This aria is a prime example of the mediocrity that pervades many sections of Mozart’s operas. The aria is actually fair compared with the embarrassingly-banal second-act aria ‘Una Donna’ etc. [which used to be cut in many productions and still should be]. Despina is in the character mold of the traditional clever and spirited maid, a dated cliché that is no longer interesting [if it ever was].
I love Despina's deep cynicism about men. Ainhoa Garemendia is just perfection in this role.
She's cynical, but she's spot on (and I say this as a man).
Eres una artistaza de los pies a la cabeza
Qué maravilla de interpretación. No es solo emitir el sonido. Es interpretar el personaje y eso, Ainhoa, lo hace sobradamente. Qué lujo de artista.
Bravissima ed estremamente espressiva ☺️
Adoro❤
played fantastic!
Bravissima!!!!!🎉❤
hermosoo Ainhoa me encanto espectacular
Woww, amazing !
Thank you❤️
Bravo! Encore!
Is there a way to watch the full perfomance?
There is a DVD of this Glyndebourne Opera, production, Opus Arte.
@@russellbaston974But I don't even have a CD-player 😖
@@siavasharya7111Well as the production is from 2006 a recording would be the only way to watch it.
@@russellbaston974 Nah, Someone should be able to upload them.
I might ask them to do that.
@@siavasharya7111 It is copyrighted, so that uploading would be illegal.
This aria is a prime example of the mediocrity that pervades many sections of Mozart’s operas. The aria is actually fair compared with the embarrassingly-banal second-act aria ‘Una Donna’ etc. [which used to be cut in many productions and still should be]. Despina is in the character mold of the traditional clever and spirited maid, a dated cliché that is no longer interesting [if it ever was].
why you heff to be mad?
@@siavasharya7111 maybe cause is he not too much successfull with woman? ;-)