Silvius Leopold Weiss - Chaconne / Jinsae Kim 김진세
ฝัง
- เผยแพร่เมื่อ 2 ต.ค. 2024
- #김진세 #샤콘느 #호세라미레즈
Title : Silvius Leopold Weiss - Chaconne
Player : Jinsae Kim
Guitar : Jose Ramirez (1977) : 1a
-
◊ Jose Ramirez (1977) : 1a ◊
Guitar Info: www.partita.co...
Jinsae Kim Interview : naver.me/5AmY6mzm
-
www.partita.co.kr
Email - info@partita.co.kr
참 아름답고 경건한 느낌
This is an incredibly beautiful piece. I hadn't known it before, even though I've been playing the guitar for 30 years.
❤ et moi de même ! Et j' ai 72 ans ...est il donc encore temps ?
Lovely performance with great emotional depth.
This is the best performance of Weiss Chaconne I'v ever heard. Very beautiful and elegant.
Very nice lovely tune
I want to see more of Jinsae Kim!
wow..you look like young Andres Segovia especially your "Segovia" eye glasses
Très belle interprétation spirituelle, merci.
Eccellente.
샤콘느는 기타에 어올리지 않는 곡이라고 생각하고 있었는데 김진세님 연주는 뭔가 느낌이 있네요.
Excellent performance of my favorite piece by Weiss!
amazing piece and great play, not runnig perfect time, greetings from mexico my friend!!!
This is a wonderful performance. It really touched my heart.thank you!
Who arranged this piece?
The performance is beautiful ! Played with lots of emotion, dynamics and superb phrasing.
Unfortunately the microphone picks up a lot of heavy breathing which disturbs the performance imo.
Wondering whether another mic would solve that problem because I hear it sometimes too with other classical guitar players.
Master performance
Love it
0:11 에서처럼, 초반부에 화음을 치고 난 후에 손가락들을 살짝 펴주는 것이 혹시 이완을 위해서 인가요? 반사적으로 펴지는 것인지, 아니면 임펄스를 주어서(의도적으로) 살짝 펴는 것인지 궁금하네요. Eliot fisk 연주에서도 그런 장면을 봤거든요. 고수들의 비법이 궁금합니다. 답글이 달릴지 모르겠지만 ㅠ
좀더 멀리서 탄현을 하려고 손가락을 더 핍니다. 제가 느끼는 소리의 느낌이 달라서 그렇게 연주를 합니다.
@@kgsea91 답변 너무 감사합니다 !
gracias por seguir haciendo eterno a Weiss
Great
Excellente interprétation bravo 🎉
멋지네요
잘한다
Beautiful
💗👏👏👏 댓글이 다 외국어네..
Outstanding!
Can anyone tell me what arrangement is he playing? His own maybe?
It looks like Alice Artzt's arrangement. I'd recommend arranging it in E Minor for an eight string guitar, and performing it with a capo on the third fret to get to the original key of G Minor. That removes much of the difficulty.
@@seankasabuske1986 second fret to get Low Pitch Barock Tuning 415hz
But why Use Capo any way ??
@@gilbert6023 Because if you arrange it in E Minor you have to put a capo on the third fret to have it sound in G Minor, and I think this piece sounds much better in G Minor than in E Minor. Also, with this approach you don't have to learn a new tuning.
@@seankasabuske1986 OK, i See.
And is the Capo for Bass Strings too, or are they Open.
Are the Bass Strings tuned different for this piece in g Minor with Capo ??
Just a question.
How IS the 8 String guitar tuned anyway ???
Cheers
@@gilbert6023 Yes, the capo is placed across all strings. I misspoke a little in that the third string is tuned to F# like on a Renaissance lute. I don't remember how I tuned the two deepest bass strings, but I think the second lowest was tuned to D and the lowest to either A or B (I'm pretty sure it was B). BTW, in a moment of foolishness I sold my eight-string guitar, and I could kick myself for that! If I want to play this piece then I either have to buy another eight-string guitar or work it out on my seven-string guitar, which will be more challenging, and I'll never play it as well as Jinsae Kim does in the video.