The singer had an excessive vibrato in the beginning, which I didn't like - perhaps that was due to his initial nervousness. But as he got into the aria and settled into it, he became more confident and composed, and handled it beautifully, without any excessive vibrato. The ending was strongest of all, with a great and powerful high C and the final note held longer than I believe I have ever heard any other tenor hold it.
@@christinagipperich2780 You may be right about that, Christina, but every singer can get nervous from time to time. And every listener has their own particular preferences for either more or less vibrato. And different listeners go either more by a singer's external clout and reputation, as you apparently have, or more by the personal experience and discernment of what he actually hears, as I have.
@@sangjunlee5129 Yes, and it's probably the most famous high C in all of the tenor operatic repetoire. The aria starts on an E flat, and the high C is the Major 6th above that initial E flat, on the final vin-CE-ro!
Awesome!
Bravo !!!
Omg!! What a voice!!! I love it!!!!!! Bravo!!!!!!!!!❤
wow! not just great pipes, but this vocalist has tremendous control. Perfect intensity at all moments. Wonderful!
점점 소리가 깊어지는 듯한 느낌? 근래 최고의 네순도르마입니다. 감사해요~
Mamma mia che meravigliosa voce Bravíssimo ❤
Beautiful!
성악을 모르는 사람이 들어도 감탄이 나올 소리입니다. 진정한 의미의 리릭스핀또 테너로 보이네요. 그냥... 레이저를 발사하시네요.
Bravo calaf
The singer had an excessive vibrato in the beginning, which I didn't like - perhaps that was due to his initial nervousness. But as he got into the aria and settled into it, he became more confident and composed, and handled it beautifully, without any excessive vibrato. The ending was strongest of all, with a great and powerful high C and the final note held longer than I believe I have ever heard any other tenor hold it.
There is a high C in this aria?
This guy sang the part of Calaf in the Metropolitan Opera’s production of Turandot this past season. I think he’s got it down.
@@christinagipperich2780 You may be right about that, Christina, but every singer can get nervous from time to time. And every listener has their own particular preferences for either more or less vibrato. And different listeners go either more by a singer's external clout and reputation, as you apparently have, or more by the personal experience and discernment of what he actually hears, as I have.
@@sangjunlee5129 Yes, and it's probably the most famous high C in all of the tenor operatic repetoire. The aria starts on an E flat, and the high C is the Major 6th above that initial E flat, on the final vin-CE-ro!