I have seen MANY videos about cameras, lenses, aperture settings, etc. and this is BY FAR the best video on this particular subject I have ever seen. Thanks!!!
The best lens comparison video I have seen on TH-cam! I'll say it again for the people in the back. THE BEST LENS COMPARISON VIDEO I HAVE SEEN. This is extremely useful and the detail in your presentation is great. Thank you for a great video. I just started editing my first documentary and felt more comfortable with a lot of your tips and knowledge you have shared. One thing that I think would be a good future topic is how to transition or go between different interviews.
Mate, this is gold. Was searching TH-cam land for this and just couldn't find it. And what do you know, it was on my feed. Hats off to the "little red man".
Each time, the 35mm (equivalent) has been the most pleasing to my eye. It would explain why I own so many 24/35mm lenses for Super35/FF, respectively. Great video, Mark! Also, cheers from Toronto!
This video is so important! thank you for taking the time to do this for us Mark! Definitive proof that different sensors do not change foreground/background compression with equivalent focal lengths. Regards
This is exactly what I needed, and at the right time! Shot a two cam (A cam: C100 MKii B cam: 5D iii) last week and with the social distancing I was having issues over the right focal length. This would have speeded up my decision making process. Thanks!
It’s good that you did the distance test too, gives a much better sense of how they translate a medium shot. 24 and 35 are usually my faves on super 35. I actually find a 28mm on super 35 a really nice field of view to work with. Normal ish, bit of width to bring in some surroundings and perspective whilst having enough compression to pull in the background a bit.
Grande Mark, I haven't seen it yet but I already know it's gonna be a cool one! Can't wait to watch it as I'm very interested in knowing more about lenses!
Best comparison especially when you include the distance. It can help people to figure out which lense suit their studio size. Im going in 35mm after seeing this.
Great vid. Now would be a good time to talk about what each look gives in terms of storytelling. Like 24mm looks more intimate and 135mm looks more of someone spying paparazzi style? Maybe an idea for another video
Awesome!! so a low aperture is not the only factor that increases the shallow depth of field, increase in focal length also does. thanks for sharing. (especially the screenshot)
Great and useful comparison! Personally I like the 50mm as it delivers a cinematic look but not too much, it still makes me feel like I'm sitting in front of her but in a cool way if you get my drift. The 85 and 135mm look very interesting too, I would use those two to interview an actress talking about her upcoming film for example. Thanks Mark, sooo helpful for choosing my next baby😍
@@markbone BTW, I picked up the FX9 at the end of February. Venturing back into the world of shooting after just cutting for almost 15 years. Gotta say the FX9 has a unique "look". I think it may come closer, with a bit of softening, to an Alexa than a Canon. Personally, I'm not too broken up about the c300 mk III.
I want to make a documentary about a person which is somewhat controversial and i struggle to portrait him so most of his fans are ok with but it´s still authentic.
Amazing video ! Thank you for references images. Even if I shoot with different lenses and have an idea of different looks this test helps to decide quickly which lenses to take on the shoot.
For anyone wondering what a 50mm lens is for super35, the answer is...a 50mm lens. The whole full frame equivalence thing is a bastard notion that should never have been turfed up in the first place. Hiscock was famed for using a 50mm lens to get the perspective his movies are famed for. The film format used then is the same as super35, in fact it was called super35 then, too on film. He would pick up and use, wait for itttt, a 50mm lens. He didn't go "what will that be on super35? Should I be putting a 35mm on?" because super35 was the primary film stock then, and through to the digital era and to this day remains a favourite sensor size. If you're analysing the greats, anyone watching this, from before the digital era and wonder "okay but what lens would I need to replicate that?" You're asking a pointless question. Hiscock used a 50mm lens, so if you're using a super35 sensor equipped camera, just grab a 50mm lens. I'm trying to make this as simple as possible. Whatever lens your chosen great used back then, that's what you should pick up and stick on now. If they were famed for using the 50mm lens, pick up a 50mm. If they used a 35mm predominantly, then pick up a 35mm, it's as simple as that.
Thanks For these Mark, very useful, even though we use most of these lenses, it's good to have a reference where you're able to see the perspective shifts. See how her head is much bigger when trying to retain the same framing, compared to the other (various distance) lenses?..
Mark: “I’ve included a Dropbox link with all the reference photos...” Me: stops taking screenshots. Thanks for the tool Mark I know I’ll use this in the future.
Thank you for this video! I have been looking for this kind of comparison. I'm about to start doing some sit down video recordings and it looks like the 16 mm does a great job of catching the entire body and that's the look I'm going for. Thanks again!
MB, this was brilliant. I DID NOT skip to 2:16 because you engaged us so eloquently. I needed and was pleased to hear your rationale. I am a newbie using a Sony ZV-E10 and toying between either a Sigma 16mm or 30mm lens. I will be limited to shooting a small space. Much like the 5-foot distance you have in your video. But, at 3-5 feet I will be smack up against my wall or backdrop. Question, what would I need to consider (lens-wise) if I want to do talking to camera videos as well as full body exercise demonstrations? I know your focus is on prime and fullframe gear but, I'd love it if you coulc drop me some crumbs...
I use a 24mm on full frame for all my TH-cam talking head stuff. It would probably be wide enough for work out also but you might want to check out the 2.8 16-35mm from Sony. We love it. We own two
I have seen MANY videos about cameras, lenses, aperture settings, etc. and this is BY FAR the best video on this particular subject I have ever seen. Thanks!!!
🙏🏻 thanks Walter
The only youtube video which gives you distances which can give you a very important hint for comparing the focal lengths. Thanx man!
What's your favourite lens?! Also, down forget to down the reference images: tinyurl.com/y7qyuvzf
The best lens comparison video I have seen on TH-cam! I'll say it again for the people in the back. THE BEST LENS COMPARISON VIDEO I HAVE SEEN. This is extremely useful and the detail in your presentation is great. Thank you for a great video. I just started editing my first documentary and felt more comfortable with a lot of your tips and knowledge you have shared. One thing that I think would be a good future topic is how to transition or go between different interviews.
This is really useful as I'm trying to create a documentary soon and the hardest part is definitely the interview look
Yes!! Hope this helps
Your Videos are already looking really good AxTech!
I love every focal length for a different situation. I love the samples in this video
Mate, this is gold. Was searching TH-cam land for this and just couldn't find it. And what do you know, it was on my feed. Hats off to the "little red man".
The distance in ft is a really valuable piece of feedback! Really thorough stuff including that
I have been looking for a video just like this one for so long! Thank you for putting in the work! Great video!!!
Glad you liked it!!
@@markbone Made me subscribe as well. Keep it up! You've got some really great content!!!
Thank you for putting the time in to creating this video. Super helpful!
You’re so welcome!
Thanks Mark! Looking forward to the course!
Can’t wait to release it!!
Each time, the 35mm (equivalent) has been the most pleasing to my eye. It would explain why I own so many 24/35mm lenses for Super35/FF, respectively.
Great video, Mark! Also, cheers from Toronto!
Yeah, the 24 and 35 and clutch lenses
@@markbone Totally! I more recently fell in love with the Sigma Art 20mm.
Yeah agreed, I've been looking at the Batis 40mm for FF to match a 28mm S35 for a two person interview.
This video is so important! thank you for taking the time to do this for us Mark! Definitive proof that different sensors do not change foreground/background compression with equivalent focal lengths.
Regards
Mark, monstrous thanks for nailing concepts I have been trying to understand for a long time. You made it incisive and crystal clear.
God bless‼️ 💛😎
Thanks Glen 🙏🏻🙏🏻🙏🏻
Hi from France ! Thanks a lot Mark ! your videos are awesome and this one especially is very helpful for beginners.
This is super helpful even for photography. I have dificulties picturing the focal lenghts and this helps a bunch thx Mark
Glad this can help man!!!
This is exactly what I needed, and at the right time! Shot a two cam (A cam: C100 MKii B cam: 5D iii) last week and with the social distancing I was having issues over the right focal length. This would have speeded up my decision making process. Thanks!
It’s good that you did the distance test too, gives a much better sense of how they translate a medium shot. 24 and 35 are usually my faves on super 35. I actually find a 28mm on super 35 a really nice field of view to work with. Normal ish, bit of width to bring in some surroundings and perspective whilst having enough compression to pull in the background a bit.
Distance really matters in lens tests! It impacts everything from frame size, distortion and bokeh
Mark Bone yeah totally. 16mm up super close looks good for that weird Terry Gilliam style. Good for comedy, horror and 90s hip hop videos 😂
man, way to share your knowledge... as someone growing and learning about filmmaking on the daily, just want to say Thank you!
This is immensely helpful. Thanks so much for the effort you've put in.
wow! absolutley what i whanted to see! this is my favorite video, its very usefull
🙏🏻
Thanks for all your help and videos!! Thanks for being there through all of this!!!
Great Video from Mark. I'm excited since I'm working towards a documentary myself. Thank you!
Yay! Mark is Backkkkk
🙌🏻
very informative video Mark, I'm really liking the 35mm/85mm full frame look. thanks for dropping this video
amazing video, very technical yet simple, thank you so much!!!!!!
Grande Mark, I haven't seen it yet but I already know it's gonna be a cool one! Can't wait to watch it as I'm very interested in knowing more about lenses!
Thanks man! Hope you enjoy it!
@@markbone aaalright gonna watch it now finally 😘
This was the video I was looking for, much appreciated!
your videos are pure knowledge
The thumbnail though 👏🏽
Yet another super helpful video. Can't wait for your course!!
Thanks a lot man! This was really helpful for me to decide what lens to take for video in smaller rooms.
Best comparison especially when you include the distance. It can help people to figure out which lense suit their studio size. Im going in 35mm after seeing this.
Thanks mate!
best video on this matter out there - straight to the point. Dropbox link was the blessings Thanks man!
Omgomgomg thats exactly what i was looking for since a few days.
CRACKKKKKKKKKKKK.....i already started my documentary course....in Mexico, you have been a great inspiration. Thanks
💯💯💯
Great vid. Now would be a good time to talk about what each look gives in terms of storytelling. Like 24mm looks more intimate and 135mm looks more of someone spying paparazzi style? Maybe an idea for another video
I’d really love to see this
Thank you Mark. This was extremely helpful and thoughtful... much respect and love
Thank you man 🙏🏻
Awesome!! so a low aperture is not the only factor that increases the shallow depth of field, increase in focal length also does.
thanks for sharing. (especially the screenshot)
Glad it helps Daniel!!
Great and useful comparison! Personally I like the 50mm as it delivers a cinematic look but not too much, it still makes me feel like I'm sitting in front of her but in a cool way if you get my drift. The 85 and 135mm look very interesting too, I would use those two to interview an actress talking about her upcoming film for example. Thanks Mark, sooo helpful for choosing my next baby😍
This is incredible useful and well thought out
Thanks mate! I always wanted a guide like this so I just made one
I have enjoyed watching this video.
So thank you for making it :)
Greetings from The Netherlands!
Thanks Gary!!
I've been waiting for a test like this, thank you!
🙌🏻🙌🏻🙌🏻
@@markbone BTW, I picked up the FX9 at the end of February. Venturing back into the world of shooting after just cutting for almost 15 years. Gotta say the FX9 has a unique "look". I think it may come closer, with a bit of softening, to an Alexa than a Canon. Personally, I'm not too broken up about the c300 mk III.
@@benellis9866 yeah, my latest work on this documentary makes me feel that the Fx9 is very close to the alexa
@@markbone Hey, if you get a chance, I'd be really interested to see what it looks like with some Cookes. ;-)
Nice video--a very useful reference.
Thank you!!
Cool comparison, nice easy reference
Wow this was awesome. So glad I found your channel. Shoutout to the girl's patience as well! Lol
I really like the 24 and 50mm on fullframe! I think you can do pretty much everything with this combination.👍
I agree. Only two prime lenses I shot on No Country is an Island
@@markbone with a FF sensor? Thanks!
@@berlin03030 in s35 it will be like a 80 mm in full frame..loved Fargo!
Great reference guide.
This is so relatable right now. Thank You
I want to make a documentary about a person which is somewhat controversial and i struggle to portrait him so most of his fans are ok with but it´s still authentic.
Wow :D Very simple, and very educative video :D All one needs to know, for focal length in the entry level, this is the perfect video!
exactly the information I was looking for, thank you
I was looking for this info for a long time! Thanks!
🙏🏻
Excellent video. Perfect explanation.
Just awesome..Very very valuable.. Thanks a million times..
This was super helpful and clean thnk u so much keep up the fantastic work
Honestly such a helpful video! Seriously great. Thanks so much!
So glad this helps!
love your way in presenting such important information. Thanx
I learned a great lesson with practical demo. Thanks!
You are right on time with this info for moi. Thanks
Amazing video ! Thank you for references images. Even if I shoot with different lenses and have an idea of different looks this test helps to decide quickly which lenses to take on the shoot.
Absolutely helpful content. Thank you Mark for sharing.
Thanks bro you did great job
Thank you for your camera test on your TH-cam "World". Great to understand difference between full frame and super 35. I had no idea this was it:)
Some hard work here. Thanks Mark 😊
Great Demo
What an incredibly useful video. Thanks so much for this!
Thanks Mark, this is very helpful.
Thanks Terry!!
This is so helpful thanks man 🙏🙏
Glad it could help!
Really useful reference, great video!
You are a BOSS!
This is so helpful man, thank you!
For anyone wondering what a 50mm lens is for super35, the answer is...a 50mm lens. The whole full frame equivalence thing is a bastard notion that should never have been turfed up in the first place. Hiscock was famed for using a 50mm lens to get the perspective his movies are famed for. The film format used then is the same as super35, in fact it was called super35 then, too on film. He would pick up and use, wait for itttt, a 50mm lens. He didn't go "what will that be on super35? Should I be putting a 35mm on?" because super35 was the primary film stock then, and through to the digital era and to this day remains a favourite sensor size.
If you're analysing the greats, anyone watching this, from before the digital era and wonder "okay but what lens would I need to replicate that?" You're asking a pointless question. Hiscock used a 50mm lens, so if you're using a super35 sensor equipped camera, just grab a 50mm lens. I'm trying to make this as simple as possible. Whatever lens your chosen great used back then, that's what you should pick up and stick on now. If they were famed for using the 50mm lens, pick up a 50mm. If they used a 35mm predominantly, then pick up a 35mm, it's as simple as that.
Thanks For these Mark, very useful, even though we use most of these lenses, it's good to have a reference where you're able to see the perspective shifts.
See how her head is much bigger when trying to retain the same framing, compared to the other (various distance) lenses?..
Great video u just showed me what lens I may wanna get thanks bro
nice man we got the same computer monitor, best purchase of 2020 for me
Super handy video! Thanks man 🙏
Outstanding video sir 👌
Many thanks
thank you! great information, love it!
Yo this was great, very insightful. Thanks bru
Thanks man! Hope it helps
Glad that I found your video. Really helps a lot! Thanks!
this was super helpful. thank you very much.
🙏🏻🙏🏻🙏🏻
Mark: “I’ve included a Dropbox link with all the reference photos...”
Me: stops taking screenshots.
Thanks for the tool Mark I know I’ll use this in the future.
lol, you're welcome :)
It’s the measured distance that’s gold! I’ve seen many lens length/composition before but having the distance is what’s needed.
@@dkkeyz8815 It's what really matters when you're in tight spaces
Mark Bone I’m flipping back and forth from 135mm @ 22ft to 16mm @3ft and then my brain pops!
This is how they made the hobbits so short!
@@dkkeyz8815 IT IS????
Thank you for sharing this! Definitely helpful to see those comparisons. 🎬
Thank you for taking care.
I am abut to start taking interview so it will be very helpful.
Very interested about your course
SUPER helpful. I am a very appreciative subscriber. thanks for the effort and the sharing. stay well. thumbs up.
Thank you!!
Thanks for this video. Very helpful to see different lenses and thanks to do it for super 35. It's
Helpful AF. Thank you.
Yes!! I was hoping it would be helpful :)
Thanks for taking the time, really helpful!
Super helpful! Thanks!
Thanks for you work on this. Very helpful. 👍
This brother keeps on dropping gems on us! So informative. Thanks a lot for that 🙌🏾
Thank you for this video! I have been looking for this kind of comparison. I'm about to start doing some sit down video recordings and it looks like the 16 mm does a great job of catching the entire body and that's the look I'm going for. Thanks again!
The is great. Would love to see micro 4/3rds added. Thx.
Interesting Insight! I usually shoot my interviews on a go pro set up! Pretty interesting look!
this was helpful. Im considering a super 35 camera. All my lenses are FF.
Valuable information!
You are the greatest!!!!! Thank you very much!!!
Thank you John!!
MB, this was brilliant. I DID NOT skip to 2:16 because you engaged us so eloquently. I needed and was pleased to hear your rationale. I am a newbie using a Sony ZV-E10 and toying between either a Sigma 16mm or 30mm lens. I will be limited to shooting a small space. Much like the 5-foot distance you have in your video. But, at 3-5 feet I will be smack up against my wall or backdrop. Question, what would I need to consider (lens-wise) if I want to do talking to camera videos as well as full body exercise demonstrations? I know your focus is on prime and fullframe gear but, I'd love it if you coulc drop me some crumbs...
I use a 24mm on full frame for all my TH-cam talking head stuff. It would probably be wide enough for work out also but you might want to check out the 2.8 16-35mm from Sony. We love it. We own two
@@markbone Excellent!
Is that the Falcon Eyes 18 or 24? Thank you for always having something to teach, btw.
Mark, this was really great info! I’m just getting my feet wet into all this stuff, and the info you provide is invaluable!