Bruckner trick at 35:40 that beat 3 is the down beat which lasts until just before the climax at 37:50 where he gives us an extra two beats to really draw out the suspension until the climax.
@@junwuwang5701 mainly because of the phrasing. Nothing is usually held onto the third beat and the string patterns reverse or change on beat three which is typical for the downbeat
@@jakenowell5211 I have such a good example for this concept. Please listen to this piece by Franck: Prelude, aria and finale. th-cam.com/video/GvbHP2MHrx8/w-d-xo.html Then the second theme starts at around 2:34, and is 1 beat off the whole time, and then at 4:25 he used that extra beat to delay the climax by 1 beat, which is so cool!!
Almost my whole life i have listened the second movement in a game CALL OF DUTY 1 in the first mission after i kill the first nazi when i get in the first house. Some health packets are there and a gramophone, where they play this movement. Amazing. Nostalgia.
I always remembered the Dies Irae from Mozart’s Requiem in COD WOW towards the end of eviction. I first heard this symphony live not expecting much and was utterly transfixed, I don’t even remember the concerto I had went to see it was that good.
La sinfonia dedicata a Wagner è la terza... L' adagio della settima fu però composta e ispirata dalla malattia e morte di Wagner, omaggiato divinamente tramite un tragico trionfo che richiama in parte la marcia funebre di Siegfried. ❤
@Max Bruch Bruckner did not need to enrich his robust, "classic" orchestra with the percussion circus of a Mahler or a Shostakovich to be one of the greatest symphonists in history...
@@JeanPaul-Hol65 you’re right he didn’t need to. And because he chose never to do anything but give the melody to the high instruments and chords to the lower instruments every stinking time, nothing he ever wrote sounds remotely interesting. Meanwhile every moment of “a Mahler or Shostakovich” is memorable. Funny how that works
@@macmadnes5262 Funny how everyone sees music differently. For me, Mahler and Shostakovich (also) need to feed their music with exorbitant and exotic instrumentation to make it interesting, while Bruckner's music enraptures and shocks me without needing those 'tricks' at all. The way it is constructed is self-sufficient, and that is enough for me to love it deeply. Thank you for your comment. 😉
Bruckner's extraordinary and seemingly unique genius was his ability to create a huge and magical sound with an orchestra not much larger than that employed by Beethoven. As others have said Bruckner had no real need for percussion to creat effect though I do like the 'theatre' of the cymbals in the climax. It is also true that the composer himself thought it had a good idea to include TWO cymbal clashes in the climax of the Adagio in his very next symphony. So clearly Bruckner was open to percussion inclusion even if it was mainly for concert hall 'theatre' rather than for any essential audio effect?
![Bruckner: Symphony No. 8 in C minor, WAB 108 [1st version; 1887] (with Score)](http://i.ytimg.com/vi/dQhX6GUJmwE/mqdefault.jpg)
![Bruckner: Symphony No. 8 in C minor, WAB 108 [1st version; 1887] (with Score)](/img/tr.png)
The Heavens start to slowing open up from 18:00 to the end of the 1st movement. BRAVO
Bruckner trick at 35:40 that beat 3 is the down beat which lasts until just before the climax at 37:50 where he gives us an extra two beats to really draw out the suspension until the climax.
Genius! Thank you for pointing it out :)
I'm not sure why you feel beat 3 is the downbeat there? The do re mi motive starts on beat 3 from the first time it appears
@@junwuwang5701 mainly because of the phrasing. Nothing is usually held onto the third beat and the string patterns reverse or change on beat three which is typical for the downbeat
@@jakenowell5211 I have such a good example for this concept. Please listen to this piece by Franck: Prelude, aria and finale. th-cam.com/video/GvbHP2MHrx8/w-d-xo.html
Then the second theme starts at around 2:34, and is 1 beat off the whole time, and then at 4:25 he used that extra beat to delay the climax by 1 beat, which is so cool!!
That moment at 5:00 into that next section is SO GOOD
- 1st movement:
Exposition
A: 0:00
B: 2:35
C: 5:18
Development
B: 8:03
C: 9:44
A: 10:20
Recap
A': 10:57
B': 13:50
C': 15:29
Coda: 16:43
- 2nd movement:
A: 19:41
B: 24:11
A': 27:18
B': 33:05
A'' + Coda: 35:05
- 3rd movement:
A: 43:10
B (Trio): 46:45
A: 49:12
WOW
1 часть
Экспозиция
Г.П.
П.П. - 2:35
З.П. - 5:19
Разработка
Г.П. в обращении -7:00
П.П. в обращении- 8:05
З.П. в обращении- 9:44
Г.П. - 10:20
Реприза
Г.П.- 12:05
П.П. -13:50
З.П. -15:30
Кода- 2ая половина г.п.- 16:43,
1ая половина г.п - 18:02
2 часть
А
а - 19:32
b - 20:03
В - 24:13
А1
a - 27:22
b - 27:52
В1 - 33:05
А2
a - 35:05
b - 35:42
Кода - 38:47
3 часть
Экспозиция
Г.П.- 43:12
П.П.- 43:49
Разработка
Г.П.- 44:20
Реприза
Г.П.- 45:37
П.П.- 46:12
Трио - 46:46
4 часть
Экспозиция
Г.П.- 52:52
П.П.-53:55
З.П.-55:45
Разработка
Г.П.-58:43
З.П.-58:58
П.П.-1:00:03
Реприза
Г.П.- 1:01:50
Кода - 1:02:55
Almost my whole life i have listened the second movement in a game CALL OF DUTY 1 in the first mission after i kill the first nazi when i get in the first house. Some health packets are there and a gramophone, where they play this movement. Amazing. Nostalgia.
I always remembered the Dies Irae from Mozart’s Requiem in COD WOW towards the end of eviction.
I first heard this symphony live not expecting much and was utterly transfixed, I don’t even remember the concerto I had went to see it was that good.
I can see why, because the Nazis actually had the Adagio play over the german radio after announcing that Hitler died.
Amen,
I Also Like Bruckner's 7th Finale.
1 часть
ГП
ПП 2:37
ЗП 5:20
Кульминация Разработки 10:25
2 часть 19:31
2-я тема 24:14
3 часть 43:08
Трио 46:47
4 часть 52:50
ПП 53:54
ЗП 55:46
Новая тема разработки 1:01:36
Yes, but Moscow time is 3 hrs ahead of here.
Thanks for including the score! 🤪Brilliant!!!
ПП 2:37
ЗП 5:20
Кульминация Разработки 10:25
4 часть
ПП 53:55
ЗП 55:46
Новая тема разработки 1:01:36
Eine gute musik das danke
これ2楽章の練習番号『W』の所シンバルとトライアングル無いからノヴァーク版じゃなくてハース版だよ
Apparently this is the austrian painter’s favourite symphony 🤨
The Most Glorious Symphony Ever Composed,
and In Honor of Richard Wagner.
Is Something Wrong With Your Keyboad?
La sinfonia dedicata a Wagner è la terza... L' adagio della settima fu però composta e ispirata dalla malattia e morte di Wagner, omaggiato divinamente tramite un tragico trionfo che richiama in parte la marcia funebre di Siegfried. ❤
@@AndreyRubtsovRU No.
1ч
ГП - 00:11
ПП - 02:36
ЗП - 05:19
2ч
1раздел - 19:32
2раздел - 24:11
3ч
1раздел - 43:09
Трио - 46:45
4ч
ГП - 52:52
ПП - 53:54
ЗП - 56:56
4ч ЗП - 55:47
9:05 Viola!
@Musikbibliothek melody: Cello
Countermelody: viola
Celibidache..
Please, i need Bruckner symphony 8 with Bernard Haitink...
Yes yes yes yes yes YES
Nice.
39:00
Wagner Tuba Quartet
Thank you.
Would have loved Jochum as the choice of recording
Gunter Wand!
@@soutteruk1 also a fine choice!
@@detectivehome3318
You will find my choice is usually so.
@@soutteruk1 do u know David Hurwitz on TH-cam?
@@detectivehome3318
I do but he certainly is not my cup of tea.
35:06 Carolyn Chen
5:19
9:44
59:46
1:00:04
55:46 59:18
08:15
43:40
8:30
The cymbal crash isn’t even there 😂 their only note 😂 I cant stop laughing. Bruckner really hater percussionists I guess.
Lmao that's why I like the revised version😂
@Max Bruch Bruckner did not need to enrich his robust, "classic" orchestra with the percussion circus of a Mahler or a Shostakovich to be one of the greatest symphonists in history...
@@JeanPaul-Hol65 you’re right he didn’t need to. And because he chose never to do anything but give the melody to the high instruments and chords to the lower instruments every stinking time, nothing he ever wrote sounds remotely interesting.
Meanwhile every moment of “a Mahler or Shostakovich” is memorable. Funny how that works
@@macmadnes5262 Funny how everyone sees music differently. For me, Mahler and Shostakovich (also) need to feed their music with exorbitant and exotic instrumentation to make it interesting, while Bruckner's music enraptures and shocks me without needing those 'tricks' at all. The way it is constructed is self-sufficient, and that is enough for me to love it deeply. Thank you for your comment. 😉
Bruckner's extraordinary and seemingly unique genius was his ability to create a huge and magical sound with an orchestra not much larger than that employed by Beethoven. As others have said Bruckner had no real need for percussion to creat effect though I do like the 'theatre' of the cymbals in the climax. It is also true that the composer himself thought it had a good idea to include TWO cymbal clashes in the climax of the Adagio in his very next symphony. So clearly Bruckner was open to percussion inclusion even if it was mainly for concert hall 'theatre' rather than for any essential audio effect?
15:30