So with your splendid help I discovered this feature on my D 850. Think I am going to try it out tomorrow. With 10 Pics and a smaller aperture. Did some shots with popcorn years ago - just ONE in the frame, black background and smallest f-stop. Took just 2 pics, front and rear focus. Combined in PS. Worked quite well.
I use a focus rail with my Laowa 2x-5x Ultrs Macro because I have to (there is no focus ability on the lens and thus, one has to move the lens to focus). That said, focus stacking with a manual lens on a Canon 5D MK IV is a real task because the camera isn't recording any distance data (which means the native focus stacking in the Canon software is useless in this instance (that is, without some serious meta data hacking pr using third party software). Also, as you move the camera on the rail. You can get some interesting perspective changes as the rail is advanced.
Lovely video Courtney. I’ve tried to use focus bracketing with limited success. Your video has now given me some great parameter to get going again, and we use the same equipment, so that’s a bonus. A charming and clear explanation - thank you. I’d like to see a video on focus bracketing on landscapes. Would you do this with a wide angle lens?
2 thumbs up for this video (although I love all of your videos) - greatly appreciate the information shared (and more insight into what you do). Keep up the great work! 👍
Love your videos for their inspiration, entertainment and educational content! A great introduction to focus stacking. When working in a slight breeze with subjects that can move (like wildflowers), that's the time to have a remote shutter release so you can choose when to trip the shutter in your focus stack. I love the in-camera focus-shift mode but it can fail with a slightly moving subject. BTW, I've "kicked" my composition a few times myself! Nicely done!😁
I use a Manfrotto focussing plate for macro. It has incremental adjustment for forward and reverse. It makes stacking easy as you don’t need to touch the lens.
Superbly produced video. Your video content and story line are understandable, information rich, and engaging. Is your post-field workflow image stacking done in Photoshop? Thanks for sharing.
As I often say, but I say it with sincerity Thank you for sharing the video Because no one can imagine the work that this requires THANKS Otherwise, with the rail for focusing, this avoids touching the lens, it's another approach and in super macro, this allows for more fineness in advance, depending on the threading of the screw
Always enjoy your videos, Courtney. Love your style. With regard to using a focusing rail a couple of advantages, if you don't mind spending some time, are that you can more accurately control your focal plane positioning since you can just turn the knob by a discrete amount (such as a 1/4 or 1/2 turn, etc.), and you can eliminate any focus breathing issues your lens may have since you're not refocusing the lens. The focus breathing is not a huge concern as the stacking software will typically handle it pretty well, but on occasions it can cause a problem.
Thanks Courtney for an excellent & interesting video....I have never used this process for micro photography so maybe I can try sometime.... keep up the good work... cheers from Australia 🦘🦘😊
Not to be confused with exposure bracketing. Not so sure about the 850 but I know recent editions to focus bracketing cameras, each set of photos can be put into their individual folders which is done automatically in the bracketing menu.
Another great video Courtney! Love what you do and I really liked the focus bracketing process. Would like to see a little more of that and other camera tips and how to's. Keep up the great work. Texas love and stay safe!
Hi. Love your channel and always look forward to your new vids. Please put as much technical detail as you can we love it. I also wanted to see the post processing as you never show us that. In my opinion a photograph is 60% taking and 40% making. Keep up the good work. Thanks.
Firstly, some lenses, for example, the Carl Zeiss macro lenses, have an engraving which indicates the range of distances where the image is sharp at the aperture chosen. This allows to reliably estimate how much the distance ring has to be turned from one shot of a sequence to the next shot. (Also the Laowa macro lens has such a ring but unfortunately it is complete nonsense and, thus, fully useless.) And secondly, fungi are usually not affected by wind, only bugs crawling around may cause some trouble as you have nicely demonstrated. Often I see this surprise when I am back at home. Usually it is best to shot a few sequences and select the best one at home. If your subject is a flower with a thin and flexible stem and there is some even slight wind, a sequence with the timer function and the mirror pre-raising function would last much longer than any calm period without wind. In the case that there is a lot of light and the shutter speed is very fast, it sometimes works to set the camera to the continuous-shooting mode, switch off the timer and the mirror pre-raising function, wait for a calm moment, then press the release button and continuously turn the distance ring during the continuous shooting. I know, this is not optimum, but sometimes it is the only chance. Do you have any better idea?
Thanks for the lesson Courtney I had my doubts about focus stacking and bracketing, it seemed the same to me and as you mentioned, some call it one way or another
Never tried focus bracketing, Courtney - need to investigate some software, any tips for a beginner? Love a bit of macro - Sony a7iii & Sony 90mm f2.8 Macro lens user.
You only need a rail for the smallest of subjects. At tiny scales you want to move the camera to stack focus; pulling focus on the lens for each shot will create a series of images with varying ratios of magnification.
Think of using a rail as very similar to the manual focus stacking, but much more precise and less prone to error. YMMV depending on model, but you can often get precise steps where twisting a lens is harder to do as precisely and the risk is higher of moving the camera when you're pulling the lens. If you want to take it next level, then Rollei makes a relatively cheap electronic focusing rail.
Originally, I had setup a ruler @ 45° in my home studio to work out the focus step width and have a pre--printed conversion table available. But since I primarily work in the studio, it's very easy for me to actually measure the depth of field on my manual focusing rail (either crudely counting revolutions on the adjustment knob or precisely measuring the travel with a depth indicator with a resolution of .001"). Plugging that information into a home made Excel spreadsheet calculator gave me whatever I needed. But upgrading to using a StackShot controller and automated rail, all of that was replaced with the internal electronics. Quite easy under "laboratory conditions". How you do it in the field seems almost like black magic to a simple studio photographer. 😅
You are hilarious! I love your outtakes! Seriously you have some great shots. I'm now going to look into focus bracketing for my next field trip. Thank You! Which do you prefer, in camera focus shift shotting or manual shift shooting?
Loved this video Courtney. Maybe you can do more? I bought a Canon R5 at the beginning of the year and it has automatic photo stacking on it. I've tested it on a few indoor subjects and loved the feature. I hope to use it more. I'll take in what you said about how many shots are required for the given subject. Loved the end of the video😆
My Olympus and Lumix cameras bracket and stacket, if you use the wrong word I will not know what you mean. If you move the camera on a rail, you change perspective like stepping back and forth. Sometimes it will matter, sometimes it will not. If you adjust focus with the lens, you may experience focus breathing - the image changes size. If it occurs, I don't know how well Ps copes, but Helicon Focus and Zerene Stacker re purpose-built stacking software. I mostly bracket hand-held, with in-camera bracketting. I never stack in-camera as I get JPEGS. There are hardy souls who go shooting peacock spiders (they're tiny and cute) with a Canon camera and an MP-E 65 macro lens. The lens is manual, and does not have a focus ring. It does have a zoom ring, to change its magnification to up to 5x. So, you're shooting at 3x. F16 for lack of depth of focus. It's gloomy, and bumping ISO doesn't do enough, and the subject is either wind blown or dancing, and your shutter speeds are Too Slow. So you need flash. Some cameras slow down then they have flash attached, so maybe a stupid dumb flash the camera doesn't feel. How to bracket focus? No focus ring. Not enough time to set up a rail. So they carefully rock back and forth, not deviating to the sides. It takes practice. At least some of them have gone and bought an Olympus camera. They shoot fast, they can allow time for the flash to recharge, Olympus has been doing bracketting for years and several generations of camera. And there's this nice new 90mm macro lens that does up to 4-5x, with AF.
A good tip is before starting a focus bracket take a photo of your hand, then at the end of the shot take a photo of your hand. It just means when you get back to base and focus stack you can see what shots belong to each stack.
You're so right Fraser! A simple but important tip that can save a lot of frustration in post-processing.
I thought I was the only one who did that! Thumbs up when starting, thumbs down at the end.
Similar, but I take a shot with the lens cap on, so there are two black frames as brackets.
On the Nikon d850 and z9 you can set the camera to start a new folder each time you do a stacked series. Which means that you do not have to put your hand in front of each series.
I change the filename prefix every time I do a stack making it AAA instead of the default DSC. You have to remember to change it back of course which I am currently doing 25% of time.
Yoshida it twice-- "stacketing" - brilliant! The new name for the complete process. Stacking + bracketing. I love it!
Watch that get stuck in my mind the next time I need to talk about it. Or else I'll try to hard to avoid it, and wind up saying "focus bracking" instead.
@@ravenfallsphotography6254 I've always used the bracketing terminology, and not stacking, as Courtney states, stacking is what is done when editing.
I recently adopted a new technique for landscape images. I dial in 1 sec of exposure delay, switch on the interval timer with 5 second intervals, then add 3 image exposure bracketing and 6 image focus stacking, depending on the light I might also bracket the ISO and white balance. I call my new technique 'Timeterval Deposed Isobalanced Bocus Stackering'. The images are crap, but at least I get to use all the in camera functions I paid for! Love the technique videos BTW.
Brilliant!
@@Robert-R
😂😂😂
I love this and need to see if I can add some function to my D850 for this process. I recently rode my bike 2 hours with gear just to take one shot and it would have been nice to over shoot it rather than ride back again because I'm less than thrilled about the foreground:)
Very interesting. Would love to see your post-processing work with those images.
I'm sure many of us use different software applications for the post processing, albeit it would still be beneficial to watch indeed.
Same here, basic technics in photoshop or lightroom would be nice.
One of the most watchable "how to" videos I have seen. Excellent and very human narration, explanations, and the reality of bloomin' rain, cold, kicking leaves and all the rest of fungi photography. Thank you.
From the early days of digital photography - the first (or maybe second?) camera we used was a Canon S10 back in 1999. 2.11 megapixels.Came with an 8 MB CF card!
Storage capacity and battery life were severe limits in absolute number of photos we could take. And bracketing was unthinkable.
Strictly for fun. A lot of it was a way of more deeply enjoying the woodland in the area. And many of the photos were just as a personal record and to try to identify the fungi. Got several thousand viewable photos - and many more thousand so bad they were immediately deleted.
This was actually exactly the amount of detail I was looking for on stacking in macro. Thanks.
Bocus Fracketing for the win! 😜
‘Stacketing’ @6:29 made me chuckle. This should be a real term 🤣
It is if you use it daily
Your videos are just great I can't believe I finally found this channel I wish I found it long ago
I'm a professional photographer in the architecture interior design real estate and construction world but for my personal work that does go into some galleries I would like to start including macro work I love doing it.
I thought it was great in the middle of your video when you were talking about Focus bracketing versus focus stacking and then eventually you slipped a word and called focus stacketing - you should run with that copyright and trademark it and eventually it'll end up in the Webster's world dictionary.
Love your work love your approach you teach very methodically and so easy to understand thank you thank you thank you
I can't tell you how much I enjoy your videos. Very informative. Hi from Sandpoint, Idaho USA
Vancouver, British Columbia, Canada...here. I'm sure Courtney has fans all over the world by now!
I really need to do this more often. I appreciate how "in the moment" you seem to be, slowing down and enjoying the process of getting the photos you want.
It was nice to say hello to you at the Photography Show on the Vanguard stand, I find your videos very calming and professional as you sell the art of photography beautifully.
Nice balance of technical and non-technical. I use a focus rail at home with the same macro lens you use, but in the field I use in-camera bracketing on a zoom lens with a close up filter attached. As you say, there are so many variables in the field that I want to expose the shots quickly. Btw, the rail I use is a Nisi, great quality and sensibly priced.
Thank you so much for the explanation. You have a lovely, simple, and effective way of putting things that make it easy to understand. So yes, please, to other talks on lessons you want to share. I'm a definite starter for watching them. Regards, Gerard
Nice !
If you buy a "smallrig" cage, you can leave your camera facing the right way (upright); when you put it upside down, everything gets complicated :)
Hello Courtney, first I'd like to say it's always a joy to see you films.
Me personally started with macro 1,5 years ago, by buying an macro lens. When I saw how small the depth of field is, i decided to buy focusing rack (Novoflex Castel-Q, not cheap but very well built) and I must say I have never regret it.
It makes the stacking so much easier for static objects like yours.
Here my work flow:
1) i decide which aperture I wonna use, depends how blurry i want to get the background.
2) according to the aperture and the distance I check, with a app, the depth of field so I know the length of steps i use at the rail. I use steps between 1/3 and 1/2 of the depth of field.
3) I set the settings in manual mode
4) with the focus peaking mode I can check the start and end point I'd like to have in focus.
I take the fotographs and the rest are the work for the software. 😉
Yes, love the more technical aspect, or how-to, videos and I tend to lean more towards this type of content. This was a great video, thank you!
I'm somewhat of a recent viewer, bouncing around your videos. I do enjoy your more technical discussion on your beautiful photography. Thank you, Tom.
Awesome short vid about this but it would be even better with a follow up of how/which images get blended to a final image.
My favorite tool in my bag for outdoor photography with my D850? My iPad! I take advantage of Nikon's Snap Bridge to get a nice big view of what I just shot before moving on or to even take the shot. I'm 66 and the less time I spend on my knees in the forest, the better:) Also, with a lot of landscape shots that I take there is considerable glare on my live window and I can't see much so it really helps having a second, large window to look at. Its also handy for making any notes about the location/shot. I have also used my Android phone to do the same thing but now we're back to a small viewing window so I prefer the iPad.
Courtney, here's a tip for when you are using the centre column upside down. Put the ball head and clamp in the right angle position and this will allow you to use your camera the right way up by using the left side of the L bracket, it really does make things easier.
I loved the Focus part in a video 📸 mode 😄 which is everything about 😅 is the Focus+ accuracy + precision 😊
I've only just seen your video although I see it was from 5 months ago. Having read other folk's comments, there is little I can add but I really enjoy your presentation and find your approach to be inspiring. Most of my photography, these days, is in the garden but it's surprising how many opportunities can be found for macro work, even here, so I shall certainly be putting your ideas Into practice, shortly. Thank you.
I think you just gave us a great photographic technical word in fotus . . . .
Yes please to more like this. I also use a D850, always good to see how a pro is using the camera I love
I just recently subscribed to your channel. I truly enjoy watching the processes that you demonstrate and the fact that you also inject your personality into every video. I have been reading up on the method and now that I see it in practice, I feel more confident about doing it. Great job and keep on creating content!
Great job Courtney! Your pics are great. Your personality is great while you explain how you shoot pics.
Понятно и доходчиво всё рассказала. И сама девушка с красивой улыбкой 😁
Really inspiring work. I shoot a lot in the forest and never with the patience and determination that you demonstrate. I love your images. You make me want to get out, especially with spring just awakening here on the west coast of North America.
I haven't done macro since August. Today was the first time in months that I took my macro lens with me and went to a nearby forest. Most of my shots used focus bracketing. And then you release a video on what I did all morning. Impeccable timing!
Thank you Courtney for a thoroughly interesting & fun video. I especially loved the new words, genius :)
Photus stacketing! Sounds like a brilliant new technique. Can't wait to give it a try.
Love BOTH of technical dedication plus the artful approach. Superb video. Inspiring.
dam fine shots. like your style and the methods used, I shall give it a whirl, I sometimes depending on the depth take the lens further back to give a slight deeper depth, and I am also known for clicking into the tripod legs.
I discovered your channel a few weeks ago. I really admire and enjoy your work and so I subscribed. I'm a 70 years OLD guy in Illinois.
I love the outtakes🤣 Thanks for sharing your technique. Love your photos and videos, always very helpful. I just got my first dedicated macro lens, and boy HOWDY (yes, i'm American😁) that plane is really razor thin. It's going to take some getting used to but I am looking forward to the learning process. You are truly an inspiration, thanks (or is it "Cheers?)
this was excellent, the amount of technical detail was spot on, definitely continue to share more. FYI, I use a mini clapper to divide the beginning and ending of the series that way I know which group belongs together. Also I carry the small reflectors and cards in my camera bag to help punch light if needed. Love the work.
Excellent video Courtney. Over the winter months I've acquired a Nikon Z6ii + Sigma 105 macro lens + FTZ adapter, I'm now looking forward to getting out and using the focus shift shooting mode. Keep up the good work 👍
nice work. i can use this for alternate landscape photography❤
This was very helpful. Thank you! It is also helpful when you show us the equiptment you are using and explain why you chose them. I am grateful that you are continuing to use your DSLR's, as am using the Nikon D500, which I love.
Great information as always. And, feel free to use my Forest anytime you wish.
A very nice explanation. 😊😀
I found this episode very helpful, however I’m not clear how they are processed. I’d like to see an episode on processing the shots.
Loved your video. Do make more videos. (Pls make one about your equipment like tripod and diffusers)
Really loved the bloopers part.😂
Returning to this video after running a series of experiments to learn the relationship between the Nikon D850 focus shift step size setting and resulting shift in focus with each step, and given that, the number of steps required to cover the desired in-focus range. My test target was a translucent plastic scale ruled to 0.5mm increments, taped to the surface of an LED flat panel mounted vertically and rotated to 10-15 degrees off the lens optical axis. The tests were run with Nikon 105mm macro on D850. An example of results: at f/8 the DoF measured about 0.5mm. With step size set to 7, and runs of 10, 20 and 40 steps, measuring the in-focus range in each case, and dividing by the number of steps, the average of the three runs was, guess what, 0.7 mm. Perhaps coincidence, may well vary with working distance, certain to vary with lens used. I find such experiments contribute to developing "horse sense" to apply in the field. BTW the processed stacks appeared to have sufficient DoF relative to focus step size, but step 7 at f/8 was maybe pressing my luck. In the nature of experiments, the results from one suggest several more.
thank you, great video as always! also 7:30 the answer is 45, I was paying attention in the earlier part of the video!
Lovely explanation on this Cortney and some new words for the English dictionary too. 😹
Well presented. There is nothing to add. I call it a focus stacking set, that I will focus stack (similarly, my exposure bracketed fir HDR I call HDR sets). All of my camera bags have remote shutter releases, so that I am never without. Mushrooms are so fascinating. I love the amazing, tiny structures. And, mushrooms don’t fly away like birds.
Thank you so much for a great explanation and demonstration of focus stacking / bracketing, and for keeping it amusing as well as informative. Another advantage of focus bracketing/stacking is that you can keep the aperture wide and have the background blurred, compared with a single shot at f16 or more. Please treat yourself to a shutter release, Courtney: all those 10 seconds with the timer soon mount up!
Your videos are really motivating. I enjoyed watching your technique on focus bracketing. I'd enjoy seeing more of your videos cover the processes that you use to create your beautiful images.
Courtney, another great video, I love it. Makes me want to go for a walk in the woods... take my time.. and look... look for composition in the little things.
I would love to see a video on your editing and culling process when focus stacking as well
Thank you for this tutorial and forgetting to the point! Once you have a series of photos, how do you combine them? It would be so helpful if you could do a post processing video.
The pace at which you present everything is so refreshing. Thank you! 🙏
Oh, and subbed. :3
Loved this video. You have a sense of calm about you that makes it easy to learn. Would love more instructional videos along with your awesome image content 💛
You probably know this by now as I've seen you using a focus rail, I think one advantage of a focus rail is maintaining a consistent magnification, as some lenses change magnification as the focus changes and may mess up the stack!?
With a rail, you can be at 1:1, 2:1 etc, and maintain that magnification throughout the stack.
Great tutorial Courtney, thank you so much😊
We learned things on this, so keep up the balance of technical information and excellent detailed fungi photos
Watching your videos is making me want to try macro photography. I loved the bloopers at the endow this video. I usually kick my tripod instead of the composition.
For me a flash is a must in macro photography.
In my personal experience, flash and fungi do not go well together.
The white parts that so many fungi have over-expose (white out) so incredibly easily. Where they are white, they can be extremely reflective. Even if you manage to avoid that, you are so often wanting at least some surroundings included which will likely end up very under-exposed. And shadows can be ever so harsh.
If you use multiple flashes, or if you are wanting only a very tight area, you can achieve OK results. Not saying it is impossible to get good flash photos. But with my limited equipment, it was difficult.
THANKS! So with your splendid help I discovered this feature on my D 850. Think I am going to try it out tomorrow. With 10 Pics and a smaller aperture.
Did some shots with popcorn years ago - just ONE in the frame, black background and smallest f-stop. Took just 2 pics, front and rear focus. Combined in PS. Worked quite well.
I use a focus rail with my Laowa 2x-5x Ultrs Macro because I have to (there is no focus ability on the lens and thus, one has to move the lens to focus). That said, focus stacking with a manual lens on a Canon 5D MK IV is a real task because the camera isn't recording any distance data (which means the native focus stacking in the Canon software is useless in this instance (that is, without some serious meta data hacking pr using third party software). Also, as you move the camera on the rail. You can get some interesting perspective changes as the rail is advanced.
Lovely video Courtney. I’ve tried to use focus bracketing with limited success. Your video has now given me some great parameter to get going again, and we use the same equipment, so that’s a bonus. A charming and clear explanation - thank you.
I’d like to see a video on focus bracketing on landscapes. Would you do this with a wide angle lens?
Just discovered your channel,love it and your photos!
2 thumbs up for this video (although I love all of your videos) - greatly appreciate the information shared (and more insight into what you do). Keep up the great work! 👍
Love your videos for their inspiration, entertainment and educational content! A great introduction to focus stacking. When working in a slight breeze with subjects that can move (like wildflowers), that's the time to have a remote shutter release so you can choose when to trip the shutter in your focus stack. I love the in-camera focus-shift mode but it can fail with a slightly moving subject. BTW, I've "kicked" my composition a few times myself! Nicely done!😁
I use a Manfrotto focussing plate for macro. It has incremental adjustment for forward and reverse. It makes stacking easy as you don’t need to touch the lens.
Superbly produced video. Your video content and story line are understandable, information rich, and engaging. Is your post-field workflow image stacking done in Photoshop? Thanks for sharing.
As I often say, but I say it with sincerity
Thank you for sharing the video
Because no one can imagine the work that this requires
THANKS
Otherwise, with the rail for focusing, this avoids touching the lens, it's another approach
and in super macro, this allows for more fineness in advance, depending on the threading of the screw
Love the bloopers 😂
Always enjoy your videos, Courtney. Love your style. With regard to using a focusing rail a couple of advantages, if you don't mind spending some time, are that you can more accurately control your focal plane positioning since you can just turn the knob by a discrete amount (such as a 1/4 or 1/2 turn, etc.), and you can eliminate any focus breathing issues your lens may have since you're not refocusing the lens. The focus breathing is not a huge concern as the stacking software will typically handle it pretty well, but on occasions it can cause a problem.
Thanks Courtney for an excellent & interesting video....I have never used this process for micro photography so maybe I can try sometime.... keep up the good work... cheers from Australia 🦘🦘😊
very helpful, thank you. was just about to delve into focus bracketing.
Not to be confused with exposure bracketing. Not so sure about the 850 but I know recent editions to focus bracketing cameras, each set of photos can be put into their individual folders which is done automatically in the bracketing menu.
Another great video Courtney! Love what you do and I really liked the focus bracketing process. Would like to see a little more of that and other camera tips and how to's. Keep up the great work. Texas love and stay safe!
Hi. Love your channel and always look forward to your new vids. Please put as much technical detail as you can we love it. I also wanted to see the post processing as you never show us that. In my opinion a photograph is 60% taking and 40% making. Keep up the good work. Thanks.
Firstly, some lenses, for example, the Carl Zeiss macro lenses, have an engraving which indicates the range of distances where the image is sharp at the aperture chosen. This allows to reliably estimate how much the distance ring has to be turned from one shot of a sequence to the next shot. (Also the Laowa macro lens has such a ring but unfortunately it is complete nonsense and, thus, fully useless.)
And secondly, fungi are usually not affected by wind, only bugs crawling around may cause some trouble as you have nicely demonstrated. Often I see this surprise when I am back at home. Usually it is best to shot a few sequences and select the best one at home. If your subject is a flower with a thin and flexible stem and there is some even slight wind, a sequence with the timer function and the mirror pre-raising function would last much longer than any calm period without wind. In the case that there is a lot of light and the shutter speed is very fast, it sometimes works to set the camera to the continuous-shooting mode, switch off the timer and the mirror pre-raising function, wait for a calm moment, then press the release button and continuously turn the distance ring during the continuous shooting. I know, this is not optimum, but sometimes it is the only chance. Do you have any better idea?
Thanks for the lesson Courtney
I had my doubts about focus stacking and bracketing, it seemed the same to me and as you mentioned, some call it one way or another
Never tried focus bracketing, Courtney - need to investigate some software, any tips for a beginner? Love a bit of macro - Sony a7iii & Sony 90mm f2.8 Macro lens user.
Very interesting not tried stacking yet but I will. Really enjoy your videos, thanks.
Great teaching video! I will be trying that! Thank you very much!
You only need a rail for the smallest of subjects. At tiny scales you want to move the camera to stack focus; pulling focus on the lens for each shot will create a series of images with varying ratios of magnification.
Beautiful images, I wish I had mushrooms here, we only get the bracket type at the moment.
Beautiful work,great presentation,so informative. Thank you
Think of using a rail as very similar to the manual focus stacking, but much more precise and less prone to error. YMMV depending on model, but you can often get precise steps where twisting a lens is harder to do as precisely and the risk is higher of moving the camera when you're pulling the lens. If you want to take it next level, then Rollei makes a relatively cheap electronic focusing rail.
I have at times when doing macro work like this I carry different color small portable backgrounds to take out some of that clutter.
Thank you. A great into video for this learner.
Originally, I had setup a ruler @ 45° in my home studio to work out the focus step width and have a pre--printed conversion table available. But since I primarily work in the studio, it's very easy for me to actually measure the depth of field on my manual focusing rail (either crudely counting revolutions on the adjustment knob or precisely measuring the travel with a depth indicator with a resolution of .001"). Plugging that information into a home made Excel spreadsheet calculator gave me whatever I needed. But upgrading to using a StackShot controller and automated rail, all of that was replaced with the internal electronics. Quite easy under "laboratory conditions". How you do it in the field seems almost like black magic to a simple studio photographer. 😅
Thank you. A great intro video for this learner
Can you make a video what to wear while going into woods?
lovely video help me out i like macro photography thank you Victoria
Neill
Отличное, содержательное видео.
You are hilarious! I love your outtakes! Seriously you have some great shots. I'm now going to look into focus bracketing for my next field trip. Thank You! Which do you prefer, in camera focus shift shotting or manual shift shooting?
Awesome video ❤ shots
Great technic & awesome result 😎
Very helpful. Thank you very much.
Thank you for this video. Here's an idea, Get a bracket company to make one that wraps around to the top for under tripod mounting right side up.
I love your work and in love with you!
Loved this video Courtney. Maybe you can do more? I bought a Canon R5 at the beginning of the year and it has automatic photo stacking on it. I've tested it on a few indoor subjects and loved the feature. I hope to use it more. I'll take in what you said about how many shots are required for the given subject. Loved the end of the video😆
My Olympus and Lumix cameras bracket and stacket, if you use the wrong word I will not know what you mean.
If you move the camera on a rail, you change perspective like stepping back and forth. Sometimes it will matter, sometimes it will not. If you adjust focus with the lens, you may experience focus breathing - the image changes size. If it occurs, I don't know how well Ps copes, but Helicon Focus and Zerene Stacker re purpose-built stacking software.
I mostly bracket hand-held, with in-camera bracketting. I never stack in-camera as I get JPEGS.
There are hardy souls who go shooting peacock spiders (they're tiny and cute) with a Canon camera and an MP-E 65 macro lens. The lens is manual, and does not have a focus ring. It does have a zoom ring, to change its magnification to up to 5x. So, you're shooting at 3x. F16 for lack of depth of focus. It's gloomy, and bumping ISO doesn't do enough, and the subject is either wind blown or dancing, and your shutter speeds are Too Slow. So you need flash. Some cameras slow down then they have flash attached, so maybe a stupid dumb flash the camera doesn't feel. How to bracket focus? No focus ring. Not enough time to set up a rail. So they carefully rock back and forth, not deviating to the sides. It takes practice.
At least some of them have gone and bought an Olympus camera. They shoot fast, they can allow time for the flash to recharge, Olympus has been doing bracketting for years and several generations of camera. And there's this nice new 90mm macro lens that does up to 4-5x, with AF.
Excellent vídeo my friend, amazing work 👏👏❤❤