The Formula for Audiobook Narration Deals

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  • เผยแพร่เมื่อ 16 ก.ย. 2024
  • Pat Fraley's formula for audiobook narration work: Skills + Personal Style + Killer Demo + Marketing= Book Deal

ความคิดเห็น • 17

  • @deserontont
    @deserontont 2 ปีที่แล้ว +1

    Thank you Sir Fraley - Nice to listen to a peer with a delivery that flows with water - hope to reach that level soon

  • @lorettabrail7806
    @lorettabrail7806 3 ปีที่แล้ว +2

    Interesting. After reading to my children and many of my 21 grandchildren, I can tell you expression and life in the telling of stories is all important! The kids all laugh at funny parts and at scary parts their eyes get so big in expectation and when magic and imaginings are expressed, the wonder and daydreaming in their eyes tell me if my story telling is right for them. The years of reading with care and excitement have been glorious and to this day, keeps me young! To this day, I enjoy listening to ebooks😊

  • @GinaLynnGuesby
    @GinaLynnGuesby 10 หลายเดือนก่อน

    Thank you for this. You're only one so far that I've listened to that didn't sound like you're putting me down for being new to the field of audiobook narrators: your video didn't remind me constantly that I don't have what it takes, I don't have enough experience or I have to have thousands of dollars to even get started. Your video was very concise and had several good points and you seemed to talk to me as if I was a human being, an adult, and not a child. Thank you again for this!

  • @debstamp
    @debstamp 13 ปีที่แล้ว +1

    Bravo, Pat. Could listen to you all day. Just the right amount of information to whet my appetite once again as I get back on life's bandwagon.Tks.

  • @michaelhoward4152
    @michaelhoward4152 5 ปีที่แล้ว +2

    Thank you so much, Pat!
    I know you made this video more than eight years ago, but I got a ton of great information that I can fully apply to my current pursuits in Narration. Your 4-Step Process to landing a Book Deal is pure Platinum!
    Something else you recommended that really stood out to me was to get a hard copy of a Audio Book and read along with the Narrator to note how he or she changes tone, pauses, brings emotion, and more. That's should be an utterly fabulous learning tool for me!
    Thanks again, for all your Share with so many.

  • @nataliya2641
    @nataliya2641 ปีที่แล้ว +1

    Hello from Moscow.
    Thank you.
    Have a fantastic week.
    Your voice has the exciting twist.

    • @DMRJ53
      @DMRJ53 ปีที่แล้ว

      I agree!

    • @nataliya2641
      @nataliya2641 ปีที่แล้ว

      @@DMRJ53 Where are you from?

    • @DMRJ53
      @DMRJ53 ปีที่แล้ว

      @@nataliya2641 California , USA

  • @davidf5501
    @davidf5501 11 ปีที่แล้ว +1

    Thank you for taking the time to share this. I appreciate your voice and your input.

  • @NadyaSchwingel
    @NadyaSchwingel 11 ปีที่แล้ว +2

    Very informative. It helped a lot even for a beginner brazilian voice over like me. Thanks a lot Pat! You are the best!

  • @Teakatt
    @Teakatt 7 ปีที่แล้ว +2

    Thank you for sharing your formula. I've been struggling to get into this field of work. Ultimately I'd like to dip my toes into YA, Fantasy, and Adult novels. This was very informative and educational. Thank you!

  • @Sanefather
    @Sanefather 12 ปีที่แล้ว

    Pat, Thank you so much for your site. I have been attempting to get into the Voice Over bis for a while. It can be very difficult without the resources (money) to train professionally and sites like your make a big difference. Thanks again.

  • @valeriejmoss3325
    @valeriejmoss3325 4 ปีที่แล้ว

    love your stories and the way you help us tell them too :) wish I knew you would love to have more of your mentorship!

  • @CarlottaJW
    @CarlottaJW 4 ปีที่แล้ว

    Why would you have to make it so complicated as to be a formula. That is extremely discouraging.

    • @patrickfraley3565
      @patrickfraley3565 4 ปีที่แล้ว +2

      Jeanise. Things have changed. It's 2020. Read attached. Getting Your Samples to Producers is Rather New
      How Producers Want Your Samples & Your Personal Audiobook Website Page.
      Producers want samples of your audiobook narration skills in a different way than they used to. No more demos, consisting of three, one-two minute excerpts, or longer. They don’t want to wade through material. Why? No budget, no time.
      Also, authors have more power these days, on whom performs their books. Publishers and producers want to collect and send 1-2 minute samples of your samples, which they collect (excerpts) to the author for approval to cast you. Publishers have shared with Scott Brick and me if the author’s book has, for example, a 3rd Person Fiction Perspective Fiction book, they don’t want to send the author a sample of a performer doing a sample of a 1st Person Fiction Perspective Fiction. Producers are saying that the authors “don’t get it.”
      Producers want your samples of 1-2 excerpts labeled differently than before. They want them labeled so they indicate a skill, which is demonstrated on your recorded excerpt. Such as,
      Young Adult
      Western
      Historical Fiction
      Romance
      1st Person Fiction
      3rd Person Fiction
      Dialect_German
      Nonfiction
      Memoir
      Bio
      Male_Female Dialogue
      Char Fiction
      and so forth.
      What are the categories? Who knows? There is no established way.
      There is no standard. So basically, you may give producers what they request, but on your Audiobook Website Page, Scott Brick and I think you should have, we suggest the following.
      Your Audiobook Website Page
      We suggest you offer one-two minute samples with the following kind of titles.
      Fraley_Young Adult.mp3
      Fraley_Male_Female.mp3
      Fraley_Western.mp3
      Fraley_Crime/Thriller.mp3
      Fraley_Romance.mp3
      Fraley_1st PersFiction.mp3
      Fraley_Nonfiction.mp3
      Fraley_3rd PersFiction.mp3
      Fraley_Dialect _Irish.mp3
      Fraley_Memoir.mp3
      Fraley_Bio.mp3
      Fraley_MultipleChar.mp3
      We suggest that you clearly allow visitors to your page to download mp3’s of your samples. We think the recorded sample should begin with you saying your name, then your sample. Again, if a producer wants it different, you need to deal with it.
      Some, like Julie Wilson, at Penguin-Random House, want narrators to post their information and samples on their database, “Ahab,” and are saying they don’t want your name in the title of the sample, or, perhaps on the recording. Hmmmm. To avoid confusion, loss, etc., Scott Brick and I still think you should a slate (your name) at the top of each sample you complete.
      Here’s an example of a website audiobook page I like. It is from Linda Montana. lindamontana.com/ If you need further info, email me at patfraleyteches@aol.com Know you won’t be put on any sort of list. Pat

    • @patrickfraley3565
      @patrickfraley3565 4 ปีที่แล้ว +4

      Don't give up the ship. Here's some current info for you to use.
      Getting Your Samples to Producers is Rather New
      How Producers Want Your Samples & Your Personal Audiobook Website Page.
      Producers want samples of your audiobook narration skills in a different way than they used to. No more demos, consisting of three, one-two minute excerpts, or longer. They don’t want to wade through material. Why? No budget, no time.
      Also, authors have more power these days, on whom performs their books. Publishers and producers want to collect and send 1-2 minute samples of your samples, which they collect (excerpts) to the author for approval to cast you. Publishers have shared with Scott Brick and me if the author’s book has, for example, a 3rd Person Fiction Perspective Fiction book, they don’t want to send the author a sample of a performer doing a sample of a 1st Person Fiction Perspective Fiction. Producers are saying that the authors “don’t get it.”
      Producers want your samples of 1-2 excerpts labeled differently than before. They want them labeled so they indicate a skill, which is demonstrated on your recorded excerpt. Such as,
      Young Adult
      Western
      Historical Fiction
      Romance
      1st Person Fiction
      3rd Person Fiction
      Dialect_German
      Nonfiction
      Memoir
      Bio
      Male_Female Dialogue
      Char Fiction
      and so forth.
      What are the categories? Who knows? There is no established way.
      There is no standard. So basically, you may give producers what they request, but on your Audiobook Website Page, Scott Brick and I think you should have, we suggest the following.
      Your Audiobook Website Page
      We suggest you offer one-two minute samples with the following kind of titles.
      Fraley_Young Adult.mp3
      Fraley_Male_Female.mp3
      Fraley_Western.mp3
      Fraley_Crime/Thriller.mp3
      Fraley_Romance.mp3
      Fraley_1st PersFiction.mp3
      Fraley_Nonfiction.mp3
      Fraley_3rd PersFiction.mp3
      Fraley_Dialect _Irish.mp3
      Fraley_Memoir.mp3
      Fraley_Bio.mp3
      Fraley_MultipleChar.mp3
      We suggest that you clearly allow visitors to your page to download mp3’s of your samples. We think the recorded sample should begin with you saying your name, then your sample. Again, if a producer wants it different, you need to deal with it.
      Some, like Julie Wilson, at Penguin-Random House, want narrators to post their information and samples on their database, “Ahab,” and are saying they don’t want your name in the title of the sample, or, perhaps on the recording. Hmmmm. To avoid confusion, loss, etc., Scott Brick and I still think you should a slate (your name) at the top of each sample you complete.
      Here’s an example of a website audiobook page I like. It is from Linda Montana. lindamontana.com/ If you need further info, email me at patfraleyteches@aol.com Know you won’t be put on any sort of list. Pat