Really took me half a year to make. Huh. Originally I wanted to make something calm like I usually do, but after listening for War Without Reason millions of times I decided to try and put all my experience with the Violence layer into music form. That said, this arrangement is even more experimental than the last one and contains parts I composed myself. I think War Without Reason represents an endless climb, an attempt to reach unimaginable heights. But the more I listen to it the more it feels like a struggle. Like the waves crash down upon you and you’re trying to find a tiny shred of hope. I tried to portray this feeling; mostly through maintaining the restless flow of the original composition only interrupted by occasional pauses and breaths by the end. They’re like sudden thoughts of giving up and letting the deep to devour you. And I’m happy with how this arrangement turned out. Designed to cover a huge range of emotions, it heavily relies on performance. It took A LOT of time to get the phrasing just right, otherwise it felt bland and devoid of the “endless stream” feeling. It’s still rough around the edges but a lot better than the previous arrangement. Challenging but I learned quite a lot from this. Also, here's a small commentary on some parts. 0:00 I wanted the intro to sound like the starting theme of 6-2 “Fallen Angel”. It’s just that good story-wise, a cinematic prelude to the great bossfight. Just like Gabriel talks about the fate of hell and his hatred for V1 while “Fallen Angel” is playing, this intro accompanies yet another story. 3:46 The “core” part is replaced entirely, as I can’t arrange metallic clatter for now. 4:55 It is what it sounds like - a funeral march. The idea comes from (friggin brilliant) Beethoven’s Symphony no. 3, 2nd movement in particular. The contrast between the “marcia funebre” and the light-hearted, hopeful part feels soooo good so I decided to do something similar. 5:36 Silver raindrops glitter in the benevolent rays of summer sun... The last rain humanity witnessed. 7:01 May your fingers experience hell. I should make a nerfed version of this piece. 8:00 Hakita mentioned he was trying to mix words contrasting with each other so I find it kinda ironic that the dissonant chord in the end doesn't have a resolution. It’s not a “perfect closure”. It lacks the sense of finality. There is no concluding statement, just a silent question. Is this really how it should have ended?..
"You reached out for God, and you fell. None were left to speak your Eulogy. No final words, no concluding statement. No point. Perfect Closure. This is the only way it should have ended." And now that I'm done quoting what you put, something I'd add to the end: "Is this really how it should have ended? Were you born to see the sky become blacker than the earth that you destroyed? Did God see you reach up? Did he reach back? Or did he swat your hand away, not wanting to dirty himself with the guts of his subjects? . . . Was he even there to see you reach for him?" Okay now that my little rant is done: This is a great piece. I swear for a second there that I felt like I was actively in hell fighting, not in the sense of playing ULTRAKILL, but in the sense of being the last thing alive waiting to die. Looking to the sky and seeing dozens, hundreds of stars. But they weren't stars, instead they were the eyes of earthmovers staring me down as they futilely fought each other. That's what this piece made me see and I loved it. Keep up the great work, and please for the love of all that is holy and unholy, be proud of your amazing work.
@@maggeemoo I love how everything in ultrakill is so exaggerated, even the writing, but absurdly enough it feels so subtle and poetic. Music's greatest value is the ability to make you imagine things you will never experience in real life. This is the highest praise to me, can't thank you enough
@@Mortal2064 added text source in the desc just in case. Honestly wouldn't know 7-4 book existed if not for people around me being huge ultrakill nerds
@@v0idhost Seriously man, the piece is amazing. If it weren't for me having found this in my recommended, then I would have assumed that it was ripped straight from the OST. The song on it's own is meant to be the Earthmover Boss Music, but at the same time with 7-4 being one of the few times we've heard Hell speak, it seriously works as a song that can be applied to the entire game. You went and made that even truer by giving little bits of hope that still just end with no resolution. In game the song is angry, screaming and fighting. This version is all that but with tears constantly streaming along with the blood. Keep up the great work.
"NO FINAL WORDS, NO CONCLUDING STATEMENT. NO POINT. PERFECT CLOSURE. *T H I S I S T H E O N L Y W A Y* *I T S H O U L D H A V E E N D E D . "* And then the song literally ends with nO RESOLVE MY GOD I *ADORE THIS*
And when the war ended, it wasn't with explosions or great cacophony of gunfire. It was with silence, as the fallen monuments of destruction, one by one, lost power, ironically by the lack of sunlight. The world of darkness brought by men, both literally and figuratively, had consumed everything, leaving only ash, dust and scrap behind.
[ _when the fighting is over, when this war comes to a close, there will be no sounding of horns, no cacophony of cheers, no celebration at all. This all will end in silence, Then will it be clearest, there was never any point at all. It would feel bittersweet and empty, if anyone, or anything at all, remained to feel so. Yet at last, there would be peace._ ]
This feels so somber like a child inside one of these Shanty Towns cities on the backs of Earthmovers. Hearing stories of lush greenery, warm sunny days, cool, blue lakes and the sweet smell of a spring breezes. So beautiful yet so alien, hearing ths sounds of machine manufacturing and the sickly thin and pale peoples, and occasion blast from the Earthmover. Seeing a blackened sky, know only the rain of soot and ash, know the cold, never feeling cool grass and soft earth between their feet. Asking why they fight, being met with to win the war, yet when asked what started the war, no one amswered. Why are we fighting a war we don't even know what and why we're fighting to begin with. The child can't even be angry, because there's no point, what's another disappointment and loss of innocence when there's no innocences left. No fight in them, just acceptance and sadness. This is their world this is the future they will inherent, a pointless war, fought by the young born into it started by a reason no one even remembers nor truly understands. A war without reason in a bleeding world with no future.
“You reached out for God. And you fell. None were left to speak your eulogy.” “I did reach out for God. I was afraid of death. I was afraid of being a magnum opus of my creators mistakes. Was this how it was supposed to end? To end as a pile of metal, at the seventh layer of Hell? I did reach out for God. Did he reach out for me, too?” Little writing exercise I cooked up based on the ending text.
This is much more nuanced and actually listenable than the other covers which take the song at face value and directly translate the music into piano. You did a great job actually portraying the sombreness and tragedy that the original conveys.
I like when people add their own touch to piano covers, but what I like the most is when they're actually playable. Music experience combines both composer's and performer's perception of music piece and the results are pretty interesting. Anyway, thank you very much!
Smol channel & posted several hours ago & I don't really promote my stuff, not complaining about views but also hope youtube algo will bless this vid one day. Pretty happy with even a small amount of people enjoying this. Thank you!
i love the serious part of the community which makes ultrakill sound like the most badass game ever full of lore. really, this is great and i would love a version of ultrakill that's serious all the time. no metal music blasting just you and litteral hell
Not really full of lore, but very badass indeed. To be honest, I think ultrakill's goofiness makes serious parts (like secret terminals; I LOVE my edgy testaments) shine in stark contrast. But I bet layer 9 will be more subtle in its themes and music. I think it will be ambient/drone tracks and something like suffering leaves or the world looks white most of the time
I love this piece, it feels like it really does justice to what the Final War must have been like in the universe of Ultrakill The ending has to be my favorite part of the entire song, it feels both sad and terrifying, specially with that text and that beautiful panning over the Earthmover in the blood red fog, in my opinion it portrays perfectly what war is: an unstoppable force that destroys everything in its path, a tsunami that wipes all the greatest things mankind has achieved, or that repurposes them to further that endless cycle of death and violence, a playground for the wicked to unleash themselves, and a hell that brings a monster out of even the best people, and in the end all it leaves behind is destruction and suffering. You did wonderfully with this rack
I have no idea why this fucking frame gone missing, I saw it was like that before rendering but I was too frustrated to do anything about that cuz blender kept randomly crashing on render with no error message, just hoped it would render at all
Listening to this gives such an intense and specific feeling of "this piece, or the greater whole it comes from truly means something to this person, it's important to them" and as someome who's had these feelings towards certain shows/games ect but has never had the talent or drive to pursue creating such a beautiful work to show them I just have to say it's phenomenal. I hope I don't come off as pretentious writing this but I just have that feeling. Amazing work.
I'm so happy that ultrakill is in early access so I don't consume it all in one go and have time to reflect on my feelings towards it... When I thought that I already loved ultrakill so so much, the violence layer came out, and it was far beyond my expectations. What I felt wasn't just love or amazement, it was so many complex emotions all at once I still can't properly express it in words. Sorry for a long reply, just wanted to say you're 100% correct. And thank you very much indeed
I love how you managed to make a normally heavy song, almost calming without losing the impact as the original. And the way you managed to make the last part fit both your version and the original without making it out of place. 11/10
huh listening to your piece is like learning a bit of what the next potential motifs might be (honestly I don't know what I'm talking about) like with how the previous prime souls had overarching themes behind the layers they inhabited
I have so much to say about this yet have no idea how to form the words. This piece is absolutely stunning, beautiful even. There is so much emotion from beginning to end its so..difficult to describe. When i tell you I teared up a bit during it.. the way you described it in your pinned comment you got all of that vibe in there *sobs* I really love this piece i wish i had more to say 😭😭
Music language is universal, surpassing even human language. The fact that it made you experience emotion is the highest praise for my work, thank you very much! Also Christopher Larkin is a genius his music is one of sources of inspiration for me, I want silksong so I can make new covers 😭
I give my and the Holy Council's approval to this song. (Although, they may be dead.) Yet, I do not AGREE on having that piece of SCRAP there.. looking at us menacingly.
@@ПетърВригазов I was a little bit anxious when posting this arrangement cuz I replaced like 50% of the original piece, glad to hear people like it! Ty very much
I like the fact that humanity's end was not themselves (not really,the humans created the machines). But the machines ended humanity,so. In hell (The layer of Violence) the 1000-THRs was sent to there. There to eternally fight each other,until a machine. (V1 i think. Yeah that one) destroyed one Earthmover,finally something happened other than war without reason.
@@Gortplush Just warning you, and anyone else who reads this, that the following is some [ [ PRETTY MAJOR SPOILERS ] ] for the game's lore. Ultrakill's lore isn't as central to its gameplay as some other games, but if that's something you care about stop reading. It's unconfirmed, but a popular theory is that Hell itself ended up invading Earth proper. It's shown to have influence in the Prelude factories - just outside of Hell proper - so it's not impossible that its influence could extend far beyond its borders. The P-2 ARG lore suggests that, after its first interactions with living humans in the factories, it wanted to claim more from the surface. Oh, yeah, by the way, Hell is sentient. It's confirmed that Hell itself is the one who wrote the "antennas to heaven" story, and it communicates with you in certain other points in later levels (such as just before the Panopticon door, and in the bomb room in 7-2).
ironically, ultrakill lore is like ultra tragic humans fucking died, gabriel is about to die in cap 3, even minos and sisyphus ended losing and dying i love the contrast between lore, gameplay, and fandom lmao
yoo I was checking out your channel since I loved your bonebottom arrangement, and here you are making yet another arrangement from one of my favorite games??? : D I love the classical take on this song, especially 7:00 i can tell just how much thought was put into this, especially with the absurd song length voidhost you are super underrated and I hope you continue uploading these covers because they're so beautiful nbksnre
Damm, the bonebottom arrangement? This one is so old (but I'm proud of it still) I have a lot of plans for ultrakill ost, stay tuned! And thank you for your support
All that was left was piano without reason to play this banger. Edit: I was playing a tornado chasing game whilst listening to this and I have to admit this song really fits the theme of "Perfect destruction" Because at 2:40 in the game I was playing a strong tornado ripped a town apart and I could see so much utter destruction and including the music it was a chefs kiss.
@@v0idhost Only thing I have changed is the last sentence : This is the only way it should NOT have ended (dear God, this part solo is around 3000 pages and it somehow makes sense, ah ah!) (Whole novel is currently like 12k pages, btw)
@@v0idhost 13 years of work, thanks! 😊 Having been capable to use Ultrakill in it (Act XVIII : Catharsis of Excessive Violence) made it a lot better, despite it having a lot of philosophical and psychological moments, I wanted to have a contrast between the actual Chapter where Benjamin is fought (229, Like Antennas to Heaves), which is 99% a meme one based on those videos where both it and V1 can talk but, at the end of it, the (fan made) documentation on the Earthmover, which is all serious and profound (that's where your narration comes in handy), at first is supposed to make you go wtf why so serious all of a sudden but then you realize one thing : W A R I S A S E R I O U S B A T T L E F O U G H T F O R S T U P I D R E A S O N S I mean, 99% of the times
Я лично саундклаудом не пользуюсь, но точно знаю, что предыдущую аранжировку кто-то туда выгружал. Я в целом только за, если оно с указанием авторства. Могу в гугл папку в описании канала выгрузить wav файл, чтобы прям в оригинальном качестве было, а там уже куда хотите, туда и заливайте
![[ULTRAKILL] Hear! The Siren Song Call of Death // "Flowers for Death Machines" Piano Arrangement](http://i.ytimg.com/vi/DBoH4MdUOJE/mqdefault.jpg)
![DANSE MACABRE [ULTRAKILL ANIMATION]](http://i.ytimg.com/vi/gDjf2FeANHI/mqdefault.jpg)
Really took me half a year to make. Huh.
Originally I wanted to make something calm like I usually do, but after listening for War Without Reason millions of times I decided to try and put all my experience with the Violence layer into music form. That said, this arrangement is even more experimental than the last one and contains parts I composed myself.
I think War Without Reason represents an endless climb, an attempt to reach unimaginable heights. But the more I listen to it the more it feels like a struggle. Like the waves crash down upon you and you’re trying to find a tiny shred of hope. I tried to portray this feeling; mostly through maintaining the restless flow of the original composition only interrupted by occasional pauses and breaths by the end. They’re like sudden thoughts of giving up and letting the deep to devour you.
And I’m happy with how this arrangement turned out. Designed to cover a huge range of emotions, it heavily relies on performance. It took A LOT of time to get the phrasing just right, otherwise it felt bland and devoid of the “endless stream” feeling. It’s still rough around the edges but a lot better than the previous arrangement. Challenging but I learned quite a lot from this.
Also, here's a small commentary on some parts.
0:00 I wanted the intro to sound like the starting theme of 6-2 “Fallen Angel”. It’s just that good story-wise, a cinematic prelude to the great bossfight. Just like Gabriel talks about the fate of hell and his hatred for V1 while “Fallen Angel” is playing, this intro accompanies yet another story.
3:46 The “core” part is replaced entirely, as I can’t arrange metallic clatter for now.
4:55 It is what it sounds like - a funeral march. The idea comes from (friggin brilliant) Beethoven’s Symphony no. 3, 2nd movement in particular. The contrast between the “marcia funebre” and the light-hearted, hopeful part feels soooo good so I decided to do something similar.
5:36 Silver raindrops glitter in the benevolent rays of summer sun... The last rain humanity witnessed.
7:01 May your fingers experience hell. I should make a nerfed version of this piece.
8:00 Hakita mentioned he was trying to mix words contrasting with each other so I find it kinda ironic that the dissonant chord in the end doesn't have a resolution. It’s not a “perfect closure”. It lacks the sense of finality. There is no concluding statement, just a silent question. Is this really how it should have ended?..
"You reached out for God, and you fell.
None were left to speak your Eulogy.
No final words, no concluding statement.
No point. Perfect Closure.
This is the only way it should have ended."
And now that I'm done quoting what you put, something I'd add to the end:
"Is this really how it should have ended?
Were you born to see the sky become blacker than the earth that you destroyed?
Did God see you reach up?
Did he reach back?
Or did he swat your hand away, not wanting to dirty himself with the guts of his subjects?
. . .
Was he even there to see you reach for him?"
Okay now that my little rant is done: This is a great piece. I swear for a second there that I felt like I was actively in hell fighting, not in the sense of playing ULTRAKILL, but in the sense of being the last thing alive waiting to die. Looking to the sky and seeing dozens, hundreds of stars. But they weren't stars, instead they were the eyes of earthmovers staring me down as they futilely fought each other. That's what this piece made me see and I loved it. Keep up the great work, and please for the love of all that is holy and unholy, be proud of your amazing work.
@@maggeemoo I love how everything in ultrakill is so exaggerated, even the writing, but absurdly enough it feels so subtle and poetic.
Music's greatest value is the ability to make you imagine things you will never experience in real life. This is the highest praise to me, can't thank you enough
@@maggeemoo you know that text comes directly from the game, right? Just to be clear.
@@Mortal2064 added text source in the desc just in case. Honestly wouldn't know 7-4 book existed if not for people around me being huge ultrakill nerds
@@v0idhost Seriously man, the piece is amazing. If it weren't for me having found this in my recommended, then I would have assumed that it was ripped straight from the OST. The song on it's own is meant to be the Earthmover Boss Music, but at the same time with 7-4 being one of the few times we've heard Hell speak, it seriously works as a song that can be applied to the entire game. You went and made that even truer by giving little bits of hope that still just end with no resolution. In game the song is angry, screaming and fighting. This version is all that but with tears constantly streaming along with the blood. Keep up the great work.
GOD DAMN IT I SHOULD'VE LEARNED THIS FOR MY PIANO RECITAL INSTEAD OF THE COD ZOMBIES THEME
One day we all will....
Currently learning the fire is gone and learned the first 40 seconds of Castle vein(no left hand)
Order is intense as hell, but it sounds so good once it's all together
"NO FINAL WORDS, NO CONCLUDING STATEMENT.
NO POINT. PERFECT CLOSURE.
*T H I S I S T H E O N L Y W A Y*
*I T S H O U L D H A V E E N D E D . "*
And then the song literally ends with nO RESOLVE MY GOD I *ADORE THIS*
War without hope.
War without end.
War Without Reason.
HE SAID THE LINE!
"War no longer needed its ultimate practitioner"
I know a blood meridian reference when i see one
Yep, Hakita mentioned it on the last dev stream
And when the war ended, it wasn't with explosions or great cacophony of gunfire.
It was with silence, as the fallen monuments of destruction, one by one, lost power, ironically by the lack of sunlight. The world of darkness brought by men, both literally and figuratively, had consumed everything, leaving only ash, dust and scrap behind.
✍️✍️✍️🔥🔥🔥
(although enough humans remained in order to usher in a Great Peace afterwards)
@@alicorn3924 It didn't really last.
silence?
THE *BLACK SILENCE????*
[ _when the fighting is over, when this war comes to a close, there will be no sounding of horns, no cacophony of cheers, no celebration at all. This all will end in silence, Then will it be clearest, there was never any point at all. It would feel bittersweet and empty, if anyone, or anything at all, remained to feel so. Yet at last, there would be peace._ ]
This feels so somber like a child inside one of these Shanty Towns cities on the backs of Earthmovers. Hearing stories of lush greenery, warm sunny days, cool, blue lakes and the sweet smell of a spring breezes. So beautiful yet so alien, hearing ths sounds of machine manufacturing and the sickly thin and pale peoples, and occasion blast from the Earthmover.
Seeing a blackened sky, know only the rain of soot and ash, know the cold, never feeling cool grass and soft earth between their feet. Asking why they fight, being met with to win the war, yet when asked what started the war, no one amswered. Why are we fighting a war we don't even know what and why we're fighting to begin with.
The child can't even be angry, because there's no point, what's another disappointment and loss of innocence when there's no innocences left. No fight in them, just acceptance and sadness. This is their world this is the future they will inherent, a pointless war, fought by the young born into it started by a reason no one even remembers nor truly understands. A war without reason in a bleeding world with no future.
🔥✍
“You reached out for God. And you fell. None were left to speak your eulogy.”
“I did reach out for God. I was afraid of death. I was afraid of being a magnum opus of my creators mistakes. Was this how it was supposed to end? To end as a pile of metal, at the seventh layer of Hell? I did reach out for God. Did he reach out for me, too?”
Little writing exercise I cooked up based on the ending text.
this is the only way this video could have been, this is the only it should have been, an absolute banger
Thank you very much!
This is much more nuanced and actually listenable than the other covers which take the song at face value and directly translate the music into piano. You did a great job actually portraying the sombreness and tragedy that the original conveys.
I like when people add their own touch to piano covers, but what I like the most is when they're actually playable. Music experience combines both composer's and performer's perception of music piece and the results are pretty interesting. Anyway, thank you very much!
surprised this didnt get more views, its probably one of the best "calm" type covers of an ultrakill song
Smol channel & posted several hours ago & I don't really promote my stuff, not complaining about views but also hope youtube algo will bless this vid one day. Pretty happy with even a small amount of people enjoying this. Thank you!
@@v0idhostguess it kinda did
@@komar7022 yep!
Эта версия WWR звучит так, будто последние выжившие в Великой Войне люди окончательно осознали, что же они натворили. Потрясающе...
Осознали, но поздно. Спасибо!
War without raisins
This is such a true statement. Turn it into an ultrakill mod-
Wart with art racist
i love the serious part of the community which makes ultrakill sound like the most badass game ever full of lore. really, this is great and i would love a version of ultrakill that's serious all the time. no metal music blasting just you and litteral hell
What’s the issue with the metal music
@@Keep3r1438 i mean the music it's awesome but it makes the game much less serious
Not really full of lore, but very badass indeed. To be honest, I think ultrakill's goofiness makes serious parts (like secret terminals; I LOVE my edgy testaments) shine in stark contrast. But I bet layer 9 will be more subtle in its themes and music. I think it will be ambient/drone tracks and something like suffering leaves or the world looks white most of the time
@@WitheredAway__ are there supposed to be slow and emotional orchestral tracks playing during combat or something?
@@Keep3r1438 why not, for a change of pace
I love this piece, it feels like it really does justice to what the Final War must have been like in the universe of Ultrakill
The ending has to be my favorite part of the entire song, it feels both sad and terrifying, specially with that text and that beautiful panning over the Earthmover in the blood red fog, in my opinion it portrays perfectly what war is: an unstoppable force that destroys everything in its path, a tsunami that wipes all the greatest things mankind has achieved, or that repurposes them to further that endless cycle of death and violence, a playground for the wicked to unleash themselves, and a hell that brings a monster out of even the best people, and in the end all it leaves behind is destruction and suffering.
You did wonderfully with this rack
Wow, you found words that I couldn't find to describe what I felt when playing 7-4 for the first time. Thank you!
Beautiful. Listen in the dark for an existential crisis.
half a year, not even a pinch of disappointment
this was truly the only way it could have ended
and it couldnt have been better
Thank you for waiting!
So incredibly based of you to provide free sheet music
Performing music you like awakens so many complex emotions, it's just the best feeling in the world. Hope I made someone happier haha
@@v0idhost thank you! I'll go learn this piece now. It evokes many strong and cathartic emotions for me
4:38 magenta jumpscare
I have no idea why this fucking frame gone missing, I saw it was like that before rendering but I was too frustrated to do anything about that cuz blender kept randomly crashing on render with no error message, just hoped it would render at all
@@v0idhostThe machine is resisting
Listening to this gives such an intense and specific feeling of "this piece, or the greater whole it comes from truly means something to this person, it's important to them" and as someome who's had these feelings towards certain shows/games ect but has never had the talent or drive to pursue creating such a beautiful work to show them I just have to say it's phenomenal. I hope I don't come off as pretentious writing this but I just have that feeling. Amazing work.
I'm so happy that ultrakill is in early access so I don't consume it all in one go and have time to reflect on my feelings towards it... When I thought that I already loved ultrakill so so much, the violence layer came out, and it was far beyond my expectations. What I felt wasn't just love or amazement, it was so many complex emotions all at once I still can't properly express it in words. Sorry for a long reply, just wanted to say you're 100% correct. And thank you very much indeed
The algorithm has blessed me with this masterpiece. Thank you for making this.
I love how you managed to make a normally heavy song, almost calming without losing the impact as the original. And the way you managed to make the last part fit both your version and the original without making it out of place.
11/10
huh
listening to your piece is like learning a bit of what the next potential motifs might be (honestly I don't know what I'm talking about)
like with how the previous prime souls had overarching themes behind the layers they inhabited
I'm so excited to hear the next layers' osts, will be fun to guess what the prime sanctum motif is
bro i listened to like half of the song before i realized i had it at 2x speed 💀
Lmao it sounds like a broken piano
@@v0idhost honestly i think 2x speed sounds really good as well, i mean it took so long for me to notice because it didn't sound messed up or anything
@@herobrinemaybeslightlyevil4071 I think it sounds hella nice at 1.5x but 2x is pretty too yea
THIS WAS SINGLE HANDED ONE OF THE MOST MAJESTIC THING'S I'VE SEEN IN A BIG BIG WHILE 😭
Greatest piano cover of an ultrakill song I've heard so far, great job!
Thank you very much!
this is pretty pretty
I have so much to say about this yet have no idea how to form the words. This piece is absolutely stunning, beautiful even. There is so much emotion from beginning to end its so..difficult to describe. When i tell you I teared up a bit during it.. the way you described it in your pinned comment you got all of that vibe in there *sobs* I really love this piece i wish i had more to say 😭😭
reminds me a bit of christopher larkins pieces on hollowknight/silksong its really pretty;;;;
Music language is universal, surpassing even human language. The fact that it made you experience emotion is the highest praise for my work, thank you very much! Also Christopher Larkin is a genius his music is one of sources of inspiration for me, I want silksong so I can make new covers 😭
@@v0idhost I very much look forward to more of your works!!!!!!!! you do a fantastic job translating it
Bro need more attention,3 seconds in and i already love it
Gonna get more attention if I'm blessed with youtube algorithm, thanks!
This genuinely gave me chills more than once. This is just wonderful.
I give my and the Holy Council's approval to this song. (Although, they may be dead.)
Yet, I do not AGREE on having that piece of SCRAP there.. looking at us menacingly.
Piece of scrap had a lobotomy after which it brutally exploded, photo taken seconds before disaster. Thanks gabriel ultrakill!
O' Gabriel, now dawns thy reckoning and thy gore
@@v0idhost Very silly. I was tired of it already. And that means.. NO NEED FOR ACT 3 NOR MORE DIVINE JUSTICE!!! YIPPIE!!
@@SHALLGLISTENBEFORETHETEMPLESOF Minos don't make me end thy life again. Plus, thou are getting old.
now kiss
Мне нравится эстетика слоя Насилия с его трагичностью. Это произведение искусства прекрасно дополняет моё впечатление об этой части игры
Слой насилия ощущается как отдельная глава
One minute in and I already love it!
Thanks! How's the other 7 minutes
@@v0idhost Straight up fire! I've been listening to it on a loop for like a few hours now, it's just great!
@@ПетърВригазов I was a little bit anxious when posting this arrangement cuz I replaced like 50% of the original piece, glad to hear people like it! Ty very much
@@v0idhost Well, you are doing a good job, so keep it up! (Also, sorry for the late answer)
Hell yeah another nice song for reading with
БОЖЕ ЭТО ПРОСТО ПРЕКРАСНО, ДО МУРАШЕК, БРО ЭТО АФИГЕННО
Спасибо бро!
blessed be thy channel
Sounds great. It almost feels like its own original piece.
Ура, дождался. Great work!
Боюсь представить, сколько ты ждал. Спасибо!
the artwork and music itself is fire
I have been listening to this on loop ever since i found it, good job
I knew the cover would be good bye HOLY CRAP
this is just simply good, my attempts to describe it pale in comparison to what youve made
You are one of the many reasons why I love piano covers of songs
keep up the good work man this is so good to listen!!!
Damn this is fire, now I wanna to learn this on my piano
Good luck and thank you!
Give me a cigar and make sure it’s Cuban for we have a certified lighter here.
It is beautiful.
I like the fact that humanity's end was not themselves (not really,the humans created the machines). But the machines ended humanity,so. In hell (The layer of Violence) the 1000-THRs was sent to there. There to eternally fight each other,until a machine. (V1 i think. Yeah that one) destroyed one Earthmover,finally something happened other than war without reason.
Hakita has actively removed references on the official wiki to machines being the cause of humanity's extinction. It's very likely something else.
Oh,so what killed em?
@@Gortplush Just warning you, and anyone else who reads this, that the following is some [ [ PRETTY MAJOR SPOILERS ] ] for the game's lore. Ultrakill's lore isn't as central to its gameplay as some other games, but if that's something you care about stop reading.
It's unconfirmed, but a popular theory is that Hell itself ended up invading Earth proper. It's shown to have influence in the Prelude factories - just outside of Hell proper - so it's not impossible that its influence could extend far beyond its borders. The P-2 ARG lore suggests that, after its first interactions with living humans in the factories, it wanted to claim more from the surface.
Oh, yeah, by the way, Hell is sentient. It's confirmed that Hell itself is the one who wrote the "antennas to heaven" story, and it communicates with you in certain other points in later levels (such as just before the Panopticon door, and in the bomb room in 7-2).
@hencethebeetroot thanks for the lore pal,really taking note not going to lie.
@@Gortplush any excuse to write paragraphs of ultrakill lore is reward enough in itself
ironically, ultrakill lore is like ultra tragic
humans fucking died, gabriel is about to die in cap 3, even minos and sisyphus ended losing and dying
i love the contrast between lore, gameplay, and fandom lmao
Lore: everyone is fucking dead (or dying)
Gameplay: the most badass thing ever
Fandom: "we're gonna flood reddit with r34 art"
@v0idhost i still don't understand why the ultrakill fandom is so fucking horny lmao
@@payaz0381 I'm wondering too
@@payaz0381i mean, the devs made *official* bodypillows and an *official* $3x mod
@rougedummy we don't talk about that
yoo I was checking out your channel since I loved your bonebottom arrangement, and here you are making yet another arrangement from one of my favorite games??? : D
I love the classical take on this song, especially 7:00
i can tell just how much thought was put into this, especially with the absurd song length
voidhost you are super underrated and I hope you continue uploading these covers because they're so beautiful nbksnre
Damm, the bonebottom arrangement? This one is so old (but I'm proud of it still)
I have a lot of plans for ultrakill ost, stay tuned! And thank you for your support
@@v0idhost oooh i can't wait
(even if it's old, the bone bottom arr. Is gorgeous, it helped lots when I was learning the song on piano)
Dude, free pdf AND musescore ?? Plus goat music ????
You're the goat 👑
I love my fellow musicians
@@v0idhostI'd like to give you the best award I can give
* Subscribed *
I just busted a fat load to this. Great stuff 👍
damm
absolutely beautiful, deserves more attention , good work!
ABSOLUTE BANGER
Beautiful song. I hope you're proud of it. :)
That's my biggest work, so yeah maybe. Thank you!
Absolutely amazing bro, extremely underrated
THIS IS AMAZING!!!!!
hoping for a world looks red one next
Yup, that's what I'm cooking rn
@@v0idhost we are SO back
You never miss oh my god 😭😭😭😭😭😭
The drawing is so good wtf ? Is there a link for the full image ?
Sure! The image is in the google folder with sheet music in the channel desc
@@v0idhost I wanted to listen to that song once more and holy moly I just realised you answered ! Thanks !
so beatiful
Good performance my friend!!🎸🎼🎹🔝Keep it up!
This will make a fine addition to my [[Benjamin group chat] collection!
Ben Jamin? Yeah, this song's really good.
Well... It's... Just... ❤️🔥
All that was left was piano without reason to play this banger.
Edit: I was playing a tornado chasing game whilst listening to this and I have to admit this song really fits the theme of "Perfect destruction" Because at 2:40 in the game I was playing a strong tornado ripped a town apart and I could see so much utter destruction and including the music it was a chefs kiss.
this goes hard
Beautiful!
Thanks!
aww hell yeah!
instant sub
This is so peak
Fucking beautiful
earth movers are my favorite
war without end
I’m not joking it started getting darker when the song started playing
Don't mind that that's just benjamin blocking the sun
this song piano es awsome
YEAHHHHHHHHHHHHHHHHHHHH
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War without drums violin and giutar fr fr
Yeah that's just
war
...
Holy Shit.
You are so talented. Please make the death of gods will next
That's literally what I wanted to do next. Ty very much!
this shit so peak man
25 fps 1080p video uploading with a shitty codec wohooo gotta love my pixelated mess
This is the only way it should have ended.
War without war crimes :((
Am I allowed to include that masterpiece of a narration in my Novel?
sure!
@@v0idhost Only thing I have changed is the last sentence :
This is the only way it should NOT have ended (dear God, this part solo is around 3000 pages and it somehow makes sense, ah ah!)
(Whole novel is currently like 12k pages, btw)
@@SOLARIS-wy2xy Whoa thats a lot of work! Gl with that
@@v0idhost 13 years of work, thanks! 😊
Having been capable to use Ultrakill in it (Act XVIII : Catharsis of Excessive Violence) made it a lot better, despite it having a lot of philosophical and psychological moments, I wanted to have a contrast between the actual Chapter where Benjamin is fought (229, Like Antennas to Heaves), which is 99% a meme one based on those videos where both it and V1 can talk but, at the end of it, the (fan made) documentation on the Earthmover, which is all serious and profound (that's where your narration comes in handy), at first is supposed to make you go wtf why so serious all of a sudden but then you realize one thing :
W A R I S A S E R I O U S B A T T L E
F O U G H T F O R S T U P I D R E A S O N S
I mean, 99% of the times
@@SOLARIS-wy2xy yeah that's 100% true!
can i make a video about playing cybergrind while this in the background? o
Sure!
Was that a gabriel at the end i hear?
thumbnail sauce?
Me and myself. I put the original image into the sheets folder in the channel desc just in case
Будет на саунклауд?
Я лично саундклаудом не пользуюсь, но точно знаю, что предыдущую аранжировку кто-то туда выгружал. Я в целом только за, если оно с указанием авторства. Могу в гугл папку в описании канала выгрузить wav файл, чтобы прям в оригинальном качестве было, а там уже куда хотите, туда и заливайте
@@v0idhost Пасиб если реально сделаешь
@@nikitclaw4770 вуаля drive.google.com/drive/u/1/folders/1DnR3DwGzPP8bXgj5d5JnQrVCd7dS1KkM
@@v0idhost харош
@@v0idhost Слушай, прости. Две недели не мог нормально за комп сесть. Можешь ссылку снова дать?
outer wilds
I'll play it one day...
Это прекрасно 😢