Sietze de Vries puts the melody in the middle voice and then improvises a fugue

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  • เผยแพร่เมื่อ 4 ธ.ค. 2024

ความคิดเห็น • 18

  • @barrypianon
    @barrypianon 2 ปีที่แล้ว +3

    ❤❤❤ wow… it’s outstanding!

  • @alonsomartinez2103
    @alonsomartinez2103 2 ปีที่แล้ว +6

    I want him as a teacher!!

  • @andrewkarko5622
    @andrewkarko5622 2 ปีที่แล้ว +3

    This is incredible!

  • @supermaqp
    @supermaqp 2 ปีที่แล้ว +2

    This is amazing!

  • @barrypianon
    @barrypianon 2 ปีที่แล้ว +6

    Bach’s reincarnation

  • @LearnCompositionOnline
    @LearnCompositionOnline ปีที่แล้ว

    0:39 me too lol

  • @G.B.P.
    @G.B.P. 2 ปีที่แล้ว +2

    Insane

  • @selfreferentialhumor
    @selfreferentialhumor 2 ปีที่แล้ว +1

    Richard Grayson improvised one on the same theme: th-cam.com/video/MC2T88mwTYI/w-d-xo.html
    I can't wait until this episode is released

    • @yahyamhirsi
      @yahyamhirsi 2 ปีที่แล้ว +1

      Richard Grayson is my favourite improviser of all time. May he RIP!

  • @superblondeDotOrg
    @superblondeDotOrg 2 ปีที่แล้ว

    Can't thumbs-up any instructor who uses the incredibly-overused Twinkle Twinkle as an example..

    • @AlessandroSistiMusic
      @AlessandroSistiMusic 2 ปีที่แล้ว +9

      You can find him improvising on German chorales or psalms from the Genevan psalter if you would like to see him use something else :) He's just trying to use something that will connect with a global audience

    • @superblondeDotOrg
      @superblondeDotOrg 2 ปีที่แล้ว

      @@AlessandroSistiMusic sure, except it has the opposite effect, total turn-off. I dont know anyone who looks forward to playing Twinkle Twinkle or anything related to it, in fact it results in grimacing. The song is literally used as a torture method during childhood lessons. Only a tiny fraction of musicians who are classically trained since birth and live in a reality-bubble seem to enjoy that tune or other similarly over-used tunes. Better to apply variation on the most-loved melody in the entire world over the past few years: We Don't Talk About Bruno, or other such actually-genuinely-popular melodies which others enjoy.

    • @AlessandroSistiMusic
      @AlessandroSistiMusic 2 ปีที่แล้ว +2

      @@superblondeDotOrg I agree much of the public would find an improvisation on We Don't Talk About Bruno engaging. As you probably know, this style of music works best on melodies that are unsyncopated and move mostly stepwise. We Don't Talk About Bruno fits neither criterion. Plus it's under copyright, which adds an extra set of potential complications for something posted online.

    • @lovaaaa2451
      @lovaaaa2451 10 หลายเดือนก่อน +3

      Stop complaining. Twinkle twinkle is a classic cantus firmus and very good precisely because it is a very simple melody with clear harmonic outline which makes it perfect for exposing creative approaches because more engaging melodies makes things more complicated and the melody is precisely not the point. That's why everybody's using it, including Mozart. You could say the same about the melody in Beethoven's ninth but critiquing that would mostly show that you don't understand the music.

    • @superblondeDotOrg
      @superblondeDotOrg 10 หลายเดือนก่อน

      @@lovaaaa2451 how about you write a new original one. Why cant you understand that these same old melodies constantly reused is annoying especially to beginners? Did you learn to speak by reciting "jack and jill" over and over, no, you did not.