I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Your guidance on "raga Bhimpalasi" is superb explaining the nuances of this particular "raga" which attracts mainly my inclination to Indian Clasical music to a great extent,- treating me as a best tutor on this musical arena.👆👌👏🎶🎵🤗🙏
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
4:50 intro vaadi, samvaadi Nyaas ke swar 7:30 Aroh varoh pakad 11:46 Speciality abt starting the raag 19:12 Swar sangati 20:12 2nd swar sangati 20:52 Commonly used meend 21:14 How to sing various swaras in this raag 21:52 explanation of how to sing swaras 24:28 27:28 how meend of nishad is used 28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
ओम शांती 🙏🙏 🙏🙏 पाय लागू सरिता ताई 🙏🙏 आप इतना सहज रीती से समझाते हो की हमारे बुद्धी में सहजता से बैठता है आप का बहोत बहोत शुक्रिया 🙏🙏 शंकरा राग का व्हिडीओ नहीं है क्या प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1. God be with you. suresh Sankolli
Thanks for your appreciation 👇Links of almost all the videos www.saritapathakyajurvedi.com// th-cam.com/users/SaritaYajurvedi th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
Madam please aap udho man na bhaye das bis poore Bhajan ka video banaye he kya aap ne ek lesson me 4lines sunai tabse mujhe poora bhajan sunane ki tivra eccha he me ek senior citizen hu aasha he aap meri eccha purna karegi aapaki aawaj me bahut aacha laga
Respected Vidushi Saritaji, I truly admire your teaching sessions in video and have learned a lot. In this version of Raga Bhimpalasi, Part 1, you start with a beautiful bhajan of Surdas, Udhio Man Na Bhaye Das Bis. I love your presentation of that bhajan and obtained the lyrics. However, in this video, you only sang the first two lines, sthayi. Will it be possible for you to sing the entire bhajan or at least sthayi and antra so that I can learn? Thank you and Namaskar, Vipul Mankad
Sabse achha tarika aapka ma'am meine twty yrs seekha sangeet ab seekhaney ein aur bhi achha lgta hai
धन्यवाद
बहोत बहोत धन्यवाद सरिता मॅडम आपने बहोत सूक्ष्म ,विस्तारित रुपसे राग का स्वरूप समझाया मैं हमेशा आपको फॉलो करती हु
I love listening to Madame's lessons, even though I don't understand Hindi that well. Thank you for all the knowledge that you're giving us. Andrew--San Francisco, California USA
Think you madame ,
🙏🏽
Hi! Can u recommend me any good college or university in California that offers scholarship for music students
@@khuvakh2953 All the UC California State Universities. Try UCLA
You make raags our friend thank you so much😊🙏 The fear of a raag goes away after listening to your videos.
Thanks for your appreciation
भीमपलासी राग मुझे बहुत पसन्द हैं। आपका सिखाने का तरीक़ा बहुत अच्छा है।
धन्यवाद
डॉ सरिता पाठक यजुर्वेदी जी का विशेष रूप से धन्यवाद और आभार। शास्त्र व क्रियात्मक दोनों पक्षों को बहुत ही सरल ढंग से समझाया है।
धन्यवाद
राग भिमपलासी... अतिशय उत्तम पध्दतीने समजावून सांगितले आहे, आपली समजावुन देण्याची पद्धत खुप अप्रतिम आहे.धन्यवाद डॉ सरिता पाठक यजुर्वेदी मॅडम 🙏
Your guidance on "raga Bhimpalasi" is superb explaining the nuances of this particular "raga" which attracts mainly my inclination to Indian Clasical music to a great extent,- treating me as a best tutor on this musical arena.👆👌👏🎶🎵🤗🙏
Bahut badhiya tarike se samjhaya hai.😊
अति उत्तम जानकारी
हमारी इस संस्कृति तो तोड़ने चाहते हैं बॉलीवुड वाले
धन्यवाद डॉ सरिता पाठक यजुर्वेदी जी आपने बड़ी मधुरता से और विस्तार से राग भीमपलासी के बारे में बताया है।
Thanks for your appreciation
बहुतही अभ्यासपूर्ण मालिका...
Madam, s expression is very marvelous. It touches our core of my heart. You have expressed it very minutely.my joys knew no bounds.
আপনার শব্দচয়ন অসাধারণ বিশ্লেষণ চমতকার। খূব ভাল লাগল। বিশ্বজিত্ মোমিনপুর
Beautiful and calming voice.
Saritaji you are too good 👍 You explained the Raag so beautifully.Thank you so much 🙏
Mai Vistaar karne me saksham tha ab tak.....Aisa mujhe lagta tha....par aapse sunane ke baad.....Vistaar karne ka naya adhyaay ujaagar hua...bohot bohot aabhar.
Great
Keep it up
Beautiful explanation. Clear. All basics perfectly explained. Thank you 👍
मॅम आप साक्षात विद्येकी देवता माॅं सरस्वतीजी है!!
જય હો...નમસ્તે જી શાસ્ત્રીય સંગીત જ્ઞાન અતિ ઉપયોગી .આપનો આભાર
Madam You are really very nice teacher to teach ragas very detailed and proper rules with nice voice. Thanks for teaching to beginners.
🙏
4:50 intro vaadi, samvaadi
Nyaas ke swar 7:30
Aroh varoh pakad 11:46
Speciality abt starting the raag 19:12
Swar sangati 20:12
2nd swar sangati 20:52
Commonly used meend 21:14
How to sing various swaras in this raag 21:52
explanation of how to sing swaras 24:28
27:28 how meend of nishad is used
28:07 diffence between nyaas swar and anuvaadi swar that is Nishad
To me you madam teach best among all teachers guiding elsewhere.You are my idol as a music teacher even learning at offline to imbibe thorouhly.NAMASHKAR.
Bohot hi sunder, explanation ...
Such an important work ! Please pay attention to presentation background.! ,!Tabla player standing ? Reflections ? Background pics and colours?Gov.Grants? What are your limitations? We need to treat our Own Heritage,with greater dignity and Present it with highest aesthetic standards for the coming generations.. I am grateful to you ,the producers of this Program,and wish all of you the best in your Life.
Initially I thought why are you commenting like this. But when I saw tabalji standing, I couldn't stop laughing... 😂
P . G. : Glad that it was funny for you. However, I also feel whatever way they are presenting at least they are doing something for our Classic al Music . Thanks.
@@swarmagna Totally agree. These videos have been a great source of explanation on Hindustani classical music. 🙏
Pranam Mam. Your classical teaching method is excellent. Please give us more & more such classical method in Bhimpalasree & other's rag. Please Mam give us.
Best best best aapki bahut lambi umra ho khush rehein apsey ten yrs badi Hoon swasthy rehein ji 🌹🙏
🙏
Aaroh - Avroh - 12:30
Pakad -13:30
RAAG - BHIMPLASI
THAAT - KAAFI
JAATI - AUDAV SAMPURN
VADI - (M)
SAMWADI - (SA)
बहुत सुन्दर
Thank you!!
Thanks
Great demonstration of the skills and knowledge. Excellent pedagogy
Raga pe ese Roshni dalne ke liye bohot bohot shukriya Mam..
Ur knowledge of music is amazing
God bless you
Excellent voice. Crystal clear
Pta ni itne gunijan ko log dislike Kyu krte h .mam bhut acha sikhate h parnam mam I m doing PhD but I always listen to u
🙏
Knowledge and skills of expressing rag bhav are truely wonderful. Great.
Thanks
Madam, hats off to you. You have got a very pleasant way of explaining things. Though a Sangeet pravakar I am profiting by listening to you. Thank you so much.
Thanks for your appreciation
@@SaritaYajurvedi Madam, you have such a great skills of teaching Hindustani classical music in such a lucid and comprehensive manner ... No words. You have masterd on tone, speed, emphasis, precision etc which are needed for an effective teaching.. You know how to correlate the things and make the talk Interesting. There may be many experts in this field, but you are a really Knowledgeable Teacher.. Pranam..🙏🙏🙏🙏
Bhimpalashi. It is very sweet Rag. Ma ji Pranam.
दिदि, राग भिमपलासी परीचय दिया, धन्यवाद.
दिदी राग शिवरंजनी का परीचय द्या. खुप चांगल्या पद्धतीने समजावून सांगत आहात. राग शिवरंजनी वर व्हिडिओ बनवा.
ओम शांती 🙏🙏
🙏🙏 पाय लागू सरिता ताई 🙏🙏
आप इतना सहज रीती से समझाते हो
की हमारे बुद्धी में सहजता से बैठता है
आप का बहोत बहोत शुक्रिया 🙏🙏
शंकरा राग का व्हिडीओ नहीं है क्या
प्लीज ओ भी मिलेगा तो अच्छा होगा प्लीज 🙏🙏
Just wonderful ....no words to describe... from Fiji.
Very important and helpful to learn classical music thanks.
you are welcome
Excellent tutorial...... So many confusions are cleared.... N so many concepts are produced
Good to know
Great demonstration of the skills and knowledge.
🙏
Excellent 🎉
Mam your teaching way is very nice .Thank you a lot mam it is awesome
Mam very nice teaching about the nature of rang in detail great knowledge of music on higher level of indian culture of music, thanks for your contribution.
🙏
Excellent excellent 👏👏
Thank you for such a detailed description , ma'am. Really helpful for understanding the essence of the raaga. Aap ke sur ka lagav bhi bilkul divine hai. Sur ka lagav bhi seekhne mila .
धन्यवाद
mam thankyou so much, aap bohot hi khoobsurtise ek ek raag ko explain karti he or hame sikhne ke liye bohot hi helf hoti he or samjhane bohot aasani hoti he ..
Thankyou very much Mam you are such a good teacher it is very helpful to me
Thanks 👍 medam ji 💕
वाह बहुत ही अच्छा लगा बढ़िया समझाया
Madam, many many thanks. Your clear illustration undoughtel enriched me in classical raga.
BIMAL TIGGA
✌
कती मिठो स्वर लहरी
Prnaam apko 🙇♂️🙏🏾
Simply fantastic!
Ye ladki aik hi saans men sab se zyada shabd bol sakti hai. Kamaal hai.
Very nice upload
Always very excellent explanation.
🙏
Great no words thanks ma'am
Such a beautiful demonstration , presented with involvement and passion ! Love all your presentations and always listen to them while learning any raag ! Udho- beautiful bhajan please sing the whole bhajan madam 🙏💕
🙏
Ma ji Aap TO Ma Sarswti ke.Swarup Hain..Pranam Ma ji.
Excellent explaination mam!
Madame ,May I call you in all reverence 'Guruji ' What a wonderful lecture and and super Demo.I am+79.Nothing can deter me.Occasionally I open my harmonium and try to follow you on black 4 whilst mine is black 1.
God be with you.
suresh Sankolli
Thanks for your appreciation
👇Links of almost all the videos
www.saritapathakyajurvedi.com//
th-cam.com/users/SaritaYajurvedi
th-cam.com/play/PLNsppmbLKJ8I4-5ZUsJveXbesttoM0b15.html
th-cam.com/play/PLNsppmbLKJ8Lngr9onmYkdqy9So_Jq-sA.html
th-cam.com/play/PLNsppmbLKJ8J1RuvpOwKJrIc8n4J8eACV.html
Excellent job
Many many thanks Medam pranam Sradhya kritaggata Valobasa o avinandan janai
Shandaar teaching madam.
बहुत बडिया राग भिमपलास
Great teacher 🙏💐
Why have you stopped producing
VERY VERY NICE AND IMPORTANT INFORMATION FOR BHIMLASI RAAG . THANX SO MUCH
Awesome. Thank you for sharing
U r welcome
Great M’am 🙏
Bahut badia madam ji Dhanyavaad
Thanks mam....Aapko Saadar Naman.
Sarita Mam, please come back. We are waiting for your taching on music more.
a teacher extra-ordinary.🤗🤗🤗🤗
Very very helpful
Regards
ATI Sundar ji
Koi book publish ki hai Kya ma'am ne..?? Regarding Indian classical music..
Nice info and gr8 teacher🙏
Dear Madam, I hear your lectures very much enthusiastically. And also getting benefitted through your elaborate discussion and demonstration. It would be blissful to me or to the other students of Indian Classical Music if it is possible to include the Carnatic counterparts of the Hindustani ragas. If possible, Mam, please discuss actual digital microtonal position of different notes in different ragas.
SUBAL BANERJEE
SUBAL BANERJEE
OK
Love Ma'am's sessions.
Aap ne 17:52 mln. Me abhinav rag manjri ke shlok anushar aaroh me ga. Ma aur ni komal bole he. Ma komal hogi ya nhi?
Pranam 🙏🙏
Mam aap se sangeet sikhna h kese sihke
Dr Sarita Pathak ji kon se state ko belong karti h
It is very sweet Series BY STATE. . MA JI PRANAM. REQUEST YOU TO DAILY PRACTICE IT'S MY PLEASURE.
Your tutorial is very helpful for beginners... Mam upload raag bilawal please
Behtarin teaching...nice mam
R u music student?
Exquisite rendition.
Madam please aap udho man na bhaye das bis poore Bhajan ka video banaye he kya aap ne ek lesson me 4lines sunai tabse mujhe poora bhajan sunane ki tivra eccha he me ek senior citizen hu aasha he aap meri eccha purna karegi aapaki aawaj me bahut aacha laga
th-cam.com/video/t5rgk4TpYQ4/w-d-xo.html
th-cam.com/video/LzBxwQ17GXc/w-d-xo.html
th-cam.com/video/LzBxwQ17GXc/w-d-xo.html
जब तक: ऊधो मन न भए दस बिन.... रिकॉर्ड करें तब तक इन तीनों भजन का आनंद लीजिए
@@SaritaYajurvedi Thank-you Madam
Maam please upload introduction to raag arana and puriya kalyan.Your classes are very much helpful.
Great job CEC.
Thanks once again Dr. Sarita Pathak Yaturvedi and all team involved in this holy journey.
Our pleasure
nice and beutiful presentation
shrikant konapur
thanks
very nice Madam
Very very very very nice madamjee
❤❤❤❤❤❤
@cec Can you please upload the videos in better quality? the max is only 480p right now
kindly provide tutorial on Raga shankara
Hello Madaam, Can you give one lecture on Raag bairagi Bhairav ?
Great !!!
Madam bhimplasi Mai bhim Kaha per hai aur plasi Kaha per hai
Respected Vidushi Saritaji, I truly admire your teaching sessions in video and have learned a lot. In this version of Raga Bhimpalasi, Part 1, you start with a beautiful bhajan of Surdas, Udhio Man Na Bhaye Das Bis. I love your presentation of that bhajan and obtained the lyrics. However, in this video, you only sang the first two lines, sthayi. Will it be possible for you to sing the entire bhajan or at least sthayi and antra so that I can learn? Thank you and Namaskar, Vipul Mankad
OK let me do it sometime in my personal channel
Katie Panam mathaji