LYRICS: Well we were kissing It was secret We'd had to sneak beyond the kitchen Both well aware that there'd be trouble If the manager should find us You'd got a leaning tower of pint pots in your hand You can carry much more than I can And a wicked gale came howling up through Sheffield City Centre There was palm tree debris everywhere and a Roman Colosseum It must be boring when I talk about my dreams I'm in a building and I notice That I'm surrounded by the ocean I get a feeling, I start running Don't really know why I am running I never really know why I am running 'til I get caught Want to wake up to my dream report? And the snow was falling thick and fast We were bombing down Los Feliz It was you and me and Miles Kane And some kid I went to school with It must be awful when I talk about my Visions of the past and possible future Shoot through my mind and I can't let go Inseparable opposing images When can you come back again? And a wicked gale came howling up through Sheffield City Centre There was palm tree debris everywhere and a Roman Colosseum Isn't it awful when I talk about my dreams? It must be torture when I talk about my dreams
This song seems to me to be in some way Alex Turner's answer to "fans" that constantly complain about his music not sounding like the first Arctic Monkeys album. It starts out like a song that could have been on the first album ("We were kissing/It was secret.. etc"), before taking a slightly surreal turn (You've got a leaning tower of pint pots in your hand). I think the "wicked gale .. howling up through Sheffield City Centre" represents Alex's sudden rise to fame, taking him from everyday normality (and the setting for the first album) to sudden fame. The "palm tree debris everywhere and a Roman Colloseum" is like the random chaos of his new life and experiences as a young man, and how it has opened up his mind and imagination. He writes about his new world and influences in his music and a significant chunk of his fanbase don't get it ("Isn't it boring / it must be torture when i talk about my dreams?"), but he tries to explain to them in the middle section that he has no choice, this is his reality now, and even asks them to explore these new horizons with him: ("Visions of the past and possible future Shoot through my mind and I can't let go Inseparable opposing images When can you come back again?")
Luke Nardoni Wow I really like your interpretation that you have written about this song. It could well and truly be that message to his fans. I agree with you on this one :)
It's a cool take, and I like different interpretations of songs, but I'm pretty sure this is quite literally about how strange dreams are and how they don't make sense
The Last Shadow Puppets’ The Dream Synopsis (EP Version) is a dazzling and theatrical offering that stands as a vibrant companion piece to their 2016 album Everything You’ve Come to Expect. The EP delivers six tracks-two reimagined versions from the album and four eclectic covers-that perfectly capture the band’s unique blend of retro charm, lush orchestration, and rock sensibility. With Alex Turner and Miles Kane at the helm, this release immerses listeners in a journey that is as cinematic as it is intimate. Opening with "Aviation," a track that was already a standout from Everything You’ve Come to Expect, the EP version strips things back while maintaining the brooding swagger of the original. The interplay of strings and the driving rhythm section exude a darker atmosphere, giving the song a fresh yet familiar feel. Turner's crooning vocals take on a slightly more urgent tone here, accentuated by the orchestral arrangements that give it a film-noir quality. "Les Cactus," a cover of Jacques Dutronc's 1966 hit, is a playful and bold choice that injects the EP with a jolt of frenetic energy. Sung in French, the song showcases the band’s love for 1960s rock and psychedelia, complete with jangling guitars and a biting vocal delivery. Turner and Kane seem to be having a blast here, capturing the rebellious essence of the original while putting their own suave, modern twist on it. The vibrant production and confident execution of the track make it one of the most exhilarating moments on the EP. Another highlight comes with their rendition of Leonard Cohen’s "Is This What You Wanted." Cohen’s poetic lyricism is preserved, but the Puppets infuse the track with a dreamy, cinematic quality. Kane’s delivery is soulful, and the sweeping orchestral arrangements elevate the song to a level that feels grand yet intimate. It’s a reverent homage to Cohen, but also a testament to the Puppets' ability to mold even the most iconic tracks into something uniquely theirs. The EP’s title track, "The Dream Synopsis," is an alternate take of the original album version. This stripped-back version places more emphasis on Turner’s poetic musings, with the intimate production creating an atmosphere of vulnerability. It feels like a late-night confessional, with lyrics that evoke nostalgia, dreams, and reflections on fleeting moments. The minimal arrangement, with sparse piano and delicate strings, allows Turner’s voice to take center stage, making this version feel even more personal than the original. "Cowboy's Song" (originally by British folk artist Billy Fury) is a tender, melancholic ballad that showcases the Puppets' ability to navigate softer, more introspective territory. Kane’s vocals are deeply emotive, and the restrained instrumentation allows the song’s heartfelt simplicity to shine through. It’s a beautifully understated track that adds a gentle, contemplative moment to the EP’s otherwise eclectic mix. The EP closes with a fiery rendition of "Totally Wired," a cover of The Fall’s punk classic. This track is a chaotic and thrilling burst of energy, with driving bass lines, frenetic drums, and frantic vocals. The Last Shadow Puppets inject the song with their own signature flair while staying true to the rebellious spirit of the original. It’s an exhilarating end to an EP that thrives on both contrast and cohesion. The Dream Synopsis (EP Version) is an ambitious and delightfully eclectic collection that showcases The Last Shadow Puppets' versatility and deep appreciation for a wide array of musical influences. The combination of reworked originals and well-curated covers makes for a dynamic listening experience that highlights both the band’s sophisticated artistry and playful side. With its lush arrangements, cinematic scope, and charismatic performances, this EP proves that The Last Shadow Puppets continue to be masters of blending the old and the new, crafting music that is as timeless as it is refreshing. www.candiano.com
Well we were kissing It was secret We'd had to sneak beyond the kitchen Both well aware that there'd be trouble If the manager should find us You'd got a leaning tower of pint pots in your hand You can carry much more than I can And a wicked gale came howling up through Sheffield City Centre There was palm tree debris everywhere and a Roman Colosseum Isn't it boring when I talk about my dreams I'm in a building and I notice That I'm surrounded by the ocean I get a feeling, I start running Don't really know why I am running I never really know why I am running 'til I get caught Want to wake up to my dream report? And the snow was falling thick and fast We were bombing down Los Feliz It was You and Me and Miles Kane And some kid I went to school with Isn't it ugly when I talk about my Visions of the past and possible future Shoot through my mind and I can't let go Inseparable opposing images When can you come back again? And a wicked gale came howling up through Sheffield City Centre There was palm tree debris everywhere and a Roman Colosseum Isn't it awful when I talk about my dreams It must be torture when I talk about my dreams
![The Last Shadow Puppets - The Dream Synopsis (The Dream Synopsis EP Version) [Instrumental]](http://i.ytimg.com/vi/kjnynCNuYcw/mqdefault.jpg)
"And some prick I went to school with" by far still my favourite song.
Abigail Weller Is Matt Helders. He told that.
this version is even more emotional to me but i love it
This version is so beautiful it hurts
LYRICS:
Well we were kissing
It was secret
We'd had to sneak beyond the kitchen
Both well aware that there'd be trouble
If the manager should find us
You'd got a leaning tower of pint pots in your hand
You can carry much more than I can
And a wicked gale came howling up through
Sheffield City Centre
There was palm tree debris everywhere and a Roman Colosseum
It must be boring when I talk about my dreams
I'm in a building and I notice
That I'm surrounded by the ocean
I get a feeling, I start running
Don't really know why I am running
I never really know why I am running
'til I get caught
Want to wake up to my dream report?
And the snow was falling thick and fast
We were bombing down Los Feliz
It was you and me and Miles Kane
And some kid I went to school with
It must be awful when I talk about my
Visions of the past and possible future
Shoot through my mind and I can't let go
Inseparable opposing images
When can you come back again?
And a wicked gale came howling up through
Sheffield City Centre
There was palm tree debris everywhere and a Roman Colosseum
Isn't it awful when I talk about my dreams?
It must be torture when I talk about my dreams
Only this song made me cry and smile at the same time from all the memories I have.
for god sake this is perfection. got an eargasm
*The Ultracheese*
can somebody explain me why? everybody is saying that and i can't undestand which is the relatiooooooooon with The ultracheese?
@@rafaelavillao4683 They are very similar
Nope
@@alejandrogalvez194 i dont even find them similar
dos canciones totalmente distintas y tan buenas
All I want is another tlsp album .-.
me too :(
We have to wait another 8 years :,c
@@rotten9262 why so long?
This version sounds a lot more like a TBH+C track. Also, Matt went from "kid" to "prick" real fast.
i don't think it's Matt he was referring to in the first place, but that's a nice way of interpreting it
No i don't think it's him
This song seems to me to be in some way Alex Turner's answer to "fans" that constantly complain about his music not sounding like the first Arctic Monkeys album. It starts out like a song that could have been on the first album ("We were kissing/It was secret.. etc"), before taking a slightly surreal turn (You've got a leaning tower of pint pots in your hand). I think the "wicked gale .. howling up through Sheffield City Centre" represents Alex's sudden rise to fame, taking him from everyday normality (and the setting for the first album) to sudden fame. The "palm tree debris everywhere and a Roman Colloseum" is like the random chaos of his new life and experiences as a young man, and how it has opened up his mind and imagination. He writes about his new world and influences in his music and a significant chunk of his fanbase don't get it ("Isn't it boring / it must be torture when i talk about my dreams?"), but he tries to explain to them in the middle section that he has no choice, this is his reality now, and even asks them to explore these new horizons with him:
("Visions of the past and possible future
Shoot through my mind and I can't let go
Inseparable opposing images
When can you come back again?")
Luke Nardoni Wow I really like your interpretation that you have written about this song. It could well and truly be that message to his fans. I agree with you on this one :)
this is a really interesting way to look at it, it makes a lot of sense!
Wow, cool analysis of it!
It's a cool take, and I like different interpretations of songs, but I'm pretty sure this is quite literally about how strange dreams are and how they don't make sense
@@yeehaw142 haha yes you are probably right 😂
Damn Daniel . . . at it with the sax again.
For real though, that sax is pure sex.
with this sax sounds almost like christmas song and...
the snow is falling thick and fat
Yeah it is
the real eargasm
The ultracheese part 1.
cesar arenas rojas HAHAHAHAH so true
Would have been lovely to hear Alex dad playing on this track.
The Last Shadow Puppets’ The Dream Synopsis (EP Version) is a dazzling and theatrical offering that stands as a vibrant companion piece to their 2016 album Everything You’ve Come to Expect. The EP delivers six tracks-two reimagined versions from the album and four eclectic covers-that perfectly capture the band’s unique blend of retro charm, lush orchestration, and rock sensibility. With Alex Turner and Miles Kane at the helm, this release immerses listeners in a journey that is as cinematic as it is intimate.
Opening with "Aviation," a track that was already a standout from Everything You’ve Come to Expect, the EP version strips things back while maintaining the brooding swagger of the original. The interplay of strings and the driving rhythm section exude a darker atmosphere, giving the song a fresh yet familiar feel. Turner's crooning vocals take on a slightly more urgent tone here, accentuated by the orchestral arrangements that give it a film-noir quality.
"Les Cactus," a cover of Jacques Dutronc's 1966 hit, is a playful and bold choice that injects the EP with a jolt of frenetic energy. Sung in French, the song showcases the band’s love for 1960s rock and psychedelia, complete with jangling guitars and a biting vocal delivery. Turner and Kane seem to be having a blast here, capturing the rebellious essence of the original while putting their own suave, modern twist on it. The vibrant production and confident execution of the track make it one of the most exhilarating moments on the EP.
Another highlight comes with their rendition of Leonard Cohen’s "Is This What You Wanted." Cohen’s poetic lyricism is preserved, but the Puppets infuse the track with a dreamy, cinematic quality. Kane’s delivery is soulful, and the sweeping orchestral arrangements elevate the song to a level that feels grand yet intimate. It’s a reverent homage to Cohen, but also a testament to the Puppets' ability to mold even the most iconic tracks into something uniquely theirs.
The EP’s title track, "The Dream Synopsis," is an alternate take of the original album version. This stripped-back version places more emphasis on Turner’s poetic musings, with the intimate production creating an atmosphere of vulnerability. It feels like a late-night confessional, with lyrics that evoke nostalgia, dreams, and reflections on fleeting moments. The minimal arrangement, with sparse piano and delicate strings, allows Turner’s voice to take center stage, making this version feel even more personal than the original.
"Cowboy's Song" (originally by British folk artist Billy Fury) is a tender, melancholic ballad that showcases the Puppets' ability to navigate softer, more introspective territory. Kane’s vocals are deeply emotive, and the restrained instrumentation allows the song’s heartfelt simplicity to shine through. It’s a beautifully understated track that adds a gentle, contemplative moment to the EP’s otherwise eclectic mix.
The EP closes with a fiery rendition of "Totally Wired," a cover of The Fall’s punk classic. This track is a chaotic and thrilling burst of energy, with driving bass lines, frenetic drums, and frantic vocals. The Last Shadow Puppets inject the song with their own signature flair while staying true to the rebellious spirit of the original. It’s an exhilarating end to an EP that thrives on both contrast and cohesion.
The Dream Synopsis (EP Version) is an ambitious and delightfully eclectic collection that showcases The Last Shadow Puppets' versatility and deep appreciation for a wide array of musical influences. The combination of reworked originals and well-curated covers makes for a dynamic listening experience that highlights both the band’s sophisticated artistry and playful side. With its lush arrangements, cinematic scope, and charismatic performances, this EP proves that The Last Shadow Puppets continue to be masters of blending the old and the new, crafting music that is as timeless as it is refreshing. www.candiano.com
Yo i got sent this and now ive listened to this music for hours😭😭😭
All I want is video for this.
Me too!
Use your imagination 😀
@@nandocbcable 😌😁
Well we were kissing
It was secret
We'd had to sneak beyond the kitchen
Both well aware that there'd be trouble
If the manager should find us
You'd got a leaning tower of pint pots in your hand
You can carry much more than I can
And a wicked gale came howling up through
Sheffield City Centre
There was palm tree debris everywhere and a Roman Colosseum
Isn't it boring when I talk about my dreams
I'm in a building and I notice
That I'm surrounded by the ocean
I get a feeling, I start running
Don't really know why I am running
I never really know why I am running
'til I get caught
Want to wake up to my dream report?
And the snow was falling thick and fast
We were bombing down Los Feliz
It was You and Me and Miles Kane
And some kid I went to school with
Isn't it ugly when I talk about my
Visions of the past and possible future
Shoot through my mind and I can't let go
Inseparable opposing images
When can you come back again?
And a wicked gale came howling up through
Sheffield City Centre
There was palm tree debris everywhere and a Roman Colosseum
Isn't it awful when I talk about my dreams
It must be torture when I talk about my dreams
Robert Raven it‘s the man in charge not the manager! :)
I loooove this song
better than the everything youve come to expect version
me lleva a otra dimensión
The part with sax sounds to me A LOT like a David Bowie song. Like an awful lot.
was just listening to david bowie's 'five years".
perdón por haberte hecho llorar
Te amo, te deseo. Te todo ALEX❤❤
im mad about the boys
Alex's dad on the sax?
***** :(
I believe it's Miles here
yea
Resmen Miles'a yazdım diye bağırıyor şarkı neyssss
where can i download it??
Ivan Matias Isasi Astigarraga idm
itunes
If you go to telegram and write to VKM Bot the name of some song they’ll send it to you.
Se la dedico a mi noviecito, te amo alex casi tanto como a alex turner😭💘💗
❤☄️☄️
tbhc intro
lyrics: gui ge kisin
i gue sicre
Wow I'm so impresed that this song and Eveything you've come to expect are way better than Tranquility base hotel and casino xd
Garota de Direita
oq tem haver ?
Efkarlanwak
❤❤❤❤