This is definitely the plugin of the year for me. I had to get after just one day of demoing it. I also got reso for free. Thank you Mastering the Mix for creating this excellent plugin that solves two major mixing problems (phase cancelations and masking) with ease.
Great demo video - really shows that this plugin is an absolute must-buy! Getting it now while it's reduced for Black Fri! Not a huge saving but every $ counts - and it's well worth full price anyway!
This sounds great! Wondering if you can add multiple instances on a track to be side chained by different sources? I do that with Trackspacer 2 say when I want to pull some vocal and acoustic guitar frequencies out of a piano. In this case I'd use two instances of Trackspacer on the piano track each sidechained accordingly. Just wondering if with the analysis, etc would one instance of Fuser mess up the other?
I think this is easier in some DAWs like pro tools which use busses for sidechaining rather than a track. So what I love to do in pro tools is send many tracks to a buss and then use that bus as a sidechain input in fuser or trackspacer for example. This is a huge advantage pro tools has over other DAWs when it comes to mixing. The sidechains are also delay compensated.
How do we treat input matching when the volume on faders are different? Say you have the kick at -4db on the fader, but the bass fader is -12db? Will this confuse the plugin?
Plugins cannot detect the fader levels of DAWs. The fader levels can significantly affect the loudness relationship between two channels. FUSER’s default analysis assumes that the two conflicting channel faders are set to 0dB. Where this is not the case, and you cannot insert FUSER as a ‘post fader’ plugin, you can open Gain Stage Fix, enter the fader amounts, and FUSER will adjust the analysis calculation accordingly.
how does the phase analysis work with something that is more changing / evolving. I understand something static like two kick samples, but what about a kick and an evolving reese bass?
Uuh cool but, serious question : why only super commercial types of music examples and never Techno (the heavy stuff) or other 4/4 heavy stuff with lots of low and hi frequencies? 🫣
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This is definitely the plugin of the year for me. I had to get after just one day of demoing it. I also got reso for free. Thank you Mastering the Mix for creating this excellent plugin that solves two major mixing problems (phase cancelations and masking) with ease.
Compared to others which do quite similar thing. Especially the input gain match meter and the phase rotation. Good staff
This is amazing! Good Stuff Tom!
Amazing absolutely amazing
Great demo video - really shows that this plugin is an absolute must-buy! Getting it now while it's reduced for Black Fri! Not a huge saving but every $ counts - and it's well worth full price anyway!
I love this plug in! It has helped me a lot in my production! ❤
Fantastic products. Now a big Mastering The Mix fan for my amateur dabblings. Now then, about a compressor………!
Really good plugin
This sounds great! Wondering if you can add multiple instances on a track to be side chained by different sources? I do that with Trackspacer 2 say when I want to pull some vocal and acoustic guitar frequencies out of a piano. In this case I'd use two instances of Trackspacer on the piano track each sidechained accordingly. Just wondering if with the analysis, etc would one instance of Fuser mess up the other?
Wow that sounds like an extreme application for Trackspacer. Curious if you dont find your piano phase-y after dynamically carving from 2 sources?
I think this is easier in some DAWs like pro tools which use busses for sidechaining rather than a track. So what I love to do in pro tools is send many tracks to a buss and then use that bus as a sidechain input in fuser or trackspacer for example. This is a huge advantage pro tools has over other DAWs when it comes to mixing. The sidechains are also delay compensated.
How do we treat input matching when the volume on faders are different? Say you have the kick at -4db on the fader, but the bass fader is -12db? Will this confuse the plugin?
Plugins cannot detect the fader levels of DAWs. The fader levels can significantly affect the loudness relationship between two channels.
FUSER’s default analysis assumes that the two conflicting channel faders are set to 0dB. Where this is not the case, and you cannot insert FUSER as a ‘post fader’ plugin, you can open Gain Stage Fix, enter the fader amounts, and FUSER will adjust the analysis calculation accordingly.
how does the phase analysis work with something that is more changing / evolving. I understand something static like two kick samples, but what about a kick and an evolving reese bass?
put the phase scan up to 10 sec and it will find the best option to have
👍😊
Uuh cool but, serious question : why only super commercial types of music examples and never Techno (the heavy stuff) or other 4/4 heavy stuff with lots of low and hi frequencies? 🫣