The Beatles in the recording studio (Sept. 12th, 1963) Don't Bother Me takes 10 13
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- เผยแพร่เมื่อ 16 มิ.ย. 2021
- A "day in the life" of the Beatles in the recording studio. This video is featuring photos of the Beatles from September 12th, 1963, specifically during their recording of George Harrison's song "Don't Bother Me". Mainly pictures of Geroge in this video which features takes 10 thru 13...plus the final finished released version of Don't Bother me at the end of the video. Great archival photos from Sept. 12th, and a great educational video for students of music, fashion, and history in general. See what the Beatles were wearing, see the instruments they used, and even their hairstyle. A great historical document. If you like this video please subscribe so I can keep producing more similar videos for your entertainment.
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I don't care what anybody says, this is one of the coolest Beatle songs ever.
I don't care what George, Paul or anyone thinks: I fucking love this song. If you're not a songwriter, you might not appreciate how incredible it was that this was his very first song ever. Truly remarkable. I've written many yet I'd kill to write something this good.
One of my favorite Beatle songs ever.
it's actually kind of unbelievable that this was the first song he wrote. it's one of the best songs on with the Beatles - perhaps one of the best of their early career
Oh it's great. It's super underrated like Not a Second Time.
Beautiful song❤🎉
Absolutely love it!
You always hear about how George wasn't a very good writer at the beginning. Well hey, you could have fooled me. When I first heard this in "Meet The Beatles" it hung in there with "She Loves You," "I Saw Her Standing There," and "I Want To Hold Your Hand." The songs dark character stood out and it holds up for me even today.
You've heard some of Paul and John's EARLY songs? Not that impressive. By this time they had been writing together for a few years.
I totally agree, Brian. When I used to play the “ Meet the Beatles” album my older sisters had, this was one of my favorites. It paired well with “ Not A Second Time.” Which was also kind of dark.
Was always my favourite track.
George was an outstanding musician, both lyrically as well as musically. I love all of Harrison's songs, and some of them are true masterpieces. It's such a shame that he was given a limited quota and allocation of songs for inclusion on Beatles albums - he was an equal partner in the Band and in the same league as Lennon and McCartney in my opinion.
I always lived this song. McCartney in talking about how George’s first songs weren’t that great uses this as an example. I think it’s great.
This is the first beatle song to only have one person singing with 0 harmonies. I think thats cool, George always seemed more independent in his songwriting compared to the duo of Lennon and Mccartney and that represents this. He's my favorite Beatle and I love seeing his songwriting mature and him grow his confidence.
Actually the song (on the released version) has a harmony, in the very last seconds of the song. That last faint ''don't bother me'' is harmonised, by overdubbing.
Also Till There Was You and Roll Over Beethoven on the same album
@@tyrannosauruszeppelin2205 Yup.
I can hear harmonies...
@@GrumpyOldGit60 It is George himself, Doubling his voice, or making his own harmonies, Neither Paul nor John sings in this song
I first heard this song in 1964. I loved it then. I love it now. That voice, that guitar sound, those drums… happy to have had The Beatles in my life. Cannot imagine my life without them.
Harrison wrote many iconic songs. He actually blossomed after he went solo. Great performer!
P.S. Ringo was such a great drummer!
He still is! He’s still alive!
Definitely 🇬🇧👍🏻🥁
@ James Wallace he held that back beat!!
He still is!
P.S I love you
This song deserves a lot more credit than it gets. Perhaps George’s first effort not as well written as some previous Lennon/McCartney songs. It was still better than many, and several historians have pointed out it was the first Beatles song to have Dylan-esque auto-biographical lyrics, something that defined Lennon later in his writing.
Loved this
@@willzimjohnspot on.
Honestly, this is way better than the monotonous “Love Me Do” IMHO!
@Jay Because neither of those songs was released as a single.
@@williamfox8795 Fair play to you, William - you are correct on all counts. Love Me Do lacks rhythmic life and contrast though, as a single, that harmonica of John's catches the ear as does the particular vocal Len/Mac blend
@@williamfox8795 ‘Love Me Do’ was the first single released in the UK. It was released on 5th October 1962 and charted at number 17. It was actually written by McCartney several years before. Lennon only contributed the middle 8. It wasn’t released in the USA until 27th April 1964 but it was a single. You have to remember that The Beatles were a British band and were subsequently presented to the USA at a different time and in a different way to the UK. Marketing was King in the US so decisions made there were often very different to those made in the UK.
I've always loved this song, ever since I was a kid. I really like the darker and sexier vibe. The percussion and tremolo are great textural enhancements.
I love playing it (a little folky/bluesy)
Yeshead , I agree with you and I was five years old when this came out and I liked it more than theirs to the songs on that album because it just had a more sophisticated quality ... as a little girl I became sick of I want to hold your hand and she loves you yeah yeah very quickly .
One of George’s best.
@@gns423 yep
Indeed. A great song, Lennon/McCartney level, from a 20-year-old! Those guys were not from this planet.....
Their sound is just as magical today as it was then...amazing.
60s guy ... yes it's stood the test of time
George had a great, soothing voice. It's a shame he didn't sing lead more often. Love this gem. Thank you for posting.
You're welcome Shelley.
Shelley ... regretfully they wouldn't let him .
There's actually a documentary here called George Harrison : All Things Pass
( not to be confused with All Things Must Pass ) .
In it George Martin talks about why he usually only gave George one per album and George Martin not only look sheepish but you can tell he was prejudiced against George by what he says .
@@gardensofthegods I've found the same thing from listening to Martin's comments from the past. In later years, Martin has been much nicer to Harrison even saying that he probably should have spent more time working with him. But closer to the Beatles' years, Martin gave away how he felt. At one point, after praising Lennon and McCartney endlessly, he said that he tolerated George Harrison. Martin can be overheard in the Get Back Jan '69 recordings, telling someone that Lennon/McCartney is their songwriting team while Harrison is his own thing. Martin has always talked about how he loved John and Paul's singing but Harrison not so much.
It was decided, with Martin being a big part of it, that the Beatles were going to be Lennon/McCartney and Harrison would not get much of a chance. Unfortunate because I've never heard a Harrison Beatles song I didn't like while there are a few Lennon/McCartney songs that didn't need to be there. And Harrison can certainly sing and brings another sound to the band. And we know how many great Harrison songs he had after they broke up when he started putting them out on his own albums. They were great as they were, but they would have been better if Harrison wasn't pushed aside as much as he was.
@@stickman1742It was a bloody shame.
I totally agree - his singing was definitely underated.
This was SUCH a great song. The rock n' roll and bossa nova. Such a cool combination, and Ringo seamlessly slides back and forth between them so well. He really shines on this song. I also like these earlier takes better than the final one, because they don't have the double-tracked vocal, so it sounds more raw and personal. This was a terrific songwriting effort of George's.
George Harrison is one of the greatest songwriters of pop-culture, just from his first song.
Here’s one for you, nineteen for me!
The poetic way he wrote the lyrics. How he rhymes 2 word and then a 3rd word and then the next line he rhymes 2 words again and then rhymes the end wit the ending of the first line is genius.. “
“ Since she’s been Gone I want no One
To talk to Me
It’s not the Same but I’m to Blame
It’s plain to See “
and the way he uses alliteration Want no One… But I’m to Blame … and it’s all through the song .. what an epic song .. ❤️
Yes, agreed - in terms of both 'singability' and nascent songwriter poetry, it's much better than it first appears.
James Garner said, "It takes a lot of work to make it look easy." I didn't really notice what he was doing until you pointed it out.
AABCCB
I recall reading somewhere that George said, if Paul and John can write songs, anybody could write a song, so he gave it a try. And this was it.
And it's great, isn't it?!!❤
Ringo sounds awesome keeping the beat and the change ups!
I really love this. It's very distinctive and very English. I married an English song writer and his music about relationships was very dark. George had an deep expressiveness that complimented the enthusiasm of Paul and Ringo, and the up and downs of John.
I always liked this Harrisong! It’s George trying to get some peace from people constantly wanting a piece of him. Especially when the Beatles got huge. They had to move or they would get mobbed outside.
I always thought George’s songs were gems. 👏🏻🎸😎
I have always loved this song 🎵
His voice is rough one can hear every word! I just love George will love him forever ❤
rheailia , yes I love this song since I first heard it when it first came out when I was 5 years old
To this day, this is STILL my most favorite GH song. Still cranks 60 years later...
I'll take I Need You as his best. Although Here Comes the Sun is one helluva honorable mention
George was an excellent writer and these recordings are wonderful. God bless them all.
My favorite George Harrison song! Love the tone of the guitars with that reverb and tremolo.
This is a bloody brilliant song! I hear a Beau Brummels, thing in this song...which of course this came before the Beau Brummels. George was a great songwriter also!!
It's the tremolo with the minor chords. Works perfectly for the song.
fantastic,one of my favorite early george harrison songs
If you listen to the guitar fills and riffs George employs, it’s amazing how creative and intuitive he was. It was a gift.
The Beatles sum was greater than its parts, but it’s parts were genius.
Absoloutly, all four of them!
Song could have been a hit as an instrumental. I never focused on the guitars until just now - GREAT!
Pretty sure that the riffing throughout the verses is John. George is freed up to sing on the take.
Also George plays the solo while John carries the riff on.
@@InParticularNobodyCorrect. John does the lead except the solo
Well after 50 years of studying this group I have come to an astounding opinion.
GH who was going to be the choice for lead vocalist by George Martin proves his ability in these recording. He is also the best musician.
PM and JL probably purposely destroyed his confidence.
Love the fact George sings with a strong Lancashire / Liverpool accent gives it a real charm. Best song on the Album.
Good on him. He never tried to hide it did he? Got all the wurrrr, thurrr and currrs in.
Love his accent too. I think this could have been a hit if it was released as a single
That accent is thick and alluring.
100% agree. in my top ten Beatles songs
Very underrated Beatles tune. One of their best early releases. Released in 1963 it sounds more like 1966-style sound, with the chord progressions and the guitar effects.
I agree and I’d like to say that this is the first hard rock tune not helter skelter! The tone of tune is darker, and it’s much heavier than anything else they’ve done to this point. This isn’t the final version either. The tremolo in the guitar is killer.
Exactly what I've always thought! Isn't it weird how music does that to us? I always thought this sounded very much ahead of its time.
I know, right? Everyone describes this as a clumsy first step, but it it non-trivial and rather nice. It may not measure up, entirely, to the L/M output it accompanied, but it is a worthy song to be on the same album.
@@robiandolo "You Really Got me" by the Kinks is the first hard Rock song.
@@jeffreykaufmann2867 crap shoot, they're both released in '64.
I’m 75 years old and was there when this song was released. For some reason, it popped into my head probably have not heard it in decades. George in the early days of the Beatles, was discounted, but I’ve always loved his kind of dark tunes. I think this is what you call minor pentatonic. Unsurprisingly he was attracted to eastern music, which seems to be characterized with a lot of this feeling and sound. Listening to these text is the first time I’ve heard the song sort of deconstructed. George’s voice was far better than I appreciated at the time or even after the release of his solo work later in life. As for Ringo, yes have come to appreciate him as one of the Giants. Powerful combinations of talent, energy and unity are rarely found and that’s why the Beatles will stand the test of time.
Paul was happy tunes, Jon was bitterness, George was philosophy, and Ringo drove the whole thing
Amazing how each one of them had a nice, distinctive singing voice, right from the start.
The way this song is performed and the minor key makes it almost haunting I love it! 🙂
I do believe the song was written in A major. The minors you're hearing are the chords B minor C# minor and F# minor which are the 2nd 3rd and 6th of A major. Note too: I Need You was also written in A major.
One of my favorite Beatles songs... miss you Georgie ❤️❤️❤️
Love this raw track with the vocal note imperfections. A gem, without edits. Historical record of magic happening.
I like the middle version. The final version has way too much reverb- I like hearing Georges voice.
Great underrated gem by George and the bonus: John Lennon on tremolo!
Tab-collars! Knitted ties! Those were the days. This track really stands up nearly 60 years on.
Those rough takes alone sound brilliant, then bam listen to the final mix and master. George even early on proved he could hang with the dynamic duo on the vocals too. Great track, and great production.
One of my favorite Beatles songs and oh that guitar just takes it to the point of pure bliss. I grew up with the Beatles and always loved their music but never more than now.
Thank you Blindowl for these series of videos. For a Beatles fan they are just fabulous and those pictures!
Thanks Joe. This song has always been my favourite on With The Beatles. Such a great and different sound. A little Shadows sounding with the reverb but also very progressive for 1963. Great percussion from Ringo too.
Better than All My Loving?
Not to me....but still a decent first effort to be sure.
@@senudarajapakse3469 The bass sounds interestingly bubbly but whatever Macca played on this is not all that cut-through here. All My Loving certainly corrected that! Great line, delivered while singing lead and nice gtr solo for George to boot. Having said that, it WOULD be interesting to hear a good mix of Ringo's drum and Paul's bass parts alone or with the gtr and lead vocal parts reduced back a bit. It IS a good rhythm track and though, I think Ringo is primarily responsible here, Paul must also have been doing something right!
I always waited for this one whenever I played the album . I just love it.
George Harrison was 20 years old when he was recording this song
Never heard take 10 before but in my opinion is the best version of this favourite Beatles song of mine I’ve ever heard so far...it’s so “surf and garage”...simply beautiful!
My favorite Beatle's song, ever since I first heard it ! 😎✌
One of my favorite Beatle songs.
The instrumental beginning of this song is so unique. As soon as it starts you just feel like you need to listen. Georges first masterpiece.
Few people have hit the ground running as a young songwriter like this, but George was in the perfect place to learn from two of the best songwriters of the 20th century literally within grabbing distance of him, and everything he had been learning so far produced the first song that a songwriter can be proud of. To hear this after hearing his masterful post beetles work, this is a really lovely time capsule of the then-shy, mumbly George establishing himself not only as a Beatle but as an artist and as a man
Los Beatles son el claro ejemplo de que lo que ha surgido de ellos es mejor que la suma de los cuatro.
George’s first contribution to the song writing of the fabulous Beatles. He went on to be a very successful solo artist after the Beatles breakup.
This, and John's "Not a Second Time" were my favorites on the album. ("Meet the Beatles") (Capitol)
Es una gran canción. Olvidada y no reconocida por ser la primera composición de George. Pero como dice en otro comentario Huskyjerk, el sonido recuerda a 1966, una progresión armónica atípica para los temas que componían en ese momento sus compañeros John y Paul, un buen solo de guitarra, ese efecto en la guitarra fue usado allí y nunca más, el bajo excelente, la batería y toda la percusión impecables, y la voz de George acorde al carácter del tema. Sin dudas, una de las mejores obres de George y por supuesto de The Beatles.
It's a great song. Forgotten and not recognized as George's first composition. But as Huskyjerk says in another comment, the sound reminds of 1966, an atypical harmonic progression for the songs that his colleagues John and Paul composed at that time, a good guitar solo, that effect on the guitar was used there and never again, excellent bass, impeccable drums and all percussion, and George's voice befitting the character of the song. Without a doubt, one of the best works by George and of course by The Beatles.
My favorite band ever! Top ten all time favorite Beatles song! The unique sound of his guitar and his voice make for a perfect early Beatle song!
Don't Bother Me is excellent! Especially for George being only 20 years old. For some reason people dismiss this song, comparing it to his later stuff like Taxman, Within You, Without You and While My Guitar Gently Weeps, but Don't Bother Me is just as good.
I love this song it always been one of my favorites.
The best rocking tune from the album, in my opinion. Not as iconic as She Loves You, obviously, but it digs deeper than all the other songs both musically and lyrically.
I still have my Meet the Beatles album with this song ion it from 1964. Cost me $5 I always loved this song.
wanna sell it for $7 ? I got cash
One of the best Beatle songs.
This is a fine first song from Harrison. Not many groups had the luxury of having 4 lead singers and 3 who sang vocal harmony.
And when you throw in the few that Ringo sang that makes all 4 of them. Definitely very few groups come to mind with multiple lead vocalists.Chicago comes to mind and I’m sure there’s a few others
若者であり、ビートルズであり、ジョージだから作れたなんともすてきな曲。メランコリーな時に特に寄り添ってくれさえする切なく優しくなる曲。
This is a gem! It has always been an excellent song, with a sound that moves away from Lennon-Mccartney's "fresh-pop", sincere and dark, with a unique sound and its own personality, vibro guitar and percussion, WITHOUT beatle-harmonies formula, a second voice guitar, the attack guitar on the solo... excellent composition by Georgie!
Dark, melodic, and yet upbeat. A fantastic forerunner of the cynical mid 60s sound
After hearing take 10, I have more appreciation of this song. Now I am thinking that the final production of the song is what hurts it.
Emi screwing it up
the drums the guitar the bass.....what a good song!
What a fantastic video~Loved hearing George's voice soooo clearly...truly magnificent & awesome to hear. Kudos to you from one die-hard Beatles fan. Stellar pics! 🤩🥰😘
Thank you. It was fun to put together.
I wish they would have let George do this at their live shows. An absolute great song.
Muitos falam que esta canção é o primeiro hard rock, mas pra mim é uma balada com uma levada diferente e bem a frente do seu tempo. Grande George mostrou seu potencial como compositor.
George was only 20 when this was recorded. Mind you, Don't Bother Me was a very good track when With The Beatles was released and it still is.
Again, brilliant drumming from Ringo.
This is one of his best....it reminds me of myself....in so many ways....
This song and I Wanna Be Your Man are two of the harder rocking songs with some monster drumming grooves and some rather sinister and cool tremolo guitar lines. The Beatles were in their element here and I think possibly reminiscent of the musical direction they were headed to before Brian Epstein became their manager.
Just my opinion.
George Harrison❤❤🙏👏👍💖 super song 🎸🎸🎸🥁🎼🎵🎶🎙🏴🇬🇧 Abbey road studio . Love you Beatles .John , Paul , George , Ringo . The Beatles.
If the other two didn’t like his early Musical compositions that’s because he had a different take to them on life.
Written while he was sick with the flu. What a fucking legend.
He was also sick with the flu on The Ed Sullivan Show 2/9/64. Amazing! When I have the flu I can barely heat up my chicken soup.
If George would had covid omg dont write nothing and dont went to Sullivan SHOW
@@kelseymathias3881 1964.
@@scottandrewbrass1931 Thanks for the correction! I've fixed my typo. I do remember that night very well. It was magic 😎😎😎😎
@@yei-jopbities6100 No, I don't think the coov would have stopped George!
The cut they used on the record employed a tape echo and delay on Harrison’s voice the same as they used on John Lennon. It made the vocals more lively and the sustain on his notes was noticeably better.
It’s a double tracked vocal that gives that effect
When we'd listen to "With the Beatles" as kids, I could always tell that there was something different about this song. That was way before we knew that Lennon & McCartney were the principal songwriters and vocalists. This song had its own special, spooky vibe. George inspired me to start playing guitar. Jimi made me a lifer.
It is really amazing the harmony between the rythm and melody.The drumms of Ringo and vocal are perfect.Talented and great George with just 20 years old.Lovely Beatles forever ♥️
I always loved this track. Great to hear the early takes on it. He's pushing the top end of his vocal range a bit on "I know she'll always be ..."! Just surprised that there is no other song from him on an album until Help! in 1965.
Fantastic! George was in a league of his own. Only 20 when he wrote this. And he played lead guitar, no harmonies in the background.
John actually played the lead on this minus the solo
George was already writing good songs in '63. He was ONLY around 17 to 19 years old. GOD!
No. He was 20 years old. He was born in 1943.
When I first heard this in 1964 I immediately noticed it was great in a different way than the other songs on the LP.
I was only 10 years old so I didn't know a lot about them yet. I always loved this song.
When George Harrison was with the Beatles on V Jay records. It reminds me of a heartbreaking 💔 experience I was only 8 years when this song came out. Now at 67 I remember not to make the same chance twice in making relationships. Very good tune. I had to learn from experience
Great, great, great song, is my favorite from Beatles, love it. ❤️❤️
these single tracked vocals are so much better imo
I agree. The last mix is so murky. The first few are more to my liking.
They say George wasn't good songwriter at the beginning s*** this was my favorite Beatles song off that album
I’ve loved the Beatles since 1963. Iam 70 years old and their magic still brings joy to my heart and tears to my eyes. There will never be anyone to compare.
It has that early 60's feeling, so cool.
A good, edgy early Beatles rocker. Way underrated.
Considering George had no one to write with like Lennon-McCartney, its a good first effort. It shows that he could write a song that would equal Lennon-McCartney early material.
not really his first effort, their first recorded song was 'In spite of all the danger' co-written by george and paul. First song put on a record was 'cry for a shadow' written by george and john. It was only at Abbey road that george was put in the background - probably just because as John Lennon said 'George's singing was not the best' . - As is witnessed here in this tape. If George could have only sung better at the start of their career at abbey rd, but the fact is he didn't.
@@jeromehattkronen2305 Don't Bother Me was his first attempt, he even said that in interviews to see if he could write a song. Apparently you never listened to the BBC tapes, George sang quite a few songs on them. Also if his singing was not up to snuff, why did he sing at least one song on every album until he got the hang of song writing down
@@johnszczybor4509 he probably meant his first attempt at writing some lyrics. Lennon said George's singing wasn't very good, and I agree. The melody for this song was ripped off note for note by The Yardbirds in 'For you Love', so a good song writer, but not a good singer. Not in the early 60's anyway. Ringo could sing better thn George in the early 60's imho.
@@jeromehattkronen2305 Well if George Martin had wanted to work with Harrison a little bit, I'm sure they could have helped him with his singing earlier. Martin didn't want to bother with Harrison, Martin stated that he tolerated him, he wanted the Beatles to be Lennon/McCartney. Business-wise it makes enough sense, it just that we lost out some as overall the Beatles would have had better output if they didn't push Harrison aside so much. It's ironic this song is called Don't Bother Me as that is Martin's feeling towards Harrison.
@Stick Man Problem for George was that both John and Paul had excellent singing voices & could sing in tune without even really thinking about it - and more. So in that respect George was really left in the dust. Official records say that their songs were knocked out in fairly short time in the early years of the Beatles, which fits with what you said.
Have always LOVED this. It has a unique sound amongst the band's early efforts. Pretty damn accomplished for a first effort. Massively underrated.
ringo is cracking the whip here. subtly adding speed until everything makes sense
Well tuned in ,To know his style is to love him proper
@Mike Dole You said it! With most drummers it's an entirely different song, not nearly as good.
Looooooooooove this tune! Great guitar tone...
George was a bluesman!
Love our Georgie. So miss you George.
Sweet George forever 🎸
Never noticed until listening to this [incl. the stereo version] that you can hear George saying "too fast" at the start of the take.
I heard it too!
I find several cool things to like about this song and arrangement.
One, the use of the amplifier's tremolo effect on the 2nd guitar part. It was rare for them to use that effect so early in their recording career, and it adds some nice dimension to counter the thunk-y rhythm guitar.
Another is how McCartney's bass line and the guitar bass note parts harmonize Harrison's vocal melody for the first part of the bridge. They use it for the intro as well. When the vocal line is transformed into those bass & guitar parts, it brings the minor-chord sound out and makes it really kind of spaghetti western-ish, or Roy Orbinson-ish. I think the tremolo guitar chords help with that too.
The other thing I like is the infectious way Harrison's main rhythm guitar part chugs along. It's sort of a dopey part, straining to almost form a riff aka Lennon's I feel Fine chord-based, hooky riff. But somehow, it becomes the groove center of the tune.
I also think Ringo's chill Calypso beat, and his pounding rock and roll crescendo on the snare & floor tom going into the bridge bring all the early 60's Beatles club band vitality into play. Ringo makes this tune danceable.
This tune and arrangement kind of prove the notion that the Beatles were so good as a group that even a fledgling effort at writing by Harrision comes together pretty well and is remembered along with the rest of the early stuff for how it coaxed a listener to sing, harmonize or whistle along.
The melody is very limited in range, doesn't include any dramatic intervallic leaps and George sings it very straight. It lends the song a sort of trapped, claustrophobic vibe, which is helped along by the absence of any harmony or background vocals. The fact that the melody kind of goes nowhere is kind of hypnotic and it's simple, forlorn power sneaks up on you over time. There are no "yeah yeah yeah's" or head-shaking, "oooh's". It stands as a great spare, minor key, Orbison-influenced Harrison classic. I would love to hear some modern band cover it and capitalize on the high lonesome, western guitar riffy aspect and maybe showcase or develop that chunky, almost-a-riff rhythm guitar part. I bet it would sound great in 3/4 time as well.
A rare great musical review without hating or fanboy crap, thanks
You know who somehow developed that chunky guitar part brilliantly? XTC on Making plans for Nigel, the bit from 4:45 to 4:55 particularly sounds like it
Graham Gouldman too lent a careful ear to this when writing For your love. I wouldn't say he ripped DBM note for note like another commenter here thinks but first verse is very close
@@mariuspoppFM Gave it a listen just now. I agree melody is similar but the repeated ascending chord progression on FYL is so definitive that I have a hard time hearing the melody in context, particularly with the unison "For your love" background vocals, as a cop of Harrison's melody. Perhaps indirectly or unintentionally, and of course George and the Beatles always acknowledged their influences and who they were trying to sound like. Very interesting - I had never noticed the melodic similarity.
@@mariuspoppFM I love XTC. I didn't catch on until was in my 20's when Oranges & Lemons and Skylarking were released, then went back and listened to all of it. Great band. I love everything about both of those albums. Just peak genius. Wish I'd had the chance to see them live.
The vocal sounds so much better like this
I loved George Harrison voice and playing his gator and I d say he was a good writer too Rip George Harrison you’re loved by many people and missed by the world ❤️🤗💋🌹🙏🙏🙏🙏
A great song!! Really good voice by himself!!
My favorite song on this album.
I always go back to this song
My favorite George song. ♥
I love the quintessential 60s sound on this song. What is it exactly, I don’t know. But the Beatles were ahead of everyone else with it.
Awesome.
Priceless!
I can't describe how much I love this content. Could listen forever! So Thank You!!!