Zeer van genoten, wat een heerlijke drive gooide je erin en dat blijft maar duren... En nee, ik heb geen commentaar op je registratie, gewoon goed, je rubato etc maakt het juist zo sprekend en spannend! Bravo!
@@IddovdGiessen and always remember Karl Richter's words: "Bach has to be played always cantabile". A paraphrase of Bachs own words in his introduction to his inventions 😉
Wat een schitterende uitvoering. Dit is precies zoals je het zou willen horen. Heerlijk ook dat Bach hier niet zo strak wordt uitgevoerd maar met de muziek die er zo duidelijk in zit.
To play such a large piece without any changes of manuals seems to me a little bit anachronistic and unexciting: It is a style of interpretation developped by the 1960-80s based on around J.S. Bach but not by Bach himself. In the meantime there are new results in musicology that say that this type of interpretation has not too much to do with Bach's practice. He is like to have changed regularly manuals and also colours!
It can work on fine organs with a fine plenum, but I share your appreciation of some changes in colours and registration. Sometimes I apply those to quite a large extent, for example in the B minor fugue. In this performance, there are changes between different plena and manuals in the fugue.
tucu2. I would like to know more about the research that concludes that Bach alternated between manuals and changes registration in one and the same piece. Peopl who have to have those changes are not able to perceive the music as compositions, they are only able to hear the different sounds. I am mightily impressed by the prelude, that composition is truly a masterpiece! Any change of timbre is just annoying interruptions in the melody lines. Until I learn more about the qualifications of those musicologists, I refuse to believe that Bach voluntarely «ruined» his fantastic prelue with interruptions. tucu2, give me the search!
Splendid! This is why they call this device "the king of instruments".
The middle voices are heroic on this instrument. Excellent performance.
Thank you!
I like that pedal reed. 16' Posaune, maybe?
prachtige uitvoering,dank.
Awesome performance of this magnificent piece! Congrats! The great “ Wedge” is one of my favourite fugues…
Thank you very much. It is one of my favourite fugues too!
Fantastisch! Brilliant dargeboten! Hier trifft Bachs Genie auf einen außergewöhnlichen Organisten👍👍👍
Danke schön!
Iddo, wat een meesterlijke uitvoering! Een van Hollands mooiste orgels komt op deze manier wel echt helemaal tot z'n recht... Dank!
Bedankt Samuel!
Zeer van genoten, wat een heerlijke drive gooide je erin en dat blijft maar duren... En nee, ik heb geen commentaar op je registratie, gewoon goed, je rubato etc maakt het juist zo sprekend en spannend! Bravo!
Prachtig orgelspel, genoten 🎶🎵👍🎶🎵
Super! Well done. Almost 1000 subscribers....
Stunning performance of this organ "symphony" in 2 movements
Thank you very much!
@@IddovdGiessen and always remember Karl Richter's words: "Bach has to be played always cantabile". A paraphrase of Bachs own words in his introduction to his inventions 😉
Wat een schitterende uitvoering. Dit is precies zoals je het zou willen horen. Heerlijk ook dat Bach hier niet zo strak wordt uitgevoerd maar met de muziek die er zo duidelijk in zit.
Bedankt!
Excellent performance.🎉.
Herzlichen Glückwunsch, Maestro! Schöne Oper und schöne Ausführung. Grüße aus Mailand
Amazing performance! This organ is incredibile! ❤ Many congratulatons! 👏🏻🤗
Thanks a lot!
Stunning performance in every way!
Eén van mijn favoriete Bachwerken op een verbluffende wijze uitgevoerd, waarvoor complimenten!
Bedankt Niels, en ja, ook een van mijn favorieten!
Fantastisch!! Hartelijk dank!!
Amazing! Thank you, and may you spend many more evenings with such glorious music, for the benefit of organ lovers.
Bravo! Great performance!
An excellent performance. The playing, the instrument the registration all outstanding. Thanks.
Thank you very much!
Een heerlijke uitvoering, soepel en sprankelend!
Hartelijk dank!
Complimenti. Le auguro un futuro colmo di gioie e soddisfazioni.
Grazie
Geniales Orgelwerk BWV 548. Herrliche Orgeln in Amsterdam ,in Westerkerk Klangfülle beachtlich
Danke schön!
Nevertheless the interpretation shown is quite lively and very well phrased and articulated as well. The historic organs sounds marvellous per se.
Thank you!
Perfekt!
Zeer fraai Waarvoor dank
overwhelming
This is grandest video
Where is, this organ?
Westerkerk in Amsterdam, the Netherlands
To play such a large piece without any changes of manuals seems to me a little bit anachronistic and unexciting: It is a style of interpretation developped by the 1960-80s based on around J.S. Bach but not by Bach himself. In the meantime there are new results in musicology that say that this type of interpretation has not too much to do with Bach's practice. He is like to have changed regularly manuals and also colours!
It can work on fine organs with a fine plenum, but I share your appreciation of some changes in colours and registration. Sometimes I apply those to quite a large extent, for example in the B minor fugue. In this performance, there are changes between different plena and manuals in the fugue.
tucu2. I would like to know more about the research that concludes that Bach alternated between manuals and changes registration in one and the same piece. Peopl who have to have those changes are not able to perceive the music as compositions, they are only able to hear the different sounds. I am mightily impressed by the prelude, that composition is truly a masterpiece! Any change of timbre is just annoying interruptions in the melody lines. Until I learn more about the qualifications of those musicologists, I refuse to believe that Bach voluntarely «ruined» his fantastic prelue with interruptions. tucu2, give me the search!