Claude Debussy: Préludes [arranged for orchestra by Colin Matthews] (Elder, Hallé)
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- เผยแพร่เมื่อ 15 มิ.ย. 2024
- 0:00 Premier Livre. Danseuse de Delphes: Lento e grave, dolce, sostenuto - Poco rallentando - Più sostenuto - Ancora più sostenuto
3:02 Voiles: Moderato tranquillo; molto flessibile - a tempo - Stringendo - Animando - Con fuoco - Molto ritenuto - a tempo - Calando al fine
7:26 Le vent dans la plaine: Animato. Leggiero assai - A tempo - Calando - Poco rallentando al fine
10:24 «Les sons et les parfums tournent dans l'air du soir»: Moderato. Tempo rubato - Poco animando - a tempo - Più lento - Animando - Rellentando - Sostenuto - Stringendo - Sostenuto - Stringendo - a tempo - Sostenuto - Stringendo - Rallentando - Tranquillo - a tempo - Ritenuto - Ancora più ritenuto - Lontano - Molto lontano e ritenuto
14:21 Les collines d’Anacapri: Molto moderato - Vivo - Molto moderato - Vivo - a tempo - Moderato espressivo - Più moderato - Rubato - Templo dell’inizio - A tempo vivo - a tempo - Stringendo - A tempo luminoso - Molto ritenuto
18:05 Des pas sur la neige: Lento e triste - Rallentando - Ritenuto - a tempo - Ritenuto - a tempo - Poco animando e più espressivo - Ritenuto - a tempo - Più lento - Rallentando - Molto lento
22:26 Ce qu’a vu le vent d’Ouest: Animato e tempestoso - Poco meno mosso -A tempo animato - Un poco ritenuto - Molto stringendo - A tempo animato - Stringendo - A tempo animato - Stringendo
25:41 La fille aux cheveux de lin: Molto lento, calmo, espressivo - Poco animando - Murmurando; Rallentando al fine
30:50 La sérénade interrompue: Moderato - Rallentando - a tempo - Subito vivo - Rallentando - a tempo - Liberamente - Moderato - Con fuoco - Moderato - Con fuoco - Calmando - in tempo - Rubato
33:39 La cathédrale engloutie: Calmissimo - Dolce e flessibile - Sempre sostenuto - Andante; poco a poco alzando la luminosità - Più andante ed un poco stringendo - Ancora sostenuto - Tempo primo - Ritenuto - Poco più andante - Tempo primo - Come eco - Calando
42:16 La danse de Puck: Capriccioso e leggiero - Ritenuto - a tempo - Subito più mosso - a tempo - Rallentando - a tempo - Rallentando - A tempo sostenuto - Meno mosso - a tempo - Ralentando - a tempo - Ritenuto - A tempo ritenuto - Più ritenuto - Quasi tempo primo
45:24 Minstrels: Moderato nervoso con umore - Rallentando - a tempo - Poco più mosso - Rallentando - Con derisione - a tempo - Tempo primo - Più mosso - Stringendo - Pesante
48:10D euxième Livre. Brouillards: Moderato. Molto legato e leggiero - a tempo - Poco sostenuto - a tempo - Poco ritenuto - A tempo, poco a poco ritardando - Calando
52:16 Feuilles mortes: Lento melancolico - Poco più mosso - Sostenuto - Rallentando - a tempo •
55:58 La Puerta del Vino: Tempo di habanera. Vivo ma pesante - Rubato - a tempo - Tempo ritenuto - A tempo lontano - Un poco ritenuto - a tempo
59:40 «Les Fées sont d'exquises danseuses»: Vivo e leggiero - Sostenuto e rubato - Acellerando - a tempo - Rallentando - Sostenuto e tranquillo - a tempo, poco sostenuto - Ritenuto - Tempo primo - Ritenuto - Rubato - Ritenuto - a tempo - A tempo poco sostenuto - Ritenuto - Subito più mosso - Rallentando - A tempo ritenuto - Poco accelerando - Tempo primo
1:03:33 Bruyères: Calmo - dolce - Poco animato - Tranquillo - atempo - Ritenuto al fine
1:06:58 «Général Lavine» - excentric: Tempo di Cakewalk - Con una spiritualità giudiziosa (tempo rubato sempre) - Ritardando - A tempo comodo - Animato - Allargando - Ritardando - Come sopra - Molto ritenuto - a tempo - Molto ritenuto - Animando - A tempo animato
1:10:17 La terrasse des audiences du clair de lune: Lento - Poco animato - a tempo - Animando - Tempo primo - Poco animando - Più lento - Calando
1:14:50 Ondine: Scherzando molto rubato - Ritenuto - Rubato - a tempo - Ritenuto - a tempo - Ritenuto - a tempo - Molto ritenuto - A tempo, poco meno mosso, rubato - Poco ritenuto - a tempo - A tempo primo, poco agitato
1:18:26 Hommage à S. Pickwick Esq., P.P.M.P.C.: Grave - Comodo - Poco a poco animando - Ritenuto - a tempo - Poco a poco animando - A tempo commodo - L'istesso tempo - Ritenuto al fine
1:21:11 Canope: Molto calmo. Dolce e triste - Poco rallentando - a tempo - Poco animato - Tempo primo - Ritenuto - Più lento - Molto lento
1:24:14 Les tierces alternées: Moderato animato - Rallentando - Più animatp, leggiero - Poco rallentando - Dolce - Ancora poco rallentando - Ritenuto - Poco rallentando - a tempo
1:27:33 Feux d’artifice: Animato e leggiero - Scherzando - Vivo - Poco sostenuto - Vivo - Poco sostenuto - A tempo, poco meno mosso - Poco sostenuto - Ancora più sostenuto - Subito più mosso - Sostenuto - Accelerando - Tempo primo - Stringendo - Poco largamente - Stringendo molto - Poco più lento - Rallentando - Ancora più lento
1:32:40 Postlude to the Preludes of Claude Debussy orchestrade by Colin Matthews: Monsieur Croche (Animato - a tempo - Calmo, rubato - Poco ritenuto - Subito tempo primo - Tempo II - Tempo primo - Molto tranquillo - Tempo primo - Poco sostenuto - A tempo animato - Molto animato - Gioioso) - เพลง
The beauty of Debussy combined with the serenity and transcendence of orchestration creates a soothing soundscape. More people need to appreciate this.
Transcending time and space and races,
Debussy‘s music is prodigious
The greatness of Debussy is immeasurable and off the charts🌸💮㊗️
Omg!!
Didn't know this existed!!
Discovered a whole new world!!
Merci beaucoup!
Feuilles Mortes sounds utterly fantastic
Just so beautiful. I am so glad someone did this!
No performance is as interesting and intriguing and captivating as this performance
This splendorof words can not attach it
Beautiful ✨ I return to this often to take an audio hot air balloon ride ☺️
Brilliant orchestration, indeed. That of Prelude VI sounds quite different from mine, nevertheless it remains in the spirit of the piece. Congratulations to Mr. Colin Matthews for such a remarkable work.
Most beautifully done.
Many thanks! So appreciated and many blessings to you.
Thank you very much, I wish you the same.
Oh yeees
25:41 famous on Windows - maid with flaxen hair❤🙂🙃
La cathédrale engloutie :33.39 min
Well done for posting these. Some of them work for me but some don't. Debussy was no mean orchestrator and I think if he felt he could convert them successfully, he would have done it himself. Still, Colin Matthews creates some enjoyable colours here.
I will put in the description another orchestration of the preludes, by Peter Breiner. To tell you the truth, I prefer Debussy's piano works to his orchestral works, precisely because in the latter, it is with greater strength that what makes Debussy qualify as "impressionist". I do not like vagueness of form, and I believe that is what led Ravel to say that if he had time, he would re-orchestrate La Mer.
th-cam.com/video/RIMYWdeHQlg/w-d-xo.html
@@pedrohenriqueprata Absolutely Rique, you are spot on. That's precisely why only some of these orchestrations get through to me.
La Mer was popular in France when it was first performed but the New York critics rubbished it. I think that's why Ravel thought he could enhance it. To be fair, he probably could have. But I still like it as it is.
Any news on posting orchestrated versions of the Scriabin Preludes, I'd really love to hear those. Best regards David A.
@@DavidA-ps1qr The next thing I'm going to upload on the channel will be an interpretation of Scriabin's Preludes Op. 11, but I don't know an orchestrated version of that work. As for La Mer, I think Debussy shouldn't have been too concerned at the time with American criticism. I saw a documentary about Prokofiev's career in the United States and they said at the time that the country's music scene was very provincial, even by Russian standards, although, as we know, as the 20th century progressed things changed radically. The French used elements taken from jazz or other sources from the other side of the Atlantic as exotic things, just as they used traditional Spanish music, the Near East or China, but it would still be a few years before the Americans had their musical voice itself, it seems.
@@pedrohenriqueprata mmmm we could talk about this for a while..........
La Mer premiered in New York in 1907, Prokofiev didn't arrive there until 10 years later. I don't think the Americans were suitably prepared for either.
But it's true, American music was streets behind European at this time and it wasn't until a certain Mr Copland turned up that things started to change. And, boy, did they change.
Some are so idiomatic to the piano that...etc. Quite a fresh insight, and a bold effort, to put it lightly. Possibly more depth could be gleaned from a different director/ensemble. No time wasted listening to this.
Could one angel put the preludes in a order , with the names , please ?
From Brasil with love 💕
Olha a descrição do vídeo.
@@pedrohenriqueprata valeuuuuuu !!
@@pedrohenriqueprata a mágica pra valer começa aos 33 minutos .
Just listen to Danseuse de Delphe. Of course it is brillantly orchestrated but I don’t find the lightness of the piano music. It sounds pretty heavy.
A fine job on the whole, with some bravura passages. But it should not be a substitute for the piano originals.