Thank you for being one! 🫶🏼 I'm a fully independent artist - determined that if I just keep making art I believe in, it will catch on. Thanks again for listening & watching. ☺️
Sweet tune for sure! Nice work :) What does Jordan use to master the tracks? Just curious (I also have a home studio, that's the reason I ask). Thanks!
Hey! I use some very gentle compression, some saturation (I generally use the stock overdrive plugin in logic, but just about any od/soft clipper will do), and I use Ozone (I’m just running the cheaper “elements” version) at the end of my chain for corrective eq and final limiting! Sometimes, I’ll throw a tape simulator before ozone, but that can lead to the track sounding overblown depending on how much work the saturation stage is doing. I hope this information was helpful! I set my ceiling to -.3db in ozone, but many modern tracks are mastered all the way up to 0db. I just don’t like to see the red lights come on
The old soul vibes in this song are fantastic! It fits you so well! ♥️
@@juliahatfield6558 thank you Julia! ♥️ ps can't stop thinking about your cover of "Magnolia Wind"
digging it!!!🎶 I will be sharing with friends and family!
@@emilyspencer6656 Yay! Thank you sm 🫶🏼
can't believe you got this few listeners! 😳
Thank you for being one! 🫶🏼 I'm a fully independent artist - determined that if I just keep making art I believe in, it will catch on. Thanks again for listening & watching. ☺️
Sweet tune for sure! Nice work :) What does Jordan use to master the tracks? Just curious (I also have a home studio, that's the reason I ask). Thanks!
Thanks so much Mat! I'm not entirely sure about the details of the mastering process, but Jordan will be replying to this thread with more info. ☺️
Hey! I use some very gentle compression, some saturation (I generally use the stock overdrive plugin in logic, but just about any od/soft clipper will do), and I use Ozone (I’m just running the cheaper “elements” version) at the end of my chain for corrective eq and final limiting!
Sometimes, I’ll throw a tape simulator before ozone, but that can lead to the track sounding overblown depending on how much work the saturation stage is doing.
I hope this information was helpful! I set my ceiling to -.3db in ozone, but many modern tracks are mastered all the way up to 0db. I just don’t like to see the red lights come on