Yves NAT est un grand beethovénien. Quelle force ! quelle précision ! quelle netteté ! Une grande présence dans chaque note, chaque accord et dans chaque silence ! Quelle musique ! Il sait où il va et il nous emmène loin ! Très loin ! Christophe
Between 1949 and 1955 Ives Nat recorded the complete Beethoven Sonatas, at the end oh his life. Before him Shnabel and Backhaus had the courage to do it. All these recordings had technical limitations (Shnabel records date from the thirties) but in 1989 EMI Pathe Marconi remastered a beatiful set of 8 CDs (mono). It is a real pleasure to listen these, which remain a very valuable reference. Thank you for post these last three "the mad sonatas".
On the top of my personal pantheon of pianists.
Yves NAT est un grand beethovénien. Quelle force ! quelle précision ! quelle netteté ! Une grande présence dans chaque note, chaque accord et dans chaque silence ! Quelle musique ! Il sait où il va et il nous emmène loin ! Très loin !
Christophe
What a gorgeous touch! He's the best!
Very good
14:29 this is truly unique - unmatched
Between 1949 and 1955 Ives Nat recorded the complete Beethoven Sonatas, at the end oh his life. Before him Shnabel and Backhaus had the courage to do it. All these recordings had technical limitations (Shnabel records date from the thirties) but in 1989 EMI Pathe Marconi remastered a beatiful set of 8 CDs (mono). It is a real pleasure to listen these, which remain a very valuable reference. Thank you for post these last three "the mad sonatas".
ベートーヴェン ピアノソナタ
第 30 31 32 番
ナ ッ ト ピアノ演 奏 大 賛 辞
ベ ー ト ー ヴ ェ ン 晩年の大傑作である。これを 聴く事大いに価値有り､己の精神の幾歳を省みるに相応しき曲である。ナット初めて聴きしが、感極まりぬ。これを聴くこと遅きに過ぎたり。なれど、この後、幾たびも聴かんと思う。
ベートーヴェンの魂此処に有り。
擱 筆
16.20: op. 110
32.57: op. 111
16.50
17.40