It is hard not to cry listening to the way Callas sings this aria. She conveys a tormented soul in such deep despair. There will never be another Tosca like Callas.
When I played this piece, usually the 53 version, my mom used to come into my room tears running down her face to thank me for the experience. She is now almost too deaf and far gone with dementia to be able to enjoy any music. I was very alone in my appreciation of classical music and my loud playing of opera was a source of displeasure frequently for others. But my beloved mother never curtailed my weirdness in this regard. This and Eben ne andro lontano always had profound impact on her. She was literally the only other person in my life who displayed such a genuine visceral reaction and appreciation for the power of Callas. I miss that terribly.
Thank you for sharing. I was the different one too. No one liked or listened to or even wanted to innerstand classical music. To me it was natural and obvious.
Your story resonates with me as well. The tears. Yes. It’s one of my best measures of how great an aria and the singer is; whether I am moved to tears or not. Callas never fails to move me with her depth of feeling. So many people do not get it. Your story is lovely. Sad your mother’s illness, but so great she appreciated the emotion in the arias you played. As others have said here you are not alone! Opera singers, sopranos and tenors in particular, are simply the greatest of all voices.
This interpretation by Maria is an astonishing miracle! The phrasing, legato, musicality and laser ray acute notes ,the exquisite high pianissimi, this is other world singing. Brávissima! Unforgettable diva Maria Callas❤❤❤❤❤❤❤❤❤
Thank goodness man invented the recording, since I wasn't even born to see that. I can only imagine what would be like to listen to her personally, since from a video I already feel spiritually elevated to tears. Something happens again, like the first time I read Proust's "In Search of Lost Time", I thought I would never be able to read other authors and novels since nothing seemed to compare to him, fortunately it was only temporary; and now since I discovered Callas, I can only listen to her over and over again, and all other singers seem irrelevant.
C Henrique ", since from a video I already feel spiritually elevated to tears" That happened to me as well. What kind of person can dislike this? Even while the last note seems to be slightly off.
I wonder sometimes if she knew how wonderful she was....here we are 60 years later, and she still can break you open in 3 minutes....and you're never the same again. Bravissima Maria Callas!!!
Vedere Maria quando interpreta qualsiasi opera è un’esperienza esaltante. In questa Tosca poi l’immedesimazione totale di Maria è la sua voce così piena di dolore e di passione si rivolge a Dio in modo disperato. Ma l’effetto che sprigiona è incomprensibile e sublime
her sense of music and drama is beyond anything on the stage today. It really is a shame that it is unlikely that there will never be anyone like her to grace this world again.
It's funny coz Sutherland said when she lost the weight her voice was never the same! But we can't all be wrong can we? I think this is incredible! The best Tosca by far!
This is probably her best Tosca dramatically speaking but the voice started to decline here unfortunately. In the 1940's and early 1950's, before here weight loss, she was even greater. A voice so so full it's unbelievable. Here you can hear wooble, thinness sometimes. She used her vocal weaknesses and turned it into dramatic strength. She was the greatest. Still here with half the voice she had in 1950 she is at a level rarely equaled by her predecessors and never equaled since.
Many people have criticized her voice range etc. etc. However, she was an artist at 360 degrees. Her acting was superb. For example, she perfectly interprets how Tosca would have felt then. Her eyes, her struggle, how can you not be moved by that. No autotune, no color, no fancy effects, just the voice, and the acting how it should be!
@@bunnybgood411 technically speaking I would agree with you for the singing part but also opera is singing and acting together - being the best at both perhaps is a little bit too much to ask for 👍🏼
naar mijn mening ben je niet altijd gezegend met zo,n goddelijke stem . een zwaar leven en nagejaagd worden door het schuim van de aarden die graag willen schrijven wat het beste verkoopt . Egotrippers die met haar gezien wilde worden om wat voor reden ook . Net als alle grote kunstenaars zal ze ergens voort leven . tot ziens Maria
Vissi d'arte, vissi d'amore, non feci mai male ad anima viva! Con man furtiva quante miserie conobbi, aiutai. Sempre con fe' sincera, la mia preghiera ai santi tabernacoli salì. Sempre con fe' sincera diedi fiori agli altar. Nell'ora del dolore perché, perché Signore, perché me ne rimuneri così? Diedi gioielli della Madonna al manto, e diedi il canto agli astri, al ciel, che ne ridean più belli. Nell'ora del dolore, perché, perché Signore, perché me ne rimuneri così?
My father cried listening to this "romanza" and I cry too. We cry because in the question that's shouted and sung "Perché Signor?" ie "Why Lord?", in that scream (2:37- 2:42) there is the despair, the fear, the need and the life of humans.
riascoltare la Divina in quest'aria in questo momento così triste per il COVID19, mi ha rasserenato l'anima e mi ha convinto ancora di più che l'arte e la cultura sono determinanti nella vita di una persona se vuole vivere con pienezza e in armonia con il mondo. semplicemente meraviglioso
Vissi d'arte, vissi d'amore, non feci mai male ad anima viva! Con man furtiva quante miserie conobbi aiutai. Sempre con fe sincera la mia preghiera ai santi tabernacoli sali. Sempre con fe sincera diedi fiori agli altar. Nell'ora del dolore perché, perché, Signore, perché me ne rimuneri così? Diedi gioielli della Madonna al manto, e diedi il canto agli astri, al ciel, che ne ridean più belli. Nell'ora del dolore, perché, perché, Signore, ah, perché me ne rimuneri così?
I cannot get over how she uses those registral breaks at the end to emphasize the cadence - the first is Ab, the second is G….who knows if it was intentional but geez it’s accurate and sounds amazing!!
Thank the stars that these few recordings of Callas were made, little as they we might very well have been left with only the audio records of a great artist.
She had tears in her voice and true and convincing attitude . No fake gestures nor grimaces like most of others singers in this role who cannot sing with so much emotion.
This is why she is matchless and uniquely perfect: An angelic voice plus true emotions and excellent acting. She will be dearly loved and missed for centuries to come. Thank you for posting!
When Maria Callas first sang at Convent Garden many years before this performance, it was her famous 'Norma' . . . she exited after the first scene, and the audience did not applaud. She turned to the director, surprised, and said 'what did we do wrong?' He replied, 'oh, the London audiences don't interrupt the opera, Maria, with applause.' It's a marvelous quality, really, because they are so absorbed in the drama, and of course, she sang there many times in many of her great roles, which you can hear in live recordings. ** However all that being said, this entire performance of Tosca is on youtube, so you can see and hear the tremendous ovation at the end of Act II . . . that's when the London audience went wild. When the curtain fell after Tosca has killed Scarpia, places the candles around him, the cross on his chest, and sobbing runs offstage, that's when the London audience silent and respectful of such great acting, expressed their appreciation. Unforgettable! Anthony Plumer
As a historical note, especially approaching the centenary this month of Rosa Ponselle's Met debut, Covent Garden audiences sure made an applause exception for her. In spite of having been patronizingly warned by Melba to expect applause only at an act's end, Madame Ponselle received a six minute ovation after "Casta diva." (Ponselle: A Singer's Life p. 122)
Maria Callas è unica! Spiace affermare che la enorme differenza ancora oggi esistente con altri soprani lascia pensare che sarà così per sempre. Grandissime qualità di recitazione e altissima esecuzione di qualsiasi brano d'opera, lasciano molto indietro tutte le altre anche bravissime.
I know she was a legend and critics raved about her and they were right. Brilliant sopranos have come and gone, but Maria Callas was in a class of her own. Awesome performance of Visi d'arte.
I have listened to this version of Vissi d"arte Each time I have learned more about the depth of Tosca's feelings and the composer/librettist intent which Mme. Callas brings alive. This time I heard something different. Her sadness, her disbelief of what has is happening, is what every woman who has been or exposed to possible sexual assault. The sadness, the anger, the lifting up to the Diety why has this happened, Now I understand why many women friends who were exposed to possible or actual assault responds with tears, and anguish. Callas interpretation touched them to feel their reality. RIP Mme Callas -- you were an interpretive musical genius. RIP
Callas is simply beautiful. She achieved her divine status because of her colossal talent, the ability to be the story and at the same time, tell the story of opera with her voice, mind and heart. May the haters continue but they won't succeed.
Vissi d'arte, vissi d'amore Non feci mai male ad anima viva Con man furtiva Quante miserie conobbi aiutai Sempre con fe' sincera La mia preghiera Ai santi tabernacoli salì Sempre con fe' sincera Diedi fiori agli altar Nell'ora del dolore Perché, perché, Signore Perché me ne rimuneri così? Diedi gioielli della Madonna al manto E diedi il canto agli astri, al ciel Che ne ridean più belli Nell'ora del dolor Perché, perché, Signor Ah, perché me ne rimuneri così?
A voice like that comes not only from talent but a passionate and troubled life. It comes out through her wonderful voice. She can also act her part while singing. Not easy
Oh my dear Maria, the media treated you harsh and you died of heartbreak! But I hope you know even 40 years after your death you still inspire! I wrote just now about Caballe's version, her technique especially her breath control was spot on! But who needs to hold that final note when you give us 3 minutes and 20 seconds of something that can never be copied, never replicated, you really were the ultimate Soprano, you could act you could sing, and even though my Italian is rusty you made me believe every word! The critics said your voice was never the same again after your weight loss, to hell with them! You proved them so wrong and my God were you beautiful! And for the record I heard your early "Sempre libera" titled like a wildcat on TH-cam and no one has ever or will ever sing like that! So to hell with the haters people will always put you down! I might be a tenor but you've inspired me in ways no one can explain! I hope you are happy now, and I hope to get to sing with you in Heaven one day!
geboren worden met een wilskracht als de hare ,,,,, met een goddelijke stem ,,, is niet altijd een zegen .ze werd omringt door egotrippers die met haar gezien wilde worden . journalisten die schreven wat het beste verkocht . ook als ze zich even rot voelde en even uitviel ,,,,, waren het zogenaamde ,,,, sterallures . Misschien kom ik haar ooit nog eens tegen om haar te bedanken . hoop dat zij enkele woorden Nederlands spreekt
È davvero meravigliosa, entra davvero nel cuore. Credo che con la Callas si sia raggiunto il top della lirica, mi emoziona questa sua interpretazione. Arte che oltrepassa l'arte. ❤️
When singing and acting and feeling it all with your soul really become as one in a truly magical performance! Nothing could ever compare to this 💚 oh Maria
You can say what you want about her approach and technique, but she did something very special in this aria. She approached it like you approach sacred music, with complete renunciation of the ego.
What a blessing that this performance by Maria Callas has been recorded. The climax ooooooh is just stunning beyond words. One can almost see the sheer appreciation and gratitude on Maria's face as she is creating the sound. This is the strongest climax I have seen performed for this aria. And then to her last breath she gives it her all! Astonishing. Such control of voice and emphasis! Such enunciation!
The expression she has in her voice is just incredible. It just gives me goosebumps every single time I listen to it. If you've heard Vissi D'arte sung by Callas once it's done, that's it, you just compare every other version to her. But at the end she's incomparable, she's L'Assoluta, La Divina after all.
came here directly after hearing Tebaldi, who is supposed to have a more "beautiful" voice, but is tame and pallid by comparison. Here we have a real human being pouring out her heart, with all her passions and imperfections, not a singer focused on singing "beautifully".
@@sergiu17 Yes, listening to Gheorghiu isn't a bad idea. Callas had a very ugly voice only suited for Lady Macbeth, who is SUPPOSED to sound ugly. Tebaldi had a beautiful voice but couldn't reach any note above high A without screaming. Gheorghiu has a beautiful voice and excellent high notes.
Her first voice teacher said that she was the first one to arrive and last to leave. Apparently it was talent, vovation and very hard work. To see her in this aria is almost unbelievable.
I feel like for her, the role of Tosca was like drinking water. It was her first leading role after all, so she probably had a lot of experience playing this part. She said she never liked Vissi D'Arte, and even said that Puccini felt conflicted in adding this aria as it made no sense to the movement of the act, which she agreed, but of course Puccini felt compelled to add a soprano aria just for the sake of the opera. Of course, it turned out to be one of Puccini's most famous arias. But it is so ironic how Maria didn't give much care for this role, when it is one of the most we associate her with, well at least the younger audience who never seen her live, since this is one of few clips we have of her live performances. But if I were to pick her top roles, they would certainly be Medea (probably her best), Norma, Abigaille, Tosca (the best one I've seen thus far), Violetta, Gioconda. Her strength was certainly in more dramatic roles.
Callas performance in Tosca couldn t be reached by any other soprano ever.She is unique as vocal range and her interpretation is the most dramatic ever.Almost overwhelming!
Maria Callas was, is and will be forever the one and only Divina soprano, as a Greek Goddess!I love her great unique disembodied voice .She is the the opera and drama together.
There are no words in the Tongues of Man than could describe that ........ So i will sit in stunned silence forever knowing i was in the presence of Perfection ..... We miss you Maria ..........🙏💙
mio Dio ,,perché ogni volta che ascolto ,la DIVINA .nn posso che piangere --voce e interprete unica al Mondo..nessuno più come.LEI ,,PIU DI LEI-- immensa MARIA.GRAZIE -♥
My first love is Jazz but this woman has a gift from the gods, there is not another voice that can touch hers. We are so fortunate to have been graced with her voice during our lifetime
Sicuramente la più sconvolgente ed emozionante Vissi d'arte della storia dell'opera lirica ma non dimentichiamo l'interpretazione fatta dalla Verrett al Metropolitan. In quanto a intensità e pathos nell'interpretazione, uniti ad una voce meravigliosa è allo stesso livello di questa. Grande Shirley e grazie Callas per le emozioni che ci date in questo periodo in cui tutte le altre sembrano galline starnazzanti.
It is always a masterclass in style to hear or (the rare and wonderful treat!) to see Callas sing! Here in the verismo opera-she still retains the beautiful legato and follows what Maestro Puccini has put in the score faithfully. There is far too much scooping and swooping and ugly glottal attacks in the way modern singers sing this beautiful music! Instead of art we are getting fed a very poor copy-a caricature even, at times of this music. It isn’t that there doesn’t exist talent anymore, I just think the emphasis is on the wrong things and so the high art that is singing is being trampled on and dumbed down in an effort to “please the audience”....Beautiful, engaged, virtuosic singing is what speaks directly to the souls of the audience. If we bring that back, then the theaters will be full to bursting again. Thank you Maria Callas for shining the light!
People live a lifetime without expressing as much emotion as that woman did in 3 minutes. Bellissimo!!
Great comment!
nice comment, so true!
Amen.
Ahahaha well said!
never have i heard so much power in goosebumps. from the 50s
idk any words or anything about opera but found this gem, will pass it down
Absolutely the best Tosca ever. She did not sing Tosca, she WAS Tosca. This is the real difference that made her the greatest!
So true!
Perfectly and powerfully summed up.
Absolutely she was indeed Tosca
How can she be Tosca when Tosca was before she was born?
@@yacovlevi you failed to comprehend
This three minutes twenty seconds alone is enough to place Callas in a league no other opera singer in recorded history can touch.
So true!
time will tell more and more so, it is true,
So True!
What about Renata Tebaldi
Ever heard of Joan Sutherland?
I think i was more shocked at the fact that not one person didn't shout out Brava or clap at what was a phenomenal performance
3:20
Speechless I should think!
One of her best arias!
For me the best woman opera singer in the world.
This was a film of just the second act. There may not have been an audience
It is hard not to cry listening to the way Callas sings this aria. She conveys a tormented soul in such deep despair. There will never be another Tosca like Callas.
La Divina ❤️
I agree
Callas 4 EVER .....
Anche io piango quando l'ascolto. È inevitabile 🌹grande donna.
I do cry when I listen to this.
When I played this piece, usually the 53 version, my mom used to come into my room tears running down her face to thank me for the experience. She is now almost too deaf and far gone with dementia to be able to enjoy any music.
I was very alone in my appreciation of classical music and my loud playing of opera was a source of displeasure frequently for others. But my beloved mother never curtailed my weirdness in this regard. This and Eben ne andro lontano always had profound impact on her. She was literally the only other person in my life who displayed such a genuine visceral reaction and appreciation for the power of Callas. I miss that terribly.
Very beautiful to have that memory ✨
Thank you for sharing. I was the different one too. No one liked or listened to or even wanted to innerstand classical music. To me it was natural and obvious.
You’re not alone man, there’s plenty like you, don’t ever lose that gift to feel the music like you do
Your story resonates with me as well.
The tears. Yes. It’s one of my best measures of how great an aria and the singer is; whether I am moved to tears or not. Callas never fails to move me with her depth of feeling.
So many people do not get it. Your story is lovely. Sad your mother’s illness, but so great she appreciated the emotion in the arias you played. As others have said here you are not alone! Opera singers, sopranos and tenors in particular, are simply the greatest of all voices.
We are the weird ones. It's good to be weird.
This interpretation by Maria is an astonishing miracle! The phrasing, legato, musicality and laser ray acute notes ,the exquisite high pianissimi, this is other world singing. Brávissima! Unforgettable diva Maria Callas❤❤❤❤❤❤❤❤❤
Такого высочайшего совершенства-и голоса, и манер, и внешности, пока не достиг никто. И трудно представить, возможно ли это. Спасибо!
The amount of feeling and power Callas gets in her voice is almost shocking...almost unbelievable. She truly was one of a kind.
Impossible not to cry. What a voice, what raw emotion. Casta diva!!
Thank goodness man invented the recording, since I wasn't even born to see that. I can only imagine what would be like to listen to her personally, since from a video I already feel spiritually elevated to tears. Something happens again, like the first time I read Proust's "In Search of Lost Time", I thought I would never be able to read other authors and novels since nothing seemed to compare to him, fortunately it was only temporary; and now since I discovered Callas, I can only listen to her over and over again, and all other singers seem irrelevant.
C Henrique
", since from a video I already feel spiritually elevated to tears" That happened to me as well. What kind of person can dislike this? Even while the last note seems to be slightly off.
So true
I just love your comment. How beautifully put!
This is the greatest, most beautiful piece of music ever recorded, and I don't understand a word of it.
just imagine listening with the translation you can also found in youtube
I wonder sometimes if she knew how wonderful she was....here we are 60 years later, and she still can break you open in 3 minutes....and you're never the same again. Bravissima Maria Callas!!!
I cannot listen to Callas without tears.
+Tom Frøkjær You must to thank even Puccini's music.
+Tom Frøkjær Yup!!!
absolutely
me too...
Tom Frøkjær Me either, but for entirely different reasons.
Vedere Maria quando interpreta qualsiasi opera è un’esperienza esaltante. In questa Tosca poi l’immedesimazione totale di Maria è la sua voce così piena di dolore e di passione si rivolge a Dio in modo disperato. Ma l’effetto che sprigiona è incomprensibile e sublime
The difference beetween Callas and the other singers is that when she sings she is not only an opera singer, she is Tosca.
👌
Yes, they sing it, she lives it.
Sums Callas up perfectly.
So true!
Actually, here I prefer Kabaivanska's interpretation. It has more depth, and is less melodramatic.
her sense of music and drama is beyond anything on the stage today. It really is a shame that it is unlikely that there will never be anyone like her to grace this world again.
No, never
This is Maria at her very best. I agree totally, no other soprano can ever stand in her shadow, she was and is the only Queen of Opera.
Yes
It's funny coz Sutherland said when she lost the weight her voice was never the same! But we can't all be wrong can we? I think this is incredible! The best Tosca by far!
This is probably her best Tosca dramatically speaking but the voice started to decline here unfortunately. In the 1940's and early 1950's, before here weight loss, she was even greater. A voice so so full it's unbelievable. Here you can hear wooble, thinness sometimes. She used her vocal weaknesses and turned it into dramatic strength. She was the greatest. Still here with half the voice she had in 1950 she is at a level rarely equaled by her predecessors and never equaled since.
@@abcdefgh-db1to You’re right. I like her emotion here, but her voice was much stronger and more refined in the 1953 version.
@@jamesmorrison2055 IMO her 1952 live version from Mexico is the absolute greatest
After you listen to her you have to avoid comparisons with another sopranos, She is absolutely divine.
She is the best!!!!!!
The most heart rendering piece of art ever committed to film . Period.
Craig doyle It's not even the most heart rending piece of art ever committed to film.
Many people have criticized her voice range etc. etc. However, she was an artist at 360 degrees. Her acting was superb. For example, she perfectly interprets how Tosca would have felt then. Her eyes, her struggle, how can you not be moved by that. No autotune, no color, no fancy effects, just the voice, and the acting how it should be!
Too much tremolo. I prefer Tebaldi as a singer. Callas as an actress.
@@bunnybgood411 technically speaking I would agree with you for the singing part but also opera is singing and acting together - being the best at both perhaps is a little bit too much to ask for 👍🏼
People criticize everything they see....yet forget to show respect to something they can only dream of doing themselves.....
naar mijn mening ben je niet altijd gezegend met zo,n goddelijke stem . een zwaar leven en nagejaagd worden door het schuim van de aarden die graag willen schrijven wat het beste verkoopt . Egotrippers die met haar gezien wilde worden om wat voor reden ook . Net als alle grote kunstenaars zal ze ergens voort leven . tot ziens Maria
Vissi d'arte, vissi d'amore,
non feci mai male ad anima viva!
Con man furtiva
quante miserie conobbi, aiutai.
Sempre con fe' sincera,
la mia preghiera
ai santi tabernacoli salì.
Sempre con fe' sincera
diedi fiori agli altar.
Nell'ora del dolore
perché, perché Signore,
perché me ne rimuneri così?
Diedi gioielli
della Madonna al manto,
e diedi il canto
agli astri, al ciel, che ne ridean più belli.
Nell'ora del dolore,
perché, perché Signore,
perché me ne rimuneri così?
Ufffff🥰😍🥰😍🤩
M'in vita sempre per ascoltare la musica! Grazie! Tutti i gusti son gusti!
Grazie di cuore! Finalmente ho capito il testo!😘🌹❤
T buu tU h ho
Thank you.💖
That performance is absolutely incredible! She has created the model for how to perform this piece. It is perfect!
Che voce stupenda che tecnica,di voce da dea della voce d oro!!
Completely sublime. No one touches Callas in this aria. It’s beyond belief. Impossible not to sob. What a soprano. Truly La Divina.
My father cried listening to this "romanza" and I cry too. We cry because in the question
that's shouted and sung "Perché Signor?" ie "Why Lord?", in that scream (2:37- 2:42) there is the despair, the fear, the need and the life of humans.
I felt the same thing! PERQUE, SIGNORE, ME NE RIMUNERI COSI?
riascoltare la Divina in quest'aria in questo momento così triste per il COVID19, mi ha rasserenato l'anima e mi ha convinto ancora di più che l'arte e la cultura sono determinanti nella vita di una persona se vuole vivere con pienezza e in armonia con il mondo. semplicemente meraviglioso
La divina.
nessuna parola può esprimere la sua altezza e la sua bellezza del suo divino canto
Vissi d'arte, vissi d'amore, non feci mai male ad anima viva!
Con man furtiva quante miserie conobbi aiutai.
Sempre con fe sincera la mia preghiera
ai santi tabernacoli sali.
Sempre con fe sincera diedi fiori agli altar.
Nell'ora del dolore perché, perché, Signore, perché me ne rimuneri così?
Diedi gioielli della Madonna al manto, e diedi il canto agli astri, al ciel, che ne ridean più belli.
Nell'ora del dolore, perché, perché, Signore, ah, perché me ne rimuneri così?
I cannot get over how she uses those registral breaks at the end to emphasize the cadence - the first is Ab, the second is G….who knows if it was intentional but geez it’s accurate and sounds amazing!!
Thank you Galaxy S24 Ultra Official Film for bringing me here.
Thank the stars that these few recordings of Callas were made, little as they we might very well have been left with only the audio records of a great artist.
She had tears in her voice and true and convincing attitude . No fake gestures nor grimaces like most of others singers in this role who cannot sing with so much emotion.
Callas went thru so much...every gesture and every emotion is genuinely a part of what she was going thru in her personal life...
Her soul singing...
This is why she is matchless and uniquely perfect: An angelic voice plus true emotions and excellent acting. She will be dearly loved and missed for centuries to come. Thank you for posting!
There are two sets of sopranos in opera history. Maria Callas and everybody else.
The effort these grand sopranos put in the song, is hard to understand, is not just talent, is a rough physically power, that is hard to comprehend.
È proprio vero. Io sto studiano da qualche mese ed è assurdo il meccanismo fisico che si deve imparare a innescare. È faticosissimo
When Maria Callas first sang at Convent Garden many years before this performance, it was her famous 'Norma' . . . she exited after the first scene,
and the audience did not applaud. She turned to the director, surprised, and
said 'what did we do wrong?' He replied, 'oh, the London audiences don't
interrupt the opera, Maria, with applause.' It's a marvelous quality, really,
because they are so absorbed in the drama, and of course, she sang there
many times in many of her great roles, which you can hear in live recordings.
** However all that being said, this entire performance of Tosca is on youtube, so you can see and hear the tremendous ovation at the end of Act II . . . that's when
the London audience went wild. When the curtain fell after Tosca has killed
Scarpia, places the candles around him, the cross on his chest, and sobbing
runs offstage, that's when the London audience silent and respectful
of such great acting, expressed their appreciation. Unforgettable!
Anthony Plumer
Great comment.
Thank you indeed.
As a historical note, especially approaching the centenary this month of Rosa Ponselle's Met debut, Covent Garden audiences sure made an applause exception for her. In spite of having been patronizingly warned by Melba to expect applause only at an act's end, Madame Ponselle received a six minute ovation after "Casta diva." (Ponselle: A Singer's Life p. 122)
Thank you for sharing this wonderful anecdote.
absolutely beautiful, my favorite version and rendition, Maria is the greatest
Absolutely breathtaking! I LOVE her!!
Maria Callas è unica! Spiace affermare che la enorme differenza ancora oggi esistente con altri soprani lascia pensare che sarà così per sempre. Grandissime qualità di recitazione e altissima esecuzione di qualsiasi brano d'opera, lasciano molto indietro tutte le altre anche bravissime.
I know she was a legend and critics raved about her and they were right. Brilliant sopranos have come and gone, but Maria Callas was in a class of her own. Awesome performance of Visi d'arte.
I have listened to this version of Vissi d"arte Each time I have learned more about the depth of Tosca's feelings and the composer/librettist intent which Mme. Callas brings alive. This time I heard something different. Her sadness, her disbelief of what has is happening, is what every woman who has been or exposed to possible sexual assault. The sadness, the anger, the lifting up to the Diety why has this happened, Now I understand why many women friends who were exposed to possible or actual assault responds with tears, and anguish. Callas interpretation touched them to feel their reality. RIP Mme Callas -- you were an interpretive musical genius. RIP
Sempre un' emozione ascoltare Maria Callas, unica, inarrivabile ed indimenticabile. Lei non solo cantava, era ogni personaggio che interpretava.
I had the pleasure of enjoying her last performance in the UK . Unforgettable.
Stunning I presume. I believe most artist only get better with age of they tend to stick with it.
Hands down the most beautiful opera piece ever written.
Callas is simply beautiful. She achieved her divine status because of her colossal talent, the ability to be the story and at the same time, tell the story of opera with her voice, mind and heart. May the haters continue but they won't succeed.
My God!! This woman has soul!!!!
Most women have.
Absolute perfection artistically and technically. I cry every time I hear it. The greatest singer of all time. End of discussion.
I can't explain what I feel when I listen to her. Nobody else can make me feel like she does!
Hillary Clinton makes me feel like that
TANTISSIMA EMOZIONE
A breathtakingly beautiful performance...never before have I been so deeply moved as by Maria Callas's heart-rending interpretation.
Callas. The greatest opera singer of all times. What perfetct expression and emotion.
Google commercial brought me here. There's no mistaking this woman... 👏 Brava
An absolutely extraordinary performance. La Divina. ❤❤🥰
Vissi d'arte, vissi d'amore
Non feci mai male ad anima viva
Con man furtiva
Quante miserie conobbi aiutai
Sempre con fe' sincera
La mia preghiera
Ai santi tabernacoli salì
Sempre con fe' sincera
Diedi fiori agli altar
Nell'ora del dolore
Perché, perché, Signore
Perché me ne rimuneri così?
Diedi gioielli della Madonna al manto
E diedi il canto agli astri, al ciel
Che ne ridean più belli
Nell'ora del dolor
Perché, perché, Signor
Ah, perché me ne rimuneri così?
🙏🩷
A voice like that comes not only from talent but a passionate and troubled life. It comes out through her wonderful voice. She can also act her part while singing. Not easy
Just glad to be able to see these epic performances from 60 years ago
Thanks for uploading.
Does it get any better than this? What a voice, full of pain with so much beauty.
A genius... this woman IS Opera.
Oh my dear Maria, the media treated you harsh and you died of heartbreak! But I hope you know even 40 years after your death you still inspire! I wrote just now about Caballe's version, her technique especially her breath control was spot on! But who needs to hold that final note when you give us 3 minutes and 20 seconds of something that can never be copied, never replicated, you really were the ultimate Soprano, you could act you could sing, and even though my Italian is rusty you made me believe every word! The critics said your voice was never the same again after your weight loss, to hell with them! You proved them so wrong and my God were you beautiful! And for the record I heard your early "Sempre libera" titled like a wildcat on TH-cam and no one has ever or will ever sing like that! So to hell with the haters people will always put you down! I might be a tenor but you've inspired me in ways no one can explain! I hope you are happy now, and I hope to get to sing with you in Heaven one day!
geboren worden met een wilskracht als de hare ,,,,, met een goddelijke stem ,,, is niet altijd een zegen .ze werd omringt door egotrippers die met haar gezien wilde worden . journalisten die schreven wat het beste verkocht . ook als ze zich even rot voelde en even uitviel ,,,,, waren het zogenaamde ,,,, sterallures . Misschien kom ik haar ooit nog eens tegen om haar te bedanken . hoop dat zij enkele woorden Nederlands spreekt
Such angst and raw emotion!!! Five star performance!
È davvero meravigliosa, entra davvero nel cuore. Credo che con la Callas si sia raggiunto il top della lirica, mi emoziona questa sua interpretazione.
Arte che oltrepassa l'arte. ❤️
perfect voice - still gives me chills when Callas sings Tosca
When singing and acting and feeling it all with your soul really become as one in a truly magical performance! Nothing could ever compare to this 💚 oh Maria
You can say what you want about her approach and technique, but she did something very special in this aria. She approached it like you approach sacred music, with complete renunciation of the ego.
What a blessing that this performance by Maria Callas has been recorded. The climax ooooooh is just stunning beyond words. One can almost see the sheer appreciation and gratitude on Maria's face as she is creating the sound. This is the strongest climax I have seen performed for this aria. And then to her last breath she gives it her all! Astonishing. Such control of voice and emphasis! Such enunciation!
Callas la mejor no solo en canto sino tambien en una electrizante actuación. Es magistral en el arte del bel canto.
With Callas there was the renaissance of the opera.
She has such POWER and such surety of beauty, she was absolutely astounding.
Muchas gracias por compartir esta obra de arte, patrimonio de la humanidad.
What a rendition !
May Almighty bless Madame Callas's noble soul
Heard this absolute gem from Frasier. Thank you, Niles & Daphne.
The expression she has in her voice is just incredible. It just gives me goosebumps every single time I listen to it. If you've heard Vissi D'arte sung by Callas once it's done, that's it, you just compare every other version to her. But at the end she's incomparable, she's L'Assoluta, La Divina after all.
>Tú sí sabes amiga mía.
muchas gracias!
Yep
No words! La Callas was, and it still is "the 'monster' of the opera...of the Bel Canto.
WOW! The power and the passion! Why don't you rip my heart out? The genius of Maria,
première fois que j'écoute Maria Callas ....je ne connais rien à l'opéra mais juste là.......cette femme m'a ému aux larmes ................😍😍😍
came here directly after hearing Tebaldi, who is supposed to have a more "beautiful" voice, but is tame and pallid by comparison. Here we have a real human being pouring out her heart, with all her passions and imperfections, not a singer focused on singing "beautifully".
Listen to Angela Gheorghiu , she is the very best thing to happen to opera after Callas!
@@sergiu17 Yes, listening to Gheorghiu isn't a bad idea. Callas had a very ugly voice only suited for Lady Macbeth, who is SUPPOSED to sound ugly. Tebaldi had a beautiful voice but couldn't reach any note above high A without screaming. Gheorghiu has a beautiful voice and excellent high notes.
Goosebumps! So much emotions and what a voice!
i feel like electrified over my body at 2:39 ! incredible, beautiful...
She touch haeven, good
Perfect timing and feeling on every phrase. Plus perfectly calculated acting. She was probably a perfectionist and positively a genius!!! ♥♥♥
Her first voice teacher said that she was the first one to arrive and last to leave. Apparently it was talent, vovation and very hard work. To see her in this aria is almost unbelievable.
I feel like for her, the role of Tosca was like drinking water. It was her first leading role after all, so she probably had a lot of experience playing this part. She said she never liked Vissi D'Arte, and even said that Puccini felt conflicted in adding this aria as it made no sense to the movement of the act, which she agreed, but of course Puccini felt compelled to add a soprano aria just for the sake of the opera. Of course, it turned out to be one of Puccini's most famous arias. But it is so ironic how Maria didn't give much care for this role, when it is one of the most we associate her with, well at least the younger audience who never seen her live, since this is one of few clips we have of her live performances. But if I were to pick her top roles, they would certainly be Medea (probably her best), Norma, Abigaille, Tosca (the best one I've seen thus far), Violetta, Gioconda. Her strength was certainly in more dramatic roles.
Yo no soy opera fan pero cada vez que veo este video mis ojos se llenan de lágrimas.
Callas performance in Tosca couldn t be reached by any other soprano ever.She is unique as vocal range and her interpretation is the most dramatic ever.Almost overwhelming!
the best, the most brilliant, sincere, exquisite opera female singer ever!
Totally agree
No one get close to her!
Mein Gott!!! What a performance, this video explain very clear why the Diva was the voice of the century, imposible not to cry!!
Maria Callas was, is and will be forever the one and only Divina soprano, as a Greek Goddess!I love her great unique disembodied voice .She is the the opera and drama together.
El sultan capitulo,
Una voce stupenda ,distrutta dall'amore x un uomo che non meritava niente .riposa in pace
There are no words in the Tongues of Man than could describe that
........ So i will sit in stunned silence forever knowing i was in the presence of Perfection .....
We miss you Maria ..........🙏💙
1:53 When she says that cosi like you let pure sadnes to sing itself.Its something most beautiful I have ever heard.♡
When soul sings... Not the voice. Always in tears.
Wonder those 120 dislikes.... They know about Opera, Art, Passion, Pain...?
This performance of Maria's Vissi d'arte sets the bar for all time!
Never will happen again. Heaven on earth. Forget all these „Tosca“ Singers of our days. What a voice. What an artistry. I’ll die for it.
Speechless with admiration. Incredible music, perfectly sung.
mio Dio ,,perché ogni volta che ascolto ,la DIVINA .nn posso che piangere --voce e interprete unica al Mondo..nessuno più come.LEI ,,PIU DI LEI-- immensa MARIA.GRAZIE -♥
My first love is Jazz but this woman has a gift from the gods, there is not another voice that can touch hers. We are so fortunate to have been graced with her voice during our lifetime
Dio mio! Splendida! Mi piace tantissimo Maria Callas!
I sing Opera and Maria is the only soprano to ever win my heart. She was and IS still the most profound soprano ever to Grace this Earth.
Sicuramente la più sconvolgente ed emozionante Vissi d'arte della storia dell'opera lirica ma non dimentichiamo l'interpretazione fatta dalla Verrett al Metropolitan. In quanto a intensità e pathos nell'interpretazione, uniti ad una voce meravigliosa è allo stesso livello di questa. Grande Shirley e grazie Callas per le emozioni che ci date in questo periodo in cui tutte le altre sembrano galline starnazzanti.
La Shirley era anche lei meravigliosa.
It is always a masterclass in style to hear or (the rare and wonderful treat!) to see Callas sing! Here in the verismo opera-she still retains the beautiful legato and follows what Maestro Puccini has put in the score faithfully. There is far too much scooping and swooping and ugly glottal attacks in the way modern singers sing this beautiful music! Instead of art we are getting fed a very poor copy-a caricature even, at times of this music. It isn’t that there doesn’t exist talent anymore, I just think the emphasis is on the wrong things and so the high art that is singing is being trampled on and dumbed down in an effort to “please the audience”....Beautiful, engaged, virtuosic singing is what speaks directly to the souls of the audience. If we bring that back, then the theaters will be full to bursting again. Thank you Maria Callas for shining the light!
There have been so many fabulous singers on our lifetime but who can match the great Callas, so much real emotions, real xxxx❤❤❤
i cried listening to this. It's like her singing can reach the very depth of your soul.
Ach, sooo beautiful! One of the most emotional pieces of all times and Maria sang it perfect. A lifetime treasure for humanity.
Puccini was the king of melody. And she was the queen Tosca. ❤