I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
Your guidance on "raga Bhimpalasi" is superb explaining the nuances of this particular "raga" which attracts mainly my inclination to Indian Clasical music to a great extent,- treating me as a best tutor on this musical arena.👆👌👏🎶🎵🤗🙏
My best regards to you, Ma’am! A very highly educative lecture on Bhimpalasi as all your lectures are always so. After listening to your lectures, I now feel I should have chosen music - and not engineering for my studies over fifty years ago!🙏🏻🙏🏻🙏🏻
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
4:50 intro vaadi, samvaadi Nyaas ke swar 7:30 Aroh varoh pakad 11:46 Speciality abt starting the raag 19:12 Swar sangati 20:12 2nd swar sangati 20:52 Commonly used meend 21:14 How to sing various swaras in this raag 21:52 explanation of how to sing swaras 24:28 27:28 how meend of nishad is used 28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1. God be with you. suresh Sankolli
Thanks for your appreciation 👇Links of almost all the videos www.saritapathakyajurvedi.com// th-cam.com/users/SaritaYajurvedi th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
ओम शांती 🙏🙏 🙏🙏 पाय लागू सरिता ताई 🙏🙏 आप इतना सहज रीती से समझाते हो की हमारे बुद्धी में सहजता से बैठता है आप का बहोत बहोत शुक्रिया 🙏🙏 शंकरा राग का व्हिडीओ नहीं है क्या प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
Madam please aap udho man na bhaye das bis poore Bhajan ka video banaye he kya aap ne ek lesson me 4lines sunai tabse mujhe poora bhajan sunane ki tivra eccha he me ek senior citizen hu aasha he aap meri eccha purna karegi aapaki aawaj me bahut aacha laga
Sabse achha tarika aapka ma'am meine twty yrs seekha sangeet ab seekhaney ein aur bhi achha lgta hai
धन्यवाद
I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Think you madame ,
🙏🏽
Hi! Can u recommend me any good college or university in California that offers scholarship for music students
@@khuvakh2953 All the UC California State Universities. Try UCLA
बहुत अच्छि तरिकेसे शिखा दिया भीम्प्लिसी राग बहुत बहुत धन्यवाद मॅडमजीं 🙏🏻
You make raags our friend thank you so much😊🙏 The fear of a raag goes away after listening to your videos.
Thanks for your appreciation
भीमपलासी राग मुझे बहुत पसन्द हैं। आपका सिखाने का तरीक़ा बहुत अच्छा है।
धन्यवाद
डॉ सरिता पाठक यजुर्वेदी जी का विशेष रूप से धन्यवाद और आभार। शास्त्र व क्रियात्मक दोनों पक्षों को बहुत ही सरल ढंग से समझाया है।
धन्यवाद
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
Initially I thought why are you commenting like this. But when I saw tabalji standing, I couldn't stop laughing... 😂
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
@@swarmagna Totally agree. These videos have been a great source of explanation on Hindustani classical music. 🙏
Beautiful and calming voice.
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
Great
Keep it up
Your guidance on "raga Bhimpalasi" is superb explaining the nuances of this particular "raga" which attracts mainly my inclination to Indian Clasical music to a great extent,- treating me as a best tutor on this musical arena.👆👌👏🎶🎵🤗🙏
राग भिमपलासी... अतिशय उत्तम पध्दतीने समजावून सांगितले आहे, आपली समजावुन देण्याची पद्धत खुप अप्रतिम आहे.धन्यवाद डॉ सरिता पाठक यजुर्वेदी मॅडम 🙏
જય હો...નમસ્તે જી શાસ્ત્રીય સંગીત જ્ઞાન અતિ ઉપયોગી .આપનો આભાર
बहोत बहोत धन्यवाद सरिता मॅडम आपने बहोत सूक्ष्म ,विस्तारित रुपसे राग का स्वरूप समझाया मैं हमेशा आपको फॉलो करती हु
Bahut badhiya tarike se samjhaya hai.😊
Madam, s expression is very marvelous. It touches our core of my heart. You have expressed it very minutely.my joys knew no bounds.
My best regards to you, Ma’am! A very highly educative lecture on Bhimpalasi as all your lectures are always so. After listening to your lectures, I now feel I should have chosen music - and not engineering for my studies over fifty years ago!🙏🏻🙏🏻🙏🏻
Great demonstration of the skills and knowledge. Excellent pedagogy
আপনার শব্দচয়ন অসাধারণ বিশ্লেষণ চমতকার। খূব ভাল লাগল। বিশ্বজিত্ মোমিনপুর
Saritaji you are too good 👍 You explained the Raag so beautifully.Thank you so much 🙏
Very nice upload
Excellent voice. Crystal clear
Pta ni itne gunijan ko log dislike Kyu krte h .mam bhut acha sikhate h parnam mam I m doing PhD but I always listen to u
🙏
Excellent 🎉
Madam You are really very nice teacher to teach ragas very detailed and proper rules with nice voice. Thanks for teaching to beginners.
🙏
Very important and helpful to learn classical music thanks.
you are welcome
कती मिठो स्वर लहरी
धन्यवाद डॉ सरिता पाठक यजुर्वेदी जी आपने बड़ी मधुरता से और विस्तार से राग भीमपलासी के बारे में बताया है।
Thanks for your appreciation
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
Beautiful explanation. Clear. All basics perfectly explained. Thank you 👍
Best best best aapki bahut lambi umra ho khush rehein apsey ten yrs badi Hoon swasthy rehein ji 🌹🙏
🙏
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
Ur knowledge of music is amazing
God bless you
वाह बहुत ही अच्छा लगा बढ़िया समझाया
मॅम आप साक्षात विद्येकी देवता माॅं सरस्वतीजी है!!
Simply fantastic!
Bohot hi sunder, explanation ...
बहुतही अभ्यासपूर्ण मालिका...
Excellent job
Many many thanks Medam pranam Sradhya kritaggata Valobasa o avinandan janai
Great demonstration of the skills and knowledge.
🙏
Excellent excellent 👏👏
अति उत्तम जानकारी
हमारी इस संस्कृति तो तोड़ने चाहते हैं बॉलीवुड वाले
Bhimpalashi. It is very sweet Rag. Ma ji Pranam.
Thanks 👍 medam ji 💕
Raga pe ese Roshni dalne ke liye bohot bohot shukriya Mam..
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
Thanks for your appreciation
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
Knowledge and skills of expressing rag bhav are truely wonderful. Great.
Thanks
Ye ladki aik hi saans men sab se zyada shabd bol sakti hai. Kamaal hai.
Perfect and best teaching thanks
Aaroh - Avroh - 12:30
Pakad -13:30
RAAG - BHIMPLASI
THAAT - KAAFI
JAATI - AUDAV SAMPURN
VADI - (M)
SAMWADI - (SA)
बहुत सुन्दर
Thank you!!
Thanks
Just wonderful ....no words to describe... from Fiji.
Prnaam apko 🙇♂️🙏🏾
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
🙏
Great no words thanks ma'am
Sarita Mam, please come back. We are waiting for your taching on music more.
Thanks mam....Aapko Saadar Naman.
4:50 intro vaadi, samvaadi
Nyaas ke swar 7:30
Aroh varoh pakad 11:46
Speciality abt starting the raag 19:12
Swar sangati 20:12
2nd swar sangati 20:52
Commonly used meend 21:14
How to sing various swaras in this raag 21:52
explanation of how to sing swaras 24:28
27:28 how meend of nishad is used
28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
🙏
बहुत बडिया राग भिमपलास
Very very very very nice madamjee
Great M’am 🙏
Excellent tutorial...... So many confusions are cleared.... N so many concepts are produced
Good to know
Exquisite rendition.
Shandaar teaching madam.
दिदि, राग भिमपलासी परीचय दिया, धन्यवाद.
दिदी राग शिवरंजनी का परीचय द्या. खुप चांगल्या पद्धतीने समजावून सांगत आहात. राग शिवरंजनी वर व्हिडिओ बनवा.
Always very excellent explanation.
🙏
Excellent explaination mam!
Love Ma'am's sessions.
Great teacher 🙏💐
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
धन्यवाद
VERY VERY NICE AND IMPORTANT INFORMATION FOR BHIMLASI RAAG . THANX SO MUCH
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1.
God be with you.
suresh Sankolli
Thanks for your appreciation
👇Links of almost all the videos
www.saritapathakyajurvedi.com//
th-cam.com/users/SaritaYajurvedi
th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html
th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html
th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
ओम शांती 🙏🙏
🙏🙏 पाय लागू सरिता ताई 🙏🙏
आप इतना सहज रीती से समझाते हो
की हमारे बुद्धी में सहजता से बैठता है
आप का बहोत बहोत शुक्रिया 🙏🙏
शंकरा राग का व्हिडीओ नहीं है क्या
प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
Very very helpful
Regards
ATI Sundar ji
nice and beutiful presentation
shrikant konapur
thanks
very nice Madam
Mam your teaching way is very nice .Thank you a lot mam it is awesome
Nice teaching madame Sarita pathak
Ma ji Aap TO Ma Sarswti ke.Swarup Hain..Pranam Ma ji.
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Thankyou very much Mam you are such a good teacher it is very helpful to me
Bahut badia madam ji Dhanyavaad
Awesome. Thank you for sharing
U r welcome
Thank you sarita ji
Why have you stopped producing
Excellent
Pranam, didi
🙏
Nice info and gr8 teacher🙏
Great job CEC.
Behtarin teaching...nice mam
R u music student?
Very good teacher
Thanks once again Dr. Sarita Pathak Yaturvedi and all team involved in this holy journey.
Our pleasure
Bhut hi sundar
It is very sweet Series BY STATE. . MA JI PRANAM. REQUEST YOU TO DAILY PRACTICE IT'S MY PLEASURE.
Bahut sunder
Great !!!
Maam please upload introduction to raag arana and puriya kalyan.Your classes are very much helpful.
आपको दीदी चरण स्पर्श स्वीकार हो
very sweet Rag Ma ji Pranam. request you to the multiplication jyoti Kal ash Jhalke please practice help my children and young people.
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
SUBAL BANERJEE
SUBAL BANERJEE
OK
Katie Panam mathaji
a teacher extra-ordinary.🤗🤗🤗🤗
Madam please aap udho man na bhaye das bis poore Bhajan ka video banaye he kya aap ne ek lesson me 4lines sunai tabse mujhe poora bhajan sunane ki tivra eccha he me ek senior citizen hu aasha he aap meri eccha purna karegi aapaki aawaj me bahut aacha laga
th-cam.com/video/t5rgk4TpYQ4/w-d-xo.html
th-cam.com/video/LzBxwQ17GXc/w-d-xo.html
th-cam.com/video/LzBxwQ17GXc/w-d-xo.html
जब तक: ऊधो मन न भए दस बिन.... रिकॉर्ड करें तब तक इन तीनों भजन का आनंद लीजिए
@@SaritaYajurvedi Thank-you Madam