People misunderstand Stockhausen; they too readily assume his music will be dissonant. In many ways much of it is more accessible than the music of Schoenberg, for example.
I love Stockhausen's electronic music. There's something ethereal about all of it, very hard to put one's finger on. I first recall being mesmerized by not by Stockhausen's music so much as the titles of his works, long before I ever heard them. I used to sit around the library back in the '70s when I was in high school, and my favorite "reading" was the Schwann record and tape catalogs our library would subscribe to. So, if you looked up Stockhausen in the classical titles, you'd see stuff like "Kontakte", "Mikrophonie", and "Hymnen." Wow. All of these were on Deutsche Grammophon at the time of course, and they seemed so remote and cool and other-worldly somehow. It was enough to fuel a high school kid's imagination for days, believe me. And when I finally got the chance to buy some of those records and listen to them, they were no disappointment. And they still aren't!
I still have all the Stockhausen Lps on Deutsche Grammophone. I love TRANS and all the other orchestral works as well as his electronics. Having said that, I think his electronic sound track for IN ABSENTIA, a film made by the Quay Brothers, is his greatest electronic work. (But I also love Oktophonie).
This reminds me of Billie Eilish, but you wouldn't understand because she's got real problems and I have depression because I listen to Billie Eilish everyday and I'm 15 already and you know NOTHING about Billie Eilish
I'm just listening to this for the first time and loving it! I've not explored 'Licht' much, but I saw 'Oktophonie' at Huddersfield Contemporary Music Festival this year and was inspired! Stockhausen is my first love!
C'était les offres de cet ancien monde sauvage > vivre, partager, s'occuper, s'amuser et vivre ensemble. Malheureusement, nous avons été tellement concentrés sur le changement d'époque que nous n'avons pas eu le temps ou la conscience de s'organiser. Nous avons regardé le monde comme une fusée qui fusait dans le ciel et avons donné caution à des journaleux et musiciens d’opérettes pour nous libérer. Cependant l'esprit est toujours là, en attendant d'être reconnu et conscientisé encore et encore jusqu'à ce qu'il soit partout en élévation vers le Paradis des utopistes et autres rêveurs inconscients 🤮
Sabaha karşı 5-6 gibi karanlıkta dinledim, Stockhausen besteleri direk bilinçaltına giriyor müziği kapattıktan sonra gaipten bir kadın sesi duydum ne dediği anlaşılmıyordu...
The description is a description of how you listen, and what you listen for in 'music'. There are cultures, and ages, where the semantic line between audio performance art, and music, may be much lower. When I was a child, I eagerly listened to all sounds as miraculous. As a returning child, I work to listen to all sounds as miraculous.
I think it refers to the way sound travels through space..I could be wrong , though. but I think that it represents the way the sound flies through air using the 8 speaker setting... maybe the youtuber can clarify more. this one seems to use only 4 speakers.
I remember a story regarding the Berio Sinfonia, where some members of the audience were not sure if Berio was 'pulling their leg'. After some discussion, especially regarding the texts and Berio's relationships to Joyce and Beckett, the skepticism left, and they were able to enjoy the work as art. I can only read you elliptical comment as a reflection of your not being sure where, in your mind, music separates from . . . choose your term. My experience with KS, when I did not 'get it', was to put the piece away until my hearing had progressed to that level. The last time that happened for me with KS was in about 1968,
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No industrial music without Stockhausen, I swear ! :)
... and No Art without me !
End of the story.
Alicea Web Splash :-)
People misunderstand Stockhausen; they too readily assume his music will be dissonant. In many ways much of it is more accessible than the music of Schoenberg, for example.
Honestly I'd rather have dissonance than NOTHING! This piece is like watching paint dry.
Masterpiece. Stockhouzen's "New World".... Wish his music travel together with Voyagers
I also like the movement in the headphones.
Stockhausen to Spatial Music please
Explanation and analysis:
stockhausenspace.blogspot.com/2015/06/mittwochs-gruss.html
+The Daily Beethoven Thank you for your contributions
Thanks that is very usefull!
thanks bro my teacher told me about this dude and his stuff is sick
"This" is pure and profound
healing...
Karlheinz Stockhausen Absolute Genius.
I love Stockhausen's electronic music. There's something ethereal about all of it, very hard to put one's finger on. I first recall being mesmerized by not by Stockhausen's music so much as the titles of his works, long before I ever heard them. I used to sit around the library back in the '70s when I was in high school, and my favorite "reading" was the Schwann record and tape catalogs our library would subscribe to. So, if you looked up Stockhausen in the classical titles, you'd see stuff like "Kontakte", "Mikrophonie", and "Hymnen." Wow. All of these were on Deutsche Grammophon at the time of course, and they seemed so remote and cool and other-worldly somehow. It was enough to fuel a high school kid's imagination for days, believe me. And when I finally got the chance to buy some of those records and listen to them, they were no disappointment. And they still aren't!
Hymen
I still have all the Stockhausen Lps on Deutsche Grammophone. I love TRANS and all the other orchestral works as well as his electronics. Having said that, I think his electronic sound track for IN ABSENTIA, a film made by the Quay Brothers, is his greatest electronic work. (But I also love Oktophonie).
This is fucking beautiful holy shit
Reading Dostoyevsky with this on low volume in the background, it's nice.
This reminds me.
This reminds me of Billie Eilish, but you wouldn't understand because she's got real problems and I have depression because I listen to Billie Eilish everyday and I'm 15 already and you know NOTHING about Billie Eilish
@@Tycini1 I'm 90% sure this isn't exactly a statement to be taken at face value.
futuristic music , so strange , amazing like a dream of the world whitout end
on the contrary this sounds like a world ending very quickly!
Orange😘
..psychedelic . .
Nice! Thank you for sharing.
I'm just listening to this for the first time and loving it! I've not explored 'Licht' much, but I saw 'Oktophonie' at Huddersfield Contemporary Music Festival this year and was inspired! Stockhausen is my first love!
Licht is divine.
I liked hes face
I envy you having seen/heard a performance of Oktophonie~ I love listening to the recording of that with headphones.
Absolutely brilliant!
strabiliant
markant!
C'était les offres de cet ancien monde sauvage > vivre, partager, s'occuper, s'amuser et vivre ensemble. Malheureusement, nous avons été tellement concentrés sur le changement d'époque que nous n'avons pas eu le temps ou la conscience de s'organiser. Nous avons regardé le monde comme une fusée qui fusait dans le ciel et avons donné caution à des journaleux et musiciens d’opérettes pour nous libérer. Cependant l'esprit est toujours là, en attendant d'être reconnu et conscientisé encore et encore jusqu'à ce qu'il soit partout en élévation vers le Paradis des utopistes et autres rêveurs inconscients 🤮
Sabaha karşı 5-6 gibi karanlıkta dinledim, Stockhausen besteleri direk bilinçaltına giriyor müziği kapattıktan sonra gaipten bir kadın sesi duydum ne dediği anlaşılmıyordu...
torbacı cevap vermeyince bunlarla idare ediyorum :d
28:40 is touching
da decenni tento di ascoltare Stockhausen ed ogni anno ne ascolto qualche ora in più...
on dirait qu'il combine les harmoniques pures des instruments accoustiques et électroniques
No words. Outstanding masterpiece !
Incredible stuff - very deep
i go back to this all the time
Inthroling
stockausen ....magia di microorganismi musicali che rimbalzano tra le mie orecchhie e pervadono tutto il mio corpo|||||||
Si é proprio così, musica strepitosa, purtroppo o per fortuna l'ignoranza musicale delle masse se ne tiene ben in guardia
לא.
This sounds a lot to me to industrial music.
Heaven
Genius
Nin?
This is as good as Kraftwerk, Depeche Mode and Van Der Graph Generator with Captain Beefhart.
Meaning of the word Folklore in a Robert M. Pirsig book
Премного благодарю
Listening to this, I wonder if Oneohtrix Point Never took any inspiration from Stockhausen
Esto es fantástico!!!!!!!!!!!!!!!!!!!!!!!!1
Spatial audio On 🤩 😮 👏
Smells like Zuckerberg spirit
✌️🍀🌞♥️
But the stooges
❤
38:23 gave me a heart attack
I really hope you called emergency services before posting this comment as every second counts! ^_-
4real
So, I'm here reading your comment repeatedly and waiting for that specific timestamp XD
Yes.
I so view this music but more a form of audio performance art??.....
The description is a description of how you listen, and what you listen for in 'music'. There are cultures, and ages, where the semantic line between audio performance art, and music, may be much lower. When I was a child, I eagerly listened to all sounds as miraculous. As a returning child, I work to listen to all sounds as miraculous.
.strahlend.
כן.
questi suoni mi affascinano
¿Puede ser el cuento de "El Rey desnudo"?
Esta composición siendo El Niño que apuntaba al rey
Si! y más cosas...
also, das geht gar nicht.
Das scheppert dir die Ohren kaputt, so eine Qual sollte verboten werden.
What part played by the added natural 7th!!!
Don't forget the part played by natural opioids
Left
What is the picture's chart of?
I think it refers to the way sound travels through space..I could be wrong , though. but I think that it represents the way the sound flies through air using the 8 speaker setting... maybe the youtuber can clarify more. this one seems to use only 4 speakers.
Deceiving others. That is what the world calls a romance.
it is music, i guess...
I remember a story regarding the Berio Sinfonia, where some members of the audience were not sure if Berio was 'pulling their leg'. After some discussion, especially regarding the texts and Berio's relationships to Joyce and Beckett, the skepticism left, and they were able to enjoy the work as art. I can only read you elliptical comment as a reflection of your not being sure where, in your mind, music separates from . . . choose your term. My experience with KS, when I did not 'get it', was to put the piece away until my hearing had progressed to that level. The last time that happened for me with KS was in about 1968,
Probably