Ferdinand Ries: Piano concerto No. 3 in C Sharp Minor, Op. 55
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- เผยแพร่เมื่อ 26 พ.ค. 2017
- Ferdinand Ries (28 November 1784 - 13 January 1838) was a German composer. He was, after Ludwig van Beethoven, the most significant composer of the city of Bonn.
Ries was a friend, pupil and secretary of Ludwig van Beethoven.
When sixteen-year-old Ferdinand arrived on Beethoven’s doorstep in Vienna in 1801 with a letter of recommendation from his father Beethoven was already at the peak of his fame. Beethoven welcomed his fellow countryman with open arms and gladly took him on as his piano pupil. In return, Ferdinand dealt with Beethoven’s correspondence with publishers, copied Beethoven’s scores and carried out minor personal commissions. For lessons in composition, Beethoven sent Ferdinand to his own former teacher, Johann Georg Albrechtsberger.
For much of the twentieth century the composer Ferdinand Ries was known primarily as Beethoven’s friend and biographer. During his lifetime, however, he was renowned as a virtuoso pianist and composer throughout the whole of Europe. Ries left us about 300 works. He composed eight symphonies, a violin concerto, eight piano concertos, three operas, oratorios and numerous other works in many genres, including 26 string quartets. - เพลง
Ferdinand Ries was a pianist and composer German born on 28 November 1784. He was friend, student and secretary of Beethoven. He composed eight symphonies, a violin concerto, nine piano concertos, three operas, etc. His connection with Beethoven given to his music a style that lies between Classical and Romantic.It was Ries who found the lodgings for Beethoven in the Pasqualati Haus, where Beethoven stayed longer than anywhere else and which is today a Beethoven museum. Beethoven generally took Ries’s kindness for granted, often treating him unkindly and blaming him for problems which were not his fault. Ries never allowed it to sour the love and respect he had for Beethoven. He was a fine pianist and prolific composer, leaving nearly 180 works. He dies In January 1838.
The Beethoven’s influence is marked, yet often interspersed with magnificent lyricism, his music has moments of joviality that we rarely seen in Beethoven works. I didn’t know this composer, but I became his admirer after hearing the fabulous music he produced. It has passages of sublime and superb beauty and elegance. The pianist is amazing not only for his sensibility as his fantastic technique. The orchestra and its direction are magnificent. Thanks for this wonderful recording music.
Thank you for sharing. Poor Ries, suffered a lot at the hands of his teacher Ludwig, but he remained faithful to him untill the end.
In later part of life Ludwig was going 🧏♀️ deaf and I have found some of people become very cantankerous.But any genuine pupil of genius or masters would be willing to work with total devotion and become a master themselves.
I have just listened to his symphony No. 7 for the first time. It's a first class piece.
I agree with you, I also posted this symphony.
Невообразимый восторг и наслаждение от такой музыки sibarit 101 спасибо
Thank you again!
Qu'est-ce que c'est beau ! 🙏🎶💓🎶
Можно слушать бесконечно бальзам для тех кто чувствует
Thanks! I'm glad you like Ries' music. He is my favorite composer.
Wonderful, why haven’t I heard of this composer until now. Thank you for this inspiring piece.
Thank you! I think that's why we're all here on TH-cam: to listen to beautiful music and to discover new composers. In everyday life, with our multiple concerns, we would not have the opportunity to find out anything about their existence and their music.
Gorgeous piano concert that anticipates 18 years Chopin's first concert. Some moments reveals Beethoven's style. It is original, pianistic and romantic. Thanks for sharing.
I'd say this is by far better than Chopin's concerto (whose orchestration is rather poor). I even dare to say it's superior to former three concertos of Beethoven (four, counting also his youth WoO - extremely pleasant BTW - concerto), somehow better than fifth and equivalent to the fourth. Ríes, Hummel and Dussek, from my modest corner are over the top as far as piano concertos of this interesting period between end of xviii and early xix centuries.
Obviously Beethoven's THE genius of the period but..... Reference made to Piano concertos.... He's not the top.... My personal opinion...
@@pietrolandri6081 I own all the recordings of the piano concertos by J L Dussek and Ferdinand Ries. I also prefer to listen to the concertos of these composers over those of Beethoven. I agree that the orchestration of Chopin's concertos is poor( someone at his music conservatory orchestrated them for him...they did not understand what fit with Chopin's style of music). Its very bold brush strokes do not seem to fit the gentle lyrical melodies. People just take Chopin for granted and think his music is perfect. Ries's orchestration in his concertos is perfect for his bold powerful melodies although I think that in many ways Ries's style is similar to that of Chopin. Frequently Ries's melodies tend to flow into each other very much like those of Chopin. Ries took romantic style much farther then Dussek or Hummel. Dussek, Hummel, Ries and Field are the four composers who most influenced Chopin. Music historians love to classify Ries, Hummel, and Dussek as late classical composers. This seriously disrespects these composers and makes them sound very boring and without any notable innovations. Then the rest of the classical music world doesn't have to feel guilty about ignoring their music. I think that these composers were amazing innovators in the romantic style and deserve so much greater appreciation....especially here in the USA where they are virtually ignored except for the rare play they get on NPR.
@@brianknapp8645 agree with your notes. Thanks for that
By the way, Ries dedicated this concert to Muzio Clementi.
What a beautiful music, thank you for posting it, and so I can discover the music of Ries. Greetings from the Netherlands
Thank you too!
Beautiful, enjoyable. Many thanks for sharing.
Discovered this by chance. How come I'd never heard of Herr Ries? This merits being better known. Thanks for uploading this, I shall now search out more from this composer.
I'm glad you like Ries' music, he's my favorite composer.
I should add that this piano concerto is by far his most popular. I happened to be browsing for something new to listen to on the day this volume came out. I did not know that this concerto would be the feature work on the volume; it just happened to cross my mind that the concerto in C-sharp minor was the only work by Ries I was aware of (I heard it on the radio once), and I should look at the volume to see if I could reacquaint myself.
I have loved this piece for years. BEAUTIFUL playing--bravo, Christopher!
Thanks, I'm glad! (I will love Ries' compositions all my life)
@@sibarit101 Ries is a fantastic composer, like Hummel, a kind a lyrical Beethoven. His chamber music is really commandable too
@@pierrebonnechere7032 I have repeatedly stated that Ries is my favorite composer. I know all his music recorded so far. So is Hummel's music.
Thanks anyway.
@@sibarit101 Music around 1800-1830 is just as gorgeous as it is unknown from public and too often from interprets also. All subsequent music (Chopin, Mendelsohn etc.) is simply not understandable if this one is depreciated on the basis of completely outdated judgements. But Ries remains on my top list!
Que c'est se concerto pour piano n 3 de se compositeur formidable de puis que je suis a la retraite j'ecoute beaucoup de classic je me regale
Allegro maestoso 00:02
Larghetto 14:28
Rondo: Allegretto 19:10
6:42
0:02 is a good place to start.
I hear quite a few similarities to the concertos of Jan Ladislav Dussek in this this music.
Wonderful. But where is it the second movement?
@Simone Liloni The Larghetto starts at 14:28