I am convinced. Arturia should design a Superfreak with 61 real size keys, double synth engine (16 voices), polyphonic aftertouch and ribbon. Something more than 1000 bucks. I would buy it immediately
Longtime Arturia Fan/User. This is…amazing! Arturia really did something with the sound design in the MiniFreak. I feel like the sounds in this synth are gonna be classics one day. This whole MPE expressivity is blowing my mind 🤯
Not directly. The P is important - those instruments are essentially monophonic. (The stringed instruments do let you play two adjacent strings simultaneously, but they share expression data) The SWAM instruments, mapped through Divismate, can do it.
Great video, I am excited to try the Osmose with all my other instruments, even the non-MPE synths. Tim Shoebridge did a video controlling the Deckards Dream with an Osmose and man it sounds phenomenal.
it looked a little disappointing, like he could only either use poly aftertouch or per-note pitch bend but not both at the same time or something like that. And something weird about the pressure too.
what jack didn't say (and it's the real joy of MPE) is that all the expression he was demonstrating is on a per key basis, so you can hold down a chord and bend one note inside that chord, leaving the others unaffected. whereas a standard pitch bend wheel will bend every note that's playing. also, gotta say that the minifreak sounds absolutely badass.
Well thats certainly true if the synth really supports MPE, but I havent actually found any evidence that the Minifreak really supports MPE. And so this video may really just be a demonstration of what fun you can still get out of a non-MPE synth with an expressive controller, combined with some confusion from Jack and his distributor contact about terminology, what MPE actually is and its technical details. Actually being able to bend or not bend notes individually would require proper MPE (or voice per midi channel on some older synths), but since that isnt demonstrated here and the Minifreak manual makes no mention of MPE, I am far from convinced.
@@steveelbows3797 jack said the minifreak has to be set to omni, which suggested to me that it was true MPE in the sense that the controller was sending out multichannel data and the minifreak was utilising that data to play each note on a separate channel. it certainly sounded that way to me. it doesn't really matter (to me at least). i was only pointing out something that jack didn't mention abut MPE. the synth sounded great and he was having fun.
@@Simeon_Harris The Omni mode on the Minifreak just means its listening to all midi channels, it doesnt mean its handling the info from them in the fancy way that MPE requires. Lots of fun can be had with non-MPE synths and expressive controllers, but distributors and stores should try to understand the details so they can help their customers understand what is and is not possible.
@@steveelbows3797 You're right, the Arturia MiniFreak doesn't support MPE. It's unfortunate because I really enjoyed this video but the title is either a mistake, or shameless clickbait on the channel's part..
Great upload Jack & co.! Got the Mini Freak already and Osmose down paid for an expected May delivery 😮 … so, when both in the studio, I’m gonna be MPE mad 🤪🎹💥🎵🍻
the problem is there are no reasonably priced MPE keyboards. The most reasonably priced MPE keyboard is the minikeys on the hydrasynth explorer. Arturia not including an MPE keyboard in the minifreak, after having such a crazy keybed on the microfreak, is the synth's biggest failing.
Yep. I picked up the Osmose basically as a midi controller for my Hydrasynth Explorer (no way I'm doing sound design in Haken Editor) and I'm loving it.
This couldn't have dropped at a better time - I just ordered a Minifreak from Anderton's last night not even realising it had MPE support. Now I'll have to hook it straight up to my Hydrasynth when I get it tomorrow :D
I hope Arturia do actually add MPE support to the Minifreak one day. Better to try it with synths like: Quantum/Iridium, Prophet-6/OB-6, Super-6, anything by Modal, anything by Black Corporation, Modor NF-1, Micromonsta, GR-1 etc.
Arturia is releasing a small companion buddy for the Freak called PolyBrute 12 with Full Touch MPE. You can't wiggle side to side but you gain another dimension of depth.
Jack I was lucky enough too have had my osmose for over 2 months now…if you want too really see what it can do use osmose to control ROLI equator 2 it’s perfect.. Another thing to try is the feature on osmose we’re by it puts mpe functionality to vsts which wernt designed too be mpe .. Another which is awesome too try is pigments 4 and massive x ,the bass patches are mind blowing
The Osmose is such a weird product for me, since it strips out a lot of the 1:1 finger to surface experience that kind of defines MPE for me (especially when it comes to pitch expression), but I also wouldn't be surprised if it catches on with people more than the Seaboard, or the Linnstrument, ever did. It seems what a lot of people want out of MPE is simple "I can play a chord and vibrato one note on top" more than they want a fundamentally new instrument.
The pressure weighted portamento feature, or whatever they're calling it now (pressure glide?) makes up for a lot of that, and in some use cases, seems to be a cleaner solution. ...on the internal synth, at least. I'm told it's not supported on external MIDI yet. th-cam.com/video/UUh9nkDorZk/w-d-xo.html
@@AaronLevitz it's just definitely not as initiative as a traditional capacitive touch surface. Even on something like the Seaboard the simple act of point a point b x and y axis bending makes a lot more sense, and it opens up a lot of stuff (i.e. stuff like "fretless" unquantized playing) that just doesn't seem particularly well suited or possible on the Osmose. Still, I'd imagine poly AT + a little bit of x movement for basic bends and vibrato is probably what people who primarily play keyboard really want, vs learning a new instrument that makes smoothly bending from chord to chord accurately, or making sliding gliding bass lines more initiative. Kind of a halfway house for MPE, but still probably closer to what the majority of people want.
I will say, I am not sold on the Y axis being worthwhile on keyboard based layouts. It's great on something like Haken Continuum, where the black keys are the same size as white keys. But when absolute position in Y means a different percentage on one key than the key next to it, that's basically unusable. Relative movement from your initial point of touch can work, but no one's accounted for the distance to edge on different sized keys in a way that feels satisfying. I've made a few attempts myself, scripting midi utilities to process that data, but haven't loved any of them. So, I usually disable that.
KMI agreed with your assessment and stated as much when they designed the K-Board Pro 4, despite every single artist in their prototype demos performing a glissando with expectation of a smooth glide. (I suggested that there was still time to add a glide bar above or below the keys, like the smoothed areas on a Seaboard, but they insisted that their customers, such as myself, didn't want that.) You don't see a lot of the K-Board Pro anymore. I sold mine off in frustration, but the truth is, I regret that. --- Seaboard RISE is fantastic for mono lines. Leads and bass parts. Countermelodies. There's nothing better. Seaboard BLOCK is not nearly as good for those. But it's much better for chords, because the smaller keys didn't splay your fingers as much, or fall out of tune as the surface helped stabilize them. You can compensate on RISE by changing the X sensitivity, but now you've sacrificed the X axis. You can also use a wider voicing, limiting yourself to thumb and one finger in either hand. But now you're sacrificing muscle memory, and a lot of tonal colors. So I would argue that you want a different controller while composing an overall structure. And you want that right next to your Linnstrument or Seaboard, for two handed play. KMI's offering could have served that need, fairly well. Because, yes. Poly aftertouch and a bit of vibrato is all you need there. ...but Osmose handles that better.
Also, I don't specifically need 1-to-1 placement between notes. I need 1-to-1 placement on the *ends* of a glide, and I want precise control of my position between there, but if I'm moving an octave or two, I'd just as soon leave my hand ready to play the next note where it started. Wouldn't you? (This is still a harsh compromise, because I want the ability to choose whether two notes play on different voices, or glide from one to the other. You can say "intervals wider than ____ never glide", but those smaller intervals are still locked into this feature. And I do like the mild dissonance of a major second. ...but I think that's solveable. If not now, than through a firmware update later. We just need one of the pedals to enable or bypass glide altogether.)
imo you miss to advertise Osmoses biggest strength: almost all patches offer per key ADSR bascially at you finger tips. Whereas other devices have a distinct note on and off, Osmose reacts instantly and changes throughout the pressure curve. Dont mistake that with aftertouch! Osmose patches also feature that which comes after the initial pressure curve. As cool as it is to play Minifreak with Osmose, the experience lacks the "ADSR at your fingertips" experience. Pitch bend and very sensitive and long travel after touch is cool, but doesnt beat variable ADSR per finger.
Would be great to se someone showcase how the Osmose can enhance virtual synths/libraries from Native, Spitifire Audio. Also, apart from the obvious difference visually/build-wise - how does Osmose compare with for instance ROLI Seabord Rise 2?
@@chickberth Agreed. With the higher note on sensitivity, you can tap or gently "strum" the upper parts above the keys just as you suggested for glissando and other percussive effects.
Great video. I'm sure you can easily change the pitch bend range on the MiniFreak Keyboard but polyphonic aftertouch is nice. Could you do a similar video with the Push3 (which has MPE) and with the LaunchPad Pro MK3 (which has Polyphonic Aftertouch) I know only Ableton sell the Push3, but it would be a good ground for comparison with the Osmose in the same price range, and obviously with the Launchpad Pro3 mk3, which allows to do pretty much the same apart from Pitch bending for a few hundred bucks only.
Can we learn the mysteries of what is under Jacks hat at 100k? 🧢🕵♂Also great showcase, the osmose is worrying looking more and more like I gotta try it, sorry bank account 😬
Think there was a video hatless before the andertons channels split and he got mercilessly (and needlessly!) ribbed about it in the comments. Haters gonna hate!
Hii very nice content!! Does this synth have full controll over everthing in de V lab software? Does it scroll to all te pre sets and controll all the knob if a synth is selected??? Regards A
I tried this setup and got everything working except the pitch bending when wiggling the keys. Pitch bending with the slider on the Osmose is working though. Can anyone help me with this? What's the trick? Osmose is set to MPE and the Mini Freak to all channels. Thanks in advance!
With the Osmosis there is a rather big chance of slightly bending the tone also when you DON'T want it by inadvertently applying sideways pressure. I've heard several demo's now where this is quite apparent.
I've recently picked up playing the guitar and it's the same thing there. You really have to be careful not to bend or press to hard but it makes for an overall better instrument.
Osmose allows you to tailor that setting (or disable it completely.) If one wanted to have a more typical keyboard/piano feel, there's even a mode on Osmose just for that.
Don't blame the instrument, blame the player. You need skill to be able to use an Osmose in the way it was intended, that's possibly why you have heard YT offerings you have. This is why PAT keyboards are not a standard, you need to retrain how you play and how much pressure is applied to each and every key you want to affect.
nice vid, but i don't get how all this has been set up. my minifreak is set on "all channel" and my seaboard is set on "multichannel"... but that doesn't want to. I can't even trigger the aftertouch ^^
I was actually back and forth on upgrading my Hydrasynth Explorer to the Deluxe. Decided for now to get the Osmose as my MPE controller for the Explorer and have been quite happy.
Unfortunately I'm not even convinced the hardware version actually supports MPE, despite the title of this video. The manual certainly doesnt mention MPE. And this demonstration doesnt actually demonstrate that MPE is working, eg we cant tell that the pitch bend is actually being done on a per voice basis. My assumption that a lack of knowledge about the precise technical aspects of MPE have led to this confusion and a potentially misleading video. Controllers like the Osmose can still be fun with non-MPE synths, you can still get some expression out of them, but some features wont actually work on a per-note basis.
@@steveelbows3797 page 82 in the user manual : "When receiving external MIDI, the MiniFreak's sound engine is compatible with polyphonic aftertouch MIDI messages, where aftertouch modulation is applied in different amounts to each note individually."
@@steveelbows3797you’re spot on here - quite a misleading video, as the Minifreak is definitely not MPE, but does support polyphonic aftertouch which is nothing to do with MPE (it existed in MIDI spec long long ago).
I love MPE and I'm waiting on my controller... but I totally didn't know minifreak was MPE. That's bizarre! It doesn't say it is anywhere. Is it a recent update?
The minifreak is not Mpe ( yet ? ). The Pbend value will be the last sent by the osmose, affecting all notes...This is just the demonstration of the osmose having pitchbend enabled keybed. To know if a synth is mpe or in mpe mode, play two notes bend one upward and the other downward, both should sound bended in their own direction. Not the case at all here.
@@Hreinth okay. So to get pitch bend from minifreak from a pitch bending enabled key bed, you have to open all 16 midi channels? Or? Did they do anything special to make this work?
@@mostsophisticatedtrash9221 Hi, to get exactly same result, you have to use "all midi channels" in the midi config menu of the Mfreak and Adjust bending value in the osmose sensitivity menu to 1 or 1/4 max, any other value ( I'm normally using 1/48 ) will make the bending barely noticiable. You'll see the pitchbend lightstrips move on the mfreak as you bend the key on the osmose. Hope this helps.
@@Hreinth oooh! THANK YOU! You're a godsend ♡ I've been thinking about getting osmose! I definitely have a push 3 coming, hopefully soon and I already have a minifreak
@@mostsophisticatedtrash9221 Hope u'll enjoy the combo ! I gonna make a feature request to arturia so MFreak gets an option to set pb range directly on the unit and of course, to enable mpe ! :)
I'll address the elephant in the room, I think Arturia shot themselves in the foot by offering this as a software solution for almost 1/5th less. One of the reasons I never bought one in the end.
on the contrary I think the plugin doesn't make much sense without the hardware. It's a concept that is designed for hardware, it wouldn't make sense to carry the limitations it has to software (mainly the three knobs interface which is already confusing on the hardware). I would have said it gets you the Noise engineering algorithm in software but noise engineering already gives them for free as a vst. The rest you can find pretty much in the arturia software offering (pigments or V collection). Maybe if it is your only synth; as an alternative to pigments
@@valdir7426 so your justification is to say the interface is worth 5 times more than the same sounding software? You can midi map any controller to do what this does, that's why I posted what I did, it seems like poor value now considering.
@@dankeplace the "interface" will cost you 3 times more actually; and it's an actual hardware synth, so it's really not that crazy. I'm saying the the vst was created as a companion to the hardware and while the vst has merits on its own it doesn't seem entirely justified when comparing to arturia offering (that you can get for quite cheap when on sale). I have a minifreak and it's fine; but the algorithm system I find a bit too limited to have only three parameters to control it. There are no reasons for these limits on a vst. Was considering the minifreak but decided I was gonna go for something else; so I won't bother with the vst. Although I find the fact that it exists to be a great idea when you have the hardware. Oh and mapping a controller is absolutely not the same thing as using a dedicated interface. The interface is at least half of the appeal.
@@valdir7426 mapping a controller is the same experience, unequivocally, if not better. You can get a dedicated MIDI controller with a proper keybed for less than the Minifreak in hardware form. Mini keys limit the expression of the synth, but the VST option now lessens the appeal to many due to what I mentioned above. If you haven't yet used Arturia's software where they allow for MIDI mapping, I don't think you understand what you're talking about. I have a Pro 2 that would be easily mapped to the Mini's MIDI functions. You have hardware vs software, 1 costs 5 times more and achieves the exact same sounding results. The difference is you pay a premium for being able to take with you the hardware equivalent.
@@dankeplace "mapping a controller is the same experience, unequivocally, if not better." You can make a bold statement like this but that doesn't make it true. From my experience; no it's not. In fact that's the very reason people buy hardware, many people will tell you that; why do you think people will pay several thousand dollars for vintage instruments when there are great sounding vsts that sound really close? To have direct control of the synth they're playing. having a forest of identical knobs on a midi controller is not a great interface, it doesn't feel like an instrument, and you'd need quite a lot to control the minifreak. Unless you only use the presets with the macro thing but I'm not at all interested in that; I want to program the whole synth with knobs and buttons. I've been making music with softwares for 20 years; thank you I understand how midi mapping works.
This video contains inaccurate and misleading information. As I and others have noted, what he is demonstrating, i.e. single note pitch bend and aftertouch, do not signify MPE support. After watching this video, but before reading all the comments, I ordered a minifreak, now I need to hassle with returning it. I think Andertons should remove this video from TH-cam and publish a retraction. And… Arturia, if you’re listening, please add MPE support to minifreak… and make sure to have MPE parameters as sources in the mod matrix. My Hydrasynth has this capability, and it makes a big difference… so easy to fully leverage what MPE has to offer.
It is a synthesizer as well as a high-end controller though. price is all relative to what you can imagine yourself doing with it. It provides possibilities that are impossible with just about any other controller regardless of price. If you value that, it's up to you.
An MPE controller, of which there are maybe 4 others at the moment, none of which can be played like a traditional keyboard like this one, with a premium build quality that feels incredible to play and a deep synth engine inside. I’d say it’s worth it.
@@modeswitching This is the 1st single MPE offering with traditional keys and synth engine. Most others have always been a gel like membrane or something similar.
@@MTEllipsis I don't like the Vibrato on there wiggly keyboards. Perhaps folks who grow up on these, assuming that they become a long-lived standard instrument input (like a guitar or violin) players will learn how to use it. At this point it just sounds awful. Like a first year violin student.
I am convinced. Arturia should design a Superfreak with 61 real size keys, double synth engine (16 voices), polyphonic aftertouch and ribbon. Something more than 1000 bucks. I would buy it immediately
And name it "The Bootsy"
It’s called HydraSynth, look up the ceo
something like that just came out, polybrute 16
@@flaviobanterla Yes! Analog and expensive. Hydrasynth is digital and cheaper. Two nice instruments
Longtime Arturia Fan/User. This is…amazing! Arturia really did something with the sound design in the MiniFreak. I feel like the sounds in this synth are gonna be classics one day. This whole MPE expressivity is blowing my mind 🤯
I'm digging this MPE thing. Imagine when virtual orchestral instrument makers like East West fully embrace it.
I think the SWAM instruments can do it
Not directly. The P is important - those instruments are essentially monophonic.
(The stringed instruments do let you play two adjacent strings simultaneously, but they share expression data)
The SWAM instruments, mapped through Divismate, can do it.
Great video, I am excited to try the Osmose with all my other instruments, even the non-MPE synths. Tim Shoebridge did a video controlling the Deckards Dream with an Osmose and man it sounds phenomenal.
it looked a little disappointing, like he could only either use poly aftertouch or per-note pitch bend but not both at the same time or something like that. And something weird about the pressure too.
what jack didn't say (and it's the real joy of MPE) is that all the expression he was demonstrating is on a per key basis, so you can hold down a chord and bend one note inside that chord, leaving the others unaffected. whereas a standard pitch bend wheel will bend every note that's playing. also, gotta say that the minifreak sounds absolutely badass.
Well thats certainly true if the synth really supports MPE, but I havent actually found any evidence that the Minifreak really supports MPE. And so this video may really just be a demonstration of what fun you can still get out of a non-MPE synth with an expressive controller, combined with some confusion from Jack and his distributor contact about terminology, what MPE actually is and its technical details. Actually being able to bend or not bend notes individually would require proper MPE (or voice per midi channel on some older synths), but since that isnt demonstrated here and the Minifreak manual makes no mention of MPE, I am far from convinced.
@@steveelbows3797 jack said the minifreak has to be set to omni, which suggested to me that it was true MPE in the sense that the controller was sending out multichannel data and the minifreak was utilising that data to play each note on a separate channel. it certainly sounded that way to me. it doesn't really matter (to me at least). i was only pointing out something that jack didn't mention abut MPE. the synth sounded great and he was having fun.
@@Simeon_Harris The Omni mode on the Minifreak just means its listening to all midi channels, it doesnt mean its handling the info from them in the fancy way that MPE requires. Lots of fun can be had with non-MPE synths and expressive controllers, but distributors and stores should try to understand the details so they can help their customers understand what is and is not possible.
@@steveelbows3797 I agree with you
@@steveelbows3797 You're right, the Arturia MiniFreak doesn't support MPE. It's unfortunate because I really enjoyed this video but the title is either a mistake, or shameless clickbait on the channel's part..
Match made in heaven 🙌 glad you enjoyed the combo!
Great upload Jack & co.! Got the Mini Freak already and Osmose down paid for an expected May delivery 😮 … so, when both in the studio, I’m gonna be MPE mad 🤪🎹💥🎵🍻
the problem is there are no reasonably priced MPE keyboards. The most reasonably priced MPE keyboard is the minikeys on the hydrasynth explorer.
Arturia not including an MPE keyboard in the minifreak, after having such a crazy keybed on the microfreak, is the synth's biggest failing.
Yep. I picked up the Osmose basically as a midi controller for my Hydrasynth Explorer (no way I'm doing sound design in Haken Editor) and I'm loving it.
This couldn't have dropped at a better time - I just ordered a Minifreak from Anderton's last night not even realising it had MPE support. Now I'll have to hook it straight up to my Hydrasynth when I get it tomorrow :D
This setupppp! I need it!!! Love this vid J!!!! (Sidenote, new camera is lushhhh)
I hope Arturia do actually add MPE support to the Minifreak one day. Better to try it with synths like: Quantum/Iridium, Prophet-6/OB-6, Super-6, anything by Modal, anything by Black Corporation, Modor NF-1, Micromonsta, GR-1 etc.
OMG that seriously rocks!
the difference is incredible. mindblowing
Wow, 100k subs is imminent and all but inevitable. Congrats!
That first patch was amazing! Caboosh!
Arturia is releasing a small companion buddy for the Freak called PolyBrute 12 with Full Touch MPE. You can't wiggle side to side but you gain another dimension of depth.
if yall like the "Clean 'n' Tidy" sound, basically *all* of Jacob Mann's "106" album sounds like that. Funky af.
So much possibilities!
They should release a super freak desktop module with 16 voices
such a great combo of those two keyboards
That’s why would be so important to have polyphonic Aftertouch in much more controllers…only ASM Hydrasynth and few others have it
Jack I was lucky enough too have had my osmose for over 2 months now…if you want too really see what it can do use osmose to control ROLI equator 2 it’s perfect..
Another thing to try is the feature on osmose we’re by it puts mpe functionality to vsts which wernt designed too be mpe ..
Another which is awesome too try is pigments 4 and massive x ,the bass patches are mind blowing
I think you should sell these two as bundle !
I can’t wait to do this !!!!
The Osmose is such a weird product for me, since it strips out a lot of the 1:1 finger to surface experience that kind of defines MPE for me (especially when it comes to pitch expression), but I also wouldn't be surprised if it catches on with people more than the Seaboard, or the Linnstrument, ever did. It seems what a lot of people want out of MPE is simple "I can play a chord and vibrato one note on top" more than they want a fundamentally new instrument.
The pressure weighted portamento feature, or whatever they're calling it now (pressure glide?) makes up for a lot of that, and in some use cases, seems to be a cleaner solution.
...on the internal synth, at least. I'm told it's not supported on external MIDI yet.
th-cam.com/video/UUh9nkDorZk/w-d-xo.html
@@AaronLevitz it's just definitely not as initiative as a traditional capacitive touch surface. Even on something like the Seaboard the simple act of point a point b x and y axis bending makes a lot more sense, and it opens up a lot of stuff (i.e. stuff like "fretless" unquantized playing) that just doesn't seem particularly well suited or possible on the Osmose.
Still, I'd imagine poly AT + a little bit of x movement for basic bends and vibrato is probably what people who primarily play keyboard really want, vs learning a new instrument that makes smoothly bending from chord to chord accurately, or making sliding gliding bass lines more initiative. Kind of a halfway house for MPE, but still probably closer to what the majority of people want.
I will say, I am not sold on the Y axis being worthwhile on keyboard based layouts.
It's great on something like Haken Continuum, where the black keys are the same size as white keys.
But when absolute position in Y means a different percentage on one key than the key next to it, that's basically unusable.
Relative movement from your initial point of touch can work, but no one's accounted for the distance to edge on different sized keys in a way that feels satisfying.
I've made a few attempts myself, scripting midi utilities to process that data, but haven't loved any of them.
So, I usually disable that.
KMI agreed with your assessment and stated as much when they designed the K-Board Pro 4, despite every single artist in their prototype demos performing a glissando with expectation of a smooth glide.
(I suggested that there was still time to add a glide bar above or below the keys, like the smoothed areas on a Seaboard, but they insisted that their customers, such as myself, didn't want that.)
You don't see a lot of the K-Board Pro anymore.
I sold mine off in frustration, but the truth is, I regret that.
---
Seaboard RISE is fantastic for mono lines. Leads and bass parts. Countermelodies. There's nothing better.
Seaboard BLOCK is not nearly as good for those. But it's much better for chords, because the smaller keys didn't splay your fingers as much, or fall out of tune as the surface helped stabilize them.
You can compensate on RISE by changing the X sensitivity, but now you've sacrificed the X axis.
You can also use a wider voicing, limiting yourself to thumb and one finger in either hand. But now you're sacrificing muscle memory, and a lot of tonal colors.
So I would argue that you want a different controller while composing an overall structure. And you want that right next to your Linnstrument or Seaboard, for two handed play.
KMI's offering could have served that need, fairly well. Because, yes. Poly aftertouch and a bit of vibrato is all you need there.
...but Osmose handles that better.
Also, I don't specifically need 1-to-1 placement between notes. I need 1-to-1 placement on the *ends* of a glide, and I want precise control of my position between there, but if I'm moving an octave or two, I'd just as soon leave my hand ready to play the next note where it started. Wouldn't you?
(This is still a harsh compromise, because I want the ability to choose whether two notes play on different voices, or glide from one to the other. You can say "intervals wider than ____ never glide", but those smaller intervals are still locked into this feature. And I do like the mild dissonance of a major second.
...but I think that's solveable. If not now, than through a firmware update later. We just need one of the pedals to enable or bypass glide altogether.)
Can’t wait to hook it up to the Push 3
Osmose pairs fantastic with the Nymphes as well.
They should release a Super Freak: Rick James edition.
imo you miss to advertise Osmoses biggest strength: almost all patches offer per key ADSR bascially at you finger tips. Whereas other devices have a distinct note on and off, Osmose reacts instantly and changes throughout the pressure curve. Dont mistake that with aftertouch! Osmose patches also feature that which comes after the initial pressure curve.
As cool as it is to play Minifreak with Osmose, the experience lacks the "ADSR at your fingertips" experience.
Pitch bend and very sensitive and long travel after touch is cool, but doesnt beat variable ADSR per finger.
Would be great to se someone showcase how the Osmose can enhance virtual synths/libraries from Native, Spitifire Audio.
Also, apart from the obvious difference visually/build-wise - how does Osmose compare with for instance ROLI Seabord Rise 2?
This is the future of keyboards. Probably the upper part can be hidden.
Upper part is how you do chromatic glissando.
@@chickberth Agreed. With the higher note on sensitivity, you can tap or gently "strum" the upper parts above the keys just as you suggested for glissando and other percussive effects.
Massive growler you say? I could play with that thing all night long. Consider this appetite well and truly whetted!
Video is really cool I would like both and play music
I know that there are problems as like controller midi: MPE wants great band with PC or Mac
Now that was something different.....cor blimey Guv'nor
Great video. I'm sure you can easily change the pitch bend range on the MiniFreak Keyboard but polyphonic aftertouch is nice.
Could you do a similar video with the Push3 (which has MPE) and with the LaunchPad Pro MK3 (which has Polyphonic Aftertouch)
I know only Ableton sell the Push3, but it would be a good ground for comparison with the Osmose in the same price range, and obviously with the Launchpad Pro3 mk3, which allows to do pretty much the same apart from Pitch bending for a few hundred bucks only.
I wonder if it will work with a Roli Seaboard?
I just got my minifreak last night.
Seeing this osmos thing is like.... idk, i'm starting to itch like my wallets gonna jump out my pocket
What do you call it when the hype is real? Besides that stupid "gamechanger" adjective?
introducing the electric guitar 😂
joking !
amazing instruments (controller and controlled ) !!!
Please tell me it works with the PolyBrute as well!
PB lacks MPE support, P6 and OB6 do as a few other analog or hybrid, digitals do.
Can we learn the mysteries of what is under Jacks hat at 100k? 🧢🕵♂Also great showcase, the osmose is worrying looking more and more like I gotta try it, sorry bank account 😬
Think there was a video hatless before the andertons channels split and he got mercilessly (and needlessly!) ribbed about it in the comments. Haters gonna hate!
Hii very nice content!! Does this synth have full controll over everthing in de V lab software? Does it scroll to all te pre sets and controll all the knob if a synth is selected??? Regards A
I tried this setup and got everything working except the pitch bending when wiggling the keys. Pitch bending with the slider on the Osmose is working though. Can anyone help me with this? What's the trick? Osmose is set to MPE and the Mini Freak to all channels. Thanks in advance!
Have you figured this issue out? I’m stuck too.
Hi. Can I use Roli Seaboard 2 to control Arturia MiniFreak like this?
With the Osmosis there is a rather big chance of slightly bending the tone also when you DON'T want it by inadvertently applying sideways pressure. I've heard several demo's now where this is quite apparent.
I've recently picked up playing the guitar and it's the same thing there. You really have to be careful not to bend or press to hard but it makes for an overall better instrument.
Osmose allows you to tailor that setting (or disable it completely.) If one wanted to have a more typical keyboard/piano feel, there's even a mode on Osmose just for that.
Don't blame the instrument, blame the player.
You need skill to be able to use an Osmose in the way it was intended, that's possibly why you have heard YT offerings you have.
This is why PAT keyboards are not a standard, you need to retrain how you play and how much pressure is applied to each and every key you want to affect.
nice vid, but i don't get how all this has been set up.
my minifreak is set on "all channel" and my seaboard is set on "multichannel"... but that doesn't want to. I can't even trigger the aftertouch ^^
Give away that setting of Osmose and Minifreak and you'll even get 200.000 Subscribers by tomorrow.
Just get an EXP pedal to deal in some vibrato, it doesn't even do pitch-slide like the Seaboard.
depth of midi
Back to Hydrasynth Deluxe, controlling SQ-80 and other synths. Shame old school MIDI can choke on too much Poly data.
I was actually back and forth on upgrading my Hydrasynth Explorer to the Deluxe. Decided for now to get the Osmose as my MPE controller for the Explorer and have been quite happy.
I'm assuming MPE works on the VST version too?
Unfortunately I'm not even convinced the hardware version actually supports MPE, despite the title of this video. The manual certainly doesnt mention MPE. And this demonstration doesnt actually demonstrate that MPE is working, eg we cant tell that the pitch bend is actually being done on a per voice basis. My assumption that a lack of knowledge about the precise technical aspects of MPE have led to this confusion and a potentially misleading video. Controllers like the Osmose can still be fun with non-MPE synths, you can still get some expression out of them, but some features wont actually work on a per-note basis.
@@steveelbows3797 page 82 in the user manual : "When receiving external MIDI, the MiniFreak's sound engine is compatible with polyphonic aftertouch MIDI messages, where aftertouch modulation is applied in different amounts to each note individually."
Thats not MPE.@@huli8557
@@steveelbows3797you’re spot on here - quite a misleading video, as the Minifreak is definitely not MPE, but does support polyphonic aftertouch which is nothing to do with MPE (it existed in MIDI spec long long ago).
Arturia just released their MK3 flagship MIDI controller… WITHOUT MPE, POLY AT nor MIDI 2.0. Unbelievable…
I love MPE and I'm waiting on my controller... but I totally didn't know minifreak was MPE. That's bizarre! It doesn't say it is anywhere. Is it a recent update?
The minifreak is not Mpe ( yet ? ). The Pbend value will be the last sent by the osmose, affecting all notes...This is just the demonstration of the osmose having pitchbend enabled keybed. To know if a synth is mpe or in mpe mode, play two notes bend one upward and the other downward, both should sound bended in their own direction. Not the case at all here.
@@Hreinth okay. So to get pitch bend from minifreak from a pitch bending enabled key bed, you have to open all 16 midi channels? Or? Did they do anything special to make this work?
@@mostsophisticatedtrash9221 Hi, to get exactly same result, you have to use "all midi channels" in the midi config menu of the Mfreak and Adjust bending value in the osmose sensitivity menu to 1 or 1/4 max, any other value ( I'm normally using 1/48 ) will make the bending barely noticiable. You'll see the pitchbend lightstrips move on the mfreak as you bend the key on the osmose. Hope this helps.
@@Hreinth oooh! THANK YOU! You're a godsend ♡ I've been thinking about getting osmose! I definitely have a push 3 coming, hopefully soon and I already have a minifreak
@@mostsophisticatedtrash9221 Hope u'll enjoy the combo ! I gonna make a feature request to arturia so MFreak gets an option to set pb range directly on the unit and of course, to enable mpe ! :)
I'll address the elephant in the room, I think Arturia shot themselves in the foot by offering this as a software solution for almost 1/5th less.
One of the reasons I never bought one in the end.
on the contrary I think the plugin doesn't make much sense without the hardware. It's a concept that is designed for hardware, it wouldn't make sense to carry the limitations it has to software (mainly the three knobs interface which is already confusing on the hardware). I would have said it gets you the Noise engineering algorithm in software but noise engineering already gives them for free as a vst. The rest you can find pretty much in the arturia software offering (pigments or V collection). Maybe if it is your only synth; as an alternative to pigments
@@valdir7426 so your justification is to say the interface is worth 5 times more than the same sounding software?
You can midi map any controller to do what this does, that's why I posted what I did, it seems like poor value now considering.
@@dankeplace the "interface" will cost you 3 times more actually; and it's an actual hardware synth, so it's really not that crazy. I'm saying the the vst was created as a companion to the hardware and while the vst has merits on its own it doesn't seem entirely justified when comparing to arturia offering (that you can get for quite cheap when on sale). I have a minifreak and it's fine; but the algorithm system I find a bit too limited to have only three parameters to control it. There are no reasons for these limits on a vst. Was considering the minifreak but decided I was gonna go for something else; so I won't bother with the vst. Although I find the fact that it exists to be a great idea when you have the hardware.
Oh and mapping a controller is absolutely not the same thing as using a dedicated interface. The interface is at least half of the appeal.
@@valdir7426 mapping a controller is the same experience, unequivocally, if not better.
You can get a dedicated MIDI controller with a proper keybed for less than the Minifreak in hardware form.
Mini keys limit the expression of the synth, but the VST option now lessens the appeal to many due to what I mentioned above.
If you haven't yet used Arturia's software where they allow for MIDI mapping, I don't think you understand what you're talking about.
I have a Pro 2 that would be easily mapped to the Mini's MIDI functions.
You have hardware vs software, 1 costs 5 times more and achieves the exact same sounding results.
The difference is you pay a premium for being able to take with you the hardware equivalent.
@@dankeplace "mapping a controller is the same experience, unequivocally, if not better." You can make a bold statement like this but that doesn't make it true. From my experience; no it's not. In fact that's the very reason people buy hardware, many people will tell you that; why do you think people will pay several thousand dollars for vintage instruments when there are great sounding vsts that sound really close?
To have direct control of the synth they're playing. having a forest of identical knobs on a midi controller is not a great interface, it doesn't feel like an instrument, and you'd need quite a lot to control the minifreak.
Unless you only use the presets with the macro thing but I'm not at all interested in that; I want to program the whole synth with knobs and buttons. I've been making music with softwares for 20 years; thank you I understand how midi mapping works.
This video contains inaccurate and misleading information. As I and others have noted, what he is demonstrating, i.e. single note pitch bend and aftertouch, do not signify MPE support. After watching this video, but before reading all the comments, I ordered a minifreak, now I need to hassle with returning it. I think Andertons should remove this video from TH-cam and publish a retraction.
And… Arturia, if you’re listening, please add MPE support to minifreak… and make sure to have MPE parameters as sources in the mod matrix. My Hydrasynth has this capability, and it makes a big difference… so easy to fully leverage what MPE has to offer.
06:54 cost me a lot of money.
exactely, the osmose's isnt good enough.....ps 1600 quid is a lot for a midi controller lol
It has its own sounds matey
It is a synthesizer as well as a high-end controller though. price is all relative to what you can imagine yourself doing with it. It provides possibilities that are impossible with just about any other controller regardless of price. If you value that, it's up to you.
Has a specific engine that comes from Harken Audio.
You should research before posting.
An MPE controller, of which there are maybe 4 others at the moment, none of which can be played like a traditional keyboard like this one, with a premium build quality that feels incredible to play and a deep synth engine inside. I’d say it’s worth it.
@@modeswitching This is the 1st single MPE offering with traditional keys and synth engine.
Most others have always been a gel like membrane or something similar.
The sliders do the same thing for no extra cost!
I don't like these things.
Why not?..
@@MTEllipsis I don't like the Vibrato on there wiggly keyboards. Perhaps folks who grow up on these, assuming that they become a long-lived standard instrument input (like a guitar or violin) players will learn how to use it. At this point it just sounds awful. Like a first year violin student.