I try to do my best to be as honest as possible when I give comments. I am realizing the more that I watch your videos, that I can't go wrong! You cover your bases, and show us everything that we need to know, given the titles of your videos... I'm not sure I could ask for any better!
Thx for your useful videos. It’s inspiring to watch a different approach of using filters, envelopes and effects .. especially the compression part.,Maybe you can try to do a tutorial about the different compressor effects and give is you thoughts about each individual one. Thx
These video tutorials are invaluable! Thanks! The power of the MPC is unreal, I enjoy this tool! " When the opportunity arises, I will collect your course.
Hi sir I have akai 2000xl and mpd 26 controllers Its perfect velocity pad Now i took mpc live its good but compared to mpd 26 ets velocity and threshold are not good because when i play on triggers mpclive takes only above 30-127 velocity values am a live orchestra player iwant play hihates snare rolls ets..with very low dynamic range its not coming in mpclive i tryd to set in mpc live preference mode but not coming wt i want in recording we can adjust velocity values but when we play on live stage its necessary to play with velocity levels right .... So can u plsss help me how to set velocity wt a i want in mpclive standalone mode
I tried it first, that's all. Sure, i could have just used the envelopes. My tutorials are seldom planned, so I just do what I feel necessary as I go along.
@@TUBEDIGGA Ok, actually I thought, these chopped-off hihats sound really bad, I wonder what he's going to do with them ... and then you used the envelopes. :) I got an MPC One for a couple of weeks now, and I'm trying to see what and how people do with the MPC. So far it seems that the only sort of music people actually do is basically the old choppy-stuttery sample clippery, like cutting off pieces from photos and building a picture out of those. But "real" music is not done, and I'm inclined to think that it's not even possible. There's no smooth continuous audio warp like Ableton's "Complex Pro", no warp markers and audio quantize, there's not even cross-fades for audio track regions. The only possibility you're left with is the clipped photo composition sort of art.
@@yzimsx Each machine's limitations causes you to think more and be more creative. Don't compare machines because they are all different. Just learn the limitations and advantages of them all and use them accordingly. No one machine is perfect and no one D.A.W is perfect they all have limitations that's why it's not fair to compare them. Learn to master as many machines and D.A.W.'s as possible and your creativity will expand exponentially.
@@SirMalikCobra There's no reason for not having something as rudimentary as cross-fades, except prioritizing developer hours. Of course you compare machines and you tell the makers about it, it's called feedback.
@@yzimsx Comparing is useless... You either find a machine useful or you don't. I never said don't give a dev feedback. Feedback is critical. I doubt you find a machine that has met everything on your checklist and if you do just get that machine. I have my issues with Akai and and the incomplete looper they put on the Live and X but comparing fixes nothing. Feedback is 100 pecent necessary necessary though.
I did learn a few pointers from the video. I make music with just this iPad, no computer. I have made instrumental albums on my page, feel free to check it out.
The reason I add the effect before is so I can hear the kit altogether and make the necessary level adjustments therafter. Otherwise making the level adjustments before seems a waste of time as the effect most likely will cause me to adjust them anyway. But I’d be interested to know why you do it the other way round.
@@TUBEDIGGA Well, e.g. in the video you say that the snare is too loud which can be seen in the sampled loop, like you showed us. Then you use the gain effect to compensate that. This would not have been necessary if you had leveled the snare before and just turned it down to fit to the level of the kick and the hats. Or did u see the gain fx as a creative effect/sound design effect?
@@MakingMadBeats The gain process function was to purposely saturate the bounced loop. It’s one of the best ways to artificially boost a samples overall loudness. I don’t have a set order of processes thatI follow, I deal with things as they come up or are made apparent. Also, the large majority of my videos are not planned at all. I’m free styling as I would in the studio on my own but talking my audience through it.
There's so much to learn about the MPC, I'm overjoyed that I bought mine just as the 2.10 update came out. Thank you for this video!
Absolutely killer video TD. On the money as usual. You don’t go off track, just tip after tip. Thanks 🙏
👊👊💥👊
I am very not surprised that this video has zero dislikes. Effing comprehensive and awesome!!!!
I try to do my best to be as honest as possible when I give comments. I am realizing the more that I watch your videos, that I can't go wrong! You cover your bases, and show us everything that we need to know, given the titles of your videos... I'm not sure I could ask for any better!
Man, you have all the talent and the knowledge!!!
Congrats!!!
Absolutely amazing tutorial! Thanks again for everything we are learning from you! Cheers!
This was really useful, TD! I'm still getting to grips with the MPC way of working and there was a lot of fundamental tips in this. Cheers
Hey hype synth has record crackles. You can add that to the sample for that vinyl feel.
nice. been looking for this exact sound/sample. where is it located within Hype? as it's own preset?
The hype synth is a plugin I don't think you can add it as an effect. If you can how?
@@jsutton241 I’ll do a video on it tonight check my page
@@mikevenus4117 cool
@@iwillnevergetone5 I just uploaded a video showing how to do this.
Thx for your useful videos. It’s inspiring to watch a different approach of using filters, envelopes and effects .. especially the compression part.,Maybe you can try to do a tutorial about the different compressor effects and give is you thoughts about each individual one.
Thx
Sounds like MOBB DEEP's "Temperature's Rising". Way to go mate!
These video tutorials are invaluable!
Thanks!
The power of the MPC is unreal, I enjoy this tool! "
When the opportunity arises, I will collect your course.
Always so useful. Karma, good it will be for you..
To you thankings I give, small green one.
Crazy video bro..stunning work.....have to try this asap......peace bro.
This is real dope! Gonna have to study it plenty. 👊😎
Very helpful video for sound designing drum breaks. 🧔🏽♂️👍🏽
A huuuge thanks to you, this was really clear and super helpful! I look forward for other videos like this one in other styles!
Another incredible tutorial. Thanks!
damn...I thought I knew my MPC fairly well. much more reading to do. awesome vid.
I should've subscribed long ago. Better late than never.
insanely good tutorial, thank you
Thanks for the tip, sounds great.
Very interresting video! Many thanks for this!!
Dope Tutorial!
Fantastic vid. Much appreciated.
Your kick was a bit faint since the attack on the compressor was quite quick, thanks for your videos!!
Tube, I use this sample cd from 91 called ZeroG Data File 1 - 3 and Xstatic Goldmine. I sample off those to my mpcx/Renoise.
Or alternatively sample an actual break! Good vid mate
How do i load "the volt" onto my MPC 1 ? Never really understood the way to do it, akai can be overly complicated with this kind of stuff
great video, appreciate the knowledge!
always get something from your videos Mr Digga
Thanks, very useful tips 😉🙌
Lots of useful info! 😎👍🏼
How do I get the vault stuff into my MPC? I did the firmware update but I can't see as much content in my browser🤔
Nice upload, thank you sir!
I just updated 2.1 and it won't overdub or record midi into any projects I open from 1.9 or 2.0.. its very depressing
Great job on getting the stock sound gone
Hi sir
I have akai 2000xl and mpd 26 controllers
Its perfect velocity pad
Now i took mpc live its good but compared to mpd 26 ets velocity and threshold are not good because when i play on triggers mpclive takes only above 30-127 velocity values am a live orchestra player iwant play hihates snare rolls ets..with very low dynamic range its not coming in mpclive i tryd to set in mpc live preference mode but not coming wt i want in recording we can adjust velocity values but when we play on live stage its necessary to play with velocity levels right .... So can u plsss help me how to set velocity wt a i want in mpclive standalone mode
Great video thankyou
That hard compression is really putting me off, but other than that some nice tricks in this one again!
I don 't use chanel mixer for the fx in drum program simply fx seul program..explain me please chanel mixer...
Channel mixer is where you add insert effects to entire programs or outputs (returns, sub mixes or main)
Has the 2.10 slowed down the hardware or made it crash in any kind of way?
Not for me, no.
@@TUBEDIGGA thanks 💯
Why did you chop off the hihat samples, if you were going to shorten them with envelopes?
I tried it first, that's all. Sure, i could have just used the envelopes. My tutorials are seldom planned, so I just do what I feel necessary as I go along.
@@TUBEDIGGA Ok, actually I thought, these chopped-off hihats sound really bad, I wonder what he's going to do with them ... and then you used the envelopes. :) I got an MPC One for a couple of weeks now, and I'm trying to see what and how people do with the MPC. So far it seems that the only sort of music people actually do is basically the old choppy-stuttery sample clippery, like cutting off pieces from photos and building a picture out of those. But "real" music is not done, and I'm inclined to think that it's not even possible. There's no smooth continuous audio warp like Ableton's "Complex Pro", no warp markers and audio quantize, there's not even cross-fades for audio track regions. The only possibility you're left with is the clipped photo composition sort of art.
@@yzimsx Each machine's limitations causes you to think more and be more creative. Don't compare machines because they are all different. Just learn the limitations and advantages of them all and use them accordingly. No one machine is perfect and no one D.A.W is perfect they all have limitations that's why it's not fair to compare them. Learn to master as many machines and D.A.W.'s as possible and your creativity will expand exponentially.
@@SirMalikCobra There's no reason for not having something as rudimentary as cross-fades, except prioritizing developer hours. Of course you compare machines and you tell the makers about it, it's called feedback.
@@yzimsx Comparing is useless... You either find a machine useful or you don't. I never said don't give a dev feedback. Feedback is critical. I doubt you find a machine that has met everything on your checklist and if you do just get that machine. I have my issues with Akai and and the incomplete looper they put on the Live and X but comparing fixes nothing. Feedback is 100 pecent necessary necessary though.
Awesome
Sounds like it was sample from a record!! 🧔🏽♂️🤯
#Salute…👑✨👑
What if you have the impc?
I don’t know anything about iMPC. I’ve probably purchased 2 music apps since apps were a thing! I’m 86 years old goddammit!
My bad I have the impc pro2 for iPad Pro, I apologize for the inconvenient question. Just thought I’d ask.
I did learn a few pointers from the video. I make music with just this iPad, no computer. I have made instrumental albums on my page, feel free to check it out.
@@laurenmcmillian827 It’s not inconvenient at all, I’m just being honest, I’ve never used a tablet or app to make music. 👍
Wow
I would have leveled the individual drum sounds before adding any FX to the whole drumkit. Just my 2 cents, though 😎
The reason I add the effect before is so I can hear the kit altogether and make the necessary level adjustments therafter. Otherwise making the level adjustments before seems a waste of time as the effect most likely will cause me to adjust them anyway. But I’d be interested to know why you do it the other way round.
@@TUBEDIGGA Well, e.g. in the video you say that the snare is too loud which can be seen in the sampled loop, like you showed us. Then you use the gain effect to compensate that. This would not have been necessary if you had leveled the snare before and just turned it down to fit to the level of the kick and the hats. Or did u see the gain fx as a creative effect/sound design effect?
@@MakingMadBeats The gain process
function was to purposely saturate the bounced loop. It’s one of the best ways to artificially boost a samples overall loudness. I don’t have a set order of processes thatI follow, I deal with things as they come up or are made apparent. Also, the large majority of my videos are not planned at all. I’m free styling as I would in the studio on my own but talking my audience through it.
@@TUBEDIGGA Aight! I get your point and the resultats speak for themselves 👌
👍🏾