Different voicings will result in different "microtones" as non fixed pitch instruments like voice adjust by ear. Think of barbershop where a c chord with the E in soprano where the E will be sweetened. IMHO
dim 7th in drop 2 == stacked tritones. maj6th: root position: fifth and fifth first inversion(3rd in bass): fourth and fifth 2nd inversion(5th in bass): fourth and fourth 3rd inversion(6th in bass): fifth and fourth in other words, for major 6th, stack perfect intervals.
You truly got Barry's spirit! Thanks maestro
🤣🤣🤣🤣🤣🤣
Thank you again, bill. Was hoping on this one.
By all means. Thanks Frans.
good news from Harris thinking, from the best explanations I have come across, thanks master Billy
Different voicings will result in different "microtones" as non fixed pitch instruments like voice adjust by ear. Think of barbershop where a c chord with the E in soprano where the E will be sweetened. IMHO
BLESS YOU SIRRR THIS IS INCREDIBLE
Thanks so much, Steven!
Excellent way to work out BH and make it easy at your fingertips. Exactly what I was looking for these days!
Thanks bill .. bless you
Galateaaa Abigail Thanks for watching!
Love your videos! Thanks Bill
dim 7th in drop 2 == stacked tritones.
maj6th:
root position: fifth and fifth
first inversion(3rd in bass): fourth and fifth
2nd inversion(5th in bass): fourth and fourth
3rd inversion(6th in bass): fifth and fourth
in other words, for major
6th, stack perfect intervals.
Czerny for jazz. Tres cool! (Maybe Hanon, but thanks either way!)
merci pour cette vidéo ! félicitations
Cheers Bill !!
You too, Paddy!
Please make a video on the guitar !!!Barry Harris' 6th diminished system of harmonic movement.!
Will do!
th-cam.com/channels/DdKVro-7hS8cMjBrcqaAMQ.html
this channel is all about the Barry Harris method fir guitar.
Amazing, Bill! Is there a Barry Harris guide for rootless voicings?
Play Bb major 6 in root position. Drop the F to the left hand. There’s your Gm7 rootless voicing!
Have I seen you in class? Check out my barry vids! Cheers, Isaac