Roland have such a weird, weird habit of designing the most stunningly capable and gorgeous-sounding gear, and then packing them full of the worst presets imaginable. Every pedal. Every synth. They just can't stop.
The biggest problem I found over the years, specifically with Roland Synth manuals, etc., is that they provide no real explanation of how to use the instrument they come with. D70s, A90s, etc., had manuals that were essentially written backwards. If you wanted to understand them you started at the last section and progressively moved toward the front section, one section at a time. The next complaint is they were written for the most sophisticated users who already knew the terminology and how MIDI worked without having to think about it---- great for professionals but not so great for the rest of us who just like making music, good, wonderful, awful, or somewhere in between.
These really genuine, honest reviews are such a rare gemstone nowadays, and I can really not express my gratitude enough to you for making them. It's so good to have someone you can actually trust when they talk about gear. I am really interested in MIDI guitar (actually MIDI bass to be exact) and from watching this video I feel that you have a super interesting workflow with it, extracting more out of the tech than just staying within the limits of the Boss/Roland interface. It would be extremely helpful for me to know a bit more about the various uses you have for midi guitar in your setup - how you use it to export midi out to a 3rd party destination, if you use midi guitar to midi map daw controls etc. I think this info can be eye-opening to many here, myself included. Thank you for all your efforts invested in this channel, as well as in your music which I've been a fan of for years.
Thank god this isn't another video that makes me feel like I need to buy more expensive gear. Also they should put you on the design team for this product line.
Benn Jordan: your in-depth analysis of the Sy-1000 is right on. I have spent an entire day trying to arrive at where you lead us here today, and so I want to thank you for your mastering of the medium. Your pre-sets are quite amazing. And the performances are magnificent. Thank you.
The Roland GK-3 hex divided pickup provides 6 analog Output signals ( one per string) and a 7th for the normal Pickups and feed these ANALOG signals through the GK 13 cable to the connected "GK 13 pin PROCESSOR" . The Roland VGuitar 13pin GK Processors (as well as competing DSP Guitar Modeling systems from Antares, and Line-6 Variax) do not employ a Guitar to MIDI conversion function for their principal sound . Instead think of the VGuitar system as six separate DSP Modeling signal paths - The Strings are the oscillators. and it functions quite similar to the Line-6 Variax signal processing flow - ( Guitar PU for each String> six A/D's ( one per string) >DSP >D/A) and latency is similar to Variax (under 2 milliseconds for each string) and substantially much faster than any Guitar to MIDI system or Guitar to PCM system. The biggest difference between Roland VG Series and Line 6 Variax is the DSP is inside the Guitar on the Line-6 system - both allow real time DSP generated Alternate Tunings, Guitar Modeling and on Roland VG systems and Antares ATG-1 - Pedal Steel multi-string pitch bends - no MIDI involved ! STILL many folks call the GK cable a "13 pin MIDI Cable"
Thank you so much for taking the time and putting the effort in to make this video you've really given me an insight into how this unit works. The best review of this unit I've seen. Again thank you.
Man Ben I remember when I heard red extensions of me for the first time. I was running the radio show at my highschool and asked my friend that worked at an offbeat record store and wanted something to play for Halloween on the radio. I asked him what would be good. He gave me that album and meathole by venetian snares. Both of them blew my mind but especially red extensions. That experience is what made me start making electronic music and I have been obsessed with it for about 15 years.
Shredding a Right Handed (Strung) guitar Left Handed. Bizarre Kudos. But I only found this channel as a 30 year guitariist who just bought a Yamaha Synth looking for tips. Mind Blown. You are truly a musical God! Superb videos. Totally subscribed.
Referring to it as MIDI Guitar is fundamentally incorrect. The GK pickups output hexaphonic audio and perform no MIDI processing. The general parlance most people use these days, for this technology is Hex or divided pickup. The GR-300 you referred to Pat Metheny using in the introduction, was an analogue synthesiser; no MIDI involved. The VG-8, VG-88, VG-99, GP-10 and SY-1000 all work in the audio domain using the strings as the oscillators to drive multichannel DSP's, which then perform physical modelling (including guitar and amps), realtime re-synthesis, harmonic restructure modelling etc. Internally there is no pitch to midi or tracking. Think of them as a more complex Line 6 Variax in a box. The VG-99, GP-10 and SY-1000 do also offer a separate, pitch to MID conversion via USB and 5 pin MIDI in order to drive external soft synths/hardware synths. It's important not to confuse people, as it perpetuates the stigma of 80's style pitch to MIDI converters where tracking and false note triggers were factors. The internal latency can vary on these processors, based on the type of synth model or processing being used (the OSC synth on the SY-1000 for example), but this is not the same as tracking on a pitch to midi convertor. For those interested in the underlying principles involved in this technology read this paper: msp.ucsd.edu/Publications/icmc10.pdf
Too bad this guy flailed through presets trying to make the most disappointed face possible, then flail through trying to find a simple ADSR envelope or filter or routing. Finally cracks the manual and finds stuff but after still flailing because he has only skimmed the manual, makes another disappointed face. I watched a guy that doesn’t even know synths that we’ll get more out of the editor because he read the manual and get brilliant sounds out of it. This guy should give up on making unboxing videos.
@@vondragonnoggin The things that are missing in this product described at the end of the video are actually absent from the unit. And there's no manual reading or face making that can fix it. He's completely right.
you are a legend man i was searching far and wide to find it. and now ive got the answer. it is the end of floods, benn's prolly going on it from memory so it isnt exact. thanks man
I started watching this video thinking “oh boy I need this ... a massive upgrade for my VG-88” and ended it thinking “Roland have had over twenty years ... how is this as far as we've got?”
If the VG88 hadn’t been such a massive step backwards from the expanded VG8... depending on what you’re into I suppose; if it’s all about VGM for you then the 88 is ok; if it’s HRM then the VG8EX was much much better...
I have the vg 88 v2. It’s nice, then I bought a vg 99 and vb 99. Then got the gr 55. I don’t know if I will buy this. But you can never ever base a a Roland product on their presets. The presets are always bad.
I'm at 14:30 ish and you've hit it dead on with the evaluation of the SY1000 presets. I've tried so hard to want to like this but it's hard so far. I even own two pups and several new cables from my GR55 and i SOLD THE 55 TO GET THE 1000 AND SO FAR i'M STILL NOT DOWN. i JUST GOT AN aRTIPHON SHOULD BE HERE TOMORROW so I'm see how that does. i ALREADY OWN A fANTOM 6 and Jupiter XM plus loads of plugins. I will say the guitar modeling is the only thing I'm holding onto and the reason I'm not yet gonna sell my pickups just yet. You did the BEST review I've seen great job man. Been subscribed a while and love all your videos. Boss should have had you design all of the presets! The reviews and product would've been received much better.
I came for the SY1000 and stayed for the accurate analysis and real world (and time) experience with midi interfacing with a guitar. I love playing the guitar for the reasons you mention - the overtones and what you can do with years of practice and playing. The first time I used a midi processor with guitar I heard all of those out of control weird untamed tones and immediately realized that my lack of experience with a keyboard was no longer a problem. But you are so right to say that it’s not really like playing a midi instrument(s) with a guitar. It’s like a whole different thing. This is sounding very familiar to both my approach and my opinions regarding guitar and contemporary music. My initial influences were A Belew and R Fripp, which morphed into Fred Frith and Marc Ribot … but I still love SY and Pavement. None of that should matter. Have you used Jam Origin products? I’ll check your other videos and figure that one out. MidiMorphose seems to have vanished.
Thank you so much for taking the time to create this video, very much appreciated. I am quite happily surprised to find that you play upside down and backwards, Albert King, Otis Rush, Dick Dale, Eric Gales, yourself and I!! I just acquired this pedal and have not had a chance yet to install the GK3 in one of my Guitars. Is there a particular guitar that the GK3 works best with. I have an SG and a Stratocaster available. Which would you choose as your first 13 pin guitar between those two? I’m subscribing to your channel. Cheers!!😊
Hey Ben. Great work as always. I think the "fooled you again" preset may be a reference to the Who's "Won't get fooled again". I think Pete Townshend got the synthy intro from plugging a Lowry organ into an Arp 2500. en.m.wikipedia.org/wiki/Won%27t_Get_Fooled_Again
Roland/Boss offers the best guitar modeling (the L6 Variax guitars are good too, but have significant disadvantages) on the market, but when it comes to pitch-to-MIDI, the Fishman TriplePlay is far superior. Spitfire Audio recently sponsored a competition for scoring a scene from Westworld. For my entry (which you can see on my channel), with the exception of the drums, I performed all the parts with TriplePlay. There was a bit of MIDI editing after the fact, but I’ve never been able to get synth parts down so quickly before. I’d highly recommend checking one out.
You're right. After more than 30 years of using everything on midi guitar ( never played synthaxe or ztarr, but everything else) the Fishman is by far the best tracking guitar to midi.
gueims I’ve been wanting to try a Ztarr for a long time. I saw Stanley Jordan play one once, and haven’t been able to get it out of my head. Super expensive, though!
I’ve been using Guitar Synths since 1974... Thanks so much for your great dissection of the Roland Preset Fluff and diving deep into the core of the Japanese engineers idea of what music is! LOL! Aka: Engineers not Musicians! As I have learned with all latest greatest equipment .... Find it’s limitations... I’m most cases are many , many.... only then....you can find if there is anything elements left, that your can use to create a few a truly dynamic sounds ! So far after many ~ I use the GR-55 and as I am sure you know 99% of those presets were all junk too... unless you can Tweek all that was left...into some thing that is usable to me. Lol... Some things Never Change!!! Thanks for the deep dive!!! Gerard
The only good experience I have had with Roland Boss 13 pin products (aside of GK-3 pickup, which is a must) was with GP-10. The best guitar to midi product (which works together with Roland’s GK-3 pickup) is by far Axon AX 100 made decades ago by a German company called Blue Chip, and later company Terratec Producer. With Axon AX 100 and GK-3 pickup, you can connect your guitar to any sound source of any kind and never have to worry about latency, or triggering errors (at least that is my own experience). By the way, thank you Ben for all your wonderful videos ! I love all of your videos I watched so far. X🤘🏻X
@@BennJordan - instead of lurking - why not actually read - none of your 13 pin guitars are "MIDI GUITARS" www.vguitarforums.com/smf/index.php?topic=14088.0
I can't thank you enough for this honest review. I'm am not a professional or gigging musician just somebody who loves jamming along with my favourite rock songs at home but also don't mind spending a lot of money on high level equipment if it sounds great and Is easy to use. I have used lots of boss multi effects units over the years and was always very happy with my purchases. But a couple years ago I purchased a headrush pedal board as it seamed more advanced than the then newest boss unit at the time. I absolutely love the headrush, it sounds amazing and is very easy to program and use. I recently have been interested in the gk3 pickup functions especially the ability to use custom and alt tunings and switch to 12string and acoustic sounds at the Press of a foot switch. I was about to pull the pin and order the sy1000 as I thought being the flagship boss gk3 model it would give me all my headrush board has plus the gk3 tuning/acoustic ability. SO GLAD I FOUND THIS VIDEO FIRST!!!! I didn't hear one single preset I could use and the thought of spending hours deepdiving into menus to try and create my own presets nearly gave me an aneurysm! I've decided after watching this video to instead buy the boss gp10s and gk3 which only costs around a third the price of the sy1000. And run this into my headrush. That will give me best of both worlds, alt tuning, acoustic sim and great sounding easy to set up amp/effects sounds. I wish there was more open honest reviews like this on TH-cam. Thanks again your newest subscriber 👌
Dear Good job. Simple and honest. I also have for 13 years a VG99 and in addition a Cell Sonic connected and all controlled with the VG99 RC pedal board. Top gear. Could not be more satisfied. As I mentioned, I'm satisfied with my set up and the userfriendlyness of this VG99. Is still the best midi product on the market in my opinion. So you are right the SY1000 is not yet the improvement that we had hoped. Finally the musicien makes the difference. Greets from Belgium Steve Verstichelen
Ben, would love to see a review of the new Roland gm-800 guitar synth. This one is a PCM synth, but it sound way better than the old stuff. Lots of videos on TH-cam...
At the moment, most SY-1000 users program on device than in the PC editor. Pressing down on the knobs unlocks a new feature. You can reorder instruments vertically, by the way. Noisy USB is not generally a problem. Please have another look.
Thank you for this in depth review. I've been a 13 pin user since the original Roland V-Bass. I had been ignoring the SY series because of the lack of PCM sounds. I wish you had demoed the midi out to other synths. I was curious if it tracks identical to the GR-55, or if it has been improved. The last few years I've been doing a lot of acoustic guitar duo gigs. I've found the FTP to track sampled sounds better than a GR-55, but as you mention the acoustic models aren't there with FTP. I used to think the Roland models were really good (VG-99), until I heard the Antares ATG-1 models! Those are my favorites (especially the 12 string). The other thing that the ATG-1 has that no Roland had is auto tune. Hit a button and all your strings tune up instantly (it even corrects for poor intonation up the neck). So I cut the pickup off my FTP Connect and built a 13 pin adapter to feed it. The ATG-1 has a 13 pin out, so I send that to my FTP and use my favorite softsynths on an iPad mini 4th gen. I get great models on the ATG-1 and great synth tracking from my FTP, check it out here th-cam.com/video/qBsXT7qZN2c/w-d-xo.html
Do you know the soft MIDI Guitar 2 ? Works even with chords. A quite good tracking, and without any hardware or drill :) It's only software and I don't know why nobody knows it !
Many know of it. I have it as well however hardware is always funner. Also some soft synths lag too much and makes farting noise on your computer when you overload cpu etc... and sometimes people don't wanna play in front of a computer.
Thanks for posting. You know your guitar synths. I am someone who has several but don't really use them that much, too busy learning songs. Hope to get to your synth level someday and apply the knowledge to performing. thanks again
I had a Boss GP-10 for a while, and it was quite good at the modelling other guitars stuff. I could sound like an acoustic, a big jazz semi-hollow, a sitar, etc. and it sounded pretty good. It didn't really have any intention of MIDI control, though, I didn't use it enough to keep it around.
Nice review man ! Cleared lots of questions and gave right expectations.. To simply control external devices via midi with a 13 pin adapted guitar what would be your recommended pedal/processor ?
Hi, this is a great video! I have a question. I currently on the Boss GX 100, and I was wondering if I should just get like a boss sy 200 instead of the 1000 and added into the chain to get the synth sounds. Because I so far I’m a big fan of the GX and I’m not very impressed with the higher up sy models. On paper I am, but the presets sound Garic and you’re right in saying they sound out of touch they sound like somebody who is still making acid music from the 90s no shade to that but it’s 2023.
What a fantastic video. Thank you Benn for going so in depth, yet in a concise way. It does give a great insight as to what exists, what expectations one may have etc. What do you make of the Jam Origin stuff and do you think they will release a newer and better version of their own system in the future for example?
Thank you! I currently have and use a VG99 and GR55. For a long time I also used 2 GI20’s going into Roland 880 and 1080 synths. I recently tried the SY200 (useless imo!) and have been thinking about trying this new synth you just reviewed. I think I will stay with what I have for now. Thanks for saving me some $$!
I use things like ez drummer, but never thought about midi to emulate one string at a time and sound like a banjo or acoustic whatever. Good demo with great insight!
@@shitmandood It's not a Les Paul and a tube amp. It's clearly aimed at guitarists and those with an interest in, and understanding of, synthesis. The Roland GR-55 is for the preset jockeys.
@@tedrogersisback5729 if you didn't notice, this guy has thousands upon thousands of dollars worth of synthesizers and is clearly well versed in the world of many different forms of synthesis. Boss/Roland simply didn't pack good presets or a good editor in with an $1000+ product.
I built an FFT based polyphonic pitch detector that has excellent tracking without the need for hexaphonic pickups. in fact it works so well it can run pitch detection on full mixes it can be done with FFT, but it's not that simple. you need a loooooot of additional tricks for it to work well
Buy the SY 300 and forget the pickup. The GK 1 was pretty slow, the 2 was better but far from perfect. Do you like drilling holes in your favorite guitar? Once you have MIDI access from any source you should be able to use almost any other MIDI device. I haven't tried it but maybe a MIDI interface or a SY 300 is all you need to MIDI into and access the sounds of the SY 1000. For that matter, just MIDI into a Roland SE-02 or Fantom 6- 8. Don't be afraid to plug in and try things that weren't thought of as compatible. Cheap examples: the output(s) of any keyboard plugged into an EHX Super Pulsar, HOG 2, or Freeze; any preamp out plugged into the power amp section of your favorite amp; a stereo stompbox looped into itself; one stereo stompbox out plugged into your amp's guitar input and the other plugged in and out of the amp's effects loop; etc. I don't possess the knowledge of the man who created this video but that hasn't stopped me from experimenting. I have used Roland, Boss, and Edirol (remember them??) probably a lot longer than when he first touched an instrument but that hasn't stopped any creative process I know of. Use your imagination and personal preferences. It always amuses me when I listen to others criticize a certain patch they "don't" like when it sounds fine to me. If you can ask them why invariably the answer is "I just don't like it" or "it doesn't sound good" ----- yes, to them, not to everyone else.
What sound engines does it use? Midi(sampled sounds), synth(oscillators) or amp modeller? Sy300 gets its sound from synth(oscillators) only. But i liked the midi or sampled sounds of gr55? So i am confused what are the sound engines that gm800 uses? Is it just upgrade to sy300 or it has midi engine too like gr55 does?
Biggest downside additional to the mentioned, you can't load 3rd party or any other midi instrument sounds into the unit. I myself play a Boss SY-300 since years and it produces everything and more, you heard from the SY-1000 presets and I'm in love with it. It's a third cheaper and doesn't need the GK pickup, because it's not midi. Savings against the SY-1000: over 600.- bucks! You won't need a PC for it and it has tonalitywise more to offer (for me). It can't do different tunings or settings like, 2 strings are bass and the others regular, for instance, but there's never a concern of tracking, because there is none. Consider before buying (with any gear ofc) - you have to invest time, to get everything out of it. Downside, the SY-300 has, besides 3 input effect slots, that can be synths or sequencers or just inputs (at the same time!) and so on, 4 additional effects to use at the same time (the SY-1000 has a lot more). I'm using a delays/reverb pedal as an after unit and a pitch shifter pedal before it. Best "pedal" or gear, I ever owned.
Good video. I really can't understand why they made some design choices on this, like the mono fx loop. Do they not understand how people will use it? And they could have easily made this in the same packaging as the GT-1000. Granted, nothing else currently does what it does, but... yikes. At least it's capable of producing some unique, usable sounds.
Can you post your patches on the V-Guitar forum? Really like the Traffic patch. I share your frustration about the editor and the presets, the bass patches are more creative IMO.
Hey man... I've had mine for about a year, coming from a Gr55 and a GP10. It's basically in my opinion, the GP10 new flagship. I do battle to program anything but a silly 80s synth or a pad. I'd prefer to learn more on harder synth leads and rhythms. The GP10 had a great wave synth or something using the gk which gave it a more "synth for a guitarist" feel. I have days where I love the sy and days I'm not sure where to go with it... Considering using it mainly as my guitar modeler, tuning, clean tones, etx... and a core as my main drive tones etc. I wanted this to be my all in one... But until I get an IR box I can't go any further, also the lag between patch changes... All the best man always wanted to go more into synth guitar but my brain just can't comprehend it, which is why I loved the blender on the 300. 🤘✌️
Benn from a sound standpoint I have found the GR 20 to exceed everything that came after it. It had a bad latency and for the most part other then reverb the presets were un-editable, but the final product in my recordings was far better then the GR55 or the SY-1000. Just my opinion.
If I were just getting into MIDI guitar, would you advise getting a GK-3 and a VG-99, or a GK-3 and an SY-1000 ... ? I know you said ‘probably the 1000 for a noob to guitar MIDI’, but given what you says about the harmonizer in the 99 (and possibly the tone/noise of the units?!), assuming I had plenty of other effects, a good interface, etc, it sounds to me like you might think the basic tone, function (esp the harmonizer) etc of the 99 is better ... at least, unless/until Roland gets around to patching the 1000 (if ever?) ... ?!!
The SY-1000, which I use along with a GR-55, GP-10 and GR-1, will deliver very good subtractive synth and guitar modeling results with editing and patience. While it's very good at 80's type synth sounds, it's multiple CNTRL pedals allow for ergonomic switching in a Live setting. I happen to get great sounds out of it. YMMV.
Wow, that sound starting @49:18 is really beautiful! (also - I think it *does* probably help that you're an awesome and highly experienced sound-designer) Your jazz-guitar skills are pretty on point - getting some Joe Pass, maybe Jim Hall, Barney Kessel... great stuff! Very glad you reviewed this - I'd been playing with the thought of getting one of these. It's not bad - it probably won't satiate my appetite for a real Synthaxe, but might be an option - I'm gonna give it some time and see what firmware and software updates it'll get. Meanwhile, for jamming and studio work, it's not like all the other controllers (midi-keyboards, launchpads and a Touché with its amazing articulation-capabilities) won't do. Still waiting for a synthaxe like Holdsworth got to enjoy for the 21st century though - no tracking latency, keys and pluckable strings, hold-mode.... all that stuff.
I don't hear any PIANO and NYLON sound (hmmmm?). Did you tested Piano and Nylon if they have any problem, such as, "ghost" and "running" notes??? I would imagined, SY-1000 does NOT have these problems anymore, right? My Roland GR-55 does have issues. In the last 7 years, I have not been able doing gig and record anything - except strumming a few simple chords here and there. Nothing else. If you didn't tested these type sound, try it. I would like to know. thanks.
This thing is a facilitator. For as much as it costs Boss isn’t going to advertise it with needing more in mind. But if you can have imagination this thing is something special
I have a GP-10. I really wanted the SY-1000 to be much more than it is. I've been using a a GT-1 + SY-300 for a few years and counting. I can get GT-1 only, SY-300 only, or both and use an EV-5 to blend the level of SY-300. Even though I have GK-3 guitars, this rig works well for me. I could run the GP-10 into the GT-1 + SY-300, but haven't tried it...on my to do list. The SY-1000 was a missed opportunity, but nothing new is a close second. If I didn't have my GT-1 + SY-300 rig, I'd get the SY-1000, but it's just not enough. IME. IMO
Honestly it was kind of painful getting through the first 45min. Your custom presets almost sold me on the unit. I just seems to fall short. One question: the midi out. I'm assuming you can track VST synths in your DAW. How's the latency with that? I have an old Axon converter and Brian Moore 13pin guitar, and with VST instr it seemed to track differently instrument to instrument. Thanks for your honest opinion.
A few things I don't understand: - Why not including a 13-pin output (and/or 13-pin through), so you can combine it with other devices (yet to be developed)? - Why all those awful presets? It seems very stuck in the past. Like somehting build in the 80s. - Why not any CV outputs? It would be nice to use Godin guitars with eurorack in an easy way. - Can you record the clean (before processing) 13-pin output (the 6 strings separated in 6 channels) directly in your DAW using the USB connection? - Why such a conservative approach in 2021?
It be ace if you can make a video deep diving into sy-300. It’s even more frustrating than the sy-1000 and the software interface is even worst. But it would be great to see your view on the pedal unit.
I used an Shadow GTM-6 (Guitar to MIDI) from 1990. ... on stage sometimes. I had to think like a keyboard-player, no strumming, only picking. I used external synths and samplers to play as the second keyboard-player. The nice thing with the GTM-6, - Shadow needed only a stereo-cable for the connection. They multiplexed of the 6 strings plus the signal of the internal pickup. This was a big plus compared to the Roland.Systems with these big special videocables. I had a MIDI-Converter inside my acoustic guitar, - invisible for other guitar-players because the jack looks the same. Only a notmal 1/4" plug. Nice time, but for now, this system is to old to use it on stage. I hope to see some new simple MIDI-Pickups like the fishmans but for Concert-guitars with Nylon-Strings.
I always mess with the presets anyway. I want my own sound. Nice to have a good place to start though. 👍 oh, you’ve got your strings upside down. 😳🤯👋 (please don’t tell me that you’re actually right handed. 🙏).
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Roland have such a weird, weird habit of designing the most stunningly capable and gorgeous-sounding gear, and then packing them full of the worst presets imaginable. Every pedal. Every synth. They just can't stop.
seems like they're really...tonedeaf...to what their customers want.
What's worse is that they discontinue it in a matter of a couple of year.
I have a working theory that most of Rolands sound engineers are primarily World and New Age musicians.
Not to mention they're not willing to invest time into making their synth gear 100% fully compatible for anything above 6 strings.
The biggest problem I found over the years, specifically with Roland Synth manuals, etc., is that they provide no real explanation of how to use the instrument they come with. D70s, A90s, etc., had manuals that were essentially written backwards. If you wanted to understand them you started at the last section and progressively moved toward the front section, one section at a time. The next complaint is they were written for the most sophisticated users who already knew the terminology and how MIDI worked without having to think about it---- great for professionals but not so great for the rest of us who just like making music, good, wonderful, awful, or somewhere in between.
I'm in college right now for programming... this whole video seems like a great explanation of what happens when UI design is an afterthought
These really genuine, honest reviews are such a rare gemstone nowadays, and I can really not express my gratitude enough to you for making them.
It's so good to have someone you can actually trust when they talk about gear.
I am really interested in MIDI guitar (actually MIDI bass to be exact) and from watching this video I feel that you have a super interesting workflow with it, extracting more out of the tech than just staying within the limits of the Boss/Roland interface.
It would be extremely helpful for me to know a bit more about the various uses you have for midi guitar in your setup - how you use it to export midi out to a 3rd party destination, if you use midi guitar to midi map daw controls etc. I think this info can be eye-opening to many here, myself included.
Thank you for all your efforts invested in this channel, as well as in your music which I've been a fan of for years.
Thank god this isn't another video that makes me feel like I need to buy more expensive gear. Also they should put you on the design team for this product line.
Benn Jordan: your in-depth analysis of the Sy-1000 is right on. I have spent an entire day trying to arrive at where you lead us here today, and so I want to thank you for your mastering of the medium. Your pre-sets are quite amazing. And the performances are magnificent. Thank you.
The Roland GK-3 hex divided pickup provides 6 analog Output signals ( one per string) and a 7th for the normal Pickups and feed these ANALOG signals through the GK 13 cable to the connected "GK 13 pin PROCESSOR" .
The Roland VGuitar 13pin GK Processors (as well as competing DSP Guitar Modeling systems from Antares, and Line-6 Variax) do not employ a Guitar to MIDI conversion function for their principal sound . Instead think of the VGuitar system as six separate DSP Modeling signal paths - The Strings are the oscillators. and it functions quite similar to the Line-6 Variax signal processing flow - ( Guitar PU for each String> six A/D's ( one per string) >DSP >D/A) and latency is similar to Variax (under 2 milliseconds for each string) and substantially much faster than any Guitar to MIDI system or Guitar to PCM system.
The biggest difference between Roland VG Series and Line 6 Variax is the DSP is inside the Guitar on the Line-6 system - both allow real time DSP generated Alternate Tunings, Guitar Modeling and on Roland VG systems and Antares ATG-1 - Pedal Steel multi-string pitch bends - no MIDI involved !
STILL many folks call the GK cable a "13 pin MIDI Cable"
Thank you so much for taking the time and putting the effort in to make this video you've really given me an insight into how this unit works. The best review of this unit I've seen. Again thank you.
Dear Roland. Please employ Mr Benn Jordan as a consultant on future firmware updates for the Boss SY-1000.
#bossSY1000
Why? - When he does not even understand the technology at all - look at the title of the video says it all
th-cam.com/video/Pu0rubxS0fU/w-d-xo.html
Man Ben I remember when I heard red extensions of me for the first time. I was running the radio show at my highschool and asked my friend that worked at an offbeat record store and wanted something to play for Halloween on the radio. I asked him what would be good. He gave me that album and meathole by venetian snares. Both of them blew my mind but especially red extensions. That experience is what made me start making electronic music and I have been obsessed with it for about 15 years.
"Fooled You Again" seems like a reference to the synth opening in The Who's "Won't Get Fooled Again", but it does sound much like it.
duh! :-)
Yeah though exactly the same!
For kids who don´t know the Who they could´ve named the patch Horatio or CSI.
Shredding a Right Handed (Strung) guitar Left Handed. Bizarre Kudos. But I only found this channel as a 30 year guitariist who just bought a Yamaha Synth looking for tips. Mind Blown. You are truly a musical God! Superb videos. Totally subscribed.
Referring to it as MIDI Guitar is fundamentally incorrect.
The GK pickups output hexaphonic audio and perform no MIDI processing.
The general parlance most people use these days, for this technology is Hex or divided pickup.
The GR-300 you referred to Pat Metheny using in the introduction, was an analogue synthesiser; no MIDI involved.
The VG-8, VG-88, VG-99, GP-10 and SY-1000 all work in the audio domain using the strings as the oscillators to drive multichannel DSP's, which then perform physical modelling (including guitar and amps), realtime re-synthesis, harmonic restructure modelling etc.
Internally there is no pitch to midi or tracking.
Think of them as a more complex Line 6 Variax in a box.
The VG-99, GP-10 and SY-1000 do also offer a separate, pitch to MID conversion via USB and 5 pin MIDI in order to drive external soft synths/hardware synths.
It's important not to confuse people, as it perpetuates the stigma of 80's style pitch to MIDI converters where tracking and false note triggers were factors.
The internal latency can vary on these processors, based on the type of synth model or processing being used (the OSC synth on the SY-1000 for example), but this is not the same as tracking on a pitch to midi convertor.
For those interested in the underlying principles involved in this technology read this paper:
msp.ucsd.edu/Publications/icmc10.pdf
Agree
Ah, Miller Puckette! Great person!!
Too bad this guy flailed through presets trying to make the most disappointed face possible, then flail through trying to find a simple ADSR envelope or filter or routing. Finally cracks the manual and finds stuff but after still flailing because he has only skimmed the manual, makes another disappointed face. I watched a guy that doesn’t even know synths that we’ll get more out of the editor because he read the manual and get brilliant sounds out of it. This guy should give up on making unboxing videos.
@@vondragonnoggin The things that are missing in this product described at the end of the video are actually absent from the unit. And there's no manual reading or face making that can fix it. He's completely right.
Could you please give me your opinion on the jamstik midi guitars?
20:32 That's reminiscent of the end of "Floods" by Pantera. Must say I've enjoyed your exploration of the presets, it was very entertaining!
you are a legend man i was searching far and wide to find it. and now ive got the answer. it is the end of floods, benn's prolly going on it from memory so it isnt exact. thanks man
This is brilliant content I can’t get or trust anyplace else. Thank you Benn!
Except that his description of most of the technology and it's underpinnings are factually incorrect.
I started watching this video thinking “oh boy I need this ... a massive upgrade for my VG-88” and ended it thinking “Roland have had over twenty years ... how is this as far as we've got?”
If the VG88 hadn’t been such a massive step backwards from the expanded VG8... depending on what you’re into I suppose; if it’s all about VGM for you then the 88 is ok; if it’s HRM then the VG8EX was much much better...
I have the vg 88 v2. It’s nice, then I bought a vg 99 and vb 99. Then got the gr 55. I don’t know if I will buy this. But you can never ever base a a Roland product on their presets. The presets are always bad.
Thanks for making this video, I was looking to upgrade from my GR55 but I think I will wait a couple years until there are significant improvements,
Finally someone breaking this thing down great job! Was on the fence for 6 months on getting this, gonna save my money :)
Get a 2nd hand VG99
I'm at 14:30 ish and you've hit it dead on with the evaluation of the SY1000 presets. I've tried so hard to want to like this but it's hard so far. I even own two pups and several new cables from my GR55 and i SOLD THE 55 TO GET THE 1000 AND SO FAR i'M STILL NOT DOWN. i JUST GOT AN aRTIPHON SHOULD BE HERE TOMORROW so I'm see how that does. i ALREADY OWN A fANTOM 6 and Jupiter XM plus loads of plugins. I will say the guitar modeling is the only thing I'm holding onto and the reason I'm not yet gonna sell my pickups just yet. You did the BEST review I've seen great job man. Been subscribed a while and love all your videos. Boss should have had you design all of the presets! The reviews and product would've been received much better.
I have both and can now use both together using the gk switcher pedal.
I came for the SY1000 and stayed for the accurate analysis and real world (and time) experience with midi interfacing with a guitar.
I love playing the guitar for the reasons you mention - the overtones and what you can do with years of practice and playing. The first time I used a midi processor with guitar I heard all of those out of control weird untamed tones and immediately realized that my lack of experience with a keyboard was no longer a problem. But you are so right to say that it’s not really like playing a midi instrument(s) with a guitar. It’s like a whole different thing.
This is sounding very familiar to both my approach and my opinions regarding guitar and contemporary music. My initial influences were A Belew and R Fripp, which morphed into Fred Frith and Marc Ribot … but I still love SY and Pavement. None of that should matter.
Have you used Jam Origin products? I’ll check your other videos and figure that one out. MidiMorphose seems to have vanished.
When the bass comes out at 49:53 to fullfill the low-end with the constant upper ambience, it sounds just like heaven.
Thank you so much for taking the time to create this video, very much appreciated. I am quite happily surprised to find that you play upside down and backwards, Albert King, Otis Rush, Dick Dale, Eric Gales, yourself and I!! I just acquired this pedal and have not had a chance yet to install the GK3 in one of my Guitars. Is there a particular guitar that the GK3 works best with. I have an SG and a Stratocaster available. Which would you choose as your first 13 pin guitar between those two?
I’m subscribing to your channel. Cheers!!😊
Hey Ben. Great work as always.
I think the "fooled you again" preset may be a reference to the Who's "Won't get fooled again".
I think Pete Townshend got the synthy intro from plugging a Lowry organ into an Arp 2500.
en.m.wikipedia.org/wiki/Won%27t_Get_Fooled_Again
I just noticed that someone made this same comment a year ago. Doh.
This is exactly the video I wanted to see, thank you man
Consistently fair and detailed reviews, practical and honest.👏🏻👏🏻👏🏻🧿
Roland/Boss offers the best guitar modeling (the L6 Variax guitars are good too, but have significant disadvantages) on the market, but when it comes to pitch-to-MIDI, the Fishman TriplePlay is far superior.
Spitfire Audio recently sponsored a competition for scoring a scene from Westworld. For my entry (which you can see on my channel), with the exception of the drums, I performed all the parts with TriplePlay. There was a bit of MIDI editing after the fact, but I’ve never been able to get synth parts down so quickly before. I’d highly recommend checking one out.
You're right. After more than 30 years of using everything on midi guitar ( never played synthaxe or ztarr, but everything else) the Fishman is by far the best tracking guitar to midi.
gueims I’ve been wanting to try a Ztarr for a long time. I saw Stanley Jordan play one once, and haven’t been able to get it out of my head. Super expensive, though!
I often hear “it’s great for synth wave”
Which is nice but also a huge red flag.
Prophets are as well, would you flag them?
JaBig * red flag as in a warning of something possibly being bad. Not necessarily a mark against it.
nice patches you built! quite beautiful some .... would loved to see how the midi plays with a sampler like Kontakt ... some orch strings.
I’ve been using Guitar Synths since 1974... Thanks so much for your great dissection of the Roland Preset Fluff and diving deep into the core of the Japanese engineers idea of what music is! LOL! Aka: Engineers not Musicians! As I have learned with all latest greatest equipment .... Find it’s limitations... I’m most cases are many , many.... only then....you can find if there is anything elements left, that your can use to create a few a truly dynamic sounds ! So far after many ~ I use the GR-55 and as I am sure you know 99% of those presets were all junk too... unless you can Tweek all that was left...into some thing that is usable to me. Lol... Some things Never Change!!!
Thanks for the deep dive!!!
Gerard
I bought a VG88 last year, for such an old effect it is still an inspirational thing.
The only good experience I have had with Roland Boss 13 pin products (aside of GK-3 pickup, which is a must) was with GP-10. The best guitar to midi product (which works together with Roland’s GK-3 pickup) is by far Axon AX 100 made decades ago by a German company called Blue Chip, and later company Terratec Producer. With Axon AX 100 and GK-3 pickup, you can connect your guitar to any sound source of any kind and never have to worry about latency, or triggering errors (at least that is my own experience). By the way, thank you Ben for all your wonderful videos ! I love all of your videos I watched so far. X🤘🏻X
The Fishman Tripleplay was developed by the designer of the Axon and is even faster; pitch to midi wise.
I would love it if you could expand a bit on your GP-10 experience
Yes! Finally! Been waiting for you to do a MIDI Guitar video since you started your channel! And a long one as well, oh man...
Woah, just realized he’s playing upside down. 🤯 thinking of buying the vg-88 .. but this guy is always cool to hear out
We should do a VG-99 lovefest somewhere. I just got an SY-1000 too. Good video. More after I watch the whole thing.
Hey man! I've listened to your stuff from lurking through the vguitar forums over the years. You make really excellent stuff!
@@BennJordan - instead of lurking - why not actually read - none of your 13 pin guitars are "MIDI GUITARS"
www.vguitarforums.com/smf/index.php?topic=14088.0
Would appreciate hearing your analysis of the latest system - GM 800 & GK-5
I can't thank you enough for this honest review. I'm am not a professional or gigging musician just somebody who loves jamming along with my favourite rock songs at home but also don't mind spending a lot of money on high level equipment if it sounds great and Is easy to use. I have used lots of boss multi effects units over the years and was always very happy with my purchases. But a couple years ago I purchased a headrush pedal board as it seamed more advanced than the then newest boss unit at the time. I absolutely love the headrush, it sounds amazing and is very easy to program and use. I recently have been interested in the gk3 pickup functions especially the ability to use custom and alt tunings and switch to 12string and acoustic sounds at the Press of a foot switch. I was about to pull the pin and order the sy1000 as I thought being the flagship boss gk3 model it would give me all my headrush board has plus the gk3 tuning/acoustic ability. SO GLAD I FOUND THIS VIDEO FIRST!!!! I didn't hear one single preset I could use and the thought of spending hours deepdiving into menus to try and create my own presets nearly gave me an aneurysm! I've decided after watching this video to instead buy the boss gp10s and gk3 which only costs around a third the price of the sy1000. And run this into my headrush. That will give me best of both worlds, alt tuning, acoustic sim and great sounding easy to set up amp/effects sounds. I wish there was more open honest reviews like this on TH-cam. Thanks again your newest subscriber 👌
56:30 The "WAVE PEDAL" (in the "ASSIGN" page), is a tempo sync-able LFO that can be mapped to anything: read the manual.
It’s even in the GT line of products.
Moldover is a great musician that deserves much more attention.
Dear
Good job. Simple and honest.
I also have for 13 years a VG99 and in addition a Cell Sonic connected and all controlled with the VG99 RC pedal board. Top gear. Could not be more satisfied.
As I mentioned, I'm satisfied with my set up and the userfriendlyness of this VG99. Is still the best midi product on the market in my opinion. So you are right the SY1000 is not yet the improvement that we had hoped.
Finally the musicien makes the difference.
Greets from Belgium
Steve Verstichelen
Benn is the king of left handed upside down midi guitar
Have play midi guitar system for 15 year it's the best review for SY1000。
God bless you. ❤ I almost got rid of my SY 1000 till I watched this. I hated the presets and now I see why. I guess it’s time to deep dive.❤
Ben, would love to see a review of the new Roland gm-800 guitar synth. This one is a PCM synth, but it sound way better than the old stuff. Lots of videos on TH-cam...
At the moment, most SY-1000 users program on device than in the PC editor. Pressing down on the knobs unlocks a new feature. You can reorder instruments vertically, by the way. Noisy USB is not generally a problem. Please have another look.
I just bought a second hand VG-99. I’m almost finished building a guitar to use with it.
I’m so glad I didn’t get this thing.
Thank you for this in depth review. I've been a 13 pin user since the original Roland V-Bass. I had been ignoring the SY series because of the lack of PCM sounds. I wish you had demoed the midi out to other synths. I was curious if it tracks identical to the GR-55, or if it has been improved. The last few years I've been doing a lot of acoustic guitar duo gigs. I've found the FTP to track sampled sounds better than a GR-55, but as you mention the acoustic models aren't there with FTP. I used to think the Roland models were really good (VG-99), until I heard the Antares ATG-1 models! Those are my favorites (especially the 12 string). The other thing that the ATG-1 has that no Roland had is auto tune. Hit a button and all your strings tune up instantly (it even corrects for poor intonation up the neck). So I cut the pickup off my FTP Connect and built a 13 pin adapter to feed it. The ATG-1 has a 13 pin out, so I send that to my FTP and use my favorite softsynths on an iPad mini 4th gen. I get great models on the ATG-1 and great synth tracking from my FTP, check it out here th-cam.com/video/qBsXT7qZN2c/w-d-xo.html
Do you know the soft MIDI Guitar 2 ? Works even with chords. A quite good tracking, and without any hardware or drill :) It's only software and I don't know why nobody knows it !
Many know of it. I have it as well however hardware is always funner. Also some soft synths lag too much and makes farting noise on your computer when you overload cpu etc... and sometimes people don't wanna play in front of a computer.
Thanks for posting. You know your guitar synths. I am someone who has several but don't really use them that much, too busy learning songs. Hope to get to your synth level someday and apply the knowledge to performing. thanks again
You suggested Allan Holdsworth as MIDI- king. Love that, and a bit awed. He has been my musician hero all my life. Audun
Great video! What would you recommend for somebody who's an experienced guitar player, looking to try midi guitar for the first time?
I had a Boss GP-10 for a while, and it was quite good at the modelling other guitars stuff. I could sound like an acoustic, a big jazz semi-hollow, a sitar, etc. and it sounded pretty good. It didn't really have any intention of MIDI control, though, I didn't use it enough to keep it around.
Nice review man ! Cleared lots of questions and gave right expectations..
To simply control external devices via midi with a 13 pin adapted guitar what would be your recommended pedal/processor ?
Hi, this is a great video! I have a question. I currently on the Boss GX 100, and I was wondering if I should just get like a boss sy 200 instead of the 1000 and added into the chain to get the synth sounds. Because I so far I’m a big fan of the GX and I’m not very impressed with the higher up sy models. On paper I am, but the presets sound Garic and you’re right in saying they sound out of touch they sound like somebody who is still making acid music from the 90s no shade to that but it’s 2023.
What a fantastic video. Thank you Benn for going so in depth, yet in a concise way. It does give a great insight as to what exists, what expectations one may have etc.
What do you make of the Jam Origin stuff and do you think they will release a newer and better version of their own system in the future for example?
would like to see you sending midi guitar to your modulars!
Benn, your video is great, as usual. Have there been any updates since then? Are you still using it?
20:31 such an iconic riff
Thank you! I currently have and use a VG99 and GR55. For a long time I also used 2 GI20’s going into Roland 880 and 1080 synths. I recently tried the SY200 (useless imo!) and have been thinking about trying this new synth you just reviewed. I think I will stay with what I have for now. Thanks for saving me some $$!
Just ordered a SY-1000. Let's see if it can replace my current rig: GT-1 + SY-300.
So, after 3 years have Roland upgraded this unit with better firmware?
I use things like ez drummer, but never thought about midi to emulate one string at a time and sound like a banjo or acoustic whatever. Good demo with great insight!
Hey there,
nice video. But I am kind of surprised that you don't mention the Fishman Tripleplay and/or the line6 Variax stuff.
Have you tried the newer (and very different) GM-800?
I was fucking cackling at all the factory presets. God that made my day. Thank you
This video should be called "Everything you can't discover about your purchase when you don't read the manual".
Well, most people want to plug and play...like you do with synths.
@@shitmandood It's not a Les Paul and a tube amp.
It's clearly aimed at guitarists and those with an interest in, and understanding of, synthesis.
The Roland GR-55 is for the preset jockeys.
@@tedrogersisback5729 if you didn't notice, this guy has thousands upon thousands of dollars worth of synthesizers and is clearly well versed in the world of many different forms of synthesis. Boss/Roland simply didn't pack good presets or a good editor in with an $1000+ product.
Can we get an update on the SY-1000? I’ve off and on considered buying one for quite some time now.
I built an FFT based polyphonic pitch detector that has excellent tracking without the need for hexaphonic pickups. in fact it works so well it can run pitch detection on full mixes
it can be done with FFT, but it's not that simple. you need a loooooot of additional tricks for it to work well
Have to say that more than anything else this review has prompted me to seek out the VG99...
I can't believe that they didn't include 001: ARP 303 Saw in that preset bank..
BOSS GP-10 Is also Noisy AF when hooking up to PC - PolyFX is individually processed effect-per string btw
Buy the SY 300 and forget the pickup. The GK 1 was pretty slow, the 2 was better but far from perfect. Do you like drilling holes in your favorite guitar? Once you have MIDI access from any source you should be able to use almost any other MIDI device. I haven't tried it but maybe a MIDI interface or a SY 300 is all you need to MIDI into and access the sounds of the SY 1000. For that matter, just MIDI into a Roland SE-02 or Fantom 6- 8. Don't be afraid to plug in and try things that weren't thought of as compatible. Cheap examples: the output(s) of any keyboard plugged into an EHX Super Pulsar, HOG 2, or Freeze; any preamp out plugged into the power amp section of your favorite amp; a stereo stompbox looped into itself; one stereo stompbox out plugged into your amp's guitar input and the other plugged in and out of the amp's effects loop; etc. I don't possess the knowledge of the man who created this video but that hasn't stopped me from experimenting. I have used Roland, Boss, and Edirol (remember them??) probably a lot longer than when he first touched an instrument but that hasn't stopped any creative process I know of. Use your imagination and personal preferences. It always amuses me when I listen to others criticize a certain patch they "don't" like when it sounds fine to me. If you can ask them why invariably the answer is "I just don't like it" or "it doesn't sound good" ----- yes, to them, not to everyone else.
mr Jordan, what oyou think about roland GR55 ? nice video btw...congratz
hugs from brazil
So many questions. Does it answer well as VG series? I mean no off tone notes or unwanted sounds? Thanks
Is this demo using just the Synth with speaker and amp only or is there other electronics necessary also ?
What sound engines does it use? Midi(sampled sounds), synth(oscillators) or amp modeller?
Sy300 gets its sound from synth(oscillators) only.
But i liked the midi or sampled sounds of gr55?
So i am confused what are the sound engines that gm800 uses?
Is it just upgrade to sy300 or it has midi engine too like gr55 does?
Biggest downside additional to the mentioned, you can't load 3rd party or any other midi instrument sounds into the unit. I myself play a Boss SY-300 since years and it produces everything and more, you heard from the SY-1000 presets and I'm in love with it. It's a third cheaper and doesn't need the GK pickup, because it's not midi. Savings against the SY-1000: over 600.- bucks! You won't need a PC for it and it has tonalitywise more to offer (for me). It can't do different tunings or settings like, 2 strings are bass and the others regular, for instance, but there's never a concern of tracking, because there is none.
Consider before buying (with any gear ofc) - you have to invest time, to get everything out of it.
Downside, the SY-300 has, besides 3 input effect slots, that can be synths or sequencers or just inputs (at the same time!) and so on, 4 additional effects to use at the same time (the SY-1000 has a lot more). I'm using a delays/reverb pedal as an after unit and a pitch shifter pedal before it. Best "pedal" or gear, I ever owned.
Good video. I really can't understand why they made some design choices on this, like the mono fx loop. Do they not understand how people will use it? And they could have easily made this in the same packaging as the GT-1000. Granted, nothing else currently does what it does, but... yikes. At least it's capable of producing some unique, usable sounds.
Can you post your patches on the V-Guitar forum? Really like the Traffic patch. I share your frustration about the editor and the presets, the bass patches are more creative IMO.
www.vguitarforums.com/smf/index.php?board=322.0
Hey man... I've had mine for about a year, coming from a Gr55 and a GP10. It's basically in my opinion, the GP10 new flagship. I do battle to program anything but a silly 80s synth or a pad. I'd prefer to learn more on harder synth leads and rhythms. The GP10 had a great wave synth or something using the gk which gave it a more "synth for a guitarist" feel. I have days where I love the sy and days I'm not sure where to go with it... Considering using it mainly as my guitar modeler, tuning, clean tones, etx... and a core as my main drive tones etc. I wanted this to be my all in one... But until I get an IR box I can't go any further, also the lag between patch changes... All the best man always wanted to go more into synth guitar but my brain just can't comprehend it, which is why I loved the blender on the 300. 🤘✌️
Benn from a sound standpoint I have found the GR 20 to exceed everything that came after it. It had a bad latency and for the most part other then reverb the presets were un-editable, but the final product in my recordings was far better then the GR55 or the SY-1000. Just my opinion.
If I were just getting into MIDI guitar, would you advise getting a GK-3 and a VG-99, or a GK-3 and an SY-1000 ... ? I know you said ‘probably the 1000 for a noob to guitar MIDI’, but given what you says about the harmonizer in the 99 (and possibly the tone/noise of the units?!), assuming I had plenty of other effects, a good interface, etc, it sounds to me like you might think the basic tone, function (esp the harmonizer) etc of the 99 is better ... at least, unless/until Roland gets around to patching the 1000 (if ever?) ... ?!!
The SY-1000, which I use along with a GR-55, GP-10 and GR-1, will deliver very good subtractive synth and guitar modeling results with editing and patience. While it's very good at 80's type synth sounds, it's multiple CNTRL pedals allow for ergonomic switching in a Live setting. I happen to get great sounds out of it. YMMV.
The “crappy presets problem” is why I used to slave a JV2080 to my GR30 and design my own presets back in the 90’s.
Is there a good unit that you suggest for my Godin? The sy1000 looks like too much wasted potential
A few questions 2022 did they fix these troubles. Seems similar to the GR55 which is this better & why ? Do you still use the sy-1000?
Wow, that sound starting @49:18 is really beautiful! (also - I think it *does* probably help that you're an awesome and highly experienced sound-designer)
Your jazz-guitar skills are pretty on point - getting some Joe Pass, maybe Jim Hall, Barney Kessel... great stuff!
Very glad you reviewed this - I'd been playing with the thought of getting one of these. It's not bad - it probably won't satiate my appetite for a real Synthaxe, but might be an option - I'm gonna give it some time and see what firmware and software updates it'll get. Meanwhile, for jamming and studio work, it's not like all the other controllers (midi-keyboards, launchpads and a Touché with its amazing articulation-capabilities) won't do.
Still waiting for a synthaxe like Holdsworth got to enjoy for the 21st century though - no tracking latency, keys and pluckable strings, hold-mode.... all that stuff.
Hi. Can we put many sounds togeter on the same patch or preset ? Thanks!!!
I don't hear any PIANO and NYLON sound (hmmmm?). Did you tested Piano and Nylon if they have any problem, such as, "ghost" and "running" notes??? I would imagined, SY-1000 does NOT have these problems anymore, right? My Roland GR-55 does have issues. In the last 7 years, I have not been able doing gig and record anything - except strumming a few simple chords here and there. Nothing else. If you didn't tested these type sound, try it. I would like to know. thanks.
Thanks so much for this video, it’s very clear and helpful
This thing is a facilitator. For as much as it costs Boss isn’t going to advertise it with needing more in mind. But if you can have imagination this thing is something special
I have a GP-10. I really wanted the SY-1000 to be much more than it is. I've been using a a GT-1 + SY-300 for a few years and counting. I can get GT-1 only, SY-300 only, or both and use an EV-5 to blend the level of SY-300. Even though I have GK-3 guitars, this rig works well for me. I could run the GP-10 into the GT-1 + SY-300, but haven't tried it...on my to do list.
The SY-1000 was a missed opportunity, but nothing new is a close second. If I didn't have my GT-1 + SY-300 rig, I'd get the SY-1000, but it's just not enough.
IME.
IMO
Honestly it was kind of painful getting through the first 45min. Your custom presets almost sold me on the unit. I just seems to fall short. One question: the midi out. I'm assuming you can track VST synths in your DAW. How's the latency with that? I have an old Axon converter and Brian Moore 13pin guitar, and with VST instr it seemed to track differently instrument to instrument. Thanks for your honest opinion.
How do you feel about this product now after update(s)?
A few things I don't understand:
- Why not including a 13-pin output (and/or 13-pin through), so you can combine it with other devices (yet to be developed)?
- Why all those awful presets? It seems very stuck in the past. Like somehting build in the 80s.
- Why not any CV outputs? It would be nice to use Godin guitars with eurorack in an easy way.
- Can you record the clean (before processing) 13-pin output (the 6 strings separated in 6 channels) directly in your DAW using the USB connection?
- Why such a conservative approach in 2021?
Hey if you want something better than a GK-3 Cycfi makes hexes that supposedly track faster but it’s pricey converting 19 pin to 13 pin
Your review is good. With you on higher expectations. Thanks for your review.
It be ace if you can make a video deep diving into sy-300. It’s even more frustrating than the sy-1000 and the software interface is even worst. But it would be great to see your view on the pedal unit.
Do you have any links to your sqpusher stuff... Also was tht midi
I used an Shadow GTM-6 (Guitar to MIDI) from 1990. ... on stage sometimes. I had to think like a keyboard-player, no strumming, only picking. I used external synths and samplers to play as the second keyboard-player. The nice thing with the GTM-6, - Shadow needed only a stereo-cable for the connection. They multiplexed of the 6 strings plus the signal of the internal pickup. This was a big plus compared to the Roland.Systems with these big special videocables. I had a MIDI-Converter inside my acoustic guitar, - invisible for other guitar-players because the jack looks the same. Only a notmal 1/4" plug. Nice time, but for now, this system is to old to use it on stage. I hope to see some new simple MIDI-Pickups like the fishmans but for Concert-guitars with Nylon-Strings.
I always mess with the presets anyway. I want my own sound. Nice to have a good place to start though. 👍 oh, you’ve got your strings upside down. 😳🤯👋 (please don’t tell me that you’re actually right handed. 🙏).
If all I care about is guitar/pickup modelling and alternate tunings, would you recommend this over a VG 99?
WHY IS THERE ACTUALLY NO COHESION BETWEEN THE DIFFERENT PRESEST. You just go from an acoustic to a seq pad
showroom. the whole of the first bank of anything is showroom stuff.
It's to demonstrate the unit's versatility.
The fourth patch in every bank is a sequencer patch.
Not saying I like it, but at least it's consistent.
I wonder if they have the option to ERASE and clear up all that space for those shitty presets? That's the first thing I'd do if I had one.