I've heard so many great versions of this, but to me, this is the most beautiful version I have heard. He doesn't break the phrases to breathe in the middle, and I love the way he caresses the word Divin. Most singers take a breath before the word, but he doesn't. And his pianissimi are gorgeous. Simply exquisite.
Excellente interprétation en demi-teintes et sans détimbrer ! le texte est plutôt bien prononcé car il n'est pas français ! jolies couleurs et élégance sur scène. Un chanteur qui ne 'roule' pas les ' r ' comme le style le requiert.... et les ' i ' ouverts très délicats à négocier. Bravo
Es bello como figura, y su timbre es como el de Palacido cuando comenzo, creo que tendremos una estella luminosa en la lirica por muchos años. debe cuidar su voz como oro.
@@lesindorf-934videos Он недалеко от них ушел. Впрочем, если вам нравится, я не хотел бы этому мешать. Кстати, среди контратеноров есть довольно приличные, например, Эсвуд.
Bravo ! Bravo! Enfin un ténor qui sait chanter comme il se doit l'air de Nadir. Je ne connais pas mais il chante divinement bien avec intelligence et finesse ce que ne savent plus faire les chanteurs même les plus connus sur cette aria .
You are entitled to think what you will of his timbre and interpretation, but his vocal talent is undisputable. I can't for the life of me understand how you can call his singing "harsh" in any way - he has one of the most velvety voices i have heard. His timbre is not dark by any means. In that case, you're confusing darkness with fullness. He sings light lyric reperoire, and btw his vibrato is perfectly fine - a fast, even vibrato is rather a proof of good technique that the opposite.
Very "different" from the majority of other singers if not from everybody else. Who cares, this is tremendously good & vocally thrilling! (yes, the french pronunciation needs improvements but only people who know the correct pronunciation will notice)
For me, Fleta is #1 in this aria. That's why I can't imagine it without a crescendo on a high note. However, this performance is beautiful in its own way and sustained in a purely lyrical manner, without presenting vocal athleticism to the public, which is hardly available.
...nee, könnte ganz sicher nicht in Fritz Wunderlich's Fusstapfen treten. Herr Behle singt toll, keine Frage. Auf hohem Niveau! Fritz Wunderlich hatte, wie die anderen wirklich "grossen" Sänger, einen absolut unverwechselbaren Sound und eine unglaubliche Stimme. Es gibt Aufnahmen von ihm (z.B. der Tamino Arie oder, natürlich völlig anderes Genre, des Schlagers Granada) wo man sich fragt: wie bekommt der Mann das hin? Wo kommen diese Töne her? Wie bei Pavarotti das hohe C in der Rodolfo Arie während des Auftritts in Moskau. Oder ein "Esultate" del Monaco's. Oder das ersterbende Piano am Ende der Aida Arie von Franco Corelli (live gesungen). Die wirklich "Grossen" haben sängerisch Dinge vollbracht, die Profis und Laien gleichermassen erstaunen. Oder Domingo: wird Herr Behle 120 Rollen singen und auf Platte einspielen? Ich lasse mich natürlich gern vom Gegenteil überzeugen, denn etwas "schlechtes" möchte ich ja über Herrn Behle gar nicht sagen.
canta muy bien, y correcto como debe ser, con voz de cabeza, y no falsete con alguien que no sabe de canto ha escrito por alli. la partitura original dice que debe ser cantada con voz de cabeza.
PD: si quieren escuchar una buena version del aria de los pescadores de perlas ademas de la de alfred krauss les recomiendo la de tenghiz zaalishvili no se la pierdan!!
The only statements true are the ones that are concrete; i.e. the shortage of air at some places. This is definitely due to nerves, not ability. No one would sing that aria, in a competition to boot, without normally being able to sustain the phrases. He looks relatively young and has a lot to prove - He did a great job under such circumstances. Operatics critique about his voice; imo incorrect - the vibrato is perfectly fine. it's a lyric voice singing tenderly and it's def. not too dark.
no esta mal es un tenor joven y puede mejorar su performance solo tiene que sacar la voz mas a la mascara como en la tecnica italiana, que gracioso krauss "español" con su tecnica "italiana" y que es el mejor interprete de esta aria de opera "francesa" paradojico.
I would like to hear Helene Fischer sing this. On her annual Christmas show. There ARE versions in English, if she doesn't fancy the French. I have never heard it in German. However, Ms Fischer is aiming for a shortened lifespan, through her public display of Akrobatik nonsense. Alas, her fans just gawp passively, when they should be protesting. So unfortunately my wish may never be fulfilled. What a waste of a beautiful lady with a beautiful voice. The song is SO sad that I shall think of it when Ms Fischer is no more. Daniel does a very good job with this exquisite aria, by the way.
A voice too dark for this aria and his molto vibrato is already noticeable due to a not very good vocal capacity and technique.His Legato is just ok , but not enough for this ¨gem¨, harsh when says RAMI..ERRR... out of breath when says RAVIS..SEMENT (cutting the word).Due to a very rough singing for this particular aria about to tear when says.. EENTR'ouvrir ..straining the whole expression Entr'ouvrir ses longs voileSS..Falseto voice at the end.
Kraus version is the best... Because his technique mainteined his voice fresh and healthy for 71 years.... Never lowered down an aria...never sang in falsetto
![Njabulo Madlala & Kananelo Sehau - Pearlfisher's Duet [Les Pêcheurs de Perles, G.Bizet]](http://i.ytimg.com/vi/Mk2mBkw0_AY/mqdefault.jpg)
![Njabulo Madlala & Kananelo Sehau - Pearlfisher's Duet [Les Pêcheurs de Perles, G.Bizet]](/img/tr.png)
Superb. It is so difficult to sing high, soft, and sustained. What a beautiful job.
I've heard so many great versions of this, but to me, this is the most beautiful version I have heard. He doesn't break the phrases to breathe in the middle, and I love the way he caresses the word Divin. Most singers take a breath before the word, but he doesn't. And his pianissimi are gorgeous. Simply exquisite.
wirklich tolle Stimme!
Sweet, unforced, exquisite phrasing, and a very unique timbre. The audience rightly erupted!
Herrlich danke für die Nachricht , was für eine tolle Stimme eine brillante Arie
Hermosísimo, bravooooooo, felicitaciones, bendiciones para usted y seres amados, un abrazo de luz de amor desde Chile.
Lovely sir. Thank you. And thank God for you.
Awesome!
So lyrical and birilliant.
Excellente interprétation en demi-teintes et sans détimbrer ! le texte est plutôt bien prononcé car il n'est pas français ! jolies couleurs et élégance sur scène. Un chanteur qui ne 'roule' pas les ' r ' comme le style le requiert.... et les ' i ' ouverts très délicats à négocier. Bravo
Bravo, Daniel! Ein Abgrund des Geschmacks und eine großartige Stimme!
Es bello como figura, y su timbre es como el de Palacido cuando comenzo, creo que tendremos una estella luminosa en la lirica por muchos años.
debe cuidar su voz como oro.
Bellissima interpretazione !
Tor Larsen km
Bravissimo!
Fantastycznie, cudownie
Großartig! Ich freue mich schon jetzt darauf, ihn das erste Mal am 22.04.12 in Stuttgart in der Schöpfung zu hören. Er singt wirklich betörend.
Very beautiful! Bravo! Thanks for posting.
BRAVO!!!
Oh, mein Got, wie schön!
Hermosicima vercion, mis felicitaciones para este pive,el falcete ke hace es impecable y ademas keda hermoso-saludos
bravo indeed!
Чудесное исполнение.
amazing!!!
greetings from Athens
Quite good. Nice voice. Good quality.
thankyou for your kind condescendence.You must be an expert in the mastery of singing.
@@stranraerwal thank you for your input
Gyönyrü hang, gyönyörü aria, Istenem, de szép...
Fantastisch.
WOW this is fantastic!!!!
Fantastic is S. Lemeshev, try, if you wish , the same aria.
Bravo! Bravissimo!
една от любимите ми арии !!!!
О, это любимое исполнение арии Надира из всех мной слышанных когда-либо!
А Тино Росси не нравится? th-cam.com/video/HVM3gEP2WIA/w-d-xo.html
A Сергей Лемешев, концертная запись. 1948 год.
@@lesindorf-934videos Только не Тино Росси, благодарю покорно. Это просто вокальная перверсия.
@@purisermonisamator Почему? Росси же не контратенор?
@@lesindorf-934videos Он недалеко от них ушел. Впрочем, если вам нравится, я не хотел бы этому мешать.
Кстати, среди контратеноров есть довольно приличные, например, Эсвуд.
Excelente!!!
Bravo ! Bravo! Enfin un ténor qui sait chanter comme il se doit l'air de Nadir. Je ne connais pas mais il chante divinement bien avec intelligence et finesse ce que ne savent plus faire les chanteurs même les plus connus sur cette aria .
ja, so ist es, wunderbar...
neisamowita aria i wykonanie..... :OOOOOOOOOOOOOOOOOOOOOOOOOOO
You are entitled to think what you will of his timbre and interpretation, but his vocal talent is undisputable.
I can't for the life of me understand how you can call his singing "harsh" in any way - he has one of the most velvety voices i have heard.
His timbre is not dark by any means. In that case, you're confusing darkness with fullness.
He sings light lyric reperoire, and btw his vibrato is perfectly fine - a fast, even vibrato is rather a proof of good technique that the opposite.
Don´t mind stupid people who do not understand anything about proper opera singing while not distinguishing different timbres...
Whom are you speaking to?
Прекрасно!
Bravo!
Fantastique
nice voice...
Spasibo za sovet. Vy pravy! Ispolnenie Pishaeva - eto chto-to nechto!
Compere , please, with Lemeshev, the same aria.
¡Lyrics please !!!!!
Great ending!
Very "different" from the majority of other singers if not from everybody else. Who cares, this is tremendously good & vocally thrilling! (yes, the french pronunciation needs improvements but only people who know the correct pronunciation will notice)
Sounds like a full lyric with a nice timbre.
No this is a leggero. A baby leggero.
Pavarotti was a real leggero.
@@draganvidic2039 That's why he sang Canio...
Mmm, best pearl fisher aria ever in U tube. Better than that Spaniard, and / or Italiano!
Kraus, mi predilecto, aunque M. Fleta es increible,. Quizas halla más de uno, con gran calidad,..
For me, Fleta is #1 in this aria. That's why I can't imagine it without a crescendo on a high note. However, this performance is beautiful in its own way and sustained in a purely lyrical manner, without presenting vocal athleticism to the public, which is hardly available.
adorable
Sehr vielversprechend. Tolle Stimmkultur. Hoffentlich wird er behutsam geführt. Könnte in Fritz Wunderlichs Fußstapfen treten.
...nee, könnte ganz sicher nicht in Fritz Wunderlich's Fusstapfen treten. Herr Behle singt toll, keine Frage. Auf hohem Niveau! Fritz Wunderlich hatte, wie die anderen wirklich "grossen" Sänger, einen absolut unverwechselbaren Sound und eine unglaubliche Stimme. Es gibt Aufnahmen von ihm (z.B. der Tamino Arie oder, natürlich völlig anderes Genre, des Schlagers Granada) wo man sich fragt: wie bekommt der Mann das hin? Wo kommen diese Töne her? Wie bei Pavarotti das hohe C in der Rodolfo Arie während des Auftritts in Moskau. Oder ein "Esultate" del Monaco's. Oder das ersterbende Piano am Ende der Aida Arie von Franco Corelli (live gesungen). Die wirklich "Grossen" haben sängerisch Dinge vollbracht, die Profis und Laien gleichermassen erstaunen. Oder Domingo: wird Herr Behle 120 Rollen singen und auf Platte einspielen? Ich lasse mich natürlich gern vom Gegenteil überzeugen, denn etwas "schlechtes" möchte ich ja über Herrn Behle gar nicht sagen.
Er ist klug und seine Mutter Renate Behle wird ihn gut beraten!
canta muy bien, y correcto como debe ser, con voz de cabeza, y no falsete con alguien que no sabe de canto ha escrito por alli.
la partitura original dice que debe ser cantada con voz de cabeza.
❤🎉
Was macht er jetzt 2022 Oktober ? Wuerde mich freuen, wenn jemand schreibt
www.danielbehle.de/termine.html
Hallo Rudi , freue mich das Dir die Arie gefällt
Perfekte Atem- und Stimmbeherrschung. Der deutsche Lemeshev!
it's.amazinf that he has more hair now
PD: si quieren escuchar una buena version del aria de los pescadores de perlas ademas de la de alfred krauss les recomiendo la de tenghiz zaalishvili no se la pierdan!!
The only statements true are the ones that are concrete; i.e. the shortage of air at some places. This is definitely due to nerves, not ability. No one would sing that aria, in a competition to boot, without normally being able to sustain the phrases. He looks relatively young and has a lot to prove - He did a great job under such circumstances.
Operatics critique about his voice; imo incorrect - the vibrato is perfectly fine. it's a lyric voice singing tenderly and it's def. not too dark.
Nice! should be a bit better known.
To nastawiam specjalnie dla mojego męża ,on to uwielbia .
Fast wie Gedda, bravo-
Achim Klotz da liegen aber Welten dazwischen, Zuviel Lyric und die Endungen sind zu dünn in Falsetto
I heard Gedda sing this and he was supreme. Not so keen on this interpretation.
Ganz großes Tennis
no esta mal es un tenor joven y puede mejorar su performance solo tiene que sacar la voz mas a la mascara como en la tecnica italiana, que gracioso krauss "español" con su tecnica "italiana" y que es el mejor interprete de esta aria de opera "francesa" paradojico.
La técnica de Kraus no es italiana. Es belcantista, o sea, puro García.
Nein, G.Pizschaev - bestes!
Послушайте Г.Пищаева - лучшее исполнение, душа поёт!
I would like to hear Helene Fischer sing this.
On her annual Christmas show.
There ARE versions in English, if she doesn't fancy the French.
I have never heard it in German.
However, Ms Fischer is aiming for a shortened lifespan, through her public display of Akrobatik nonsense.
Alas, her fans just gawp passively, when they should be protesting.
So unfortunately my wish may never be fulfilled.
What a waste of a beautiful lady with a beautiful voice.
The song is SO sad that I shall think of it when Ms Fischer is no more.
Daniel does a very good job with this exquisite aria, by the way.
Только Пищаев!
А как же Собинов, Пласидо Доминго, Лемешев .... ?
th-cam.com/video/HVM3gEP2WIA/w-d-xo.html
An Ok Tenor, an bad interpretation for this aria.I haven´t herd more of him, b
he has a very dustinguished carreer in Europe!
A voice too dark for this aria and his molto vibrato is already noticeable due to a not very good vocal capacity and technique.His Legato is just ok , but not enough for this ¨gem¨, harsh when says RAMI..ERRR... out of breath when says RAVIS..SEMENT (cutting the word).Due to a very rough singing for this particular aria about to tear when says.. EENTR'ouvrir ..straining the whole expression Entr'ouvrir ses longs voileSS..Falseto voice at the end.
hahahaha
Dark? He lacks squillo and full voice singing. He’s sung Lohengrin now...
Kraus version is the best... Because his technique mainteined his voice fresh and healthy for 71 years.... Never lowered down an aria...never sang in falsetto
You are absurd
To nastawiam specjalnie dla mojego męża ,on to uwielbia .