I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
4:50 intro vaadi, samvaadi Nyaas ke swar 7:30 Aroh varoh pakad 11:46 Speciality abt starting the raag 19:12 Swar sangati 20:12 2nd swar sangati 20:52 Commonly used meend 21:14 How to sing various swaras in this raag 21:52 explanation of how to sing swaras 24:28 27:28 how meend of nishad is used 28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
ओम शांती 🙏🙏 🙏🙏 पाय लागू सरिता ताई 🙏🙏 आप इतना सहज रीती से समझाते हो की हमारे बुद्धी में सहजता से बैठता है आप का बहोत बहोत शुक्रिया 🙏🙏 शंकरा राग का व्हिडीओ नहीं है क्या प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1. God be with you. suresh Sankolli
Thanks for your appreciation 👇Links of almost all the videos www.saritapathakyajurvedi.com// th-cam.com/users/SaritaYajurvedi th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
Thank you madam for this great tutorial. I want to practice this song "Udho...". in Bhimpalasi. I can see only the stayi in the tutorial but dont find any antara in the tutorials. There are about 2 antaras in this song and I dont know how to sing the antaras. Please give me the link of the antara (or full song) if you have already sang elsewhere.
Sarita Pathak Yajurvedi hello Mrs Surita thank you so much for all the tutorials of Raags. I would appreciate if you could possibly do a tutorial on raag Gorak Kalyan
Mam would you please explain what is purvang and uttarang in ragas and how does it work when singing a raga which is purvang pradhan or uttarang pradhan?
Respected Vidushi Saritaji, I truly admire your teaching sessions in video and have learned a lot. In this version of Raga Bhimpalasi, Part 1, you start with a beautiful bhajan of Surdas, Udhio Man Na Bhaye Das Bis. I love your presentation of that bhajan and obtained the lyrics. However, in this video, you only sang the first two lines, sthayi. Will it be possible for you to sing the entire bhajan or at least sthayi and antra so that I can learn? Thank you and Namaskar, Vipul Mankad
I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Think you madame ,
🙏🏽
Hi! Can u recommend me any good college or university in California that offers scholarship for music students
@@khuvakh2953 All the UC California State Universities. Try UCLA
You make raags our friend thank you so much😊🙏 The fear of a raag goes away after listening to your videos.
Thanks for your appreciation
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
Initially I thought why are you commenting like this. But when I saw tabalji standing, I couldn't stop laughing... 😂
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
@@swarmagna Totally agree. These videos have been a great source of explanation on Hindustani classical music. 🙏
डॉ सरिता पाठक यजुर्वेदी जी का विशेष रूप से धन्यवाद और आभार। शास्त्र व क्रियात्मक दोनों पक्षों को बहुत ही सरल ढंग से समझाया है।
धन्यवाद
अति उत्तम जानकारी
हमारी इस संस्कृति तो तोड़ने चाहते हैं बॉलीवुड वाले
राग भिमपलासी... अतिशय उत्तम पध्दतीने समजावून सांगितले आहे, आपली समजावुन देण्याची पद्धत खुप अप्रतिम आहे.धन्यवाद डॉ सरिता पाठक यजुर्वेदी मॅडम 🙏
Aaroh - Avroh - 12:30
Pakad -13:30
RAAG - BHIMPLASI
THAAT - KAAFI
JAATI - AUDAV SAMPURN
VADI - (M)
SAMWADI - (SA)
बहुत सुन्दर
Thank you!!
Thanks
Sabse achha tarika aapka ma'am meine twty yrs seekha sangeet ab seekhaney ein aur bhi achha lgta hai
धन्यवाद
Madam, s expression is very marvelous. It touches our core of my heart. You have expressed it very minutely.my joys knew no bounds.
Excellent 🎉
Beautiful and calming voice.
बहुतही अभ्यासपूर्ण मालिका...
भीमपलासी राग मुझे बहुत पसन्द हैं। आपका सिखाने का तरीक़ा बहुत अच्छा है।
धन्यवाद
Ma ji Aap TO Ma Sarswti ke.Swarup Hain..Pranam Ma ji.
बहुत बडिया राग भिमपलास
दिदि, राग भिमपलासी परीचय दिया, धन्यवाद.
दिदी राग शिवरंजनी का परीचय द्या. खुप चांगल्या पद्धतीने समजावून सांगत आहात. राग शिवरंजनी वर व्हिडिओ बनवा.
4:50 intro vaadi, samvaadi
Nyaas ke swar 7:30
Aroh varoh pakad 11:46
Speciality abt starting the raag 19:12
Swar sangati 20:12
2nd swar sangati 20:52
Commonly used meend 21:14
How to sing various swaras in this raag 21:52
explanation of how to sing swaras 24:28
27:28 how meend of nishad is used
28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
Excellent excellent 👏👏
Saritaji you are too good 👍 You explained the Raag so beautifully.Thank you so much 🙏
Great demonstration of the skills and knowledge. Excellent pedagogy
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
वाह बहुत ही अच्छा लगा बढ़िया समझाया
ओम शांती 🙏🙏
🙏🙏 पाय लागू सरिता ताई 🙏🙏
आप इतना सहज रीती से समझाते हो
की हमारे बुद्धी में सहजता से बैठता है
आप का बहोत बहोत शुक्रिया 🙏🙏
शंकरा राग का व्हिडीओ नहीं है क्या
प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Thankyou very much Mam you are such a good teacher it is very helpful to me
જય હો...નમસ્તે જી શાસ્ત્રીય સંગીત જ્ઞાન અતિ ઉપયોગી .આપનો આભાર
Madam You are really very nice teacher to teach ragas very detailed and proper rules with nice voice. Thanks for teaching to beginners.
🙏
Very important and helpful to learn classical music thanks.
you are welcome
धन्यवाद डॉ सरिता पाठक यजुर्वेदी जी आपने बड़ी मधुरता से और विस्तार से राग भीमपलासी के बारे में बताया है।
Thanks for your appreciation
Ye ladki aik hi saans men sab se zyada shabd bol sakti hai. Kamaal hai.
Beautiful explanation. Clear. All basics perfectly explained. Thank you 👍
कती मिठो स्वर लहरी
আপনার শব্দচয়ন অসাধারণ বিশ্লেষণ চমতকার। খূব ভাল লাগল। বিশ্বজিত্ মোমিনপুর
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
Ur knowledge of music is amazing
God bless you
Best best best aapki bahut lambi umra ho khush rehein apsey ten yrs badi Hoon swasthy rehein ji 🌹🙏
🙏
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
Great
Keep it up
VERY VERY NICE AND IMPORTANT INFORMATION FOR BHIMLASI RAAG . THANX SO MUCH
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
Thanks for your appreciation
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
🙏
Great teacher 🙏💐
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
धन्यवाद
Very very very very nice madamjee
Raga pe ese Roshni dalne ke liye bohot bohot shukriya Mam..
Excellent job
Many many thanks Medam pranam Sradhya kritaggata Valobasa o avinandan janai
Just wonderful ....no words to describe... from Fiji.
Bhimpalashi. It is very sweet Rag. Ma ji Pranam.
Great no words thanks ma'am
Knowledge and skills of expressing rag bhav are truely wonderful. Great.
Thanks
Prnaam apko 🙇♂️🙏🏾
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
🙏
Very very helpful
Regards
ATI Sundar ji
❤❤❤❤❤❤
Very good teacher
Excellent
Madam, many many thanks. Your clear illustration undoughtel enriched me in classical raga.
BIMAL TIGGA
✌
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1.
God be with you.
suresh Sankolli
Thanks for your appreciation
👇Links of almost all the videos
www.saritapathakyajurvedi.com//
th-cam.com/users/SaritaYajurvedi
th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html
th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html
th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
मॅम आप साक्षात विद्येकी देवता माॅं सरस्वतीजी है!!
Maam please upload introduction to raag arana and puriya kalyan.Your classes are very much helpful.
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
SUBAL BANERJEE
SUBAL BANERJEE
OK
Pta ni itne gunijan ko log dislike Kyu krte h .mam bhut acha sikhate h parnam mam I m doing PhD but I always listen to u
🙏
Excellent voice. Crystal clear
Sarita Mam, please come back. We are waiting for your taching on music more.
Mam your teaching way is very nice .Thank you a lot mam it is awesome
Very nice
Bohot hi sunder, explanation ...
Excellent tutorial...... So many confusions are cleared.... N so many concepts are produced
Good to know
खूप छान
Vary nice
Excellent explaination mam!
It is very sweet Series BY STATE. . MA JI PRANAM. REQUEST YOU TO DAILY PRACTICE IT'S MY PLEASURE.
Your tutorial is very helpful for beginners... Mam upload raag bilawal please
Great M’am 🙏
Sundar
Shandaar teaching madam.
Simply fantastic!
Aap ne 17:52 mln. Me abhinav rag manjri ke shlok anushar aaroh me ga. Ma aur ni komal bole he. Ma komal hogi ya nhi?
Pranam 🙏🙏
very sweet Rag Ma ji Pranam. request you to the multiplication jyoti Kal ash Jhalke please practice help my children and young people.
Thanks once again Dr. Sarita Pathak Yaturvedi and all team involved in this holy journey.
Our pleasure
Thank you madam for this great tutorial. I want to practice this song "Udho...". in Bhimpalasi. I can see only the stayi in the tutorial but dont find any antara in the tutorials. There are about 2 antaras in this song and I dont know how to sing the antaras. Please give me the link of the antara (or full song) if you have already sang elsewhere.
Umakant Mishra
pl communicate at :saritayajurvedi @yahoo. co. in
Sarita Pathak Yajurvedi hello Mrs Surita thank you so much for all the tutorials of Raags. I would appreciate if you could possibly do a tutorial on raag Gorak Kalyan
Great demonstration of the skills and knowledge.
🙏
@cec Can you please upload the videos in better quality? the max is only 480p right now
Nice info and gr8 teacher🙏
Bahut badia madam ji Dhanyavaad
Awesome. Thank you for sharing
U r welcome
Thanks 👍 medam ji 💕
Mam would you please explain what is purvang and uttarang in ragas and how does it work when singing a raga which is purvang pradhan or uttarang pradhan?
Great !!!
Respected Vidushi Saritaji, I truly admire your teaching sessions in video and have learned a lot. In this version of Raga Bhimpalasi, Part 1, you start with a beautiful bhajan of Surdas, Udhio Man Na Bhaye Das Bis. I love your presentation of that bhajan and obtained the lyrics. However, in this video, you only sang the first two lines, sthayi. Will it be possible for you to sing the entire bhajan or at least sthayi and antra so that I can learn? Thank you and Namaskar, Vipul Mankad
OK let me do it sometime in my personal channel
Why have you stopped producing
Nice
Very nice upload
Katie Panam mathaji
Wonderful ! Madam, you explain everything so detailed and beautifully. Have you posted Raag Darbari also ? Await your response. JaiHind
th-cam.com/video/q57jZS8EOy0/w-d-xo.html
Here is the link
Hello Madaam, Can you give one lecture on Raag bairagi Bhairav ?
Koi book publish ki hai Kya ma'am ne..?? Regarding Indian classical music..
a teacher extra-ordinary.🤗🤗🤗🤗
very nice mam hamari pas bol nhi he bhot kuch sikh te he ham in me se
Bhut hi sundar
🙏🙏🙏
nice and beutiful presentation
shrikant konapur
thanks
very nice Madam