If esch line in a dialogue demands different AG's,,,,then each time do I have to ask my image about the Gesture, slow or fast & what quality of movement etc? Then for each AG'S do I have to practice the exercise of losing then PG/AG followed by Winning or viceversa
I don't think you "have to" do anything. If just using the gesture is enough, then go no further. If however, you are stumped or want to go into even more detail, then go right ahead. The great thing about Chekhov is that it is flexible to your needs in each given situation. Don't wear yourself out trying to work with gesture the "correct" way.
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Special thanks to Lisa Dalton and Wil Kilroy at NMCA (www.chekhov.net) for this approach!
This channel deserves A LOT more subscribers. Thank you for the dedication!
Absolutely!!!
Thanks for watching!
Love Your work as Always, I wish you a good health and wealth and may you be always a great inspiration for the aspiring actors like me
You are very kind. I wish you the same!
👍👍
If esch line in a dialogue demands different AG's,,,,then each time do I have to ask my image about the Gesture, slow or fast & what quality of movement etc?
Then for each AG'S do I have to practice the exercise of losing then PG/AG followed by Winning or viceversa
I don't think you "have to" do anything. If just using the gesture is enough, then go no further. If however, you are stumped or want to go into even more detail, then go right ahead. The great thing about Chekhov is that it is flexible to your needs in each given situation. Don't wear yourself out trying to work with gesture the "correct" way.
@@TheInspiredActor thank u so much,😍
Can we do the PG simply from our imagination?
Absolutely! Look for that video in January. Doing a show now and am slammed!!! 10 Show weeks until Christmas!