I think Jimbo was given more freedom in 1980 up until Make Up City's release. Probably since they were still used to Sasaki. Jimbo is a less sloppy drummer than Sasaki though lol
@@bleach___ thats an interesting thought. yea i could tell that it was until Make Up City, bc when i listened to "Eyes of Mind" from that one, it sounded much more simplified. I mean it is also pretty subjective whether you could say that Sasaki was more sloppier of a drummer that Jimbo, i mean Sasaki was a very dynamic drummer as stated by Mukaiya, he was more of a freeform drummer, and he had a wider variety of chops, but Jimbo is more of just the time keeper and the pocket player. I did wish Jimbo played just a bit more like Sasaki in later pieces down the road, like the ones in Budokan. The best hit medley from live in Budokan couldve definitely needed Sasaki-like drumming.
@@pulsar-_-4504I think his drumming was limited by what Noro allowed. Noro was (and still is, probably) very picky with compositions and sound, and he had certain things in mind going into the 80s. Clearly, through his 90s-present career output, Jimbo is a phenomenal drummer, and that was shown through his own groups and compositions, where he could do what he wanted. Also, while Sasaki had dynamics, he definitely overplayed and was off on rhythm sometimes (see their first performance of I’m Sorry on 1979/12/31).
Februari 1980. Apakah ini masa awal Akira Jimbo mulai bergabung dengan Casiopea? Dari fill in dan beat yang dimainkannya terasa begitu kompleks dibandingkan repertoar Black Joke di tahun-tahun setelahnya.
![[Full] 4 ต่อ 4 Celebrity EP.920 | 3 พ.ย. 67 | one31](http://i.ytimg.com/vi/KwiW2M_kAg4/mqdefault.jpg)
Early Akira Jimbo sounded very close to Takashi Sasaki before Takashi left. Interesting.
I think Jimbo was given more freedom in 1980 up until Make Up City's release. Probably since they were still used to Sasaki. Jimbo is a less sloppy drummer than Sasaki though lol
@@bleach___ thats an interesting thought. yea i could tell that it was until Make Up City, bc when i listened to "Eyes of Mind" from that one, it sounded much more simplified. I mean it is also pretty subjective whether you could say that Sasaki was more sloppier of a drummer that Jimbo, i mean Sasaki was a very dynamic drummer as stated by Mukaiya, he was more of a freeform drummer, and he had a wider variety of chops, but Jimbo is more of just the time keeper and the pocket player. I did wish Jimbo played just a bit more like Sasaki in later pieces down the road, like the ones in Budokan. The best hit medley from live in Budokan couldve definitely needed Sasaki-like drumming.
@@pulsar-_-4504I think his drumming was limited by what Noro allowed. Noro was (and still is, probably) very picky with compositions and sound, and he had certain things in mind going into the 80s. Clearly, through his 90s-present career output, Jimbo is a phenomenal drummer, and that was shown through his own groups and compositions, where he could do what he wanted.
Also, while Sasaki had dynamics, he definitely overplayed and was off on rhythm sometimes (see their first performance of I’m Sorry on 1979/12/31).
It sounds so perfect that it almost feels like they're miming it
Tetsuo scratching his stache is a treat to watch 😊
Februari 1980. Apakah ini masa awal Akira Jimbo mulai bergabung dengan Casiopea?
Dari fill in dan beat yang dimainkannya terasa begitu kompleks dibandingkan repertoar Black Joke di tahun-tahun setelahnya.
cara mainnya masih mirip2 takashi sasaki bro
@@DimasTheTH-camrs iya bener banget👍 Beat speed dan nuansa fill in-nya masih kebawa gaya mainnya Takashi Sasaki
うわ〜、なんでこんな高音質、高画質なんですかw
オーディオとビジュアルの改善ツールを使用しました。また、私が受け取ったレーザーディスクの録画は、通常のコンシューマー機器で見るよりもはるかに良くなりました。