@@BillyBusby I have been grading along to SLOG3 on my A7SIII and FS5MII cameras lately and tend to get similar color results. I am almost thinking either slightly underexposed or the shadows are leaning a little on the bottom end, possibly? At about the 2:55 mark, the shadows are certainly noticeable. Regarding WB, at around that time marker, the whites seem to push a little green if the WB is on the cooler end at least based on what I have been grading. I find that using an Atomos really softens up the image and gives you more to work with due to it being an MOV file vs the MP4 out of body. Files sizes, though, are a pain. I am grading a multi-shoot interview right now, and the sizes are hurting. lol, but the editing tends to run better on my Mac using MOV files. One thing I love about SLOG3 on the Sonys is that if you are grading using basic curves, contrast, and saturation, the footage seems to come out with that Nikon-style look, albeit a bit different in color science.
Keep on filming. Good to see more more content! Did you film this one in Log? Just curious as the colors and WB did not seem out of the box.
A lot of what was shot was in slog3,. What gave it away? We had to adjust the story midway through on the editing end.
@@BillyBusby I have been grading along to SLOG3 on my A7SIII and FS5MII cameras lately and tend to get similar color results. I am almost thinking either slightly underexposed or the shadows are leaning a little on the bottom end, possibly? At about the 2:55 mark, the shadows are certainly noticeable. Regarding WB, at around that time marker, the whites seem to push a little green if the WB is on the cooler end at least based on what I have been grading. I find that using an Atomos really softens up the image and gives you more to work with due to it being an MOV file vs the MP4 out of body. Files sizes, though, are a pain. I am grading a multi-shoot interview right now, and the sizes are hurting. lol, but the editing tends to run better on my Mac using MOV files. One thing I love about SLOG3 on the Sonys is that if you are grading using basic curves, contrast, and saturation, the footage seems to come out with that Nikon-style look, albeit a bit different in color science.
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