This is my first midi bass plugin. I hate programming things so I picked up the Recovery Ghost Writer midi pedal to record midi from guitar and shift into bass octive. Hoping this worms well.
@Fishplants it works really well! There is like a one beat latency. Overall a time save only having to shift the midi left. The latency can be a result of my audio interface converting midi signal to usb and not the pedal itself.
is there any reason you chose to use 3 DIs instead of using the dist and grit directly from djinn? doesn't it use a similar chain as what you split out? either way, love how the bass and guitars gel so well, especially during the half-time section, great tutorial!
It's ostensibly the same process under the hood, except the tools you get externally are a bit 'better' than what Kontakt allows us to do. The pre-packaged tones are the best I can deliver with the limitations at hand, but using the Neural and SubMission plugins results in what I'd consider a more ideal outcome.
I used DoubleTap on all bass! Fantastic and simple!
2:32 MEAN toan begins 🔥
Quite a Nolly tone you got there innit!
This is my first midi bass plugin. I hate programming things so I picked up the Recovery Ghost Writer midi pedal to record midi from guitar and shift into bass octive. Hoping this worms well.
Did it work well?
@Fishplants it works really well! There is like a one beat latency. Overall a time save only having to shift the midi left. The latency can be a result of my audio interface converting midi signal to usb and not the pedal itself.
Wiews where???? This guy is one of the living metal mixing/mastering legends and this is an amazing tutorial!
Thank you. Your mixing videos have really helped me.
is there any reason you chose to use 3 DIs instead of using the dist and grit directly from djinn? doesn't it use a similar chain as what you split out?
either way, love how the bass and guitars gel so well, especially during the half-time section, great tutorial!
It's ostensibly the same process under the hood, except the tools you get externally are a bit 'better' than what Kontakt allows us to do. The pre-packaged tones are the best I can deliver with the limitations at hand, but using the Neural and SubMission plugins results in what I'd consider a more ideal outcome.
i see - the dingwall is a bit nolly in the high mids...
I see what you did there!
That’s exactly how I heard it too!😂Great video as always Ermin!
Umjetnik majkin ❤❤
What are the Eq settings for the Pro Q3 instance that comes after the Omega on the Dist track (or is it not being utilized)?
Thanks, sirrrrrrr
crazy sound ❤
Why you making me buy Granophyre now after the BF sale??? 😭
Well, it's worth it either way.
@@SystematicProductions haha of course. Misha says it's his favorite. Just hoping I can get a similar result with Gojira.
Is Eurobass 3 less aggressive in the high mids with higher notes?
100%. The Spector Euro 5 is a much rounder, fuller sounding bass.
Is this another from sorrow to serenity song?? An unreleased one???
Video description holds your answer.
brutal
What are you using for drums in this?