Tracklist: 00:00 01. Five Guys Named Moe (Alternative Version) 02:59 02. Reet Petite And Gone (Alternative Version) 05:34 03. Choo Choo Ch'Boogie (Alternative Version) 07:59 04. Let The Good Times Roll (Alternative Version) 10:33 05. Daddy-O 13:15 06. On The Sunny Side of The Street 15:53 07. Wham Sam 18:19 08. Don't Burn The Candle At Both Ends 21:07 09. Down Down Down 24:05 10. I Know What You're Puttin' Down 27:06 11. Honey Chile 29:42 12. Knock Me A Kiss (Alternative Version) 34:05 13. Broke But Happy 38:11 14. If You Can’t Smile And Say Yes (Please Don’t Cry And Say No) Title: Jukebox King Year Of Release: 2024 Label: Oxford Label Services Genre: Jazz, Blues, Swing Effervescent saxophonist Louis Jordan was one of the chief architects and prime progenitors of the R&B idiom. His pioneering use of jumping shuffle rhythms in a small combo context was copied far and wide during the 1940s. Jordan's sensational hit-laden run with Decca Records contained a raft of seminal performances, featuring inevitably infectious backing by his band, the Tympany Five, and Jordan's own searing alto sax and street corner jive-loaded sense of humor. Jordan was one of the first Black entertainers to sell appreciably in the pop sector; his Decca duet mates included Bing Crosby, Louis Armstrong, and Ella Fitzgerald. The son of a musician, Jordan spent time as a youth with the Rabbit Foot Minstrels and majored in music later on at Arkansas Baptist College. After moving with his family to Philadelphia in 1932, Jordan hooked up with pianist Clarence Williams. He joined the orchestra of drummer Chick Webb in 1936 and remained there until 1938. Having polished up his singing abilities with Webb's outfit, Jordan was ready to strike out on his own. The saxist's first 78 for Decca in 1938, "Honey in the Bee Ball," billed his combo as the Elks Rendezvous Band (after the Harlem nightspot that he frequently played at). From 1939 on, though, Jordan fronted the Tympany Five, a sturdy little aggregation often expanding over quintet status that featured some well-known musicians over the years: pianists Wild Bill Davis and Bill Doggett, guitarists Carl Hogan and Bill Jennings, bassist Dallas Bartley, and drummer Chris Columbus all passed through the ranks. From 1942 to 1951, Jordan scored an astonishing 57 R&B chart hits (all on Decca), beginning with the humorous blues "I'm Gonna Leave You on the Outskirts of Town" and finishing with "Weak Minded Blues." In between, he drew up what amounted to an easily followed blueprint for the development of R&B (and for that matter, rock & roll -- the accessibly swinging shuffles of Bill Haley & the Comets were directly descended from Jordan; Haley often pointed to his Decca labelmate as profoundly influencing his approach). "G.I. Jive," "Caldonia," "Buzz Me," "Choo Choo Ch' Boogie," "Ain't That Just like a Woman," "Ain't Nobody Here but Us Chickens," "Boogie Woogie Blue Plate," "Beans and Cornbread," "Saturday Night Fish Fry," and "Blue Light Boogie" -- every one of those classics topped the R&B lists, and there were plenty more that did precisely the same thing. Audiences coast-to-coast were breathlessly jitterbugging to Jordan's jumping jive.
Tracklist:
00:00 01. Five Guys Named Moe (Alternative Version)
02:59 02. Reet Petite And Gone (Alternative Version)
05:34 03. Choo Choo Ch'Boogie (Alternative Version)
07:59 04. Let The Good Times Roll (Alternative Version)
10:33 05. Daddy-O
13:15 06. On The Sunny Side of The Street
15:53 07. Wham Sam
18:19 08. Don't Burn The Candle At Both Ends
21:07 09. Down Down Down
24:05 10. I Know What You're Puttin' Down
27:06 11. Honey Chile
29:42 12. Knock Me A Kiss (Alternative Version)
34:05 13. Broke But Happy
38:11 14. If You Can’t Smile And Say Yes (Please Don’t Cry And Say No)
Title: Jukebox King
Year Of Release: 2024
Label: Oxford Label Services
Genre: Jazz, Blues, Swing
Effervescent saxophonist Louis Jordan was one of the chief architects and prime progenitors of the R&B idiom. His pioneering use of jumping shuffle rhythms in a small combo context was copied far and wide during the 1940s.
Jordan's sensational hit-laden run with Decca Records contained a raft of seminal performances, featuring inevitably infectious backing by his band, the Tympany Five, and Jordan's own searing alto sax and street corner jive-loaded sense of humor. Jordan was one of the first Black entertainers to sell appreciably in the pop sector; his Decca duet mates included Bing Crosby, Louis Armstrong, and Ella Fitzgerald.
The son of a musician, Jordan spent time as a youth with the Rabbit Foot Minstrels and majored in music later on at Arkansas Baptist College. After moving with his family to Philadelphia in 1932, Jordan hooked up with pianist Clarence Williams. He joined the orchestra of drummer Chick Webb in 1936 and remained there until 1938. Having polished up his singing abilities with Webb's outfit, Jordan was ready to strike out on his own.
The saxist's first 78 for Decca in 1938, "Honey in the Bee Ball," billed his combo as the Elks Rendezvous Band (after the Harlem nightspot that he frequently played at). From 1939 on, though, Jordan fronted the Tympany Five, a sturdy little aggregation often expanding over quintet status that featured some well-known musicians over the years: pianists Wild Bill Davis and Bill Doggett, guitarists Carl Hogan and Bill Jennings, bassist Dallas Bartley, and drummer Chris Columbus all passed through the ranks.
From 1942 to 1951, Jordan scored an astonishing 57 R&B chart hits (all on Decca), beginning with the humorous blues "I'm Gonna Leave You on the Outskirts of Town" and finishing with "Weak Minded Blues." In between, he drew up what amounted to an easily followed blueprint for the development of R&B (and for that matter, rock & roll -- the accessibly swinging shuffles of Bill Haley & the Comets were directly descended from Jordan; Haley often pointed to his Decca labelmate as profoundly influencing his approach).
"G.I. Jive," "Caldonia," "Buzz Me," "Choo Choo Ch' Boogie," "Ain't That Just like a Woman," "Ain't Nobody Here but Us Chickens," "Boogie Woogie Blue Plate," "Beans and Cornbread," "Saturday Night Fish Fry," and "Blue Light Boogie" -- every one of those classics topped the R&B lists, and there were plenty more that did precisely the same thing. Audiences coast-to-coast were breathlessly jitterbugging to Jordan's jumping jive.