Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤 Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾 Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌 Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
I love this. I don't really listen to techno, I'm more into industrial and ambient, but I still found SO much of this to be insanely helpful. Your approach to music itself, being thoughtful about the relationship between the parts - this is lo-fi so let the hats anchor it - it's really universally applicable in any kind of electronic music.
Really love this format where you study the sound of an artist in depth over multiple videos. Good channel man. Really interested in more industrial stuff! The producer deep dive looks interesting as well!
The best tutorials around... Way you explain things is just great! Just watching new tutorials everywhere to find something new but here i'm learning A LOT instead. Thanks
Once again, a great style to cover. There arent enough people breaking down the more underground styles of techno. Keep content like this coming. Thank you
It's such a good set of plugins. From a basic effects stance you have all bases covered. They are super high quality with a great "Sound Toy's signature sound" to them. You allso have some more uncommon effects like tape delay, the double filter and some others what can bring some more unique sounds to your music. The thing I love most about them, every single one of their plugins, even their more standard effects have at least one or two really unusual peramiters to play with that you'll struggle to find anywhere else on the same effect type, at least not as a single button or knob if you can find something else that does it at all. They really do make for some novel results.
@@stjezabels5335 Basically, put a saturator/overdrive/distortion/whatever in your effect chain earlier in your effect chain, and put a compressor later in your effect chain
As an older 'electro-goth', i feel like so much of the older industrial works (from Elsplendor Geometrico to Imminent Starvation) could also benefit from your style of dissection. Great to see how "the saussage is made"
I come from a graphical background, and I defo see/hear the correlation between contrasts visually and audible. Like u make me aware of how the fresh hats are in contrast with the dark fuzz of the beat and how it lifts it up and even accentuates.
Glad you feel the same! I think once you go deep enough into any discipline and understand the concepts, suddenly you see those concepts manifested in everything, in all disciplines, it's wild 😊
@@OscarUnderdog I tried my best to understand iLok and it works with plugins until I decided to give soundtoys products a miss. Please do a precise video on how to install and activate iLok connected products.
You are literally the best TH-cam out here making techno tutorials. Literally just thinking about signing up to underdog BC I bet I can learn so much from such an easy videoformat with well explained parts. I just don't do as on the screen but I understand how and why as well! Keep up the awesome work!
Great! My favorite genre ever since the 90s! How I miss those days' crazy underground parties at weird locations... I always called this 'gallophouse', for lack of a better word. I love your channel and what you're doing for today's dance-community with your tutorials. Brilliant.
Broooooo I've been waiting for this kind of content !!! Thank youuu. Also, I saw SNTS live in Geneva and in Berlin st Synoid. Was unreal !!!! Going to see him at Voltage Festival 2021 after so many months without real partying
Hands down best teacher of those topics on youtube I have run into and I have seen quite alot ever since I took up producing. All the best and will looking forward on more techno lessons : )
Damn man!!!!! I’m so happy to see you make this video. I love industrial but within the past few months… I’ve discovered EBM and now I’m loving this new genre. *Please start tutorials on EBM music.* I’m sure it’ll do good. Your tutorial vids are king!
Hey man I'm glad I found your page. Thanks for your classes I'm thinking about joining one of your sessions im finishing up another class right now but I will definitely be checking you out getting into Ableton like never before thanks a million for the insight!!!
Good tricks. I don't use decapitor, but I use the D16 group's Devastor, basically it's harmonic saturation (going to Distortion). I heard people say about samples, if they are broken, break them more ... 8-bit reduction is good for that too (Decimort).
Right! I use their Redoptor, and also the input gain on decimort leads to heavy distortion too. Have been on the fence about Devastor - you recommend it?
Oh snap, I have always called them UpHatz too! Thought I was being silly, but now I know others think the same. One difference here though is I call Rolling HH "Groove Hatz"
the origin of this kind of drums is not SNTS but people from the HARDTECHNO scene. Sven wittekind Boris S Sutura Arkus P Viperxxl Waldhaus Weichentechnikk and more
Yeah.. Early days of Chris Liebling DJ Rush, Tok Tok, Felix Kröscher and even Monika Kruse. You all have to check out Hörspielmusik from Pierre and Marky (Nagen und Saugen)
Another Industrial thing that would be awesome to demystify is the Greek Industrial techno scene, mainly SAWF and ANFS. Their pumping buzzy tracks just fill in a really specific niche for me.
Awesome video man, good tips and tricks. Will give me a headstart on creating this on my analog rytm. If you would want i could show you my progress in a few days or weeks when I'm satisfied with the groove :) Thanks a lot 🔥
I had to rewind but still couldn't tell if you were saying "honky frequency". There is a vast, t hilarious, world of fun to be had with that term. I might have to name a track after it. That said, I enjoy your videos as it gives me insight and knowledge from a perspective from someone who approaches production from a vastly different angle than I do.
I tried this kind of kick but with extra dynamic, not so squashed, and this sounds way more powerful compared at the same perceived volume that a super compressed thing. Kicks just got bigger impact and have a real punch that contrast with the rumble. Just a matter of taste tho, but always good to share to people that feel curious and want to try at least one to compare. Take time to get the right dynamic, but this really sounds good in both way. And even on hard music, I like to get dynamic things even tho I need to turn volume up when djing. Anyway, good tips here, looking your vids for few days, interesting point of view and advices!
This reminds me a bit on hard groove techno (without the HH, rides and cymbals). Could you maybe do a video about that in the future, please? Thank you. 😁
It's great to see videos about industrial music! Would suggest you study some of Tactical Sekt's songs, like Faded Prophecy. They are usually very rich in melodies and bass lines but can't figure them out. For example, in Faded Prophecy the drums and bassline start at 0:16 but can't really figure out how is the bassline shaped.
@@stephenroldan5107 well thanks guys. It’s really because back then I sucked at mixing LOL. I had no idea about side-chain. It was just a wall of noise which people seemed to like. But I go back and listen to those old TS tracks and think I could have done it so much better. But thanks for the support!
(fwiw) @ 5:00 +Could be worth mentioning: it appears "RumbleHigh" track's delay time seems to have been changed as well; and specifically to another different odd-number value, [1] & [1] in this case (from the looks of it), which imho is the main contributing factor influencing the groove of this particular track/sound and how it contrasts with its 'other-half' so to speak. Definitely not a big deal really at all. Just a sort of glossed over point I happened to notice/be curious about, plus I figured someone may benefit from the minimal effort either way! Awesome video btw, seriously, genuinely, thank you for everything you do! 👏😁💯
Yeah they arn't cheap! I remeber when I started to buy legit versions of all the pirated plugins I used and the pricetag on a few made me almost change my mind lol. There was an emulated digital Lexicon reverb I used to love the sound of (seriously the cleanest vst reverb plugin I'd ever heard). When I went to buy it and realised it was about £2000 for a single program all of a sudden it didn't sound so good anymore. 😂 You get such a better experiance with the licenced versions of most complex plug ins tho, especially sound toys as the cracked versions would regulary crash. It's also not fair to use them for free forever, as without payment from anyone they don't make any plug ins at all. To try out a load of diferant ones to see what you like, as a broke novice I think it's ok. But if you find yourself using one a lot, it's much better for everyone to go and buy a real copy after. No excuses for professionals to still be using cracked stuff tho imo. It just doesn't make sence for a novice to shell out 2 grand for a couple of EQs and Filters or for a single reverb if all they wanna do is play with them a handful of times. Totally differant if you use them everyday and make a living off the back of them though. Excuse the tangent lol
This vid was great; thanks...... Unfortunately though, you fell into a trap that it seems a lot of content producers do. I.E: "...And I've added some sidechain" - Um, yes.... But you have side-chained what effect to what what key input? "...And I've applied an LFO" - Similarly, what effect/parameter are you applying the LFO to?
Rofl, I was litteraly just commenting about D16 group plugins on your other vid, and said there's one I used on like 90% of all the tracks I've made but I couldn't remeber the name... Looks like we share a secret haha.
The bee version of Redux in Live11 totally takes decimorts best features btw, it almost makes it obsolete! Decimort does have that tasty input drive though, and a second filter, but still...
@@OscarUnderdog Ah I grew up on cubase so missed out on the cool ableton built in stuff, although I have wired ableton to run through cubase before specifically so I could use an effect from live in the middle of a effects chain on cubase without having to constantly bounce audio over and over every time I changed something 😏. It's a pain to keep track of everything (especially with my worrk flow) when your tune is spread across two DAWs so I tend to only do that if there's no other way to get what I'm looking for (via bounce to audio and import etc). It's also been a few too many years since I produced anything seriously so am a little out of touch on all the fun new stuff that's come out in the last 5-10 years (mby not quite ten as I've dabbled here and there since). It makes me excited to get back into it tho, as do these vids hehe.
Yep! Its similar but this way you can resample them more easily, which you will want to do later (if you watch the 2nd video in the series). In general, it's also just a good idea to pay extra attention to those layers as their own instrument, so they deserve some extra real estate :)
i don't understand why, but there seems to be a massive deprivation of industrial aim'd content such as this. this wasn't just a little something to gnaw on though, i can say honestly that i'm better from watching this. shucks i guess yall learned me something. learning good stuff is fun too, so thanks for this great content. to better express how much this was appreciated this guy right here went third person cause nothing says "it landed" like dude going third. someone's mom confirmed too, but which......liked. subscribed. ding'd that bell too. keep it up and i'll do the same. also, someone needs to come own these 5 thumbs down cause unless their shoulders are on the ground and they're actually signaling something they like, then i want to know what felt so wrong about this content to deserve a downy.
I see, here is a lot of knowledge! techno is a mystery to me, so I'd like to try my hand at this genre. Is according to You Genelec 8030 + sub is a good idea for a small studio or maybe it is better to invest in monitors with a larger woofer instead of a sub? Thanks for your work.
Nice Tutorial 👍 Im watchin on my mobile, so i didnt hear lows. But doesent the rumble create a big mess when overlapping the next Kick? Even if you sidechain it it should overlap the next rumble, or is there anything i got wrong?🤔🧐
You're totally right, there is some overlap, and there is the risk of having a terrifyingly messy low end 😂 BUT: a bit of mess isn't bad, a bit of masking isn't a drama, and a bit of overlap is not necessarily your enemy. You're right to be mindful of it and to try to ensure the low end stays coherent, but it doesn't need to be too clean either.
![SNTS study part 3: polishing & finishing the mix [advanced]](http://i.ytimg.com/vi/oYUN-NgTQhg/mqdefault.jpg)
Find Oscar's video courses here: courses.underdog.brussels 🖤🖤🖤
Join the Underdog Discord channel: discord.gg/z5N9CTA 👾👾👾
Sign up to the mailing list here: tinyurl.com/yy92sx5u 💌💌💌
Pledge to the Patreon: www.patreon.com/underdogmusicschool 🌱🌱🌱
I for one would love to see a Dax J study : )
Me too 😎
He could be a conservatory teacher
dax j drums are a mixture between snts and kobosil
I've heard of D Jax. Maybe I read it wrong. Lol.
I love this. I don't really listen to techno, I'm more into industrial and ambient, but I still found SO much of this to be insanely helpful. Your approach to music itself, being thoughtful about the relationship between the parts - this is lo-fi so let the hats anchor it - it's really universally applicable in any kind of electronic music.
At the second you showed the decapatator my mouth literally fell open. you have no idea how much you just helped me out
Really love this format where you study the sound of an artist in depth over multiple videos. Good channel man. Really interested in more industrial stuff! The producer deep dive looks interesting as well!
The best tutorials around...
Way you explain things is just great!
Just watching new tutorials everywhere to find something new but here i'm learning A LOT instead.
Thanks
Thank you 💚🙏
regardless of what genre you produce, these tutorials are amazing - really beautifully presented, well explained and incredibly useful - respect
Almost 1500 subs well deserved! Quality content this channel bout to blow up!!!!
Thank you so much for showing me SNTS im mind blown. His hypnotic sets are out of this world
Once again, a great style to cover. There arent enough people breaking down the more underground styles of techno. Keep content like this coming. Thank you
Just found your channel man. Right up my alley. Keep coming with the techno stuff. Subscribed👊
Tomorrow's gonna be a big one then 😁
Lo key
True fact: I was going to buy the Soundtoys bundle today *anyway.* :) Great video. Super clear explanation of your process.
It's such a good set of plugins. From a basic effects stance you have all bases covered. They are super high quality with a great "Sound Toy's signature sound" to them. You allso have some more uncommon effects like tape delay, the double filter and some others what can bring some more unique sounds to your music.
The thing I love most about them, every single one of their plugins, even their more standard effects have at least one or two really unusual peramiters to play with that you'll struggle to find anywhere else on the same effect type, at least not as a single button or knob if you can find something else that does it at all. They really do make for some novel results.
Wow ! you nailed it Oscar !
punish mode = relentless !
So glad you mentioned Julien, his and your channels are really valuable for learning production.
Thanks dude! What a great informative session. Appreciate the time and effort you put into these instructionals. It is most appreciated.
Waw, your tuttorials and the way you explain them with such passion and details, are totally a blessing!
Thank you sososo damn much! 🙏
Good stuff. For those interested, you can get similar effects with a saturator driving into a compressor (if you don't wanna buy decapitator lol).
when you say driving into a compressor do you mean as well as a compressor?
@@stjezabels5335 Basically, put a saturator/overdrive/distortion/whatever in your effect chain earlier in your effect chain, and put a compressor later in your effect chain
i.e Synth --> Camelcrush --> Compressor
Waited for one like this great processing 😍😀🙌
As an older 'electro-goth', i feel like so much of the older industrial works (from Elsplendor Geometrico to Imminent Starvation) could also benefit from your style of dissection.
Great to see how "the saussage is made"
Yep
I come from a graphical background, and I defo see/hear the correlation between contrasts visually and audible.
Like u make me aware of how the fresh hats are in contrast with the dark fuzz of the beat and how it lifts it up and even accentuates.
Glad you feel the same! I think once you go deep enough into any discipline and understand the concepts, suddenly you see those concepts manifested in everything, in all disciplines, it's wild 😊
@@OscarUnderdog I tried my best to understand iLok and it works with plugins until I decided to give soundtoys products a miss. Please do a precise video on how to install and activate iLok connected products.
You read my mind. I wanted to post on Reddit how to make snts kick and first post was from you. 🖤🙏🙏
You are literally the best TH-cam out here making techno tutorials. Literally just thinking about signing up to underdog BC I bet I can learn so much from such an easy videoformat with well explained parts. I just don't do as on the screen but I understand how and why as well! Keep up the awesome work!
Love the way you break things down in your videos, very easy to understand! Now youve given me some good ideas to go try out :) thanks!
Thanks LOA, feel free to share the result if you do!
Love this tutorial! Everything is very well explained. Much appreciated!
Great! My favorite genre ever since the 90s! How I miss those days' crazy underground parties at weird locations... I always called this 'gallophouse', for lack of a better word. I love your channel and what you're doing for today's dance-community with your tutorials. Brilliant.
Broooooo I've been waiting for this kind of content !!! Thank youuu.
Also, I saw SNTS live in Geneva and in Berlin st Synoid. Was unreal !!!!
Going to see him at Voltage Festival 2021 after so many months without real partying
I feel this
Was At Voltage last sunday and i'm positive, it was pure madness! :)
@@franckiedeboeur9840 Dude same it was insane. 9x9 and AnD played so well too.
As soon as i heard the beginning of this video I got goosebumps faaaaakin noice thanks a lot!
whow this was educating. love the sound, exactly my kind.
Hands down best teacher of those topics on youtube I have run into and I have seen quite alot ever since I took up producing. All the best and will looking forward on more techno lessons : )
dude thank you so much! I learn a lot from these videos.
Lol you did get me to buy Decapitator. i have been looking into it but after this video.. it sealed the deal
god bless you for these amazing videos🩶
Ah yes, now I feel like I need to get every plugin you used. Lovely video, I've been going back to your older stuff and I just keep learning so much.
Really enjoying your content dude, respect from Scotland
Cheers! ☺
Well, this a tutorial i have been looking for a long time. You got my subscription.
Please make more underground techno tutorials like this!
Hold tight for tomorrow then 😁
@@OscarUnderdog this is spirals ; )
haha you definitely sold me on that decapitator !!!
Awesome, im excited to watch it later :D
Damn man!!!!! I’m so happy to see you make this video. I love industrial but within the past few months… I’ve discovered EBM and now I’m loving this new genre. *Please start tutorials on EBM music.* I’m sure it’ll do good. Your tutorial vids are king!
Big fan of your videos! And i bought the decapitator hahah!
Another really cool video.
Another really cool comment right here
Ah, I recall these sounds, when I was in my mother's womb and she was Jazzercising.
Very simple - but it does the job. Thank You for this tuts! ;)
Hey man I'm glad I found your page. Thanks for your classes I'm thinking about joining one of your sessions im finishing up another class right now but I will definitely be checking you out getting into Ableton like never before thanks a million for the insight!!!
Cheers Oladj! 😁
Just stumbled across this channel. Absolutely superb mate. Great examples and beautifully explained even for experienced producers. (Y)
So nice to read :) cheers!
Yeah! Please! More about this sounds!
Good tricks. I don't use decapitor, but I use the D16 group's Devastor, basically it's harmonic saturation (going to Distortion). I heard people say about samples, if they are broken, break them more ... 8-bit reduction is good for that too (Decimort).
Right! I use their Redoptor, and also the input gain on decimort leads to heavy distortion too. Have been on the fence about Devastor - you recommend it?
Insane tutorial. Mad props
niiiice
Merci pour cette vidéo. TRÈS INTÉRESSANTE, plusieurs techniques que je vais appliquer d'ici peu.
Best tutorial about subject. Thanks!! 🙏
Thanks a lot
I like the first eq on the kickgroup which cuts of the highs, so there is sapce for all the distortion
nice tutorial man
Great video. I'm a relative novice to Ableton. This video definitely expanded my understanding of how to produce a drum section. Thanks!
Thank you so much for these insights. Really helpfull!
Love your work!! Thank you!!
All what i needed
great video!
Thanks Simon!
Oh snap, I have always called them UpHatz too! Thought I was being silly, but now I know others think the same. One difference here though is I call Rolling HH "Groove Hatz"
Well done! Thanx!
Thanks Disko :D
Great channel
the origin of this kind of drums is not SNTS but people from the HARDTECHNO scene. Sven wittekind Boris S Sutura Arkus P Viperxxl Waldhaus Weichentechnikk and more
Yeah.. Early days of Chris Liebling DJ Rush, Tok Tok, Felix Kröscher and even Monika Kruse.
You all have to check out
Hörspielmusik from Pierre and Marky (Nagen und Saugen)
Another Industrial thing that would be awesome to demystify is the Greek Industrial techno scene, mainly SAWF and ANFS. Their pumping buzzy tracks just fill in a really specific niche for me.
thank you Oscar!
thank YOU Antoine :D
Awesome video man, good tips and tricks. Will give me a headstart on creating this on my analog rytm. If you would want i could show you my progress in a few days or weeks when I'm satisfied with the groove :)
Thanks a lot 🔥
Please do share, yes! If you're on the discord channel, you can message me directly there, or share in the group there!
I had to rewind but still couldn't tell if you were saying "honky frequency". There is a vast, t hilarious, world of fun to be had with that term. I might have to name a track after it. That said, I enjoy your videos as it gives me insight and knowledge from a perspective from someone who approaches production from a vastly different angle than I do.
Nice!
Perfect from beginning to end :D
Cheers Ovo 🤗
I tried this kind of kick but with extra dynamic, not so squashed, and this sounds way more powerful compared at the same perceived volume that a super compressed thing. Kicks just got bigger impact and have a real punch that contrast with the rumble. Just a matter of taste tho, but always good to share to people that feel curious and want to try at least one to compare.
Take time to get the right dynamic, but this really sounds good in both way. And even on hard music, I like to get dynamic things even tho I need to turn volume up when djing.
Anyway, good tips here, looking your vids for few days, interesting point of view and advices!
16:21 I love when my techno feels like a "big unit" hitting me in the face 😂
Great video jokes aside, thanks!
if u didn't time stamp it I was gonna lmao
This reminds me a bit on hard groove techno (without the HH, rides and cymbals). Could you maybe do a video about that in the future, please?
Thank you. 😁
💥
It's great to see videos about industrial music! Would suggest you study some of Tactical Sekt's songs, like Faded Prophecy. They are usually very rich in melodies and bass lines but can't figure them out. For example, in Faded Prophecy the drums and bassline start at 0:16 but can't really figure out how is the bassline shaped.
Even a simple track like beslan from them
@@stephenroldan5107 well thanks guys. It’s really because back then I sucked at mixing LOL. I had no idea about side-chain. It was just a wall of noise which people seemed to like. But I go back and listen to those old TS tracks and think I could have done it so much better. But thanks for the support!
19:21 It sounds like it's saying "Go away! Go away!" 😀
nice content!! ;)
Cheers Remy :)
The “Heavy Metal” of electronic
(fwiw) @ 5:00 +Could be worth mentioning: it appears "RumbleHigh" track's delay time seems to have been changed as well; and specifically to another different odd-number value, [1] & [1] in this case (from the looks of it), which imho is the main contributing factor influencing the groove of this particular track/sound and how it contrasts with its 'other-half' so to speak. Definitely not a big deal really at all. Just a sort of glossed over point I happened to notice/be curious about, plus I figured someone may benefit from the minimal effort either way!
Awesome video btw, seriously, genuinely, thank you for everything you do! 👏😁💯
Ok … that’s it! I’m buying Decapitator : )
Thanks men
Welcome men
yes. you encouraged me to buy decapitator:D
Thanks god, soundtoys is having a sale.
Yeah they arn't cheap! I remeber when I started to buy legit versions of all the pirated plugins I used and the pricetag on a few made me almost change my mind lol. There was an emulated digital Lexicon reverb I used to love the sound of (seriously the cleanest vst reverb plugin I'd ever heard). When I went to buy it and realised it was about £2000 for a single program all of a sudden it didn't sound so good anymore. 😂
You get such a better experiance with the licenced versions of most complex plug ins tho, especially sound toys as the cracked versions would regulary crash. It's also not fair to use them for free forever, as without payment from anyone they don't make any plug ins at all.
To try out a load of diferant ones to see what you like, as a broke novice I think it's ok. But if you find yourself using one a lot, it's much better for everyone to go and buy a real copy after. No excuses for professionals to still be using cracked stuff tho imo. It just doesn't make sence for a novice to shell out 2 grand for a couple of EQs and Filters or for a single reverb if all they wanna do is play with them a handful of times. Totally differant if you use them everyday and make a living off the back of them though.
Excuse the tangent lol
"Not the type of VIOLENT PUNCH that we are looking for"
Every kick should have a violent punch! Thats my new favorite term
The guy knows
Very crazy
Cool I am focused on eurorack modular drums but use compressor, touch of reverb, and distortion mixer to create good drums.
great
This sounds so dope. Did you Make a full song? 🤭
I did in the next two videos in the series, the final track is here! on.soundcloud.com/t2inYEFYN2WJQNF26
so good channel..thank u..subbed
Snts is watching this with his mask on slightly nodding his head with satisfaction
Oh yeah the fooley sounds like this WUUUUUUUUUUUUSHHHHHHHHHHHHHH
This vid was great; thanks...... Unfortunately though, you fell into a trap that it seems a lot of content producers do. I.E:
"...And I've added some sidechain" - Um, yes.... But you have side-chained what effect to what what key input?
"...And I've applied an LFO" - Similarly, what effect/parameter are you applying the LFO to?
Actually you don't understand: LFOtool is a volumeshaper that can create the side chain pumping effect without any input.
Any other beginners like me trying to translate all this great Ableton info into Logic Pro x?
Hi. Do you have link for the person situak on bandcamp who sells the bass packs ?
Rofl, I was litteraly just commenting about D16 group plugins on your other vid, and said there's one I used on like 90% of all the tracks I've made but I couldn't remeber the name...
Looks like we share a secret haha.
The bee version of Redux in Live11 totally takes decimorts best features btw, it almost makes it obsolete! Decimort does have that tasty input drive though, and a second filter, but still...
@@OscarUnderdog Ah I grew up on cubase so missed out on the cool ableton built in stuff, although I have wired ableton to run through cubase before specifically so I could use an effect from live in the middle of a effects chain on cubase without having to constantly bounce audio over and over every time I changed something 😏.
It's a pain to keep track of everything (especially with my worrk flow) when your tune is spread across two DAWs so I tend to only do that if there's no other way to get what I'm looking for (via bounce to audio and import etc).
It's also been a few too many years since I produced anything seriously so am a little out of touch on all the fun new stuff that's come out in the last 5-10 years (mby not quite ten as I've dabbled here and there since). It makes me excited to get back into it tho, as do these vids hehe.
Yea sold the Decapitator to me, too. You should get a provision pay from Soundtoys.
I kindof agree 😁 Maybe someday...
Is there a specific reason to process the rumbles through separate tracks instead of in different channels within an effect rack ?
Yep! Its similar but this way you can resample them more easily, which you will want to do later (if you watch the 2nd video in the series). In general, it's also just a good idea to pay extra attention to those layers as their own instrument, so they deserve some extra real estate :)
@@OscarUnderdog Makes sense, thanks :)
i don't understand why, but there seems to be a massive deprivation of industrial aim'd content such as this. this wasn't just a little something to gnaw on though, i can say honestly that i'm better from watching this. shucks i guess yall learned me something. learning good stuff is fun too, so thanks for this great content. to better express how much this was appreciated this guy right here went third person cause nothing says "it landed" like dude going third. someone's mom confirmed too, but which......liked. subscribed. ding'd that bell too. keep it up and i'll do the same.
also, someone needs to come own these 5 thumbs down cause unless their shoulders are on the ground and they're actually signaling something they like, then i want to know what felt so wrong about this content to deserve a downy.
What program are you using for this?
what was the band camp of the sample pack you mentioned? didn't quite catch it 🤔
I think it's this one! Setaoc Mass: skeleven.bandcamp.com/album/setaoc-mass-sample-pack-vol-1
@@OscarUnderdog Am not sure, In this sample pack every kicks are already processed as far as i remember. ( GREAT TUT BTW )
@@youludufutur1374 you're right! It's from the Audiotent Artist Kicks pack actually! It's just Setaoc Mass' kick in there :D
I see, here is a lot of knowledge! techno is a mystery to me, so I'd like to try my hand at this genre. Is according to You Genelec 8030 + sub is a good idea for a small studio or maybe it is better to invest in monitors with a larger woofer instead of a sub? Thanks for your work.
Where is that Kick from? i cant understand... thx
Nice Tutorial 👍 Im watchin on my mobile, so i didnt hear lows. But doesent the rumble create a big mess when overlapping the next Kick? Even if you sidechain it it should overlap the next rumble, or is there anything i got wrong?🤔🧐
You're totally right, there is some overlap, and there is the risk of having a terrifyingly messy low end 😂 BUT: a bit of mess isn't bad, a bit of masking isn't a drama, and a bit of overlap is not necessarily your enemy. You're right to be mindful of it and to try to ensure the low end stays coherent, but it doesn't need to be too clean either.