Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, Francisco would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was "Quiquet". As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to Castellón de la Plana to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind. In 1862, concert guitarist Julián Arcas, on tour in Castellón, heard the young Tárrega play and advised Tárrega's father to allow Francisco to come to Barcelona to study with him. Tárrega's father agreed, but insisted that his son take piano lessons as well. The guitar was viewed as an instrument to accompany singers, while the piano was quite popular throughout Europe. However, Tárrega had to stop his lessons shortly after, when Arcas left for a concert tour abroad. Although Tárrega was only ten years old, he ran away and tried to start a musical career on his own by playing in coffee houses and restaurants in Barcelona. He was soon found and brought back to his father, who had to make great sacrifices to advance his son's musical education. Three years later, in 1865, he ran away again, this time to Valencia where he joined a gang of gypsies. His father looked for him and brought him back home once more, but he ran away a third time, again to Valencia. By his early teens, Tárrega was proficient on both the piano and the guitar. For a time, he played with other musicians at local engagements to earn money, but eventually he returned home to help his family. Monument of Tárrega in Villarreal Tárrega entered the Madrid conservatory in 1874, under the sponsorship of a wealthy merchant named Antonio Canesa. He had brought along with him a recently purchased guitar, made in Seville by Antonio de Torres. Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential. At the conservatory, Tárrega studied composition under Emilio Arrieta who convinced him to focus on guitar and abandon the idea of a career with the piano. By the end of the 1870s, Tárrega was teaching the guitar (Emilio Pujol, Miguel Llobet, and Daniel Fortea were pupils of his) and giving regular concerts. Tárrega received much acclaim for his playing and began traveling to other areas of Spain to perform. By this time he was composing his first works for guitar, which he played in addition to works of other composers. During the winter of 1880, Tárrega replaced his friend Luis de Soria, in a concert in Novelda, Alicante, where, after the concert, an important man in town asked the artist to listen to his daughter, María José Rizo, who was learning to play guitar. Soon they were engaged. In 1881, Tárrega played in the Opera Theatre in Lyon and then the Paris Odeon, in the bicentenary of the death of Pedro Calderón de la Barca. He also played in London, but he liked neither the language nor the weather. There is a story about his visit to England. After a concert, some people saw that the musician was in low spirits. "What is the matter, maestro?" they asked him. "Do you miss home? Your family, perhaps?" They advised him to capture that moment of sadness in his music. Thus he conceived the theme of one of his most memorable works, Lágrima (literally meaning teardrop). After playing in London he came back to Novelda for his wedding. At Christmas 1882, Tárrega married María José Rizo. To enlarge his guitar repertory and, no doubt, to make use of his considerable knowledge of keyboard music, he soon began transcribing piano works of Beethoven, Chopin, Mendelssohn and others. Tárrega and his wife moved to Madrid, gaining their living by teaching privately and playing concerts, but after the death of an infant daughter during the winter, Maria Josefa de los Angeles Tárrega Rizo, they settled permanently in Barcelona in 1885. Among his friends in Barcelona were Isaac Albéniz, Enrique Granados, Joaquín Turina and Pablo Casals. Portrait by Vicente Castell (1904) Francisco Tárrega and María José (María Josefa) Rizo had three more children: Paquito (Francisco), Maria Rosatia (María Rosalia) (best known as Marieta) and Concepción. On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him. She allowed him and his family use of a house in Barcelona, where he would write the bulk of his most popular works. Later she took him to Granada, where the guitarist conceived the theme for Recuerdos de la Alhambra, which he composed on his return and dedicated to his friend Alfred Cottin, a Frenchman who had arranged his Paris concerts. From the later 1880s up to 1903, Tárrega continued composing, but limited his concerts to Spain. In 1900, Tárrega visited Algiers, where he heard a repetitive rhythm played on an Arabian drum. The following morning he composed Danza Mora based on that rhythm. In about 1902, he cut his fingernails and created a sound that would become typical of those guitarists associated with his school. The following year he went on tour to Italy, giving highly successful concerts in Rome, Naples, and Milan. In January 1906, he was afflicted with paralysis on his right side, and though he would eventually return to the concert stage, he never completely recovered. He finished his last work, Oremus, on 2 December 1909. He died in Barcelona thirteen days later, on 15 December, at the age of 57.
I'm here because my grand father is in the hospital by covid and I can't see him 'cause protocols. I know this song is so melancholic but someway makes me feel quiet. I hope he is with us again, I miss him so much...
The improvisation part is one of the most beautiful thing Ive ever heard. To add to Mr Tarrega's music and add to its beauty is quite an accomplishment. ❤
@@veraps.5176 Thank you for your interest - this version is heartbreakingly beautiful - Pedro Abreu and Goran Zegarac improvise, I don't think there is a score - are you, yourself a guitarist?
@@ullakorpi-anttila88 So it's the combined work of two musicians. No wonder it sounds so magical. Yes, I'm graduaying next month from a music uni and I have been learning the guitar since I was a child, but due to my studies which the last year focused more on research and music pedagogy I havent played classic guitar in a while. My thesis actually is focusing on guitar and Tarrega's journey. This is one of his pieces I analyzed and my personal favourite among danza mora, lagrima, gran vals, Recuerdos etc. I got addicted to this version not gonna lie it evokes even more emotions to me.
Con el toque perfecto de amor y cuidado , ese que deja un sabor esperanzador y que en lugar de escapar de los problemas existentes los toma de la mejor forma. Me encanta. Como una historia de amor con penas alegrías.
@@francnavarro44 es adelita, con una improvisacion en el medio, (para mi es la mejor improvisacion que escuche), fijate en los creditos quien lo improviso
A few years ago, I acquired a double CD set of classical guitar music. It became my go-to music to relax to . Adelita is a song I had never heard before. It is one of the jewels I have discovered on You Tube.
Es inolvidable el legado de Tárrega a la musica de los siglos XIX y XX.La misma calidad en Dionisio Aguado y F. Sor.En Brasil Villa Lobos es herdero de esta buena tradición hispanica
@@rustem6129 Flamenko seviyorsan Paco De Lucia ve Paco Pena mükemmeldir. Böyle melodik şeyleri daha çok Paco Pena çalıyor. Onun dışında Mauro Guilliani Allegro yu dinle derim. Ve şu meşhur Etude No 7 Carcassi yi. Etude in E Minor da çok güzeldir.
I literally fell in love with this music, im 18 and play guitar mostly mexican music (corridos) but this speaks to me in a way no other genre of music has. Gracias Francisco Tàrregua vives atravez de tu musica ❤😔
@@liquoriceprose163 It says in the end credits played on flamenco guitar(s), sounds like like 2 guitars and no video of one person playing it sounds like this, so pretty sure its been tracked twice
Love this version, The interplay between the two guitars is exquisite. The improvisation is delightful, Tarrega would surely have thought this is genius!!
Una obra de arte a manos del gran maestro Tarrega, me pone los pelos de punta escuchar su respiración en la grabación al mismo tiempo que siento la música como la va sintiendo el
@@giorutylious6946 I appreciate your interest🤗 it is part of Adelita - but in this version the utterly touching and beautiful improvisation is added (1.44). Hope you enjoy it!
@@giorutylious6946 Yes - this version with the very touching improvisation is in my opinion the very best one. I don't know whether there is any sheet music available. Another of Fransisco Tarrega's beautiful guitar music is: Recuerdos de la Alhambra - Tarrega - Pablo Sainz-Villega - Tarrega (live at KIMMEL Center)...
@@shin-i-chikozima Thanks to you too from Turku in Finland. Those emojis are a fantastic lot. In return I send the following Finnish music (I believe you might like it): * Sibelius: Violin Concerto - Oistrakh & Ormandy (1959) (decaulion project) It's a greeting from the wilderness of the vast forests, thousand lakes and rapids. And this dramatic, intense and beautiful concerto is almost symphonic, unlike other violin concertos. It is played by David Oistrakh, King of Violinists, as he was called - in my opinion the greatest of the greats of all times. The conductor, Eugen Ormandy, is perfect for this - and so is the Philadelphia Orchestra. All in all an unbeatable version of this concerto.
I searched for a recording of this song, as I just finished reading the last pages of Mitch Albom’s “The Magic Strings of Frankie Presto”. (I wonder if anyone else has done the same.) Anyway, I am appreciating having been introduced to this legend’s beautiful music!
Sin duda habrán puristas quienes dirán que esta no es la versión original de esta obra y tendrán razón. Pero, no significa que el trabajo que se hizo aquí no fue fenomenal ni tampoco se puede decir de qué se le ha faltado el respeto al compositor. Me encantó la variación. Esta obra me ha gustado desde que por primera vez la escuché ya hacen casi 30 años. Al escucharla, uno queda con la impresión de que el compositor estaba lleno de anhelo por un amor frustrado o un amor perdido. Comunica una dulce agonía. El segmento que se añadió profundiza aún más esa impresión de manera muy linda. Muchísimas gracias por subirlo.
Oof this interpretation sounds different. I love the subtle arpeggios he's adding behind the bass and melody,oh it's an improv too. Damn this interpretation sounds nice.
Beautiful tune, my friends Ed and Alex would always play this on classical guitar and quite well too! Tarrega was a great composer for guitar that's for sure!
I simply can not find the so called "best word", because I think any so called "nice description" is poor to express what his talent and achievement did for those who love the classical guitar. He was a genius of the guitar.
@@tothem1997 yes, it is an improv. originally song ends at 1:31, and it's actually two guitars playing unlike the original. I don't think we'll be able to find tabs/tuto for this version unfortunately.
Comments under classical music, always bring back hope in humanity, there are so many wonderful people out there!
I know right? For a minute or two it almost feels like the world is perfect and in complete harmony...
Concuerdo absolutamente
You're all wonderful
So comments under grunge music means theres no hope in humanity? This music is still appreciated
@@rensvanderoer5501 Nadie dijo eso...
Tárrega was born on 21 November 1852, in Villarreal, Province of Castellón, Spain. It is said that Francisco's father played flamenco and several other music styles on his guitar; when his father was away working as a watchman at the Convent of San Pascual, Francisco would take his father's guitar and attempt to make the beautiful sounds he had heard. Francisco's nickname as a child was "Quiquet".
As a child, he ran away from his nanny and fell into an irrigation channel and injured his eyes. Fearing that his son might lose his sight completely, his father moved the family to Castellón de la Plana to attend music classes because as a musician he would be able to earn a living, even if blind. Both his first music teachers, Eugeni Ruiz and Manuel González, were blind.
In 1862, concert guitarist Julián Arcas, on tour in Castellón, heard the young Tárrega play and advised Tárrega's father to allow Francisco to come to Barcelona to study with him. Tárrega's father agreed, but insisted that his son take piano lessons as well. The guitar was viewed as an instrument to accompany singers, while the piano was quite popular throughout Europe. However, Tárrega had to stop his lessons shortly after, when Arcas left for a concert tour abroad. Although Tárrega was only ten years old, he ran away and tried to start a musical career on his own by playing in coffee houses and restaurants in Barcelona. He was soon found and brought back to his father, who had to make great sacrifices to advance his son's musical education.
Three years later, in 1865, he ran away again, this time to Valencia where he joined a gang of gypsies. His father looked for him and brought him back home once more, but he ran away a third time, again to Valencia. By his early teens, Tárrega was proficient on both the piano and the guitar. For a time, he played with other musicians at local engagements to earn money, but eventually he returned home to help his family.
Monument of Tárrega in Villarreal
Tárrega entered the Madrid conservatory in 1874, under the sponsorship of a wealthy merchant named Antonio Canesa. He had brought along with him a recently purchased guitar, made in Seville by Antonio de Torres. Its superior sonic qualities inspired him both in his playing and in his view of the instrument's compositional potential. At the conservatory, Tárrega studied composition under Emilio Arrieta who convinced him to focus on guitar and abandon the idea of a career with the piano.
By the end of the 1870s, Tárrega was teaching the guitar (Emilio Pujol, Miguel Llobet, and Daniel Fortea were pupils of his) and giving regular concerts. Tárrega received much acclaim for his playing and began traveling to other areas of Spain to perform. By this time he was composing his first works for guitar, which he played in addition to works of other composers.
During the winter of 1880, Tárrega replaced his friend Luis de Soria, in a concert in Novelda, Alicante, where, after the concert, an important man in town asked the artist to listen to his daughter, María José Rizo, who was learning to play guitar. Soon they were engaged.
In 1881, Tárrega played in the Opera Theatre in Lyon and then the Paris Odeon, in the bicentenary of the death of Pedro Calderón de la Barca. He also played in London, but he liked neither the language nor the weather. There is a story about his visit to England. After a concert, some people saw that the musician was in low spirits. "What is the matter, maestro?" they asked him. "Do you miss home? Your family, perhaps?" They advised him to capture that moment of sadness in his music. Thus he conceived the theme of one of his most memorable works, Lágrima (literally meaning teardrop). After playing in London he came back to Novelda for his wedding. At Christmas 1882, Tárrega married María José Rizo.
To enlarge his guitar repertory and, no doubt, to make use of his considerable knowledge of keyboard music, he soon began transcribing piano works of Beethoven, Chopin, Mendelssohn and others. Tárrega and his wife moved to Madrid, gaining their living by teaching privately and playing concerts, but after the death of an infant daughter during the winter, Maria Josefa de los Angeles Tárrega Rizo, they settled permanently in Barcelona in 1885. Among his friends in Barcelona were Isaac Albéniz, Enrique Granados, Joaquín Turina and Pablo Casals.
Portrait by Vicente Castell (1904)
Francisco Tárrega and María José (María Josefa) Rizo had three more children: Paquito (Francisco), Maria Rosatia (María Rosalia) (best known as Marieta) and Concepción. On a concert tour in Valencia shortly afterward, Tárrega met a wealthy widow, Conxa Martinez, who became a valuable patron to him. She allowed him and his family use of a house in Barcelona, where he would write the bulk of his most popular works. Later she took him to Granada, where the guitarist conceived the theme for Recuerdos de la Alhambra, which he composed on his return and dedicated to his friend Alfred Cottin, a Frenchman who had arranged his Paris concerts.
From the later 1880s up to 1903, Tárrega continued composing, but limited his concerts to Spain. In 1900, Tárrega visited Algiers, where he heard a repetitive rhythm played on an Arabian drum. The following morning he composed Danza Mora based on that rhythm. In about 1902, he cut his fingernails and created a sound that would become typical of those guitarists associated with his school. The following year he went on tour to Italy, giving highly successful concerts in Rome, Naples, and Milan.
In January 1906, he was afflicted with paralysis on his right side, and though he would eventually return to the concert stage, he never completely recovered. He finished his last work, Oremus, on 2 December 1909. He died in Barcelona thirteen days later, on 15 December, at the age of 57.
Thank you.....
So if he was blind. Thenhow could he have written the music
People called Francisco (or Francesc in catalan/valencian) are often called Quico, Quiquet or Cesc (like Cesc Fabregas)
thank you
I want to like the comment but it's at 69 likes lol.
I'm here because my grand father is in the hospital by covid and I can't see him 'cause protocols. I know this song is so melancholic but someway makes me feel quiet. I hope he is with us again, I miss him so much...
I wish you and him to stay strong and healthy! Courage!
He passed away two days ago, but I know he is with god. Always in my heart.
@@rodrigo.avalos My condolences
@@rodrigo.avalos I'm so sorry, friend. My condolences. I know that he's still looking at you and he knows your feelings.
Lamento mucho tu perdida Rodrigo, todo mi apoyo en estos momentos tan dificiles...
Но что ещё сказать ❤❤❤ мастер класс на все времена. Александр. Россия Саратов на Волге.
L'improvvisazìone è una magia nella magia,Adelina,Adelita, Adelita
He’s so good you can’t even see his hands moving… impressive.
Classical guitar is the most underrated thing in music
facts
facts
yep
No it’s not…..
quite the opposite, lmaooo
O desprezado violão nas orquestras sinfônicas, ganhou a grandeza e o devido respeito a partir das obras de Francisco Tárrega.
Mi abuela se llamaba Adela. Gracias a esta obra de arte tengo una hermosa manera de recordarla
The improvisation part is one of the most beautiful thing Ive ever heard. To add to Mr Tarrega's music and add to its beauty is quite an accomplishment. ❤
The best arrangement i've heard of this piece!
This is the type of music that can play perpetually and never spoil.
I play it again and again - this short piece of music goes straight to the deepest recesses of my soul.
Absolutely. I'm replying in for about an hour until now.. I can't stop.
@@ullakorpi-anttila88 Do you have this score? I have the original which is kind of easy. I want this version anyone please.
@@veraps.5176 Thank you for your interest - this version is heartbreakingly beautiful - Pedro Abreu and Goran Zegarac improvise, I don't think there is a score - are you, yourself a guitarist?
@@ullakorpi-anttila88 So it's the combined work of two musicians. No wonder it sounds so magical. Yes, I'm graduaying next month from a music uni and I have been learning the guitar since I was a child, but due to my studies which the last year focused more on research and music pedagogy I havent played classic guitar in a while. My thesis actually is focusing on guitar and Tarrega's journey. This is one of his pieces I analyzed and my personal favourite among danza mora, lagrima, gran vals, Recuerdos etc. I got addicted to this version not gonna lie it evokes even more emotions to me.
Me emociona ! Mi padre amaba y tocaba con pasión la musica de Tarrega .
Tremendas melodías, no la conocía y lo escuché como 5 veces seguidas
Esta melodía carga con terribles tristezas y un poco de esperanza en algunos acordes, me encanta
Con el toque perfecto de amor y cuidado , ese que deja un sabor esperanzador y que en lugar de escapar de los problemas existentes los toma de la mejor forma. Me encanta. Como una historia de amor con penas alegrías.
ci
En este video se escuchan dos temas, el segundo sabes como se llama?
@@francnavarro44 es adelita, con una improvisacion en el medio, (para mi es la mejor improvisacion que escuche), fijate en los creditos quien lo improviso
@@LagartoChicloso Dice Pedro Abreu, ya busqué en internet y no encontré la partitura.
Primer vez que la escucho, ahora la escucharé todos los días
Ady Batiz vaya te paso igual que a mi, y como no si esta es una exquisita pieza
I have to listen to again and again - it doesn't leave me.
A few years ago, I acquired a double CD set of classical guitar music. It became my go-to music to relax to . Adelita is a song I had never heard before. It is one of the jewels I have discovered on You Tube.
I've been searching for someone else who has played this like this way , i couldn't !!! really Tarrega from another planet 😍🙏
These two guitarists - my leading stars!
@@ullakorpi-anttila88 👍🌹
Es inolvidable el legado de Tárrega a la musica de los siglos XIX y XX.La misma calidad en Dionisio Aguado y F. Sor.En Brasil Villa Lobos es herdero de esta buena tradición hispanica
Beautiful. My favorite is Francisco Tarrega.
Love from turkey always admired spanish classics
Tarrega gibi kimler var ? Kimi dinlememi tavsiye edersin ?
oha türk
@@rustem6129 Flamenko seviyorsan Paco De Lucia ve Paco Pena mükemmeldir. Böyle melodik şeyleri daha çok Paco Pena çalıyor. Onun dışında Mauro Guilliani Allegro yu dinle derim. Ve şu meşhur Etude No 7 Carcassi yi. Etude in E Minor da çok güzeldir.
Unbelievable.Wonderful exciting music.
Esta joya musical es genial. Me encanta. Gracias, Pedro Abreu.
My name 😊 but im indonesian 🇮🇩 i guess my father loves this beautiful piece
I cry in every time I listen to Tarrega music he is always the best.
Something to listen to in the melancholy of the cold winter rain amidst some green expanse in the middle of nowhere
Es simplesmente lindo como hace sonar la guitarra y como la melodía nos hace sentir lo que, posiblemente, las palabras no lo harían.
My god the melody and harmony this piece begins and ends with is amazing
I literally fell in love with this music, im 18 and play guitar mostly mexican music (corridos) but this speaks to me in a way no other genre of music has. Gracias Francisco Tàrregua vives atravez de tu musica ❤😔
A través de tu música
@@VictorHernandez-wo1vn que corrección tan estupida la tuya
Abrazos a todo México desde España 🇪🇦♥️🇲🇽
@@PsalleetSile 💕🌏
@@fmartello Qué corrección tan estúpida la tuya.
Tan bonito que es mi idioma.
Şahane ! Her ritim İçimdeki bir masalı uyandırıyor.
Lovely to hear a 2nd guitar line added (and a extra improve too) lovely things happening between the two guitars, well done guys...
burrencrawler
There's only one guitar.
@@liquoriceprose163 It says in the end credits played on flamenco guitar(s), sounds like like 2 guitars and no video of one person playing it sounds like this, so pretty sure its been tracked twice
@@liquoriceprose163 it's two guitarists.
@@Loulouleloup06 it's two guitarists.
@@Loulouleloup06 there are two guitars its clearly notable
MARAVILLOSO
Love this version, The interplay between the two guitars is exquisite. The improvisation is delightful, Tarrega would surely have thought this is genius!!
I like the improvisation a lot
I love it - it's like he is sitting deep thoughts giving us this touching, sad and sorrowful song - it goes straight into my heart...
i wish i can find a tab for it 💔
Me encanta Capricio Arabe pero también estoy descubriendo Adelita que me llega al corazón.
As a guitar player... I'm overwhelmed. I gotta practice more.
Isso tocou o meu coração ❤ obrigado ao meu amigo pada que me mostrou essa canção....
eu amo escutar música boa pela primeira vez. não conhecia essa e é maravilhosa.
Una obra de arte a manos del gran maestro Tarrega, me pone los pelos de punta escuchar su respiración en la grabación al mismo tiempo que siento la música como la va sintiendo el
È verissimo !
No es Tárrega tocando son Pedro Abreu y Goran Zegarac, además Tarrega falleció en 1909, en ese entonces no había audio de esta calidad.
Your comment describes how I feel about this music - a new favourite of mine, I have to play it over and over again, especially from 1:35.
@@GuilleFunes_ El que toca no es Tárrega pero si su música, y seguro que Tárrega la tocaba mejor.
Una melodía que te abre el corazón saliendo para afuera el espíritu y tu alma en un viaje hacia La Paz.
Very sad and beautiful, all I love! Very cool
Love this rendition.. especially from 1:35 ❤
I love all of it, still - but from 1:35 onwards it's just breaking my heart...
@@ullakorpi-anttila88is it Arrangement from different composition or It's part of Adelita?😊
@@giorutylious6946 I appreciate your interest🤗 it is part of Adelita - but in this version the utterly touching and beautiful improvisation is added (1.44). Hope you enjoy it!
@@ullakorpi-anttila88
Thanks a lot for reply! i love this Improvisation, i wan't learn this badly! is there any sheets for this available?
@@giorutylious6946 Yes - this version with the very touching improvisation is in my opinion the very best one. I don't know whether there is any sheet music available.
Another of Fransisco Tarrega's beautiful guitar music is: Recuerdos de la Alhambra - Tarrega - Pablo Sainz-Villega - Tarrega (live at KIMMEL Center)...
Thank you so much Pedro Abreu and Goran Zegarac!!!!!
Awesome pic of classic music !
Mucho sentimiento, desde Panama.
Como suena esa guitarra! Afloran sentimientos que creìa dormidos.
Un sueño!
@@nelin6162 asi es,llega al alma
The improvisation in the end is amazing!!!!!
Simply stunning ❤❤❤
Que obra-prima.
I am struck with awe .
His play is breath -taking and hall - marked
I'm too - stunning...
@@ullakorpi-anttila88
Thankyou
From
A corner ofdazzling Tokyo
🎌㊗️🗻🔪🗼🚅🎍🏮🏯♨️👺⛩️🎎🎏🎴🇯🇵🌸👘🌊🍤🍘🍡🍙🍲🍥🍛🥠🥟🍚🍢🥘🍱🍣🍜🍜🇯🇵
These emoji 絵文字 are unique to Japan 🇯🇵
@@shin-i-chikozima Thanks to you too from Turku in Finland. Those emojis are a fantastic lot. In return I send the following Finnish music (I believe you might like it):
* Sibelius: Violin Concerto - Oistrakh & Ormandy (1959) (decaulion project)
It's a greeting from the wilderness of the vast forests, thousand lakes and rapids. And this dramatic, intense and beautiful concerto is almost symphonic, unlike other violin concertos. It is played by David Oistrakh, King of Violinists, as he was called - in my opinion the greatest of the greats of all times. The conductor, Eugen Ormandy, is perfect for this - and so is the Philadelphia Orchestra. All in all an unbeatable version of this concerto.
@@ullakorpi-anttila88
Thankyou
Your wonderful comment
Good luck
See you again🏮♨️㊗️🎌
@@shin-i-chikozima Good luck to you too - see you...
Este instrumento na mão de quem sabe, faz minha alma viajar ao Paraiso. Difícil é ter que voltar depois.
...it's almost impossible to leave it - and the improvisation is simply out of this world.
Linda música ❤
I searched for a recording of this song, as I just finished reading the last pages of Mitch Albom’s “The Magic Strings of Frankie Presto”. (I wonder if anyone else has done the same.)
Anyway, I am appreciating having been introduced to this legend’s beautiful music!
Bella composición. del maestro F Tarrega
Maravilloso.Tarrega es de otro mundo
Well done! The strings sound like they're crying.
El sonido más perfecto que he escuchado en mi vida
That is what I say too...
Awesome piece of music, fantastic.
Rasplakala sam se😭
When the improvisation begins, I can't hold back my tears.
Sin duda habrán puristas quienes dirán que esta no es la versión original de esta obra y tendrán razón. Pero, no significa que el trabajo que se hizo aquí no fue fenomenal ni tampoco se puede decir de qué se le ha faltado el respeto al compositor. Me encantó la variación. Esta obra me ha gustado desde que por primera vez la escuché ya hacen casi 30 años. Al escucharla, uno queda con la impresión de que el compositor estaba lleno de anhelo por un amor frustrado o un amor perdido. Comunica una dulce agonía. El segmento que se añadió profundiza aún más esa impresión de manera muy linda. Muchísimas gracias por subirlo.
Disculpame podrías decirme si este arreglo es de una sola guitarra, o son dos sonando simultáneamente?
Maestro Francisco !!
Oof this interpretation sounds different. I love the subtle arpeggios he's adding behind the bass and melody,oh it's an improv too. Damn this interpretation sounds nice.
Beautiful tune, my friends Ed and Alex would always play this on classical guitar and quite well too! Tarrega was a great composer for guitar that's for sure!
Escuchando esta maravilla en noviembre 2024 🇦🇷
Una locura esta pieza.... extremadamente bella.... wooow...!!!
The improv' is gorgeous... Thank you !
Magic ⚡👌🙏
His master piece is my heart melting melode with nullified, , healed music. Gopal guitarist.
great music, light and pleasant and yet deep, i can hear this again and again. Thanks
just amazing
後半のメロデイを弾く第二ギター、爪の形が見えるような音色、スペインの田舎を想い出します
나는 나이가 70살입니다.
살아 온 회한으로 슬픈 나날을 지내고 있습니다. 이 음악으로 많은 생각을 합니다.
So beautiful!!
One of my favorite pieces to play when I was in college.
Good remember!!
Magnificent performance and sound. Bravo.
I simply can not find the so called "best word", because I think any so called "nice description" is poor to express what his talent and achievement did for those who love the classical guitar. He was a genius of the guitar.
@@francotg7938 Whatever. Who are you even talking about, Tarrega or Abreu?
From London
It is beautiful THANYOU
I love it
Lovely composition and performance! ❤️👏🏻👏🏻👏🏻
M sic is the food of your soul. Nice classical guitarist. The world needs more vids like that.
Simplemente fantastico, lleno de melancolía.
It makes me cry... It relieves me in the great distress me and my family are in right now... and it's so beautiful...
Beautifully done.
quality, the middle bit is amazing aswell. my go to rendition of adelita
Yeah never heard it in any other interpretation, might be impro, do you know if i can find tabs/tuto for this whole version somewhere?
@@tothem1997 yes, it is an improv. originally song ends at 1:31, and it's actually two guitars playing unlike the original. I don't think we'll be able to find tabs/tuto for this version unfortunately.
If someone can make the whole version, please let me know I would like to buy as I love it very much.
Magnifique ... Mélodieux et romantique, j'adore!
this is beautiful
Hermosa melodía un regalo para los sentidos
Very nice music 👏🏻👏🏻👏🏻
Лучшее исполнение на ютьюбе, по моему мнению. Шикарно!
Exactly!!!!!
Wonderful perfomance brother.. Very nice.. Like it.. 👍👍
Absolutely fabulous
Beautiful !!!
lovely
I really love your magical performance!
Increíblemente talentoso
madre mia, sin palabras *.*
Que belleza😍
1:33 onwards is outstanding
I think i fell in love
This music makes it indeed easy to fall in love - but so sad - in this exquisitive, utterly beautiful way...
Magnifique, tu es un Artiste
So relaxing and beautiful
Beautiful
This music makes a motion picture in my mind ......
Quelle magnifique composition
Maestro Don Francisco, muchas gracias...