everybody talks how good the double-decker bus part is. But honestly, I never see anybody mention the flute part. The way it sounds is just so soothing for some reason. Underrated part of the song.
I also think that Johnny Marr played these parts, he did a lot of stuff on "Strangeways here we come" so it would make perfect sense and if I'm not mistaken it was credited on album's sleeve notes, but as for the flute part I think he just came out with some arpeggio similar to those in "Some girls are bigger than others" and transcribed it on a synth, if you listen at live versions you see what I mean.
Take me out tonight Where there's music and there's people And they're young and alive Driving in your car I never, never want to go home Because I haven't got one Anymore Take me out tonight Because I want to see people And I want to see life Driving in your car Oh, please don't drop me home Because it's not my home, it's their home And I'm welcome no more And if a double-decker bus Crashes into us To die by your side Is such a heavenly way to die And if a ten ton truck Kills the both of us To die by your side Well, the pleasure, the privilege is mine Take me out tonight Take me anywhere, I don't care I don't care, I don't care And in the darkened underpass I thought, "Oh God, my chance has come at last" But then a strange fear gripped me And I just couldn't ask Take me out tonight Oh, take me anywhere, I don't care I don't care, I don't care Driving in your car I never, never want to go home Because I haven't got one, la-di-dum Oh, I haven't got one Oh, oh And if a double-decker bus Crashes into us To die by your side Is such a heavenly way to die And if a ten ton truck Kills the both of us To die by your side Well, the pleasure, the privilege is mine Oh, there is a light and it never goes out There is a light and it never goes out There is a light and it never goes out There is a light and it never goes out There is a light and it never goes out There is a light and it never goes out There is a light and it never goes out There is a light and it never goes out
This song brings me powerful feelings of nostalgia and of things I’ll never experience again, even if I lived for eternity. The ending is perfect. ❤🎶🎹🎵🎻
Hermoso arreglo, lo mejor de esta cancion. Me parece una locura como alguien puede componer esto. Con razon liam y noel gallagher tienen tantas influencias de the smiths. Respecto a tu cover, a la perfección. Impecablemente interpretado. Saludos desde Argentina.
Muchísimas gracias, Alvin. Sí, no solamente Oasis, pero muchos otros grupos .The Smiths es un icono para nuestra generación. Un grande abrazo de tu hermano de Brasil. 🤜🤛
I just noticed that at 2:13 there's another string line that comes on the fourth beat, two eight notes: F# G#. And two bars later the same melody afterwards land on an E
I've been racking my brain trying to figure out the song in which I've heard the chords that kick in from 29 seconds in. It's something I've heard fairly recently and it's irritating the life out of me 😩🤣 the song which I can't figure out uses these chords slightly slower. Have spent the last hour googling who has sampled this song and no success. Any ideas? 😊
Thank you very much! I created the backing track on Roland Fantom's sequencer. Drums, Bass, Acc Guitar and Strings; one on each channel. Fantom had 16 recording channels, as well as Triton. The strings sound on Triton was recorded using a resource called RPPS, which allows you to dedicate a phrase to a specific key.
I think your missing a key note in there dude That riff that goes 151555 33217 the second part of the riff I think has a higher dissonant note at the end. That special note is “the light”
is the only way to play this by having a recording of the base melody (which you introduce when you hit the play button around 1.10) and the overlay is then on top? So it's impossible to play this without a recording?
Tks for tour comments. Well, I'm very limited, reason why I can't play both hands simultaneously. But for sure there are many keyboard players that can do it. I tried very hard, but I couldn't.
@@NostalKeys Thanks mate, it sounds great. Do you think that the smiths keybaord player is good enough to do both melodies both handed? I havent seen anyone else accompolish that on other YT tutorials of this record!!
@br2jyk I didn't use the Arpeggiator function. The one I used is called RPPR. The RPPR (Realtime Pattern Play/Recording) function on the Korg Triton allows users to assign a pattern and track to each key in Sequencer mode. This allows the user to play a pattern by pressing the assigned key. That's what I did for the Strings sound while I play the Flute.
everybody talks how good the double-decker bus part is. But honestly, I never see anybody mention the flute part. The way it sounds is just so soothing for some reason. Underrated part of the song.
It was guitar originally
And they did it live live
@@c.a.d.w.a5573 they did the flute live???
@@d1_s175 no they did the flute part on guitar live
Which sounds pretty cool
The flute part is heavenly beautiful I can tell , I always listen to this song just to get to this part
@@d1_s175 For me, the whole song is amazing, but the Flute + Strings part is the cherry on the pie.
BTW, tks for watching!
🤜🤛
I might be wrong, but I think Johnny Marr made these arrangements. If that's true, it proves his genius beyond guitar
He probably did it. If not, he's still a genius! Hehe.
🤜🤛
I also think that Johnny Marr played these parts, he did a lot of stuff on "Strangeways here we come" so it would make perfect sense and if I'm not mistaken it was credited on album's sleeve notes, but as for the flute part I think he just came out with some arpeggio similar to those in "Some girls are bigger than others" and transcribed it on a synth, if you listen at live versions you see what I mean.
At the moment I watch this daily. This is my favorite piece of music ever, especially the flute part. Thank you so much.
@GrenMatze Wow, thanks a lot! I'm glad you liked it.
I love everything about this song, but the flute/ strings part is really the best one.
Cheers!
wow, very accurate to the original song!! Awesome
Thanks a lot!
🤜🤛
Take me out tonight
Where there's music and there's people
And they're young and alive
Driving in your car
I never, never want to go home
Because I haven't got one
Anymore
Take me out tonight
Because I want to see people
And I want to see life
Driving in your car
Oh, please don't drop me home
Because it's not my home, it's their home
And I'm welcome no more
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Take me out tonight
Take me anywhere, I don't care
I don't care, I don't care
And in the darkened underpass
I thought, "Oh God, my chance has come at last"
But then a strange fear gripped me
And I just couldn't ask
Take me out tonight
Oh, take me anywhere, I don't care
I don't care, I don't care
Driving in your car
I never, never want to go home
Because I haven't got one, la-di-dum
Oh, I haven't got one
Oh, oh
And if a double-decker bus
Crashes into us
To die by your side
Is such a heavenly way to die
And if a ten ton truck
Kills the both of us
To die by your side
Well, the pleasure, the privilege is mine
Oh, there is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
There is a light and it never goes out
This song brings me powerful feelings of nostalgia and of things I’ll never experience again, even if I lived for eternity. The ending is perfect. ❤🎶🎹🎵🎻
@hairandcia2028 Thank you very much! To me, as well. One of the top 5 songs of my life.
🤜🤛
so cool! Love it
Tks a lot!
Hermoso arreglo, lo mejor de esta cancion. Me parece una locura como alguien puede componer esto. Con razon liam y noel gallagher tienen tantas influencias de the smiths.
Respecto a tu cover, a la perfección. Impecablemente interpretado. Saludos desde Argentina.
Muchísimas gracias, Alvin. Sí, no solamente Oasis, pero muchos otros grupos .The Smiths es un icono para nuestra generación.
Un grande abrazo de tu hermano de Brasil.
🤜🤛
Amazing! I love the flute part❤
@@davidivanyi1276 Thanks! Me too.
Agr que vi que vc é brasileiro kkkkk
Q canal incrível, mano, nn para com ele. Precisamos divulgar a boa música de varias maneiras ❤️
Po, muito obrigado!
Não vou parar, não. Enquanto eu tiver gás, vou tacarnos 80 na cara dessa molecada de hoje. Hehe.
Abs.
God, The Smiths were really beyond time. And of course great video. Thank you so much for this great performance!
@@TonyMontana-ro5tg Thank you very much!
The Smiths forever!
🤜🤛
Wow, very good!
Hey can you please do the full chorus string part? Thanks! Amazing video!!
Perfect as usual !
Thanks a lot, my friend!
😮 Amazing! Congratulations! 🎉
Thanks a lot!
Really helpful tutorial, thanks
Thank you!
Nailed it , brilliant !
Thanks a lot!
Great ❤
@@theotherside7538 Thank you!
Klasse Gespielt und Regestriert 👍👍
this video made me so happy, tysm
Wow... I'm glad you liked it. Thank you!!
Lindo demais.
Muito obrigado!
i love this so much :)
🤜🤛
love it❤
Thanks!
I just noticed that at 2:13 there's another string line that comes on the fourth beat, two eight notes: F# G#. And two bars later the same melody afterwards land on an E
2:13 on the original audio?
@@NostalKeys yes!
@svantesvard6966 Exactly! I've just heard it, and I had never noticed that. You have extremely good ears.
🤜🤛
pois é, fica um intervalo de segunda menor, entre G# e A, e depois um salto ascendente pra nota E
Simples e inspirador, esse é um dos temas mais belos do pop internacional. Parabéns pela interpretação!
Muito obrigado!
New subscriber here😊 super talented dude! Love your videos ❤
@mrsc2062 Awwwww...thank you very much!!
🤜🤛😘
Love it❤
Thank you!
Perfect!
Thank you very much!
That's so fucking cool!!!!!!!!!
Thank you very much!
make 10 hours of this pleaseee hehehe
Haha... I feel you. This song should be endless.
Tks a lot!
eres un genio
impresionante cover musical
Muchísimas gracias, amigo.
Awesome!❤
Thanks!
I've been racking my brain trying to figure out the song in which I've heard the chords that kick in from 29 seconds in. It's something I've heard fairly recently and it's irritating the life out of me 😩🤣 the song which I can't figure out uses these chords slightly slower. Have spent the last hour googling who has sampled this song and no success. Any ideas? 😊
🤔🤔🤔.
No idea.
This is wonderful. Can you share how you made or found the backing track? Thanks.
Thank you very much!
I created the backing track on Roland Fantom's sequencer. Drums, Bass, Acc Guitar and Strings; one on each channel.
Fantom had 16 recording channels, as well as Triton. The strings sound on Triton was recorded using a resource called RPPS, which allows you to dedicate a phrase to a specific key.
I think your missing a key note in there dude
That riff that goes 151555 33217 the second part of the riff I think has a higher dissonant note at the end.
That special note is “the light”
Possibly. It's tricky bcs of the delay efx applied to it.
is the only way to play this by having a recording of the base melody (which you introduce when you hit the play button around 1.10) and the overlay is then on top? So it's impossible to play this without a recording?
Tks for tour comments.
Well, I'm very limited, reason why I can't play both hands simultaneously. But for sure there are many keyboard players that can do it. I tried very hard, but I couldn't.
@@NostalKeys Thanks mate, it sounds great. Do you think that the smiths keybaord player is good enough to do both melodies both handed? I havent seen anyone else accompolish that on other YT tutorials of this record!!
@@FreedomFighterz215 Ahhh, he is. He's such a great keyboard player. He does amazing stuff live.
How do you play the strings on the chorus part?
How did you create these patches?
Hi, Brian. Those are factory presets. I used the keyboards' track sequencer to record the song.
Was the acoustic guitar on the Fantom or Triton?
Fantom.
May I inquire what your aroeggiator settings were?
@br2jyk I didn't use the Arpeggiator function. The one I used is called RPPR. The RPPR (Realtime Pattern Play/Recording) function on the Korg Triton allows users to assign a pattern and track to each key in Sequencer mode. This allows the user to play a pattern by pressing the assigned key.
That's what I did for the Strings sound while I play the Flute.