Renata Scotto (RIP); "Tacea la notte placida"; IL TROVATORE; Giuseppe Verdi

This channel is the re-establishment of previous channels that have been sadly terminated.
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Renata Scotto--soprano
Paris
1975
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"Legendary soprano Renata Scotto has passed away at the age of 89.
The soprano went on to become one of the most revered sopranos of her generation for her sense of style, her musicality, and as a great singing actress.
Born on Feb. 24, 1934, in Savona Italy, Scotto made her operatic debut in her hometown on Christmas Eve of 1952 at the age of 18 in Verdi’s “La Traviata” and the next day she made her “official” opera debut at the Teatro Nuovo in Milan, also in “La Traviata.” She would return to Savona for “Madama Butterfly” that same year.
She had her big breakthrough at the Teatro alla Scala in 1953 during a production of “La Wally” when she sang on opening night alongside Renata Tebaldi and Mario del Monaco. Scotto had 15 curtain calls, while stars Tebaldi and Del Monaco each received seven.
However, her breakout came on Sept. 3, 1957 at the Edinburgh Festival when the Teatro alla Scala performed its production of Bellini’s “La Sonnambula” with Maria Callas. The production was so successful that the company added an unscheduled fifth performance but Callas declined to perform in the added show. As a result, Scotto took the role of Amina and at the age of 23 became an international opera star.
In the 1960s she became one of the leading singers in the bel canto revival and sang such operas as Bellini’s “Zaira,” “I Capuleti e Montecchi” and “La straniera,” Donizetti’s “Maria di Rohan,” and Meyerbeer’s “Robert le Diable.” She also went on to sing Donizetti’s “L’Elisir d’Amore,” “Lucia di Lammermoor,” and “Anna Bolena.”
She made history with the Teatro alla Scala when the company became the first to tour the Bolshoi Theatre in Moscow during the Cold War. In 1960 she made her American debut at the Lyric Opera of Chicago as Mimì in “La Bohème” and in 1965 she made her Metropolitan Opera debut as Cio-Cio-San in “Madama Butterfly.” She would become associated with the company performing 314 times in 26 roles through 1987.
With the company, she made history by opening the company’s Live from the Met telecasts in 1977 with Puccini’s “La Bohème” and would be featured in telecasts of “Manon Lescaut,” “Luisa Miller,” “Don Carlo,” “Il trittico,” “Francesca da Rimini” and “Otello.”
At the Met, she also performed in productions of “Lucia di Lammermoor,” “Macbeth,” “La Traviata,” “Rigoletto,” “L’Elisir d’Amore,” “Faust,” “La Sonnambula,” “I Vespri Siciliani,” “Le Prophète,” “Il Trovatore,” “Adriana Lecouvreur,” “La Gioconda,” “Tosca,” “Norma,” Verdi’s “Requiem,” and “La Clemenza di Tito.” operawire

[@sandrogabrielli3895]

Brava brava brava.

[@liederoperagreats]

👏

[@sergiovarela8030]

Extraordinary Diva , Eternally !!!!!!❤❤❤❤❤❤❤❤❤❤❤❤

[@liederoperagreats]

👏 AND thank you for following along with the channel. TH-cam will only allow this channel to post 10 videos daily. My apologies.

[@manuelprietohernandez4820]

¡Qué bien cantaba esta señora! Se agradece de veras esta aportación, porque merece la pena recordar y rescatar a la Scotto para la memoria de la Ópera.

[@liederoperagreats]

👏

[@rodneydixon1259]

Miss Scotto not only sings this aria beautifully but she actually acts the role;She has always been a superb interpreter of whatever re She has chosen to perform.

[@tabarro1877]

Beautiful! Brava La Scotto! ❤

[@marcelacontreras5653]

.. bello!

[@liederoperagreats]

🙏

[@draganvidic2039]

Way above her limit as a (dark) medium sized lyric. Yes she did well but role is for a dramatic with agility.