Did Rembrandt employ etching techniques in his oil paintings?

[@LuisBorreroVisualArtist]

Subtitles are now available.

[@nidhishshivashankar4885]

Great timing on this video, was just in the library yesterday studying a book about Rembrandts etchings

[@ozymandiascakehole3586]

I gave one of these courses at the teylers museum in Haarlem, glad to hear you enjoyed your time in the netherlands! Did you visit the Frans Hals as well?

[@phillipmurphy842]

Luis, wonderful video and demonstration.

[@ArashAzzn]

Please demonstrate the tecnique of the soft surfaces in thisportraiteof rembrandt

[@stephenspiteri_zunkus]

Very interesting. Thanks!

[@cuentamedenuevo7399]

Qué disfrutable video, Maestro Borrero! Gracias por compratir esta experiencia tan bonita. Amo al Maestro Rembrandt! Qué buenas sus observaciones y las asociaciones entre sus técnicas de dibujo y de pintura.

[@56m6]

Quien sabe ver descubre la extrapolación de las dos técnicas muy acertado

[@ronaldmoravec2692]

Art Institute of Chicago has a room with around 100 paintings, 3 horizontal rows on 3 wall. I walked in, took a 5 sec look around and walked up to what I thought was the best. Portrait signed by Rembrandt.

[@JuanFecit]

¡Gracias por el aporte, Luis Borrero! Yo nunca he podido hacer una buena tinta para impresión de huecograbado; he intentado con aceite muy espesado al sol (en diferentes grados de secado y de viscosidad) mezclado con negro de humo, pero, aunque en apariencia se ve y se siente como una buena tinta para grabado, no da buenas impresiones. Tengo entendido que las recetas originales, incluso las que usó Gutenberg para imprimir tipos grabados en relieve, llevan algún tipo de resina (quizás similar a la trementina), pero no he dado con una receta para prepararla. Por ahora debo usar tintas de uso comercial tanto para grabado artístico como para serigrafía, litografía, etc.

[@LuisBorreroVisualArtist]

Gracias por compartir tus experiencias Juan! Esto es un buen tema para investigar la formulas de tinta de grabado utilizadas por los maestros.

[@KleberFacchin]

Thanks for sharing valuable information! I'm looking for some translation of manuscripts by Theodore Turquet de Mayerne that talk about painting technique of 17th century painters, but I only found a very expensive book. Do you know any translated text of this manuscript?

[@leslieromero6610]

How did he achieve the scenes that look like one continual line that's connected all the way through. Trees, house, wagons, all connected

[@shuvoDhar.5537]

Great❤❤❤

[@QQQQQman]

Check out the work of Balthasar Denner I have never seen such realism and quality not even Rembrandt comes this close to utter perfection in the rendering of the human face.

[@rachel18809]

Who was the rude person who said "please" in a nasty way after the tour guide said "I'm sure I don't need to explain this" referring to beeswax.
He was just doing his job. Some people annoy me.